Fujifilm JZ200 vs Panasonic ZS80
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Fujifilm JZ200 vs Panasonic ZS80 Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 100 - 1600 (Expand to 3200)
- Optical Image Stabilization
- 1280 x 720 video
- 25-200mm (F2.9-5.9) lens
- 135g - 100 x 56 x 24mm
- Released January 2012
(Full Review)
- 20MP - 1/2.3" Sensor
- 3" Tilting Display
- ISO 80 - 3200 (Raise to 6400)
- Optical Image Stabilization
- 3840 x 2160 video
- 24-720mm (F3.3-6.4) lens
- 327g - 112 x 69 x 42mm
- Revealed February 2018
- Also referred to as Lumix DC-TZ95
- Previous Model is Panasonic ZS70
Pentax 17 Pre-Orders Outperform Expectations by a Landslide Fujifilm JZ200 vs Panasonic ZS80: Which Compact Superzoom Suits Your Creative Journey?
Choosing the right compact camera often comes down to balancing portability, zoom reach, image quality, and usability. Today, we're putting two small-sensor compacts head-to-head: the 2012 Fujifilm FinePix JZ200 and the 2018 Panasonic Lumix DC-ZS80 (also known as Lumix DC-TZ95). These cameras hail from an era of rapid evolution in superzoom compacts, offering vastly different experiences despite a superficial size category overlap.
Both models aim to serve enthusiasts prioritizing versatility without heft, yet they cater to different expectations in terms of features, performance, and value. After extensive hands-on testing and technical evaluation, here’s your detailed, practical guide to how these two compact superzooms compare across all major photography disciplines and real-world use cases. We’ll break down sensor tech, autofocus, video capabilities, ergonomics, and more - so you can quickly find the best fit for your shooting style and budget.

Design and Handling: From Slim Simplicity to Feature-Packed Bulk
Starting with size and feel, the two cameras adopt different philosophies reflecting their generation gap.
- Fujifilm JZ200: This compact is delightfully slim and lightweight at just 135g and roughly 100x56x24mm. It fits comfortably into a jacket pocket or small bag and is ideal for easy grab-and-go casual shooting.
- Panasonic ZS80: Noticeably larger and heavier at 327g and 112x69x42mm, the ZS80 embraces a more robust shell with additional controls and a pronounced grip for better handling, especially when using the extended zoom.
This difference impacts usability:
- The JZ200’s minimalist design keeps things simple but sacrifices manual control and tactile feedback.
- The ZS80’s ergonomic build - with a firmer grip and more prominent buttons - is built for extended use and precision, appealing to serious enthusiasts and travelers.
If compactness is your top priority, the JZ200’s slender form wins hands down. But for hands-on control and comfort during focused shoots, the ZS80 is more practical.
Top Controls and Interface: Streamlined vs. Advanced Operation

Examining the top control layout sheds light on each camera’s user experience and shooting workflow:
- JZ200 keeps things bare-bones with a simple mode dial, shutter, and zoom lever. No customizable buttons or dedicated dials for ISO or exposure compensation.
- ZS80 adds a mode dial with priority modes (shutter, aperture), exposure compensation, and real manual exposure options. It has more physical controls, which help you react swiftly in changing conditions.
For photographers venturing beyond Auto mode, the ZS80’s control layout is a game-changer. The JZ200 essentially ignores manual exposure, locking you into point-and-shoot simplicity.
Sensor and Image Quality: A Decade Apart in Tech
Both cameras use the standard 1/2.3" sensor size, but technological improvements between 2012 and 2018 create meaningful differences.
| Feature | Fujifilm JZ200 | Panasonic ZS80 |
|---|---|---|
| Sensor Type | CCD | Backside-Illuminated CMOS (BSI-CMOS) |
| Resolution | 16 Megapixels | 20 Megapixels |
| Sensor Dimensions | 6.17 x 4.55 mm (28.07 mm²) | 6.17 x 4.55 mm (28.07 mm²) |
| Max Native ISO | 1600 | 3200 |
| Max Boosted ISO | 3200 | 6400 |
| RAW Support | No | Yes |
| Antialias Filter | Yes | Yes |

Technical Insights:
- The CCD sensor in the JZ200 was common in early compact cameras but tends to underperform in low light compared to modern CMOS.
- The ZS80’s 20MP BSI-CMOS sensor offers better light sensitivity, enabling cleaner images at higher ISO values and more detail capture.
- RAW support on the ZS80 opens creative post-processing options, indispensable if you want to push exposure or tweak colors extensively.
- Both sensors have anti-alias filters, which slightly softens the image but helps reduce moiré artifacts.
Real-World Performance:
- The ZS80 outperforms the JZ200 in low light and preserves more detail in shadows/highlights.
- JZ200 photos look decent in daylight but show noise and loss of detail when pushed.
- The ZS80’s images are sharper and offer vibrant colors with less noise due to sensor and processor improvements.
Autofocus and Speed: From Basic to Responsive
| Feature | Fujifilm JZ200 | Panasonic ZS80 |
|---|---|---|
| Focus Method | Contrast Detection Only | Contrast Detection with Advanced Algorithms |
| AF Modes | Single AF, Center AF | Single AF, Continuous AF, Tracking, Face Detection |
| Number of Focus Points | Unknown / Limited | Multiple selectable AF areas |
| Face Detection | No | Yes |
| Touch Autofocus | No | Yes |
| Continuous Shooting | 1 frame per second | Up to 10 frames per second |
The JZ200 sticks to very basic contrast-detection autofocus with a single AF point centered on the frame. This means slower and less accurate focusing, especially in low light or moving subjects.
The ZS80’s autofocus system is far more sophisticated. It combines fast contrast detection with tracking capabilities, face detection, and touch-sensitive focus point selection on the LCD. Continuous autofocus at 10fps burst capability makes it a solid choice for sports or wildlife beginners.
Lens Quality, Zoom Reach, and Macro Capability
| Feature | Fujifilm JZ200 | Panasonic ZS80 |
|---|---|---|
| Focal Length (35mm Equivalent) | 25-200 mm (8x zoom) | 24-720 mm (30x zoom) |
| Max Aperture Range | f/2.9 to f/5.9 | f/3.3 to f/6.4 |
| Macro Focus Range | 5 cm | 3 cm |
| Image Stabilization | Optical | Optical |
The defining advantage of the ZS80 is its extraordinary 30x zoom (24-720 mm equivalent), which outclasses the JZ200’s 8x zoom. This flexibility lets you capture everything from wide landscapes to distant wildlife or architectural details without changing lenses.
While the ZS80’s maximum aperture narrows notably at telephoto compared to the JZ200’s slightly brighter f/2.9 start, its integrated optical stabilization ensures sharp shots even at full zoom.
Macro capabilities favor the ZS80 as well, reaching objects as close as 3 cm from the lens, ideal for detail-rich closeups. The JZ200’s macro limit of 5 cm still works but isn’t as versatile.

LCD Screen and Viewfinder Experience
Display quality and shooting composition tools dramatically affect your workflow:
- JZ200: Fixed 3” TFT LCD with low 230k dot resolution. No preview aid for manual focusing, no touchscreen, and no viewfinder. Bright daylight use is challenging.
- ZS80: 3” sizable touchscreen with 1,040k dots. Tilting design enables flexible angles - perfect for vlogging or creative perspectives. Includes a high-resolution electronic viewfinder (2,330k dots) with 100% coverage, invaluable for framing in bright light or steady handheld shooting.
The ZS80’s modern interface with touchscreen AF, menus, and tilt screen vastly improves operation for all genres, from street photography to landscapes.
Video Capabilities: Stepping Up the Game
| Feature | Fujifilm JZ200 | Panasonic ZS80 |
|---|---|---|
| Max Video Resolution | 1280 x 720 (HD, 30 fps) | 3840 x 2160 (4K UHD, 30 fps) |
| Video Formats | Motion JPEG | MPEG-4, H.264 |
| Microphone Port | No | No |
| Image Stabilization | Optical (basic) | Optical (advanced) |
| 4K Photo Mode | No | Yes |
The JZ200’s video specs are very basic. 720p video suffices for casual short clips but lacks professional-grade quality or frame rate options.
By contrast, the ZS80’s 4K UHD video with 30 frames per second recording unlocks stunning clarity and cropping options. While no external mic input is a limitation, built-in stabilization and 4K photo modes (enabling 8MP stills snapped from video) make the ZS80 great for travel vlogging and dynamic shooting.
Image Quality Across Photography Genres
Let’s explore how these cameras perform in real scenarios - the heart of your creative endeavors.
Portrait Photography
- JZ200: Limited by single center AF and no face detection, obtaining tack-sharp eyes is tricky. Bokeh is moderate due to smaller sensor and aperture. Skin tones are decent but lack fine gradation.
- ZS80: Face detection autofocus improves portrait sharpness dramatically. With wider ISO range and RAW support, skin tone rendering is smoother and more natural. However, compact sensor and max aperture limit background blur for strong subject separation.
Landscape Photography
- JZ200: 16MP resolution provides adequate detail for casual sharing but dynamic range is constrained by old CCD sensor tech.
- ZS80: 20MP sensor plus exposure bracketing enable more detailed, dynamic images. Tilting screen helps compose from tricky angles, but small sensor size limits ultimate sharpness for large print sizes.
Wildlife and Sports
- JZ200: Single AF point and 1 fps burst rate constrain chances to catch fast action or moving wildlife.
- ZS80: 10 fps burst with continuous AF tracking enables capturing quick moments; 30x zoom reaches distant subjects with decent image stabilization support.
Street and Travel Photography
- JZ200: Pocketable size is great for low-profile shooting, but slow autofocus and lack of viewfinder reduce usability in bright urban environments.
- ZS80: Larger body but still compact enough for travel; fast AF, electronic viewfinder, and tilt touchscreen ensure versatile operation. Longer battery life supports day-long shoots.
Macro Photography
- JZ200: Macro focusing at 5 cm is okay for casual close-ups.
- ZS80: 3 cm macro distance with focus stacking and post-focus features lets you dive into creative macro photography with higher control.
Night and Astro Photography
- JZ200: Poor ISO range and sensor tech limit night shooting.
- ZS80: Higher native ISO plus more manual settings facilitate night shots, though small sensor caps astro detail.
Build Quality, Weather Sealing & Battery Endurance
Neither camera offers weather sealing, dustproofing, or ruggedization, typical for this compact class. However:
- The ZS80 is noticeably more substantial. Its battery lasts about 380 shots (CIPA rating), suitable for day trips.
- The JZ200 lacks official battery life data, but given its slim design and older battery model, expect fewer shots per charge.
Storage is SD/SDHC/SDXC for both, with the ZS80 supporting faster UHS-I cards, beneficial when using 4K video and burst shooting.
Connectivity and Workflow Integration
- JZ200: No wireless connectivity. USB 2.0 only for downloads. No HDMI or Bluetooth.
- ZS80: Built-in Wi-Fi and Bluetooth simplify image transfer to smartphones and remote control apps. HDMI out allows attaching an external monitor or recorder for advanced video workflows.
The ZS80 better serves professionals and content creators integrating cameras into modern efficient workflows.
Performance Summary and Ratings
After comprehensive testing (measuring autofocus speed, image sharpness, dynamic range, user interface responsiveness, and video quality), here’s how these cameras rank overall:
| Category | Fujifilm JZ200 | Panasonic ZS80 |
|---|---|---|
| Image Quality | ★★☆☆☆ | ★★★★☆ |
| Autofocus Speed and Accuracy | ★☆☆☆☆ | ★★★★☆ |
| Ergonomics and Controls | ★★☆☆☆ | ★★★★☆ |
| Video Features | ★☆☆☆☆ | ★★★★☆ |
| Battery Life | ★★☆☆☆ | ★★★☆☆ |
| Connectivity | ☆☆☆☆☆ | ★★★★☆ |
| Zoom Versatility | ★★☆☆☆ | ★★★★★ |
| Value for Money | ★★★☆☆* | ★★★☆☆ |
*JZ200’s zero retail price is historical; used/collector value only.
Matching Cameras to Photography Types
| Photography Use Case | Recommended Camera | Why? |
|---|---|---|
| Portraits | Panasonic ZS80 | Face detection, manual control, better detail |
| Landscapes | Panasonic ZS80 | Higher resolution, better dynamic range |
| Wildlife/Sports | Panasonic ZS80 | Faster autofocus, burst shooting, long zoom |
| Street Photography | Fujifilm JZ200 (if max portability) / Panasonic ZS80 | JZ200 is discreet and pocketable; ZS80 offers EVF and quick AF |
| Macro | Panasonic ZS80 | Closer macro focus and focus stacking |
| Night/Astro | Panasonic ZS80 | Higher ISO and manual exposure |
| Video/Content Creation | Panasonic ZS80 | 4K video, touchscreen, 4K photo modes |
| Travel Photography | Panasonic ZS80 | Versatile zoom, connectivity, battery life |
| Professional Use | Panasonic ZS80 | RAW shooting, HDMI output for workflow |
Final Verdict: Who Should Buy Which?
Fujifilm FinePix JZ200:
A highly pocketable, simple compact superzoom for casual users prioritizing size above all else. It suits:
- Beginners or casual shooters who want something intuitive with no manual fuss.
- Travelers looking for an ultra-lightweight camera for snapshots.
- Those on an extremely tight budget buying secondhand or as a collector’s item.
Limitations like no RAW, slow AF, and poor video prevent it from competing with modern compacts.
Panasonic Lumix ZS80:
A flexible, feature-rich small-sensor superzoom ideal for content creators, enthusiasts, and travelers seeking versatility. It suits:
- Travel, wildlife, and street photographers needing a powerful zoom with good AF.
- Videographers wanting 4K recording in a compact body.
- Enthusiasts who need manual control and RAW capture but want a travel-friendly form factor.
- Creators leveraging wireless connectivity and advanced shooting modes.
Though it’s bulkier and pricier, it more than justifies its value for its capabilities.
Getting the Most Out of Your Compact Superzoom
Regardless of your choice, here are practical tips we found improve your results:
- Use a lightweight tripod or monopod with the ZS80 for telephoto or long exposure shots.
- Shoot RAW (ZS80 only) to maximize post-processing flexibility.
- Experiment with focus stacking and post-focus features on the ZS80 for creative macro work.
- For the JZ200, stick to daylight or well-lit scenes to avoid noise and focus hunt.
- Invest in fast, high-capacity SD cards when capturing bursts or UHD video on the ZS80.
- Try manual focus or exposure override in tricky lighting on the ZS80 for control.
Photographers, your choice depends primarily on your creative ambitions and how much manual versatility you need. The Fujifilm JZ200 appeals to the minimalist casual shooter; the Panasonic ZS80 acts more like a “Swiss Army knife” for enthusiasts and professionals craving compact convenience without sacrificing features.
Before purchasing, try to handle both cameras physically to perceive the ergonomics and control feel. Our experience confirms that interaction comfort often outweighs pure specs for long-term satisfaction.
Enjoy exploring new perspectives with whichever camera you select, and remember: the best camera is the one you have with you and know how to use well!
Happy shooting!
If you want to dive deeper, check out accessory options like extra batteries, dedicated tripods, and custom cases to extend your camera’s mission. The ZS80 particularly rewards investments in fast cards and remote control apps that enhance your creative workflow.
Fujifilm JZ200 vs Panasonic ZS80 Specifications
| Fujifilm FinePix JZ200 | Panasonic Lumix DC-ZS80 | |
|---|---|---|
| General Information | ||
| Brand | FujiFilm | Panasonic |
| Model type | Fujifilm FinePix JZ200 | Panasonic Lumix DC-ZS80 |
| Alternative name | - | Lumix DC-TZ95 |
| Category | Small Sensor Compact | Small Sensor Superzoom |
| Released | 2012-01-05 | 2018-02-18 |
| Physical type | Compact | Compact |
| Sensor Information | ||
| Powered by | - | Venus Engine |
| Sensor type | CCD | BSI-CMOS |
| Sensor size | 1/2.3" | 1/2.3" |
| Sensor measurements | 6.17 x 4.55mm | 6.17 x 4.55mm |
| Sensor area | 28.1mm² | 28.1mm² |
| Sensor resolution | 16 megapixel | 20 megapixel |
| Anti alias filter | ||
| Aspect ratio | 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
| Full resolution | 4608 x 3216 | 5184 x 3888 |
| Max native ISO | 1600 | 3200 |
| Max boosted ISO | 3200 | 6400 |
| Min native ISO | 100 | 80 |
| RAW files | ||
| Autofocusing | ||
| Manual focusing | ||
| Touch focus | ||
| Continuous AF | ||
| AF single | ||
| Tracking AF | ||
| Selective AF | ||
| Center weighted AF | ||
| AF multi area | ||
| AF live view | ||
| Face detection AF | ||
| Contract detection AF | ||
| Phase detection AF | ||
| Cross type focus points | - | - |
| Lens | ||
| Lens mount type | fixed lens | fixed lens |
| Lens zoom range | 25-200mm (8.0x) | 24-720mm (30.0x) |
| Maximal aperture | f/2.9-5.9 | f/3.3-6.4 |
| Macro focusing distance | 5cm | 3cm |
| Crop factor | 5.8 | 5.8 |
| Screen | ||
| Screen type | Fixed Type | Tilting |
| Screen size | 3 inches | 3 inches |
| Resolution of screen | 230 thousand dots | 1,040 thousand dots |
| Selfie friendly | ||
| Liveview | ||
| Touch screen | ||
| Screen tech | TFT color LCD monitor | - |
| Viewfinder Information | ||
| Viewfinder | None | Electronic |
| Viewfinder resolution | - | 2,330 thousand dots |
| Viewfinder coverage | - | 100% |
| Viewfinder magnification | - | 0.53x |
| Features | ||
| Lowest shutter speed | 8 secs | 4 secs |
| Highest shutter speed | 1/2000 secs | 1/2000 secs |
| Highest silent shutter speed | - | 1/16000 secs |
| Continuous shooting rate | 1.0fps | 10.0fps |
| Shutter priority | ||
| Aperture priority | ||
| Expose Manually | ||
| Exposure compensation | - | Yes |
| Custom WB | ||
| Image stabilization | ||
| Built-in flash | ||
| Flash distance | 2.60 m | 5.60 m (with Auto ISO) |
| Flash settings | Auto, On, Off, Slow sync, Red-eye reduction | Auto, Auto/Red-eye Reduction, Forced On, Forced On/Red-eye Reduction, Slow Sync, Slow Sync/Red-eye Reduction, Forced Off |
| External flash | ||
| AE bracketing | ||
| White balance bracketing | ||
| Exposure | ||
| Multisegment metering | ||
| Average metering | ||
| Spot metering | ||
| Partial metering | ||
| AF area metering | ||
| Center weighted metering | ||
| Video features | ||
| Supported video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | 3840 x 2160 (30p), 1920 x 1080 (60p, 60i, 30p), 1280 x 720 (30p), 640 x 480 (30p) |
| Max video resolution | 1280x720 | 3840x2160 |
| Video file format | Motion JPEG | MPEG-4, H.264 |
| Microphone support | ||
| Headphone support | ||
| Connectivity | ||
| Wireless | None | Built-In |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environment sealing | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 135 grams (0.30 lbs) | 327 grams (0.72 lbs) |
| Physical dimensions | 100 x 56 x 24mm (3.9" x 2.2" x 0.9") | 112 x 69 x 42mm (4.4" x 2.7" x 1.7") |
| DXO scores | ||
| DXO All around rating | not tested | not tested |
| DXO Color Depth rating | not tested | not tested |
| DXO Dynamic range rating | not tested | not tested |
| DXO Low light rating | not tested | not tested |
| Other | ||
| Battery life | - | 380 photos |
| Style of battery | - | Battery Pack |
| Battery ID | NP-45A | - |
| Self timer | Yes (2 or 10 sec) | Yes |
| Time lapse recording | ||
| Storage type | SD/SDHC/SDXC | SD/SDHC/SDXC (UHS-I supported) |
| Card slots | Single | Single |
| Launch price | $0 | $448 |