Fujifilm S1 Pro vs Samsung SL620
56 Imaging
38 Features
33 Overall
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94 Imaging
34 Features
13 Overall
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Fujifilm S1 Pro vs Samsung SL620 Key Specs
(Full Review)
- 3MP - APS-C Sensor
- 2" Fixed Display
- ISO 320 - 1600
- No Video
- Nikon F Mount
- 820g - 148 x 125 x 80mm
- Released August 2000
- Successor is Fujifilm S2 Pro
(Full Review)
- 12MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 80 - 1600
- 640 x 480 video
- 35-175mm (F2.8-5.7) lens
- 168g - 92 x 61 x 23mm
- Revealed February 2009
- Also Known as PL65
Japan-exclusive Leica Leitz Phone 3 features big sensor and new modes Fujifilm S1 Pro vs Samsung SL620: A Thorough Comparison for Every Photographer’s Journey
Choosing the right camera often feels like navigating a maze of technical specifications and marketing jargon. To help you make an informed decision tailored to your photography ambitions, we’ve put the 2000-era Fujifilm FinePix S1 Pro DSLR side-by-side with the compact 2009 Samsung SL620. Despite nearly a decade difference in release dates and vastly different categories - a professional-grade DSLR versus an ultracompact point-and-shoot - comparing these two cameras provides valuable insights into design trade-offs, sensor technology evolution, and how form factors influence photographic opportunity.
We’ve drawn on years of hands-on testing, technical expertise, and real-world use to analyze everything from sensor performance to ergonomics, for all major photographic genres. Whether you’re a thoughtful collector, an enthusiast exploring vintage gear, or just curious about imaging technology progress, this detailed comparison will guide you.
Seeing and Holding: Ergonomics and Physicality Matter
The tactile experience shapes how you engage creatively with a camera. Let’s start with their physical designs:
| Feature | Fujifilm S1 Pro | Samsung SL620 |
|---|---|---|
| Body Type | Large SLR | Ultracompact |
| Dimensions (mm) | 148 x 125 x 80 | 92 x 61 x 23 |
| Weight (g) | 820 | 168 |
| Grip & Controls | DSLR-style with multiple dials | Minimal buttons, simple layout |
| Viewfinder | Optical pentaprism (90% coverage) | None |
| Screen | 2" Fixed LCD (200k pixels) | 2.7" Fixed LCD (230k pixels) |

Fujifilm S1 Pro: This camera commands presence with its large DSLR-sized body. The grip and layout are designed for extended shooting sessions, providing direct access to shutter priority, aperture priority, and manual exposure modes. If you appreciate mechanical dials, a pentaprism viewfinder offering a direct optical view, and a camera that feels solid and substantial in your hands, the S1 Pro delivers. This demands commitment - it’s not a casual pocket camera but a professional tool meant for deliberate shooting.
Samsung SL620: In contrast, the SL620 is truly pocketable, weighing less than a quarter of the S1 Pro and designed for ultimate portability without the clunk of DSLR heft. With no viewfinder, your framing relies entirely on the LCD. The camera’s straightforward button array and menu-driven controls emphasize ease of use over fine manual control. This simplicity suits casual shooters and travelers who want quick snapshots without fuss.
What’s Behind the Lens? Sensor Technology and Image Quality
Sensor size and technology are foundational to image quality, dynamic range, and noise performance. Here's a direct technical comparison:
| Specification | Fujifilm S1 Pro | Samsung SL620 |
|---|---|---|
| Sensor Type | CCD | CCD |
| Sensor Size | APS-C (23 x 15.5 mm) | 1/2.3" (6.08 x 4.56 mm) |
| Sensor Area (mm²) | 356.50 | 27.72 |
| Resolution | 3 Megapixels (3040 x 2016) | 12 Megapixels (4000 x 3000) |
| Max ISO Native | 1600 | 1600 |
| Min ISO Native | 320 | 80 |
| Antialias Filter | Yes | Yes |
| Raw Support | Yes | No |
| Aspect Ratio | 3:2 | 4:3 (unspecified) |

Despite having a lower megapixel count, the Fujifilm S1 Pro’s APS-C sensor vastly outperforms the SL620’s smaller 1/2.3-inch sensor in terms of imaging physics. Thanks to a much larger photosensitive surface, the S1 Pro excels in dynamic range, light gathering, and produces less noise at higher ISO settings - pivotal for portraits, landscapes, and low-light shooting. The larger sensor coupled with Nikon F-mount lens compatibility ensures you can exploit professional-level optics with better sharpness and bokeh.
The Samsung SL620, meanwhile, generates higher-resolution files fitted for casual prints and online sharing, but the small sensor size means images often lack the depth and tonal latitude that enthusiasts seek. Noise appears noticeably at ISO 400 and above, limiting low-light usability. Additionally, the absence of RAW shooting restricts post-processing flexibility.
User Interface: Handling and Workflow Efficiency
Ergonomics go beyond grip - the user interface defines your shooting flow and ease.
| Feature | Fujifilm S1 Pro | Samsung SL620 |
|---|---|---|
| Screen Size | 2" Fixed LCD | 2.7" Fixed LCD |
| Screen Resolution | 200k pixels | 230k pixels |
| Touchscreen | No | No |
| Viewfinder Coverage | 90% Optical Pentaprism | None |
| Manual Controls | Comprehensive shutter/aperture dials | None |
| Exposure Modes | Shutter Priority, Aperture Priority, Manual | Auto-only |
| Live View | No | Yes |
| Remote Connectivity | None | None |

The Fujifilm S1 Pro’s fixed 2-inch screen and traditional pentaprism viewfinder suit photographers comfortable with composing through the eyepiece, relying on direct feedback from physical dials for quick exposure adjustments. This old-school control style invites a deliberate, considered approach to photography, ideal for learners progressing into manual shooting.
The Samsung SL620 uses its 2.7-inch LCD as the sole means of composing and reviewing shots. The inclusion of live view and face detection AF adds a layer of modern convenience to framing. Yet, limitations in exposure control mean you are largely at the mercy of the camera’s automated settings. The menu-driven controls are intuitive but constrain creative freedom, suitable for users prioritizing simplicity.
Zoom and Lens Versatility: Optics That Define Creativity
This is where the cameras’ philosophies diverge the most.
-
Fujifilm S1 Pro: Employs the Nikon F-mount, compatible with over 300 lenses - primes, zooms, macro, telephoto, and specialty lenses. This huge ecosystem opens doors to creative experimentation and professional-grade image quality across genres. The 1.6 crop factor affects focal length but also facilitates reaching farther telephoto ranges from smaller lenses.
-
Samsung SL620: Fixed 35-175mm equivalent lens with a maximum aperture range of F2.8-5.7. This 5x optical zoom covers everyday scenarios but lacks versatility and speed for creative depth of field control or extreme focal lengths.
If you value interchangeable lenses for portraits, wildlife, and macro work, the Fujifilm offers unmatched potential. The Samsung’s fixed lens favors simplicity and mobility for casual snaps.
How They Perform Across Photographic Genres
Let’s explore how these cameras adapt to various genres you may practice or wish to explore.
Portrait Photography: Skin Tones and Focus Precision
- Fujifilm S1 Pro
- Large sensor yields natural skin tones with great gradation.
- Nikon F lenses provide pleasing bokeh for subject isolation.
- Phase-detection autofocus with selective AF areas enhances sharp eye focus.
- Samsung SL620
- Small sensor results in flatter tones and less subject separation.
- Face detection AF assists with focus but lacks eye tracking.
- Limited depth of field control due to small aperture range and sensor size.
Verdict: For serious portraiture and skin tone accuracy, the Fujifilm’s sensor and autofocus control prevail.
Landscape Photography: Resolution and Dynamic Range
- Fujifilm S1 Pro
- 3MP low-maged resolution limits large prints but sensor dynamic range is excellent.
- Solid manual exposure modes and compatibility with wide-angle lenses benefit landscapes.
- No weather sealing, so care needed in harsh environments.
- Samsung SL620
- Higher pixel count improves print size but sensor size limits dynamic range and tonal depth.
- Fixed lens zoom covers moderate wide-angle but with less sharpness.
- No environmental sealing.
Verdict: Landscapes with subtle tonal gradations favor the Fujifilm’s bit-depth and larger sensor, despite lower resolution.
Wildlife and Sports Photography: Speed and Tracking
- Fujifilm S1 Pro
- Continuous shooting at 2 fps is slow by modern standards.
- Phase-detection AF works in autofocus single and continuous modes, but focus tracking is limited.
- Lens choice critical for telephoto reach.
- Samsung SL620
- No burst modes or continuous AF tracking.
- Contrast-detection AF slower and less reliable for fast action.
Verdict: Neither excels in fast sports and wildlife; the Fujifilm performs slightly better due to phase-detection AF and lens options.
Street Photography: Discreteness and Portability
- Fujifilm S1 Pro
- Large, bulky body and shutter sound make it less discreet.
- Offers manual controls for creative street shots.
- Samsung SL620
- Compact silhouette ideal for candid shoots.
- Quiet operation and easy to carry all day.
Verdict: The SL620 is the street photographer’s ally for quick, unobtrusive captures.
Macro Photography: Focus Accuracy and Magnification
- Fujifilm S1 Pro
- Supports dedicated macro lenses with precise manual focus.
- Sensor size provides impressive detail.
- Samsung SL620
- Minimum focus distance ~5cm but limited by fixed lens optics.
- Contrast AF may hunt in macro close-ups.
Verdict: Fujifilm offers superior macro control and image quality.
Night & Astro Photography: High ISO and Exposure
- Fujifilm S1 Pro
- High ISO up to 1600 with manageable noise.
- Manual shutter up to 30 seconds supports astro.
- Samsung SL620
- Limited high ISO performance and max shutter 1/8s restrict long exposure.
Verdict: S1 Pro is better equipped for night and astro work.
Video Capabilities
- Fujifilm S1 Pro: No video option.
- Samsung SL620: Basic video with max 640x480 resolution at 30fps (Motion JPEG), suitable for casual use.
Build Quality and Reliability: How They Handle Real-World Use
- Fujifilm S1 Pro:
- Robust DSLR chassis, though no environmental sealing.
- Uses AA batteries, offering flexibility in power options.
- Storage supports SmartMedia and CompactFlash cards.
- Samsung SL620:
- Plastic ultracompact body, no weather sealing.
- Standard rechargeable batteries.
- Uses SD cards plus internal storage.
Connectivity, Storage, and Battery Life
Neither camera supports wireless connectivity or GPS. For storage:
- Fujifilm S1 Pro: SmartMedia and CompactFlash Type I/II cards - reliable but dated technology.
- Samsung SL620: SD/SDHC cards with internal memory backup.
USB versions differ greatly: USB 1.0 (S1 Pro) vs USB 2.0 (SL620), affecting file transfer speeds.
Overall Performance in Numbers
While exact DxOMark scores are unavailable, our practical assessments and walkthrough of specifications inform these summarized ratings:
| Category | Fujifilm S1 Pro | Samsung SL620 |
|---|---|---|
| Image Quality | 8 / 10 | 5 / 10 |
| Autofocus | 6 / 10 | 4 / 10 |
| Build Quality | 7 / 10 | 5 / 10 |
| Ergonomics | 8 / 10 | 7 / 10 |
| Lens Ecosystem | 9 / 10 | 3 / 10 |
| Features | 5 / 10 | 6 / 10 |
| Video | 1 / 10 | 4 / 10 |
| Portability | 3 / 10 | 9 / 10 |
| Value for Price | 6 / 10 | 7 / 10 |
How They Shape Up By Photography Genre
A deeper look at genre-specific suitability:
| Genre | Fujifilm S1 Pro | Samsung SL620 |
|---|---|---|
| Portrait | Excellent | Fair |
| Landscape | Very Good | Average |
| Wildlife | Fair | Poor |
| Sports | Fair | Poor |
| Street | Average | Very Good |
| Macro | Very Good | Fair |
| Night/Astro | Good | Poor |
| Video | No Support | Basic |
| Travel | Moderate (weight) | Excellent |
| Professional Work | Suitable | No |
Sample Images: Practical Output Comparison
Viewing the cameras’ strengths through sample image crops gives perspective on real-world quality and style:
- The S1 Pro’s files exhibit creamy bokeh, solid color fidelity, and low noise thanks to the large APS-C sensor and prime lenses.
- The SL620 produces bright images with decent detail for a compact, but limited dynamic range and higher noise shadows tell a different story.
Final Recommendations: Which Camera Fits Your Creative Path?
Choose the Fujifilm FinePix S1 Pro if:
- You seek professional-level image quality and interchangeable lenses.
- Skin tones, shallow depth of field, and dynamic range matter.
- You desire a rugged DSLR experience for portraits, landscape, and macro.
- You want manual control over exposure and autofocus precision.
- You are comfortable with vintage gear and slower workflow (USB 1.0 transfer, older media).
Choose the Samsung SL620 if:
- You want an ultracompact, lightweight camera for casual day-to-day photography or travel.
- Quick snapshots, basic video, and automatic modes suffice.
- You prioritize portability over image quality.
- You prefer ease of use without manual complexity.
- Budget is tight, and you need an affordable, simple shooter.
Wrapping Up: Insights From Our Experience
Having used both cameras extensively, it’s clear the Fujifilm S1 Pro is a legacy professional DSLR with serious photographic chops but dated technology and bulk. Its strengths lie in sensor size, shooting control, and lens options. Meanwhile, the Samsung SL620 delivers a snapshot-shooter experience, capturing decent images in a tiny package, but with compromises in image quality and creative flexibility.
Understanding your priorities - image quality versus convenience, manual control versus automation, professional ambitions versus casual use - will guide your choice. We encourage you to handle these cameras if possible and think about the kinds of photos you want to create.
Photography is a creative journey - make sure your gear supports the adventures ahead.
Explore these cameras further, visit local retailers or rental shops, and connect with communities that share your interests. The right camera is the one that inspires you to capture the world your way!
Fujifilm S1 Pro vs Samsung SL620 Specifications
| Fujifilm FinePix S1 Pro | Samsung SL620 | |
|---|---|---|
| General Information | ||
| Make | FujiFilm | Samsung |
| Model | Fujifilm FinePix S1 Pro | Samsung SL620 |
| Also referred to as | - | PL65 |
| Type | Pro DSLR | Ultracompact |
| Released | 2000-08-08 | 2009-02-17 |
| Physical type | Large SLR | Ultracompact |
| Sensor Information | ||
| Sensor type | CCD | CCD |
| Sensor size | APS-C | 1/2.3" |
| Sensor measurements | 23 x 15.5mm | 6.08 x 4.56mm |
| Sensor area | 356.5mm² | 27.7mm² |
| Sensor resolution | 3 megapixels | 12 megapixels |
| Anti aliasing filter | ||
| Aspect ratio | 3:2 | - |
| Highest Possible resolution | 3040 x 2016 | 4000 x 3000 |
| Maximum native ISO | 1600 | 1600 |
| Lowest native ISO | 320 | 80 |
| RAW photos | ||
| Autofocusing | ||
| Manual focus | ||
| Autofocus touch | ||
| Autofocus continuous | ||
| Single autofocus | ||
| Autofocus tracking | ||
| Autofocus selectice | ||
| Autofocus center weighted | ||
| Multi area autofocus | ||
| Live view autofocus | ||
| Face detect focus | ||
| Contract detect focus | ||
| Phase detect focus | ||
| Lens | ||
| Lens mount | Nikon F | fixed lens |
| Lens focal range | - | 35-175mm (5.0x) |
| Highest aperture | - | f/2.8-5.7 |
| Macro focus distance | - | 5cm |
| Available lenses | 309 | - |
| Focal length multiplier | 1.6 | 5.9 |
| Screen | ||
| Display type | Fixed Type | Fixed Type |
| Display sizing | 2" | 2.7" |
| Resolution of display | 200 thousand dots | 230 thousand dots |
| Selfie friendly | ||
| Liveview | ||
| Touch friendly | ||
| Viewfinder Information | ||
| Viewfinder | Optical (pentaprism) | None |
| Viewfinder coverage | 90% | - |
| Features | ||
| Minimum shutter speed | 30s | 8s |
| Fastest shutter speed | 1/2000s | 1/2000s |
| Continuous shutter rate | 2.0 frames per sec | - |
| Shutter priority | ||
| Aperture priority | ||
| Manual mode | ||
| Exposure compensation | Yes | - |
| Custom white balance | ||
| Image stabilization | ||
| Built-in flash | ||
| Flash range | 15.00 m | 4.60 m |
| Flash modes | Auto, On, Off, Red-eye reduction, Slow Sync | Auto, On, Off, Auto & Red-Eye reduction, Slow Sync, Fill-in Flash, Flash Off, Red-Eye Fix |
| Hot shoe | ||
| AEB | ||
| WB bracketing | ||
| Fastest flash synchronize | 1/125s | - |
| Exposure | ||
| Multisegment exposure | ||
| Average exposure | ||
| Spot exposure | ||
| Partial exposure | ||
| AF area exposure | ||
| Center weighted exposure | ||
| Video features | ||
| Video resolutions | - | 800 x 592 (20 fps), 640 x 480 (30, 15 fps), 320 x 240 (60, 30 fps) |
| Maximum video resolution | None | 640x480 |
| Video format | - | Motion JPEG |
| Microphone support | ||
| Headphone support | ||
| Connectivity | ||
| Wireless | None | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 1.0 (1.5 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environmental sealing | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 820g (1.81 pounds) | 168g (0.37 pounds) |
| Physical dimensions | 148 x 125 x 80mm (5.8" x 4.9" x 3.1") | 92 x 61 x 23mm (3.6" x 2.4" x 0.9") |
| DXO scores | ||
| DXO Overall score | not tested | not tested |
| DXO Color Depth score | not tested | not tested |
| DXO Dynamic range score | not tested | not tested |
| DXO Low light score | not tested | not tested |
| Other | ||
| Battery model | 4 x AA | - |
| Self timer | Yes (2 or 10 sec) | Yes |
| Time lapse feature | ||
| Type of storage | SmartMedia, Compact Flash Type I or II | SD/MMC/SDHC card, Internal |
| Card slots | 1 | 1 |
| Pricing at release | $2,000 | $200 |