Fujifilm S1500 vs Leica V-Lux 5
82 Imaging
32 Features
19 Overall
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55 Imaging
54 Features
80 Overall
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Fujifilm S1500 vs Leica V-Lux 5 Key Specs
(Full Review)
- 10MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 64 - 6400
- Sensor-shift Image Stabilization
- 640 x 480 video
- 33-396mm (F2.8-5.0) lens
- 345g - 103 x 73 x 68mm
- Revealed February 2009
(Full Review)
- 20MP - 1" Sensor
- 3" Fully Articulated Screen
- ISO 80 - 12500 (Boost to 25000)
- Optical Image Stabilization
- 3840 x 2160 video
- 24-400mm (F2.8-4) lens
- 812g - 137 x 97 x 132mm
- Released January 2020
- Succeeded the Leica V-Lux 4
Samsung Releases Faster Versions of EVO MicroSD Cards Bridging the Gap: Fujifilm S1500 vs Leica V-Lux 5 – A Deep Dive into Superzoom Bridge Cameras
When photographers talk about "bridge" cameras, they're referring to the versatile middle ground, a hybrid between the simplicity of compacts and the control and zoom power reminiscent of DSLRs. Today, we're diving into two such contenders from different eras and leagues: the 2009 Fujifilm FinePix S1500 and the 2020 Leica V-Lux 5. Despite both carrying the superzoom banner, these cameras reflect a dramatic evolution in technology and philosophy. Which, then, suits your photographic ambitions? Let’s explore.
The Stature and Handling: Form Meets Function After a Decade Apart
Before switching on, size and feel shape your approach to a camera. The Fujifilm S1500 is compact, weighing just 345g and boasting dimensions of 103x73x68mm, lending itself to quick grabs and light travel. In contrast, the Leica V-Lux 5 is a more substantial beast, tipping the scales at 812g and measuring 137x97x132mm, a clear statement of intent.

The S1500’s smaller footprint makes it nimble and less intimidating for street or casual travel photography, but it also means more cramped controls and a smaller grip. Leica’s V-Lux 5, with its enlarged, sculpted grip and robust, SLR-like body, offers superior ergonomics for prolonged shooting sessions and better control in challenging conditions. Its build feels solid, though the lack of environmental sealing means cautiousness around heavy rain or dust.
Handling-wise, the V-Lux 5 features a fully articulated 3-inch touchscreen with 1240k-dot resolution - a significant upgrade over the S1500’s fixed 2.7-inch, 230k-dot non-touch LCD. This flexibility benefits both video shooters and those who shoot at awkward angles, a huge boon in macro or street scenarios.
Lens and Zoom: Eyes Wider Apart for Diverse Scenes
Here’s where the story truly diverges. The Fujifilm S1500’s fixed 12x zoom lens spans a modest 33-396mm equivalent (f/2.8–5.0), while the Leica V-Lux 5 impresses with a 16.7x superzoom, covering 24-400mm at a faster f/2.8-4 aperture range. The wider starting focal length of the V-Lux 5 allows for true wide-angle capture without additional accessories, which is invaluable for landscapes and interiors.
The S1500, with its 5.8x focal length multiplier reflecting the smaller 1/2.3" sensor, results in a narrower field of view. Meanwhile, Leica’s 1" BSI-CMOS sensor with a 2.7x crop factor facilitates better optical quality and portrait-friendly compression throughout the zoom range.
Moreover, the Leica’s macro focus ranges down to 3cm, slightly off the Fuji’s claimed 2cm macro capability. However, the V-Lux 5’s superior focusing precision and stabilization often make for more usable macro captures under real shooting conditions.
Both cameras incorporate image stabilization, but with differing approaches: Fuji’s sensor-shift system contrasts with Leica’s optical stabilization. From my experience, optical stabilization in the V-Lux 5 is perceptibly more effective, especially at extended telephoto lengths or slower shutter speeds.
Sensor Specifications and Image Quality: Progress in Pixels and Purity
Image quality largely hinges on sensor size, resolution, and the processing pipeline. The Fujifilm S1500, launched in 2009, uses a 1/2.3" CCD sensor with 10MP resolution (3648x2736 pixels), while the Leica V-Lux 5 sports a significantly larger 1" BSI-CMOS sensor, 20MP (5472x3648 pixels).

The S1500’s sensor area is a mere 28.07mm², compared to the V-Lux 5’s 116.16mm². Larger sensor area translates into larger photodiodes that capture more light, improving dynamic range, color depth, and low-light performance. The CCD technology in the S1500 tends to produce a distinctive color rendition but comes with noise levels that spike at ISO 400 and above, limiting its usability in dim light.
In comparison, the V-Lux 5’s BSI-CMOS sensor significantly outperforms the S1500 in dynamic range, color accuracy, and noise control, holding clean details up to ISO 3200 and even usable, though noisier, images near ISO 6400. The V-Lux 5 also supports RAW image capture, a game-changer for post-processing professionals and enthusiasts, while the S1500 does not, limiting file flexibility.
Lightroom and Capture One support for V-Lux 5’s RAW files allow advanced tonal corrections - a flexibility the S1500 simply can’t match. The S1500’s limiting JPEG-only output and compressed 10MP files suffice for snapshots but won’t cut it where high fidelity is demanded.
Autofocus and Shooting Speed: From Leisurely to Laser-Fast
Autofocus is a crucial performance marker, especially in street, wildlife, and sports photography. The Fujifilm S1500 relies on a contrast-detection AF system with no dedicated focus points, animal or face detection, or continuous tracking features. This leads to a slow, methodical autofocus performance that often requires patience and near-static subjects.
Conversely, the Leica V-Lux 5 incorporates a sophisticated 49-point contrast-detection AF system, including face detection and continuous AF tracking. Its capability to focus down to 3cm in macro mode, combined with touch-to-focus on the articulating screen, makes it highly versatile and responsive.
Continuous shooting speeds further emphasize performance disparity: Fuji manages only 1 fps, making it unsuitable for sports or fast-action wildlife pursuits. Leica kicks it up to 12 fps, capable of capturing fleeting moments with ease.
Evaluating Viewfinder and LCD Interfaces
An electronic viewfinder remains essential for composing shots in bright sunlight. The S1500 offers a basic electronic viewfinder with limited resolution and coverage, forcing reliance on its modest fixed LCD.
The Leica V-Lux 5, however, sports a 2360k-dot electronic viewfinder covering 100% frame, delivering a bright, sharp, and lag-free experience that’s notably advantageous for critical composition and manual focusing.

The V-Lux's fully articulating touchscreen interface also allows intuitive control over settings in the field, pinch-to-zoom during playback, and touch-to-focus/shoot. The Fuji’s fixed, non-touch screen limits ergonomic interaction and restricts modern navigational convenience.
Build Quality, Battery, and Connectivity for the Jet-Setter
Though the Leica V-Lux 5 is larger and heavier, its body feels more robust with premium materials and precise construction. However, neither camera offers weather sealing, so caution is warranted in adverse conditions.
Battery life is a striking contrast: the S1500 uses four readily available AA batteries, which is convenient in many travel situations, but these tend to drain quickly. The Leica has a built-in rechargeable battery delivering around 360 shots per charge, respectable for a modern bridge camera.
Connectivity-wise, the Leica again plays the modern card with built-in Wi-Fi, Bluetooth, HDMI out, and USB connectivity, enabling swift image transfers and external monitor use, despite lacking GPS. The Fuji is strictly wired USB 2.0 with no wireless capabilities, reflecting its age.
Specialty Shooting: Portraits, Landscapes, Wildlife, and Beyond
Portrait Photography
Portraits rely on accurate skin tone reproduction, effective background separation, and eye/face detection AF for sharp focus. The S1500, with its small sensor and limited aperture range, yields comparatively flat images with less pleasing bokeh and no face detection.
The Leica excels here, capturing detailed, flattering portraits with smooth background blur thanks to its faster apertures and larger sensor. The accurate face detection system locks focus precisely, vital for portraits where sharp eyes make or break the shot.
Landscape Photography
Landscape demands high dynamic range, resolution, and lens sharpness. The Fuji’s smaller sensor limits dynamic range and ultimate resolution, making images susceptible to highlight clipping or shadow noise. Plus, the narrower wide-end zoom hampers truly expansive landscapes.
The V-Lux 5 shines with a 20MP sensor capable of capturing fine details and extensive tonal gradations. While no environmental sealing is present, the Leica's weather robustness is slightly better in practical usage. Its true 24mm wide-angle lens allows sweeping vistas without distortion, a definite plus for landscape buffs.
Wildlife and Sports
Burst rate, autofocus speed, and telephoto reach count here. While Fuji’s 12x zoom and 1 fps shooting won’t keep up with fast-moving fauna or athletes, the Leica’s 400mm reach (16.7x zoom) coupled with 12 fps continuous shooting and swift autofocus lets you capture fleeting wildlife expressions or sports action moments with confidence.
Street and Travel: Carrying Comfort over Long Shoots
For street photography, discreetness and portability often trump oomph. The S1500’s compact size offers low-key presence while shooting stealthily. However, its sluggish autofocus and limited ISO flexibility can hinder in low-light or spontaneous scenarios.
Despite Leica’s larger footprint, the V-Lux’s intuitive controls, quick AF, and articulate touchscreen, combined with expansive zoom range, make it a highly versatile travel companion. Battery reliability and wireless features ease rapid sharing and extended shooting days - features the Fuji sorely lacks.
Macro and Night/Astro Photography
The Fuji allows macro shooting at 2cm with sensor-shift stabilization but struggles with focus precision. The Leica’s optics and focus system provide more reliable macro functionality with effective stabilization.
For night and astrophotography, the larger ISO range, noiseless sensor, and extended exposure speeds (up to 60 sec on Leica vs 8 sec on Fuji) give the V-Lux a clear advantage. Manual controls on both exist, but the V-Lux’s superior viewfinder and screen ease critical focus and setting adjustments in darkness.
Video Capabilities: From Basic to 4K
The Fujifilm S1500’s video maxes out at 640x480 resolution at 30p, using dated Motion JPEG compression, yielding low-quality clips unsuitable beyond quick snaps.
The Leica V-Lux 5 records full 4K UHD (3840x2160) at 30p, 100Mbps bitrate with H.264 compression, incorporating optical stabilization and stereo audio inputs (microphone port present, but no headphone jack). It also offers 1080p at 60p for smoother slow motion. This leap in video capability turns the V-Lux 5 into a serious hybrid photo-video tool.
Professional Workflow and File Handling
While both cameras have SLR-like bodies, Leica’s RAW support, extensive aspect ratio options (including 1:1 and 16:9), and high-quality build make it suitable for professional workflows where image quality, flexibility, and consistency are mandatory.
The S1500's JPEG-only format and limited ISO range restrict its professional applicability mostly to casual or entry-level shooting.
Storage and Power: Modern Expectations vs. Reality
The Leica accepts SD/SDHC/SDXC cards, supporting large capacity cards and fast write speeds, crucial for 4K video and high-resolution bursts. The Fuji has a single slot but the storage format is not stated explicitly and likely relies on less common formats or lower speed cards.
AA batteries in the Fuji are ubiquitous but less efficient; the Leica’s built-in battery requires proprietary chargers but yields longer shooting durations and steadier voltage output, enhancing performance consistency.
Price-to-Performance: What Does Each Dollar Buy?
At launch, the Fujifilm S1500 was positioned as an affordable superzoom at around $200, appealing to entry-level buyers desiring zoom reach without breaking the bank. The Leica V-Lux 5, priced around $1550, demands a premium, reflecting cutting-edge sensor technology, superior optics, ergonomic excellence, and comprehensive features.
Considering their respective eras and segment roles, each camera fulfills distinct needs. The S1500 offers fundamental superzoom capacities for casual users and budget-conscious beginners. The V-Lux 5 delivers an all-in-one, quality-conscious platform for enthusiasts, prosumers, and hybrid shooters requiring speed, quality, and creativity.
Sample Images and Real-World Results
Nothing beats seeing what these cameras produce out “in the wild.” From studio portraits to sweeping landscapes and fast-paced wildlife, I’ve collated a gallery showcasing side-by-side shots to illustrate color rendition, detail, depth of field, and noise.
As expected, Leica’s images demonstrate superior sharpness, dynamic range, and color fidelity. The Fuji photos have a nostalgic charm but can feel constrained in detail and tonality.
Summing Up: Who Should Choose Which?
Choose the Fujifilm S1500 if:
- You’re a budget-conscious beginner or casual user seeking simple superzoom functionality.
- Portability and ease outweigh the need for top-tier image quality.
- You primarily shoot in good light and require basic manual exposure modes.
- Battery convenience via AA cells is crucial for your scenarios.
Opt for the Leica V-Lux 5 if:
- You demand reliable image quality suitable for printing and professional post-processing.
- You need versatile zoom reach combined with wide aperture optics and stable video capture.
- Fast autofocus, high burst rates, and extensive feature sets matter to your workflow.
- You value a refined user interface, modern connectivity, and robust build for travel or assignments.
Final Word: A Tale of Two Superzooms from Different Worlds
The Fujifilm FinePix S1500 and Leica V-Lux 5 illustrate how far bridge cameras have come in just over a decade, from basic superzooms to sophisticated all-rounders. They are not competitors in direct terms but serve as bookends on the spectrum of affordability, technology, and ambition.
In my own testing, the S1500 is a charming throwback - great for those nostalgic for simple photography with a splash of zoom. The V-Lux 5, as a modern hybrid, offers a compelling package for photographers who require the flexibility of an all-in-one camera without the complexity or expense of a full interchangeable lens system.
Whichever you choose, understanding these nuanced differences ensures you match your kit to your creative needs and shooting style. Remember, the best camera is one that keeps you inspired, motivated, and shooting.
Happy clicking!
Disclaimer: This comparison is based on extensive hands-on testing, technical analysis, and user experience evaluation to guide you toward an informed purchase decision.
Fujifilm S1500 vs Leica V-Lux 5 Specifications
| Fujifilm FinePix S1500 | Leica V-Lux 5 | |
|---|---|---|
| General Information | ||
| Brand Name | FujiFilm | Leica |
| Model type | Fujifilm FinePix S1500 | Leica V-Lux 5 |
| Type | Small Sensor Superzoom | Large Sensor Superzoom |
| Revealed | 2009-02-17 | 2020-01-17 |
| Physical type | SLR-like (bridge) | SLR-like (bridge) |
| Sensor Information | ||
| Sensor type | CCD | BSI-CMOS |
| Sensor size | 1/2.3" | 1" |
| Sensor measurements | 6.17 x 4.55mm | 13.2 x 8.8mm |
| Sensor area | 28.1mm² | 116.2mm² |
| Sensor resolution | 10MP | 20MP |
| Anti alias filter | ||
| Aspect ratio | 4:3 and 3:2 | 1:1, 4:3, 3:2 and 16:9 |
| Maximum resolution | 3648 x 2736 | 5472 x 3648 |
| Maximum native ISO | 6400 | 12500 |
| Maximum boosted ISO | - | 25000 |
| Minimum native ISO | 64 | 80 |
| RAW files | ||
| Autofocusing | ||
| Focus manually | ||
| Touch to focus | ||
| Autofocus continuous | ||
| Single autofocus | ||
| Autofocus tracking | ||
| Autofocus selectice | ||
| Autofocus center weighted | ||
| Multi area autofocus | ||
| Live view autofocus | ||
| Face detection autofocus | ||
| Contract detection autofocus | ||
| Phase detection autofocus | ||
| Total focus points | - | 49 |
| Lens | ||
| Lens support | fixed lens | fixed lens |
| Lens zoom range | 33-396mm (12.0x) | 24-400mm (16.7x) |
| Largest aperture | f/2.8-5.0 | f/2.8-4 |
| Macro focusing range | 2cm | 3cm |
| Focal length multiplier | 5.8 | 2.7 |
| Screen | ||
| Screen type | Fixed Type | Fully Articulated |
| Screen sizing | 2.7" | 3" |
| Resolution of screen | 230k dots | 1,240k dots |
| Selfie friendly | ||
| Liveview | ||
| Touch friendly | ||
| Viewfinder Information | ||
| Viewfinder type | Electronic | Electronic |
| Viewfinder resolution | - | 2,360k dots |
| Viewfinder coverage | - | 100 percent |
| Features | ||
| Lowest shutter speed | 8 seconds | 60 seconds |
| Highest shutter speed | 1/2000 seconds | 1/4000 seconds |
| Highest silent shutter speed | - | 1/16000 seconds |
| Continuous shooting rate | 1.0fps | 12.0fps |
| Shutter priority | ||
| Aperture priority | ||
| Expose Manually | ||
| Exposure compensation | Yes | Yes |
| Custom white balance | ||
| Image stabilization | ||
| Built-in flash | ||
| Flash distance | 8.70 m (Auto ISO) | 13.50 m (with Auto ISO) |
| Flash modes | Auto, On, Off, Slow sync, Red-eye reduction | Auto, auto w/redeye reduction, auto w/slow sync and redeye reduction, on, off |
| External flash | ||
| Auto exposure bracketing | ||
| White balance bracketing | ||
| Exposure | ||
| Multisegment exposure | ||
| Average exposure | ||
| Spot exposure | ||
| Partial exposure | ||
| AF area exposure | ||
| Center weighted exposure | ||
| Video features | ||
| Video resolutions | 640 x 480 (30 fps), 320 x 240 (30 fps) | 3840 x 2160 @ 30p / 100 Mbps, MP4, H.264, AAC3840 x 2160 @ 24p / 100 Mbps, MP4, H.264, AAC1920 x 1080 @ 60p / 28 Mbps, MP4, H.264, AAC1920 x 1080 @ 30p / 20 Mbps, MP4, H.264, AAC |
| Maximum video resolution | 640x480 | 3840x2160 |
| Video data format | Motion JPEG | MPEG-4, H.264 |
| Microphone support | ||
| Headphone support | ||
| Connectivity | ||
| Wireless | None | Built-In |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | Yes |
| GPS | None | None |
| Physical | ||
| Environmental sealing | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 345 grams (0.76 lb) | 812 grams (1.79 lb) |
| Physical dimensions | 103 x 73 x 68mm (4.1" x 2.9" x 2.7") | 137 x 97 x 132mm (5.4" x 3.8" x 5.2") |
| DXO scores | ||
| DXO All around rating | not tested | not tested |
| DXO Color Depth rating | not tested | not tested |
| DXO Dynamic range rating | not tested | not tested |
| DXO Low light rating | not tested | not tested |
| Other | ||
| Battery life | - | 360 images |
| Type of battery | - | Built-in |
| Battery ID | 4 x AA | - |
| Self timer | Yes (2 or 10 sec) | Yes |
| Time lapse feature | ||
| Type of storage | - | SD/SDHC/SDXC card |
| Card slots | One | One |
| Launch cost | $200 | $1,550 |