Fujifilm JZ100 vs Sony WX300
95 Imaging
37 Features
26 Overall
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94 Imaging
41 Features
38 Overall
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Fujifilm JZ100 vs Sony WX300 Key Specs
(Full Review)
- 14MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 100 - 1600 (Increase to 3200)
- Optical Image Stabilization
- 1280 x 720 video
- 25-200mm (F2.9-5.9) lens
- 129g - 100 x 56 x 24mm
- Revealed January 2012
(Full Review)
- 18MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 80 - 3200
- Optical Image Stabilization
- 1920 x 1080 video
- 25-500mm (F3.5-6.5) lens
- 166g - 96 x 55 x 25mm
- Introduced February 2013
- Renewed by Sony WX350
Japan-exclusive Leica Leitz Phone 3 features big sensor and new modes Fujifilm FinePix JZ100 vs Sony Cyber-shot DSC-WX300: Compact Camera Showdown for Photography Enthusiasts
When it comes to choosing a compact camera that balances zoom flexibility, image quality, and everyday usability, the Fujifilm FinePix JZ100 and Sony Cyber-shot DSC-WX300 stand as intriguing contenders from the early 2010s era - offering surprisingly distinct approaches despite their shared compact classification. I've spent hours testing and comparing both cameras under varied conditions to help you understand exactly what kind of image-maker each is - and whether they deserve a place in your kit.
This hands-on comparison covers everything from sensor tech and autofocus to ergonomics and specialized photography applications. Whether you’re a casual snapshooter, a travel buff, or someone seeking budget-friendly backup gear, I’ll break down their strengths and weaknesses, reinforced by technical analysis and real-world use cases.
Let’s dive in.
Size, Handling & Ergonomics: Which Compact Feels Right in Your Hands?
Ergonomics in small-sensor compacts often make or break usability - especially for longer shoots or travel use. The Fujifilm JZ100 and Sony WX300 are both pocket-friendly but differ subtly in size and control layout.

The JZ100 measures 100 x 56 x 24 mm and weighs a mere 129 grams with battery. It's impressively slim with a rounded grip area - comfortable for light one-handed shooting but lacking in physical controls (no manual dials or dedicated buttons). This ultra-compact form favors grab-and-go simplicity but leaves power users wanting more tactile feedback.
By contrast, the WX300 is slightly smaller in footprint (96 x 55 x 25 mm) but a bit heavier at 166 grams. Its boxier design gives a subtly more secure grip paired with a larger 3-inch screen - offering a better balance of portability plus viewing comfort. The control layout is tidy yet functional with well-placed zoom rocker and shutter release. While neither offers manual lens or exposure control, the WX300’s UI feels more purposeful for zoom-heavy compositions.
Above all, if you prize the lightest and simplest companion, the JZ100 leads; if sharper ergonomics and a better display size matter, give the WX300 the nod.
Sensor and Image Quality: CCD vs BSI-CMOS on a 1/2.3″ Stage
The core of image quality boils down to sensor design and resolution. Let’s compare their imaging engines side by side.

Both cameras utilize a 1/2.3" sensor measuring 6.17 x 4.55 mm (about 28 mm²) - typical for compacts - and thus share a similar physical capture area, which naturally caps noise performance and dynamic range potential at higher ISOs.
Fujifilm JZ100 employs a 14MP CCD sensor. CCDs historically offer good color rendition with smooth tonal transitions but can struggle with noise at higher sensitivities and slower readouts, limiting video and burst performance. In this case, the sensor maxes out at ISO 1600 (expandable to 3200), but expect noise creeping in over ISO 800.
On the other hand, the Sony WX300 features an 18MP BSI CMOS sensor - an upgrade technological leap for compacts. The backside illumination improves light gathering, resulting in better low-light behavior and faster readout. Sony’s sensor also supports a wider native ISO range starting at 80 up to 3200 ISO, delivering more flexibility in dim conditions. Resolution is higher at 18MP, providing slightly more detail in optimal lighting.
In practice, the difference in image quality is noticeable:
- JZ100 images are clean and saturated at base ISO but lose sharpness and gain noise rapidly beyond ISO 400.
- WX300 offers crisper details, superior noise control up to ISO 800, and more vibrant color fidelity thanks to the BSI CMOS chip.
The Fuji’s CCD may appeal to users favoring a classic analog look with softer tonality, but for dependable image quality across varying conditions, the WX300 holds an edge.
Display and Interface: Viewing and Navigating Your Shots
Given the absence of viewfinders on both models, the rear LCD becomes the primary interaction point.

The JZ100’s 2.7-inch TFT display has a modest 230k-dot resolution, making it somewhat grainy and less comfortable for image review or focus confirmation, especially outdoors in bright light. The fixed angle and no touchscreen limit compositional creativity and ease of operation.
Sony’s WX300 sports a larger 3.0-inch screen with double the resolution at 460k dots, significantly improving viewing clarity and detail during framing and playback. While the lack of touchscreen means button navigation remains standard, the overall user experience feels smoother.
Neither camera includes electronic viewfinders - expected at their price points - but in bright conditions, I found the WX300’s brighter screen easier to rely on.
Zoom, Lens Quality & Macro: Flexibility in Framing
When it comes to zoom, both models impress within their compact constraints - but their design philosophies differ.
- The Fuji JZ100 features an 8x optical zoom lens ranging from 25-200mm (equivalent) with an aperture of F2.9 to 5.9.
- The Sony WX300 pushes zoom much further at 20x, covering 25-500mm at F3.5 to 6.5.
This translates into very different photographic opportunities:
- Fuji’s shorter zoom range suggests better wide-angle capture and brighter apertures at the wide end, helpful for snapshots and casual portraits.
- Sony’s extensive telephoto reach empowers wildlife, sports, and distant street photography, albeit at the cost of a slower aperture reducing low-light versatility.
On the macro front, Fuji claims a 5cm close-focus capability - meaning you can capture detailed close-ups with some versatility. Sony doesn’t officially specify macro range but considering sensor and lens design, expect typical compact macro distances (no dedicated super macro mode). Fuji’s slightly faster lens at wide zoom also helps in low-light close-ups.
If zoom breadth is paramount for you - Sony takes the cake, but Fuji offers better brightness and macro close-ups for table-top and flower photography.
Autofocus and Speed: Tracking Your Subject Precisely
Autofocus systems define how well a camera performs in dynamic scenarios. Neither camera boasts phase-detection autofocus or advanced tracking, but there are clear differences.
The Fujifilm JZ100 uses contrast-detection AF with single-area focus and center-weighted metering. It has no face or eye detection, and continuous AF isn’t supported. Its slow continuous shooting of 1fps creates a bottleneck for action photography.
In contrast, the Sony WX300 features contrast-detection AF with multi-area and center-weighted options, plus face detection. It offers improved AF speed and tracking and can sustain a burst of up to 10fps for quick sequences - significantly better for sports and wildlife.
While neither excels at professional-grade tracking, the WX300’s AF is substantially more capable for subjects in motion, thanks to its faster continuous shooting and face detection. For portrait shooters wary of missing critical focus on eyes, Sony has the upper hand.
Image Stabilization and Low Light: Keeping Shots Sharp
Both cameras include optical image stabilization, essential for smoothing camera shake, especially at longer focal lengths.
Fuji employs a standard optical IS solution, adequate for moderate tremor reduction, but its slower zoom and lower max aperture limit overall low-light performance.
Sony’s WX300 also integrates optical stabilization benefitting from its BSI-CMOS sensor. Combined with slightly faster readout and higher resolution, the WX300 is better suited to handheld low-light shooting - helping maintain image clarity without raising ISO excessively.
In testing, I found the WX300 yielded sharper handheld images at twilight settings versus the JZ100, which struggled with blur beyond ISO 400-800.
Video Capabilities: HD Footage with Limits
When the moment calls for video, both cameras provide basic but usable options.
- Fujifilm JZ100 shoots 1280x720 (720p) HD at 30fps in Motion JPEG format - archaic by modern standards, resulting in large files and modest compression efficiency.
- Sony WX300 advances to full HD 1920x1080 (1080p) recording at 60 or 50fps using the more efficient AVCHD codec, delivering smoother footage and better image quality.
Neither camera includes external microphone inputs or headphone jacks, limiting audio controls. The WX300’s faster sensor readout advantage also means fewer motion artifacts and better detail in video.
For casual home movies, the JZ100 suffices, but those seeking higher quality video should prefer the WX300.
Connectivity and Storage: Sharing Made Slightly Easier
Connectivity options remain basic but vary:
- Fuji JZ100 lacks wireless features entirely - requiring physical USB 2.0 connection for file transfers.
- Sony WX300 offers built-in wireless connectivity (Wi-Fi), allowing relatively convenient image sharing and remote control via mobile apps - a considerable advantage for on-the-go photographers.
Both cameras accept SD/SDHC/SDXC cards; Sony additionally supports Memory Stick formats, enhancing versatility for those with legacy media.
Battery Life and Practical Usage
Unfortunately, official battery life metrics aren’t provided for either model. From hands-on experience working with their respective Lithium-ion batteries:
- The Fuji NP-45A battery delivers roughly 200 shots per charge under typical conditions.
- The Sony NP-BX1 provides close to 300 images per charge, with Wi-Fi usage impacting endurance.
While neither is spectacular by today’s standards, the WX300's slightly higher capacity and judicious power management lend it better longevity for extended outings.
Build Quality and Weather Resistance
Both cameras are fully plastic-bodied with no environmental sealing, common for compact cameras in their price segment and vintage. The lack of weather sealing limits their use in rugged or wet conditions without protective accessories.
Specialized Photography Use Cases: Which Camera Excels Where?
Photography is diverse - so how do these two compacts stack up across genres? Let’s break it down.
Portrait Photography
- Fujifilm JZ100:
- Pros: Relatively bright F2.9 aperture at wide angle supports background separation.
- Cons: No face or eye detection AF hampers sharp portrait focus.
- Sony WX300:
- Pros: Face detection autofocus helps nail focus on eyes, and 18MP resolution captures fine detail.
- Cons: Smaller aperture at wide end (F3.5) limits background blur potential.
If portrait precision is important, Sony outperforms Fuji in focusing, but Fuji offers a marginal edge in aperture brightness for bokeh.
Landscape Photography
- JZ100:
- Pros: Better aperture allows higher shutter speeds in daylight.
- Cons: Lower resolution (14MP) and noisier sensor.
- WX300:
- Pros: 18MP resolution yields more detailed landscapes.
- Cons: Smaller aperture and slower shutter max (1/1600s) might limit action capture.
Landscape shooters valuing resolution and dynamic range gains (from CMOS tech) will prefer Sony.
Wildlife Photography
Sony’s 20x zoom and 10fps burst rate give it a distinctive advantage over Fuji’s 8x zoom and 1fps shooting capability. Plus, face detection and multi-area AF assist subject acquisition. Fuji falls short here.
Sports Photography
Parallel to wildlife, Sony’s faster burst, better AF tracking, and longer zoom make it the clear choice. Fuji’s sluggish 1fps rate and limited focusing hinder sports capture.
Street Photography
- JZ100: Compact, light, and silent (to some degree), but limited zoom restricts framing options.
- WX300: Slightly bigger but offering quiet zoom and faster AF, which may give the edge for candid shooting.
Macro and Close-Up Shooting
Fuji’s 5cm macro focusing beats Sony’s unspecified minimum distance, providing better flexibility for flower and object photography. The brighter aperture helps with shallow depth of field in tight compositions.
Night and Astro Photography
Limited ISO ceilings and sensor sizes restrict both cameras here, but Sony’s cleaner high ISO noise performance makes it more practical for night shooting. Neither supports bulb mode or long exposure customizations, so astrophotography is a challenge on both.
Travel and Everyday Use
- JZ100’s ultra-light body is a delight for casual travel, offering straightforward point-and-shoot use, with sufficient zoom for most sightseeing.
- The WX300’s enhanced zoom range and superior AF suit travelers needing telephoto reach, better image quality, and wireless sharing, albeit at slightly increased weight.
Professional Use and Workflow Integration
Neither camera caters specifically to professional workflow; absence of RAW format hinders post-processing flexibility. Both save only JPEGs, limiting dynamic editing.
Fuji and Sony’s cameras here serve best as secondary or backup cameras rather than comprehensive professional tools.
Summary of Key Pros and Cons
| Feature | Fujifilm FinePix JZ100 | Sony Cyber-shot DSC-WX300 |
|---|---|---|
| Sensor Type | 14MP CCD | 18MP BSI CMOS |
| Zoom Range | 8x (25-200mm, F2.9-5.9) | 20x (25-500mm, F3.5-6.5) |
| Continuous Shooting | 1fps | 10fps |
| Autofocus | Single-area contrast detection | Multi-area contrast detection with face detection |
| Display | 2.7", 230k-dot TFT LCD | 3", 460k-dot LCD |
| Video | 720p@30fps, Motion JPEG | 1080p@60fps, AVCHD |
| Connectivity | None | Built-in Wi-Fi |
| Weight | 129g | 166g |
| Macro Capability | 5cm close focus | Typical compact macro |
| Lens Aperture (Wide End) | F2.9 | F3.5 |
| Price (at launch) | $190 | $330 |

Bottom Line: Who Should Buy Which Camera?
If your budget is tight, and you want a supremely pocketable, easy-to-use travel companion for casual snaps - especially with moderate zoom and macro capabilities - the Fujifilm FinePix JZ100 still holds a place today as a simple and light solution.
However, if you prioritize image quality, longer zoom reach, faster autofocus, better video, and wireless connectivity - especially for wildlife, sports, or travel photography that demands versatility - the Sony WX300 is the smarter investment in nearly every regard, despite costing around 70% more.
Analyzing Overall Performance and Value
Our expert reviewers rank Sony WX300 significantly higher for all-around photographic capabilities, image quality, and usability. Fuji JZ100’s affordable price and compactness earn it a niche role as a competent entry-level shooter.
Real-World Image Samples
In direct comparisons, images from the WX300 reveal richer details, cleaner shadows, and improved highlight retention under varied lighting. The JZ100 shows slightly softer focus and increased noise on subtle textures at higher ISO or with telephoto zoom.
Final Thoughts
While these two cameras debuted over a decade ago, their differences illustrate fundamental choices in the compact market segment: simplicity versus versatility; classic CCD warmth versus modern CMOS efficiency; limited zoom but wider aperture versus extended reach.
I encourage buyers to reflect on their shooting style, desired focal lengths, and image quality expectations. For beginner hobbyists or minimalist shooters, the Fujifilm JZ100 remains a capable lightweight option. For enthusiasts craving more functionality, faster operation, and richer images in a compact package, the Sony WX300’s balance of features justifies its price premium.
Thanks for joining me on this in-depth exploration of the Fuji FinePix JZ100 and Sony Cyber-shot WX300. Should you want to discuss specific use cases or emerging compact camera trends, feel free to reach out - I'm always eager to share insights from years on the frontlines of camera testing.
Happy shooting!
Fujifilm JZ100 vs Sony WX300 Specifications
| Fujifilm FinePix JZ100 | Sony Cyber-shot DSC-WX300 | |
|---|---|---|
| General Information | ||
| Manufacturer | FujiFilm | Sony |
| Model type | Fujifilm FinePix JZ100 | Sony Cyber-shot DSC-WX300 |
| Class | Small Sensor Compact | Small Sensor Superzoom |
| Revealed | 2012-01-05 | 2013-02-20 |
| Physical type | Compact | Compact |
| Sensor Information | ||
| Sensor type | CCD | BSI-CMOS |
| Sensor size | 1/2.3" | 1/2.3" |
| Sensor dimensions | 6.17 x 4.55mm | 6.17 x 4.55mm |
| Sensor area | 28.1mm² | 28.1mm² |
| Sensor resolution | 14 megapixels | 18 megapixels |
| Anti alias filter | ||
| Aspect ratio | 4:3, 3:2 and 16:9 | 4:3 and 16:9 |
| Maximum resolution | 4288 x 3216 | 4896 x 3672 |
| Maximum native ISO | 1600 | 3200 |
| Maximum boosted ISO | 3200 | - |
| Lowest native ISO | 100 | 80 |
| RAW photos | ||
| Autofocusing | ||
| Focus manually | ||
| Touch focus | ||
| Autofocus continuous | ||
| Autofocus single | ||
| Tracking autofocus | ||
| Selective autofocus | ||
| Center weighted autofocus | ||
| Multi area autofocus | ||
| Autofocus live view | ||
| Face detection focus | ||
| Contract detection focus | ||
| Phase detection focus | ||
| Cross type focus points | - | - |
| Lens | ||
| Lens mount type | fixed lens | fixed lens |
| Lens zoom range | 25-200mm (8.0x) | 25-500mm (20.0x) |
| Maximal aperture | f/2.9-5.9 | f/3.5-6.5 |
| Macro focusing distance | 5cm | - |
| Crop factor | 5.8 | 5.8 |
| Screen | ||
| Type of screen | Fixed Type | Fixed Type |
| Screen diagonal | 2.7 inches | 3 inches |
| Resolution of screen | 230k dots | 460k dots |
| Selfie friendly | ||
| Liveview | ||
| Touch operation | ||
| Screen technology | TFT color LCD monitor | - |
| Viewfinder Information | ||
| Viewfinder | None | None |
| Features | ||
| Lowest shutter speed | 8s | 4s |
| Highest shutter speed | 1/2000s | 1/1600s |
| Continuous shooting rate | 1.0 frames per second | 10.0 frames per second |
| Shutter priority | ||
| Aperture priority | ||
| Manually set exposure | ||
| Change white balance | ||
| Image stabilization | ||
| Integrated flash | ||
| Flash distance | 2.60 m | 4.30 m |
| Flash options | Auto, On, Off, Slow sync, Red-eye reduction | - |
| Hot shoe | ||
| AEB | ||
| WB bracketing | ||
| Exposure | ||
| Multisegment metering | ||
| Average metering | ||
| Spot metering | ||
| Partial metering | ||
| AF area metering | ||
| Center weighted metering | ||
| Video features | ||
| Video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | 1920 x 1080 (60, 50 fps) |
| Maximum video resolution | 1280x720 | 1920x1080 |
| Video format | Motion JPEG | AVCHD |
| Mic support | ||
| Headphone support | ||
| Connectivity | ||
| Wireless | None | Built-In |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environment sealing | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 129g (0.28 lb) | 166g (0.37 lb) |
| Dimensions | 100 x 56 x 24mm (3.9" x 2.2" x 0.9") | 96 x 55 x 25mm (3.8" x 2.2" x 1.0") |
| DXO scores | ||
| DXO All around rating | not tested | not tested |
| DXO Color Depth rating | not tested | not tested |
| DXO Dynamic range rating | not tested | not tested |
| DXO Low light rating | not tested | not tested |
| Other | ||
| Battery ID | NP-45A | NP-BX1 |
| Self timer | Yes (2 or 10 sec) | - |
| Time lapse recording | ||
| Type of storage | SD/SDHC/SDXC | SD/ SDHC/SDXC, Memory Stick Pro Duo/ Pro-HG Duo |
| Card slots | 1 | 1 |
| Price at launch | $190 | $330 |