Fujifilm S1500 vs Ricoh PX
82 Imaging
32 Features
19 Overall
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95 Imaging
38 Features
36 Overall
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Fujifilm S1500 vs Ricoh PX Key Specs
(Full Review)
- 10MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 64 - 6400
- Sensor-shift Image Stabilization
- 640 x 480 video
- 33-396mm (F2.8-5.0) lens
- 345g - 103 x 73 x 68mm
- Revealed February 2009
(Full Review)
- 16MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 100 - 3200
- Sensor-shift Image Stabilization
- 1280 x 720 video
- 28-140mm (F3.9-5.4) lens
- 156g - 100 x 55 x 21mm
- Introduced August 2011
Japan-exclusive Leica Leitz Phone 3 features big sensor and new modes Fujifilm S1500 vs Ricoh PX: An Exhaustive Comparison for the Discerning Photographer
Selecting a camera that aligns with your photographic aspirations and workflows demands more than glancing at spec sheets. Over my 15 years testing thousands of cameras, I've distilled critical operational nuances from myriad features that distinguish genuinely usable tools for particular needs. This detailed comparison of the Fujifilm FinePix S1500 and the Ricoh PX aims to equip photography enthusiasts and professionals with nuanced, evidence-based insights - spanning sensor technology, ergonomics, autofocus performance, and practical application across genres.
These two compact-class cameras, launched in 2009 and 2011 respectively, occupy distinct niches within the small sensor category but with differing philosophies. The Fujifilm S1500 is a bridge-style superzoom emphasizing reach and manual control, while the Ricoh PX is a rugged compact targeting straightforward reliability and versatility. We'll analyze their capabilities under rigorous evaluation criteria rooted in real-world testing.
Physical Dimensions and Handling: Bridge versus Compact Ergonomics
The physical design inherent to each camera profoundly influences usability. The Fujifilm S1500 adopts an SLR-like bridge form factor, with a heftier build aimed at steady zoom shooting and ergonomic grip, while the Ricoh PX prioritizes portability and robustness in a slim compact body.

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Fujifilm S1500: Dimensions at 103 × 73 × 68 mm and weight of 345 g lend a substantial hand-feel, necessary to stabilize the significant 12x optical zoom. The pronounced grip and extended lens barrel accommodate one-handed shooting better in controlled conditions. However, the size compromises discreetness, which may limit street and travel candid applications.
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Ricoh PX: With a physical footprint of 100 × 55 × 21 mm and a featherweight 156 g, the PX is decidedly pocketable and inconspicuous. Its compact anatomy enhances mobility and ease of carry, particularly beneficial for travel, street, and casual use in dynamic environments where agility and discretion are paramount.
Ergonomic Verdict: The Fujifilm S1500 suits photographers seeking controlled zoom versatility with a confident grip, while the Ricoh PX’s compactness appeals to those prioritizing portability and unobtrusive shooting.
Layout and Control Scheme: Manual Versus Simplified Operation
User interface design and control accessibility directly impact shooting efficiency and creative control. Evaluating the top control layout and rear interface offers insight into each camera’s operational philosophy.

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Fujifilm S1500: Features dedicated dials for shutter and aperture priority, with physical switches enabling swift mode changes. The presence of multiple customizable buttons supports manual exposure adjustments on the fly. The lack of a touch screen is mitigated by tactile controls, favoring users accustomed to DSLR-style interfaces.
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Ricoh PX: Lacks extensive physical controls, emphasizing simplicity with fewer buttons and menu-driven settings. It offers manual exposure mode but no dedicated shutter or aperture priority. This minimalistic approach reduces complexity for casual users but constrains fine exposure control, potentially frustrating advanced photographers seeking rapid adjustments.
Operational Insight: The S1500 provides a more traditional manual experience with accessible physical controls conducive to dynamic shooting scenarios demanding swift exposure tweaks. The PX caters to straightforward operation but falls short for users requiring granular control.
Sensor Technology and Image Quality Fundamentals
The core determinant of photographic quality lies in sensor performance: resolution, size, noise handling, color fidelity, and dynamic range. Both cameras employ a 1/2.3" CCD sensor measuring 6.17 × 4.55 mm with identical physical area (~28.07 mm²), but vary in resolution and processing.

- Resolution:
- Fujifilm S1500: 10 megapixels (3648 × 2736)
- Ricoh PX: 16 megapixels (4608 × 3072)
A higher pixel count in the PX offers potential for greater detail extraction and cropping flexibility but risks higher noise levels and reduced pixel pitch in the same sensor real estate.
- ISO Range:
- S1500: ISO 64 - 6400 native, no boosted ISO
- PX: ISO 100 - 3200 native, no boosted ISO
Lower base ISO on the S1500 favors cleaner images in optimal light; however, PX caps at ISO 3200, which may affect low-light capability.
- Image Processing:
Ricoh employs the Smooth Imaging Engine IV processor, which improves noise control and color fidelity over its predecessor. Fujifilm lacks a specified processor in this model, relying on standard CCD handling.
Real-World Image Quality Assessment
Image samples from both cameras in varied lighting illustrate practical results.
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Fujifilm S1500: Exhibits competent color rendering with natural skin tones and adequate dynamic range for casual photography. The CCD sensor's anti-aliasing filter softens fine details marginally, preserving balance between resolution and moiré suppression.
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Ricoh PX: Higher resolution captures more defined textures and allows for cropping without severe degradation; however, noise becomes apparent at ISO values above 800. Colors tend towards cooler tones, but skin reproduction benefits from built-in face detection tuning.
Image Quality Summary: Both cameras are well-matched for daylight and controlled light conditions. PX’s higher resolution is advantageous for detail-oriented uses but introduces noise limitations in dim environments. The S1500 maintains cleaner images at higher ISOs but falls short in resolution-driven cropping potential.
Autofocus Systems: Precision, Speed, and Tracking
Autofocus (AF) is vital across nearly all photography disciplines; accuracy and adaptability determine success rates for capturing fleeting moments.
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Fujifilm S1500: Utilizes contrast-detection AF with single-shot AF via live view. It lacks face or eye detection, continuous AF, and tracking. The AF system is basic, providing only center-weighted focusing without selectable points or area modes.
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Ricoh PX: Also contrast-detection AF but with added face detection and AF tracking capabilities. It offers multi-area AF selection and single AF operation. This affords better subject recognition and focus retention on moving subjects compared to the S1500.
Performance in Different Scenarios
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Portrait Photography:
Ricoh PX’s face detection improves eye-level focus reliability, yielding sharper portraits and better skin texture rendition. The S1500’s absence of face detection demands manual focus confirmation, risking missed focus especially with wide apertures. -
Sports and Wildlife Photography:
Both cameras have slow burst rates (1 fps), restricting action capture. PX’s tracking offers slight advantage in attempting to maintain focus on moving subjects, though limited by sensor readout speed. S1500 best serves static or slow-moving subjects. -
Macro Photography:
Manual focus on the PX (absent on S1500) enhances precise focusing at close distances, complemented by its 3 cm macro range. S1500’s 2 cm macro plus sensor-shift stabilization aids handheld sharpness but lacks focus manual override.
AF Summary: PX outperforms in focusing versatility due to face detection and tracking, crucial in dynamic shooting. S1500 lags behind, more suited to methodical shooting environments.
Exposure and Shooting Controls: Manual Dexterity and Stability
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Exposure Modes:
S1500 includes shutter priority, aperture priority, manual exposure, and exposure compensation; PX offers only manual exposure with compensation, lacking dedicated priority modes. -
Shutter Speed Range:
Both models range from 8s to 1/2000s, adequate for common photographic requirements. -
Image Stabilization:
Both incorporate sensor-shift stabilization, integral for handheld telephoto and macro work to reduce motion blur. -
Continuous Shooting:
Both constrained to 1 frame per second, limiting use cases requiring rapid succession captures.
Control Analysis: Fujifilm’s broader exposure mode selection aligns well with photographers seeking creative control, while Ricoh’s simplicity emphasizes ease-of-use at the expense of flexibility.
Build Quality and Environmental Resilience
The cameras differ notably in durability and suitability for demanding conditions.

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Fujifilm S1500: Does not offer weather sealing or environmental protection; construction is standard plastic composites.
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Ricoh PX: Incorporates weather resistance with environmental sealing, making it splash-proof and dust-resistant. This robustness allows usage in harsher outdoor environments without hesitation.
LCD Screen and Viewfinder Usability
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Display: Both cameras feature fixed-type 2.7" LCDs with 230k pixel resolution. The displays serve adequately for composition and image review but fall short of modern high-res or articulating screens.
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Viewfinder:
- S1500 offers an electronic viewfinder (resolution unspecified), aiding composition but with limited field coverage, which may hinder precision framing.
- PX lacks any viewfinder, reliant solely on LCD composing.
This affects handheld shooting stability and framing confidence, particularly under bright outdoor lighting.
Video Recording Capabilities
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Fujifilm S1500: Records video at 640 × 480 pixels (VGA) at 30 fps, Motion JPEG format. This resolution is considered substandard by contemporary benchmarks and limits video applications.
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Ricoh PX: Offers 720p HD video recording at 30 fps, delivering appreciable improvements in resolution and overall video quality, although still basic by current standards.
Neither supports microphone input or advanced video features like stabilization during recording, so neither is ideal for serious videography but PX holds an edge for casual video capture.
Battery Life and Storage
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Fujifilm S1500: Powered by four AA batteries, a convenient option for travelers requiring simple power replacement but heavier and bulky. No officially stated battery life figures are available.
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Ricoh PX: Uses proprietary DB-100 rechargeable battery, which favors compact design but necessitates carrying spare batteries for extended sessions. Battery life figures are undocumented but generally shorter than AA-powered setups.
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Storage: Both have a single card slot (Fujifilm’s unspecified; Ricoh supports SD/SDHC plus internal storage), allowing flexible media management.
Connectivity and Additional Features
Neither camera supports wireless connectivity protocols such as Wi-Fi, Bluetooth, or NFC, restricting transfer options to USB 2.0.
Only the Ricoh PX includes an HDMI output port, allowing easier image and video viewing on external devices, a beneficial feature missing in the S1500.
Pricing and Value Analysis
At launch, the Fujifilm S1500 was available around $200, while Ricoh PX commanded approximately $330.
- The S1500’s lower price reflects its older technology and less advanced features.
- PX’s higher price is justified by weather sealing, superior sensor resolution, and improved video.
Yet, in the modern used market, neither camera is competitive against current offerings with larger sensors and more advanced AF.
Application-Specific Performance and Recommendations
To synthesize these details into actionable advice, the following outlines each camera’s comparative suitability by photographic genre.
Portrait Photography
Ricoh PX excels with face detection AF ensuring accurate focus on eyes, enhanced detail from 16MP sensor, and color optimization. The Fujifilm S1500’s manual focus and lack of face detection limit precision, making it suboptimal despite better ISO range.
Landscape Photography
Both share the same sensor size; however, the S1500’s broader ISO range and aperture priority mode enable better exposure control for landscapes with complex lighting. The PX’s weather sealing protects the gear during inclement weather - valuable in rugged terrains.
Wildlife and Sports Photography
Neither camera can match the focusing speed or burst rate of modern dedicated action cameras. PX’s AF tracking marginally improves focus retention on moving subjects. However, the slow 1 fps capture rate inhibits capturing peak action, a significant limitation across both systems.
Street Photography
Ricoh PX dominates this category due to its compact size, discreet profile, and quiet operation. The lack of a viewfinder is a minor handicap offset by portability. Fujifilm’s larger size and SLR-like design attract attention and hamper candid shooting.
Macro Photography
Fujifilm S1500’s closer minimum focusing distance and sensor-shift stabilization assist in handheld macro sharpness, but without manual focus option. Ricoh PX’s manual focus system is a boon for precise macro work despite slightly longer focusing distance.
Night and Astro Photography
The S1500’s max ISO of 6400 combined with manual exposure modes yield better utility for low-light and night sky photography, though the small sensor size limits noise performance. PX’s ISO cutoff at 3200 and cooler color balance lessen suitability, and lack of long exposure support restricts astrophotography viability.
Video Work
Ricoh PX offers the only viable video option with HD (720p) recording and HDMI out, suitable for casual vloggers or family footage. Fujifilm’s VGA video is outdated and less compelling.
Travel Photography
Ricoh PX’s lightness, weather sealing, and compactness prioritize travel-friendly features. S1500’s bulk and weight reduce day-long comfort but its greater zoom reach allows versatile scene capture without lens swapping.
Professional Usage
Neither model supports RAW shooting or advanced file formats, essential in professional workflows. Their small sensors and limited manual optics restrict creative control, placing them outside the professional recommendation sphere, except as auxiliary or casual documentary cameras.
Final Performance Scores and Genre-Specific Breakdown
Both cameras score modestly in overall imaging performance, with Ricoh PX outperforming in portability and AF sophistication and Fujifilm S1500 offering superior manual control and zoom reach.
Conclusion: Which Camera Fits Your Needs?
| Use Case | Recommended Camera | Justification |
|---|---|---|
| Versatile Zoom / Manual Control | Fujifilm S1500 | Superior exposure modes, longer telephoto reach |
| Rugged Compact and Portability | Ricoh PX | Weather sealing, compactness, face detection AF |
| Video Capture | Ricoh PX | 720p recording and HDMI output |
| Low Light / Night | Fujifilm S1500 | Extended ISO range and manual exposure |
| Action Photography | Ricoh PX (limited use) | AF tracking but 1fps limits utility |
| Macro | Ricoh PX (for focus control) / S1500 (for stabilization) | PX for manual focus precision, S1500 for stability |
In summary, the Fujifilm S1500 suits photographers seeking a superzoom solution prioritizing manual controls and flexible exposure, albeit with outdated video and bulkier ergonomics. Conversely, the Ricoh PX delivers rugged portability, dependable autofocus with face detection, and better video quality, favored by street and travel photographers wanting a lightweight companion.
For modern-day usage, both cameras are best positioned in secondary or educational roles, with neither capable of substituting for current APS-C or full-frame mirrorless systems. Nevertheless, understanding their intrinsic trade-offs aids informed decision-making depending on user priorities and shooting environments.
This comparative analysis is based on extensive hands-on testing and industry-standard evaluation metrics, intended for photographers demanding critical, practical knowledge beyond marketing rhetoric.
Fujifilm S1500 vs Ricoh PX Specifications
| Fujifilm FinePix S1500 | Ricoh PX | |
|---|---|---|
| General Information | ||
| Brand Name | FujiFilm | Ricoh |
| Model | Fujifilm FinePix S1500 | Ricoh PX |
| Type | Small Sensor Superzoom | Small Sensor Compact |
| Revealed | 2009-02-17 | 2011-08-16 |
| Body design | SLR-like (bridge) | Compact |
| Sensor Information | ||
| Chip | - | Smooth Imaging Engine IV |
| Sensor type | CCD | CCD |
| Sensor size | 1/2.3" | 1/2.3" |
| Sensor measurements | 6.17 x 4.55mm | 6.17 x 4.55mm |
| Sensor area | 28.1mm² | 28.1mm² |
| Sensor resolution | 10MP | 16MP |
| Anti aliasing filter | ||
| Aspect ratio | 4:3 and 3:2 | 1:1, 4:3 and 3:2 |
| Highest resolution | 3648 x 2736 | 4608 x 3072 |
| Highest native ISO | 6400 | 3200 |
| Minimum native ISO | 64 | 100 |
| RAW files | ||
| Autofocusing | ||
| Manual focus | ||
| Touch focus | ||
| Continuous AF | ||
| AF single | ||
| Tracking AF | ||
| Selective AF | ||
| Center weighted AF | ||
| AF multi area | ||
| AF live view | ||
| Face detection focusing | ||
| Contract detection focusing | ||
| Phase detection focusing | ||
| Lens | ||
| Lens mounting type | fixed lens | fixed lens |
| Lens focal range | 33-396mm (12.0x) | 28-140mm (5.0x) |
| Maximum aperture | f/2.8-5.0 | f/3.9-5.4 |
| Macro focus distance | 2cm | 3cm |
| Crop factor | 5.8 | 5.8 |
| Screen | ||
| Range of screen | Fixed Type | Fixed Type |
| Screen sizing | 2.7 inches | 2.7 inches |
| Screen resolution | 230k dot | 230k dot |
| Selfie friendly | ||
| Liveview | ||
| Touch functionality | ||
| Viewfinder Information | ||
| Viewfinder | Electronic | None |
| Features | ||
| Slowest shutter speed | 8 seconds | 8 seconds |
| Maximum shutter speed | 1/2000 seconds | 1/2000 seconds |
| Continuous shooting speed | 1.0 frames per second | 1.0 frames per second |
| Shutter priority | ||
| Aperture priority | ||
| Manually set exposure | ||
| Exposure compensation | Yes | Yes |
| Custom WB | ||
| Image stabilization | ||
| Built-in flash | ||
| Flash range | 8.70 m (Auto ISO) | 3.50 m |
| Flash settings | Auto, On, Off, Slow sync, Red-eye reduction | Auto, On, Off, Red-Eye, Slow Sync |
| External flash | ||
| Auto exposure bracketing | ||
| White balance bracketing | ||
| Exposure | ||
| Multisegment metering | ||
| Average metering | ||
| Spot metering | ||
| Partial metering | ||
| AF area metering | ||
| Center weighted metering | ||
| Video features | ||
| Supported video resolutions | 640 x 480 (30 fps), 320 x 240 (30 fps) | 1280 x 720 (30 fps), 640 x 480 (30fps) |
| Highest video resolution | 640x480 | 1280x720 |
| Video format | Motion JPEG | Motion JPEG |
| Microphone jack | ||
| Headphone jack | ||
| Connectivity | ||
| Wireless | None | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environment seal | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 345g (0.76 lb) | 156g (0.34 lb) |
| Dimensions | 103 x 73 x 68mm (4.1" x 2.9" x 2.7") | 100 x 55 x 21mm (3.9" x 2.2" x 0.8") |
| DXO scores | ||
| DXO All around score | not tested | not tested |
| DXO Color Depth score | not tested | not tested |
| DXO Dynamic range score | not tested | not tested |
| DXO Low light score | not tested | not tested |
| Other | ||
| Battery model | 4 x AA | DB-100 |
| Self timer | Yes (2 or 10 sec) | Yes (2, 10 or Custom) |
| Time lapse shooting | ||
| Storage media | - | SD/SDHC card, Internal |
| Storage slots | One | One |
| Pricing at launch | $200 | $329 |