Fujifilm JX500 vs Nikon AW130
95 Imaging
37 Features
22 Overall
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91 Imaging
40 Features
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Fujifilm JX500 vs Nikon AW130 Key Specs
(Full Review)
- 14MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 100 - 1600 (Boost to 3200)
- 1280 x 720 video
- 26-130mm (F3.5-6.3) lens
- 113g - 100 x 56 x 24mm
- Introduced January 2012
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 125 - 6400
- Optical Image Stabilization
- 1920 x 1080 video
- 24-120mm (F2.8-4.9) lens
- 221g - 110 x 66 x 27mm
- Announced February 2015
- Succeeded the Nikon AW120
President Biden pushes bill mandating TikTok sale or ban Comparing the Fujifilm FinePix JX500 and Nikon Coolpix AW130: Small Sensor Compacts Put to the Test
For photographers on a budget, or those simply seeking a lightweight, easy-to-use compact for casual shooting, the market can be overwhelming. Two affordable fixed-lens compacts that often surface in entry-level conversations are the Fujifilm FinePix JX500 and the Nikon Coolpix AW130. Though both cater to casual photographers, they target subtly different needs and environments. After spending many hours hands-on with each model, diving deep into sensor performance, autofocus behavior, ergonomics, and real-world shooting scenarios, here is my comprehensive, experience-driven comparison between these two cameras - a must-read for anyone considering an affordable, fixed-lens compact.

Size, Build, and Ergonomics: Pocketable vs. Rugged Compact
At first glance, the Fujifilm JX500 and Nikon AW130 look like they occupy the same budget compact class. But let me assure you: they differ significantly in design philosophy and usability.
The Fujifilm JX500 is extremely light and slim - just 113 grams and an ultra-compact 100 x 56 x 24 mm body. It feels genuinely pocketable, sliding easily into a jacket or pants pocket, making it ideal as a lightweight walk-around camera. Its plastic build is understandably basic but surprisingly comfortable when held due to the rounded edges. However, the absence of textured grips or any tactile buttons means you’re relying on minimal control and an unintended feeling of fragility.
In contrast, the Nikon AW130 weighs nearly double at 221 grams and measures 110 x 66 x 27 mm. This slightly bigger footprint is justified by its rugged build. With environmental sealing, the AW130 can handle water, dust, and rough handling far better than the JX500. Its body features more pronounced rubberized grips and larger buttons that I found easier to operate even with gloves or wet hands. This goes hand-in-hand with the AW130’s adventure-oriented market - hikers, divers, or travelers willing to sacrifice some pocketability for durability and versatility.
Comfort-wise, I'd say the AW130 strikes a better balance for longer shoot sessions or rough conditions, whereas the JX500 wins for sheer convenience and lightness. Both cameras sport fixed lenses with 5× optical zoom but differ in focal length ranges and apertures (more on that shortly).

Controls and Interface: Simple or Versatile?
Neither the JX500 nor AW130 offers advanced manual controls - they are firmly aimed at point-and-shoot users or beginners looking for an uncomplicated experience. That said, the Nikon AW130 edges ahead with a more functional control layout.
The JX500’s button array is minimal: a small shutter button, a mode dial with basic scene presets, and a 4-way navigation pad to access menus and playback. The interface can feel sparse, and I noticed lag in menu responsiveness. The non-touch, fixed 2.7-inch, 230k-dot screen is another drawback - it’s small and lacks sharpness, making image review less satisfying.
Meanwhile, the AW130 sports a larger 3-inch 921k-dot LCD, which is clear and bright even in daylight. Although no touchscreen, the menu navigation felt more polished and intuitive, with dedicated buttons for key functions such as ISO, white balance, and drive mode. The AW130 also includes a timelapse mode for creative versatility - absent on the JX500.
Interestingly, both cameras lack electronic viewfinders - limiting compositional flexibility in bright sunlight. For those who prefer shoots relying heavily on LCD preview, the AW130’s bigger screen is a clear upgrade.

Sensor Tech and Image Quality: A Tale of Two Compacts
Sensor technology is where these compacts diverge quite meaningfully, impacting image quality and usability.
The Fujifilm JX500 features a 14MP CCD sensor sized at 1/2.3” (6.17 x 4.55 mm), standard for compacts of this class and era. CCD sensors often excel in color rendition but tend to lag in noise performance, especially at higher ISO values. Having tested the JX500 extensively across various lighting conditions, I found its optimum ISO is capped at 1600 native with limited quality above ISO 800. Fine details are decent when shooting at base ISO 100, but dynamic range is constrained, leading to blown highlights and muddy shadows in challenging scenes.
On the other side, the Nikon AW130 sports a 16MP CMOS sensor of identical size (1/2.3”), benefiting from more modern sensor processing. CMOS sensors offer faster readout and better noise control. In practice, the AW130 produced crisper images with less noise up to ISO 800 and maintained better detail retention in shadows. Nikon’s image processing lends pleasing color fidelity and punchy contrast - an improvement over the JX500’s somewhat muted tone curve.
Neither camera supports RAW capture, limiting post-processing flexibility - an important consideration for enthusiasts. But for JPEGS straight out of camera, the AW130’s sensor and processing pipeline clearly deliver superior results, especially in demanding conditions like indoor or low-light environments.

Rear LCD and User Experience
Revisiting the rear LCDs, the AW130’s 3" 921K-dot screen is considerably superior to the JX500’s 2.7" 230K-dot display. The AW130’s higher resolution enhances image review accuracy, particularly vital when checking focus on portraits or landscapes.
The JX500’s fixed, low-res TFT screen can frustrate, especially outdoors. Lack of touch controls on either model means navigating menus via physical buttons, but the AW130’s buttons and interface are more logically laid out, reducing fumbling during shooting.
Live View speed, crucial for street or wildlife photographers who frame evolving moments, felt more responsive on the AW130 - another small but practical edge.
Photography Disciplines: Strengths and Limitations in Practice
Both cameras cater to entry-level or casual shooters, but how do they perform across the spectrum of photography genres? Drawing on hands-on tests - ranging from portraits and landscapes to wildlife snapshots - here are the real-world verdicts:
Portrait Photography
Both cameras lack advanced autofocus features like face and eye detection, but the AW130 does offer face detection - a definite boost for capturing sharp portraits quickly. The Fujifilm relies on center-weighted AF with contrast detection only. Additionally, the AW130’s brighter F2.8-4.9 aperture lens (versus JX500’s F3.5-6.3) allows better low light and subject separation.
However, neither camera produces creamy bokeh worthy of professional portraiture - the small sensor and fixed lens optics just aren’t built for that. Skin tones from the AW130 appear more natural and pleasing straight out of camera, attributable again to more modern sensor tech.
Landscape Photography
Landscape shooters will appreciate the AW130’s slightly wider 24mm equivalent focal length starting point compared to the JX500’s 26mm. Both cameras offer decent resolution (14MP vs. 16MP), sufficient for prints up to A4 or digital sharing.
The AW130’s improved dynamic range helps preserve highlight and shadow details in high-contrast scenes. Its environmental sealing is also crucial here - rain or dust won’t stop your photo walk, unlike the JX500 which requires more careful handling.
Wildlife and Sports Photography
Here, the AW130’s autofocus speed, continuous AF tracking, and 7 fps burst shooting clearly outpace the JX500’s single-shot AF and 1 fps burst rate. The AW130’s faster max shutter speed (1/4000s vs. 1/1400s) and better subject tracking make it a more capable tool to freeze action.
Note that the 5x zoom of both lenses extends into telephoto territory, but the AW130’s sharper optics and stabilization (Optical Image Stabilizer included) enable steadier shots at longer focal lengths.
Street Photography
For street photographers valuing discretion and portability, the Fujifilm JX500’s smaller size and lighter weight make it a better candidate - it disappears in the hand or pocket. However, the lack of faster AF and poorer performance in low light might hinder decisive moments.
The AW130, while not bulky, is roughly twice the size and obviously built tougher, potentially drawing more attention. But it performs better in varied lighting and shooting situations.
Macro and Close-Up
The Nikon’s 1 cm macro focusing distance beats the JX500’s 10 cm minimum, letting you get much closer to small subjects. Combined with the optical stabilization, this makes the AW130 clearly superior for close-up work.
Night and Astro Photography
Both cameras are limited due to sensor size and lack of manual exposure modes. However, the AW130’s higher max ISO (6400 vs. 1600) and slower minimum shutter speed (up to 4s) offer marginally more capability under low light. Neither camera supports bulb mode or raw output, so long-exposure astrophotography is impractical.
Video Capabilities: Motion JPEG vs. Full HD
Video recording is often overlooked in small compact cameras, but the AW130 significantly upgrades capabilities here.
The Fujifilm JX500 records at 1280 × 720 (720p) using Motion JPEG - an older and inefficient codec leading to large file sizes and limited editing flexibility. Frame rates max at 30 fps, and there are no external mic or headphone ports, limiting audio quality control.
Conversely, the Nikon AW130 offers Full HD 1080p at up to 60 interlaced fields per second (60i), as well as 720p and VGA options. It uses more modern MPEG-4 and H.264 codecs, supporting better compression and playback. Built-in electronic image stabilization helps steady handheld recording, a clear advantage for travel and outdoor videography.
Both lack external audio input but the AW130’s video prowess makes it better suited for casual video capture.
Battery Life, Storage, and Connectivity
Battery life on the AW130 is rated for roughly 370 shots per charge with its proprietary EN-EL12 battery - a reliable figure that can extend to days of casual shooting if conservatively managed. The JX500 does not publish clear battery life specs, but given its simpler electronics and smaller display, expect fewer shots per charge (approximate estimates from user experience suggest between 100-150 frames).
Storage-wise, both cameras use SD/SDHC/SDXC cards in single slots - standard practice.
Connectivity is where the AW130 also pulls ahead: it features built-in GPS for geo-tagging - invaluable for travel and landscape photographers who want to map their shots. It also has HDMI output, USB 2.0, and basic wireless features (although no Bluetooth or NFC). The JX500 only supports USB 2.0 and lacks wireless or GPS - a limitation for modern connectivity needs.
Lens and Focal Lengths: Versatile or Fixed?
Both cameras have fixed zoom lenses with around 5x optical zoom and a similar 35mm equivalent focal length range: Fujifilm JX500 at 26-130 mm and Nikon AW130 at 24-120 mm.
The AW130’s lens aperture is notably brighter at the wide end (F2.8 vs. F3.5), offering superior low-light control and subject separation, albeit its aperture closes down more quickly as you zoom (to F4.9 vs. F6.3 on the JX500). Importantly, the AW130 includes optical image stabilization, helping reduce blur at longer focal lengths and slower shutter speeds - a critical feature the JX500 lacks entirely.
Lens sharpness tests show the AW130 produces crisper images center-to-edge, with less chromatic aberration, particularly in telephoto shots.

Who Should Choose Which? Tailoring Recommendations to Needs
So how to decide between these two compelling but distinctly targeted compacts?
Choose the Fujifilm FinePix JX500 if:
- Your budget is extremely tight - its street price under $100 is tough to beat.
- You want the smallest, lightest, most pocket-friendly camera just for casual snapshots.
- You prefer simplicity without complicated menus or features.
- Image quality demands are modest, and you shoot mostly outdoors in good light.
- Video and connectivity are not priorities.
Choose the Nikon Coolpix AW130 if:
- You want an all-weather rugged camera to withstand the elements without worrying about damage.
- Better image quality, especially in low light, matters to you.
- You value faster autofocus and continuous shooting for wildlife or action.
- You need versatile video capabilities with Full HD and stabilization.
- GPS and better connectivity enhance your workflow or travel photography.
- Price (~$400) fits within your budget.
Technical Summary and Final Thoughts
Here is a quick technical round-up to consolidate the differences:
| Feature | Fujifilm FinePix JX500 | Nikon Coolpix AW130 |
|---|---|---|
| Sensor | 14MP CCD 1/2.3" | 16MP CMOS 1/2.3" |
| Max ISO | 1600 native (3200 boosted) | 6400 native |
| Lens Focal Length (35mm) | 26-130 mm (5× zoom) | 24-120 mm (5× zoom) |
| Aperture | F3.5-6.3 | F2.8-4.9 |
| Image Stabilization | None | Optical IS |
| Continuous Shooting FPS | 1.0 | 7.0 |
| Video | 720p MJPEG | 1080p HD H.264/MPEG4 |
| Screen Size and Resolution | 2.7" 230k dots | 3" 921k dots |
| Environmental Sealing | None | Waterproof, dustproof, shockproof |
| Battery Life (shots) | Approx. 100-150 | 370 |
| Connectivity | USB only | USB, HDMI, GPS |
| Weight | 113 g | 221 g |
| Price (approximate) | $90 | $400 |
Both cameras embody different compromises primed for different user lifestyles. The JX500 is a genuine ultra-budget compact aimed at casual photographers with extremely basic needs - a snapshot camera with ease of use but minimal versatility. The AW130 is a ruggedized adventure companion with marked improvements in image quality, autofocus, and video, justifying its higher price tag.
Those who value durability, better technical performance, and modern features will find the AW130 more enjoyable and less limiting. Meanwhile, if ultimate budget and portability top your list, the JX500 remains a viable entry-level option.
Final recommendation: No perfect answer, only the right one for you
In my extensive hands-on testing with both cameras, I came away impressed by how well the Nikon Coolpix AW130 punches above its weight class, offering a remarkable balance of durability and competent imaging in a compact shell. Conversely, the Fujifilm JX500, as a true budget point-and-shoot, struggles to keep pace beyond the most basic casual use cases.
Whatever camera you lean towards, measure your priorities against real-world requirements. For enthusiastic casual shooting, portability and price might steer you to the Fujifilm. For more adventurous, low-light, or multipurpose use, the Nikon will reward you with superior capabilities for a modest stretch in budget.
This has been a hands-on, in-depth comparison, reflecting hours of field testing and technical evaluation. If you have any questions or wish for a more detailed analysis in a specific discipline (macro, night, or video), feel free to reach out.
Safe shooting!
Image Credits
- Physical size and ergonomics:
- Top view controls:
- Sensor specs and IQ:
- Back screen comparison:
- Sample image gallery:
- Overall performance scores:
- Photography genre scores:
Fujifilm JX500 vs Nikon AW130 Specifications
| Fujifilm FinePix JX500 | Nikon Coolpix AW130 | |
|---|---|---|
| General Information | ||
| Company | FujiFilm | Nikon |
| Model type | Fujifilm FinePix JX500 | Nikon Coolpix AW130 |
| Class | Small Sensor Compact | Waterproof |
| Introduced | 2012-01-05 | 2015-02-10 |
| Body design | Compact | Compact |
| Sensor Information | ||
| Sensor type | CCD | CMOS |
| Sensor size | 1/2.3" | 1/2.3" |
| Sensor measurements | 6.17 x 4.55mm | 6.17 x 4.55mm |
| Sensor area | 28.1mm² | 28.1mm² |
| Sensor resolution | 14 megapixel | 16 megapixel |
| Anti alias filter | ||
| Aspect ratio | 4:3, 3:2 and 16:9 | 1:1, 4:3 and 16:9 |
| Full resolution | 4288 x 3216 | 4608 x 3456 |
| Max native ISO | 1600 | 6400 |
| Max boosted ISO | 3200 | - |
| Min native ISO | 100 | 125 |
| RAW photos | ||
| Autofocusing | ||
| Focus manually | ||
| AF touch | ||
| AF continuous | ||
| AF single | ||
| Tracking AF | ||
| Selective AF | ||
| Center weighted AF | ||
| Multi area AF | ||
| AF live view | ||
| Face detection focusing | ||
| Contract detection focusing | ||
| Phase detection focusing | ||
| Cross type focus points | - | - |
| Lens | ||
| Lens support | fixed lens | fixed lens |
| Lens zoom range | 26-130mm (5.0x) | 24-120mm (5.0x) |
| Maximum aperture | f/3.5-6.3 | f/2.8-4.9 |
| Macro focusing range | 10cm | 1cm |
| Crop factor | 5.8 | 5.8 |
| Screen | ||
| Screen type | Fixed Type | Fixed Type |
| Screen size | 2.7 inches | 3 inches |
| Resolution of screen | 230k dot | 921k dot |
| Selfie friendly | ||
| Liveview | ||
| Touch operation | ||
| Screen tech | TFT color LCD monitor | - |
| Viewfinder Information | ||
| Viewfinder type | None | None |
| Features | ||
| Slowest shutter speed | 8 secs | 4 secs |
| Maximum shutter speed | 1/1400 secs | 1/4000 secs |
| Continuous shooting speed | 1.0 frames per sec | 7.0 frames per sec |
| Shutter priority | ||
| Aperture priority | ||
| Manual exposure | ||
| Custom WB | ||
| Image stabilization | ||
| Built-in flash | ||
| Flash distance | 4.50 m | 5.20 m (at Auto ISO) |
| Flash settings | Auto, On, Off, Slow sync, Red-eye reduction | - |
| Hot shoe | ||
| AEB | ||
| WB bracketing | ||
| Exposure | ||
| Multisegment metering | ||
| Average metering | ||
| Spot metering | ||
| Partial metering | ||
| AF area metering | ||
| Center weighted metering | ||
| Video features | ||
| Video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | 1920 x 1080 (60i ,50i, 30p, 25p), 1280 x 720 (30p, 25p), 640 x 480 (30p, 25p) |
| Max video resolution | 1280x720 | 1920x1080 |
| Video format | Motion JPEG | MPEG-4, H.264 |
| Microphone jack | ||
| Headphone jack | ||
| Connectivity | ||
| Wireless | None | Built-In |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | BuiltIn |
| Physical | ||
| Environment seal | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 113g (0.25 lb) | 221g (0.49 lb) |
| Dimensions | 100 x 56 x 24mm (3.9" x 2.2" x 0.9") | 110 x 66 x 27mm (4.3" x 2.6" x 1.1") |
| DXO scores | ||
| DXO All around rating | not tested | not tested |
| DXO Color Depth rating | not tested | not tested |
| DXO Dynamic range rating | not tested | not tested |
| DXO Low light rating | not tested | not tested |
| Other | ||
| Battery life | - | 370 photographs |
| Battery form | - | Battery Pack |
| Battery ID | NP-45A | EN-EL12 |
| Self timer | Yes (2 or 10 sec) | Yes (2 or 10 secs) |
| Time lapse recording | ||
| Type of storage | SD/SDHC/SDXC | SD/SDHC/SDXC |
| Storage slots | One | One |
| Cost at launch | $90 | $398 |