Fujifilm S2 Pro vs Nikon D3S
56 Imaging
42 Features
39 Overall
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51 Imaging
57 Features
63 Overall
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Fujifilm S2 Pro vs Nikon D3S Key Specs
(Full Review)
- 6MP - APS-C Sensor
- 1.8" Fixed Screen
- ISO 100 - 1600
- No Video
- Nikon F Mount
- 850g - 142 x 131 x 80mm
- Announced August 2002
- Superseded the Fujifilm S1 Pro
- Replacement is Fujifilm S3 Pro
(Full Review)

Fujifilm S2 Pro vs Nikon D3S: A Hands-On Comparison for the Discerning Photographer
Choosing the right professional DSLR is pivotal to your photography journey, whether you’re shooting portraits, landscapes, wildlife, or events. Today, we put two storied cameras head-to-head: the classic Fujifilm FinePix S2 Pro, announced way back in 2002, and the powerhouse Nikon D3S, introduced in 2010. While both are pro-grade DSLRs with Nikon F-mount lenses compatibility, they represent different eras and technological leaps.
Having tested thousands of cameras over 15 years, I’ll guide you through a detailed exploration of each camera’s real-world performance, technical specifications, and suitability across photography genres. Along the way, expect clear recommendations based on your shooting style and budget.
Holding the Cameras: Physical Build and Ergonomics
First impressions matter. How a camera feels in your hands affects your shooting comfort and overall experience, days or hours at a time.
Feature | Fujifilm S2 Pro | Nikon D3S |
---|---|---|
Dimensions (W x H x D) | 142 x 131 x 80 mm | 160 x 157 x 88 mm |
Weight | 850 g | 1240 g |
Body Type | Large SLR | Large SLR |
Environmental Sealing | Yes | Yes |
Grip & Control Layout | Classic, fewer buttons | Extensive buttons and dials |
The Fujifilm S2 Pro is compact and lightweight for a pro DSLR, easing hand fatigue during long sessions, especially handheld. Its traditional layout, with a smaller 1.8-inch fixed LCD and minimal buttons, keeps things simple - but that simplicity sacrifices some modern conveniences.
The heavier Nikon D3S boasts a beefier grip and a more robust, weather-sealed magnesium alloy body. It’s built to endure strenuous conditions photographers face on sports fields, wildlife hides, or rugged landscapes. The control layout is significantly more complex, offering quick access to crucial settings without diving into menus.
In practice, if you prefer a straightforward, lighter body, the S2 Pro feels welcoming. If you need a bulletproof tool optimized for rapid, precise adjustments, the D3S holds a clear advantage.
Sensor Technology and Image Quality
At the heart of every camera lies the sensor. Comparing the image sensor technologies gives you insight into the image quality, dynamic range, noise performance, and resolution capabilities.
Specification | Fujifilm S2 Pro | Nikon D3S |
---|---|---|
Sensor Type | CCD | CMOS |
Sensor Size | APS-C (23 x 15.5 mm) | Full Frame (36 x 23.9 mm) |
Sensor Area | 356.5 mm² | 860.4 mm² |
Resolution | 6 MP (4256 x 2848) | 12 MP (4256 x 2832) |
Native ISO Range | 100 – 1600 | 200 – 12800 (Boost to 102400) |
Antialiasing Filter | Yes | Yes |
Aspect Ratios | 3:2 | 3:2 & 5:4 |
Sensor and Image Quality Insights
The Fujifilm S2 Pro’s CCD sensor was top-tier in 2002, delivering excellent color reproduction and sharpness at 6MP. However, given its APS-C size and older tech, it shows limitations in low-light and dynamic range compared to contemporary sensors.
Conversely, the Nikon D3S’s full-frame CMOS sensor is a landmark for its generation. At 12MP resolution - double the S2 Pro’s - the D3S provides superior image detail, excellent color depth, and a broad dynamic range (DxOmark score of 82 overall, with color depth 23.5 bits and dynamic range at 12 stops). It shines in low-light conditions, thanks to ISO sensitivity scaling to 12800 and beyond, with usable images even at ISO 102400.
If pristine image quality, high resolution, and exceptional low-light performance matter to your workflow, D3S is the clear winner. The S2 Pro suits lower-res needs or those valuing its distinctive CCD color signature but falls short by today’s standards.
Viewing and Interface Experience
A photographer’s ability to quickly and accurately compose and review images depends heavily on the viewfinder and LCD screens.
Feature | Fujifilm S2 Pro | Nikon D3S |
---|---|---|
Viewfinder Type | Optical Pentaprism (No EVF) | Optical Pentaprism (No EVF) |
Viewfinder Coverage | 92% | 100% |
Viewfinder Magnification | n/a | 0.7x |
LCD Size | 1.8 inches | 3.0 inches |
LCD Resolution | 117k pixels | 921k pixels |
Live View Mode | No | Yes |
Touchscreen | No | No |
The S2 Pro’s diminutive 1.8-inch LCD with low resolution restricts detail visibility for image review or menu navigation, lacking live view mode entirely. The optical viewfinder offers 92% frame coverage - a bit narrow and with no magnification, making precise framing a touch challenging.
In contrast, the D3S sports a bright 3-inch, high-res LCD, vastly improving image playback and menu handling. Its 100% viewfinder coverage and 0.7x magnification provide a more precise, immersive view for critical framing. Moreover, the D3S supports live view, allowing you to compose shots via LCD, beneficial for macro or tripod-based photography.
In real-world shooting, these differences mean Nikon gives you faster and more accurate control, especially vital in dynamic scenarios like sports or wildlife.
Autofocus Capability and Performance
Autofocus (AF) speed and accuracy dictate how well a camera captures fleeting moments sharply, a critical aspect in wildlife, sports, and street photography.
Feature | Fujifilm S2 Pro | Nikon D3S |
---|---|---|
AF System | Phase Detection | Advanced Multi-CAM 3500FX (51 points, 15 cross-type) |
Number of AF Points | Not specified (multi-area, no center weighted) | 51 points (15 cross-type) |
AF Modes | Single, Continuous | Single, Continuous, Tracking |
Face / Eye Detection | No | No |
AF Live View | No | Yes (Contrast detection hybrid) |
AF Tracking | No | Yes |
AF Speed | Moderate | Exceptional |
The Fujifilm S2 Pro uses a basic phase-detection AF system with limited focus points and no tracking ability, adequate for stationary or slower subjects. It supports continuous AF but tends to lag in speed and accuracy with moving targets.
The Nikon D3S offers an advanced 51-point AF system, including 15 cross-type sensors that deliver high precision and responsiveness. Its robust tracking AF excels at locking onto moving subjects, making it the preferred choice for fast-paced sports, wildlife, and action photography. The D3S also integrates AF capabilities in live view, albeit contrast-driven, enhancing studio and macro work.
Practical verdict: For fast and unpredictable subjects, D3S autofocus reliability is a game-changer.
Shooting Speed and Buffer Performance
Rapid shooting is an essential factor for capturing key moments in sports, wildlife, and event photography.
Specification | Fujifilm S2 Pro | Nikon D3S |
---|---|---|
Max Continuous Shooting | 2 fps | 11 fps |
Buffer Depth (Raw) | Limited (~few frames) | Large (~>30 frames) |
The S2 Pro offers a modest 2 frames per second (fps) burst, sufficient for deliberate composition but frustrating for dynamic sequences.
The D3S, in contrast, can continuously shoot at 11 fps, paired with a deep buffer allowing extended raw capture bursts, crucial when tracking fast-moving subjects like athletes or birds.
This difference alone means the Nikon is geared toward action professionals needing to capture moment-to-moment nuance and peak expressions.
Lens Ecosystem and Compatibility
Both cameras share the Nikon F-mount lens ecosystem, offering access to a vast array of lenses from wide-angle to super-telephoto.
Aspect | Fujifilm S2 Pro | Nikon D3S |
---|---|---|
Lens Mount | Nikon F | Nikon F |
Number of Compatible Lenses | Over 309 | Over 309 |
Focal Length Multiplier | 1.6x APS-C crop factor | 1x Full-frame native |
Because the S2 Pro uses an APS-C sensor with a 1.6x crop factor, lenses behave as if their focal lengths are longer. This can be an advantage if telephoto reach is desired but limits ultra-wide-angle perspectives.
The D3S is full-frame, making it compatible with native focal lengths and offering wider angle views and better depth-of-field control.
Both benefit from the Nikon lens lineage in terms of quality glass and wide availability. If you own Nikon lenses already, either will fit, but the D3S allows true full-frame performance.
Battery Life and Storage
How long your camera can keep shooting matters on long shoots, especially away from chargers.
Feature | Fujifilm S2 Pro | Nikon D3S |
---|---|---|
Battery Life | Not specified (older tech) | Approx. 4200 shots (CIPA) |
Battery Type | Not specified | EN-EL4a Rechargeable Battery |
Storage Media | SmartMedia, CompactFlash Type I/II | Dual CompactFlash (Type I or II, UDMA) |
The S2 Pro uses legacy media (SmartMedia plus CompactFlash), which today is obsolete and harder to source. Battery life details are sketchy due to its age but likely limited compared to modern standards.
The D3S uses sturdy dual CompactFlash cards with UDMA for fast transfer and redundancy. Its battery life is exceptional, rated around 4200 shots per charge, making it suitable for extended assignments or travel.
If you prioritize long sessions with minimal gear swapping, Nikon’s solution is far more reliable.
Video Capture Capabilities
For multimedia creators, video functionality is increasingly important.
Specification | Fujifilm S2 Pro | Nikon D3S |
---|---|---|
Video Resolution | None | 1280 x 720 @ 24 fps |
Video Formats | None | Motion JPEG |
Microphone / Headphone In | No | No |
Stabilization | No | No |
The S2 Pro is a pure stills shooter with no video capabilities. The D3S offers basic HD video at 720p, although without external mic or headphone jacks. Its video quality and codec are outdated compared to today's hybrid mirrorless cameras but suffice for casual behind-the-scenes recording.
If video is a priority for your content creation, neither camera stands out as ideal today, but the D3S’s option is better.
Specialized Use Cases: Strengths Across Photography Genres
Let’s break down how each camera performs in key photographic disciplines.
Portrait Photography
-
Fujifilm S2 Pro: The CCD sensor imparts pleasing skin tones with natural color rendition. Limited resolution (6MP) and lack of eye detection make critical focusing tricky. Bokeh depends on lens choice due to APS-C crop.
-
Nikon D3S: Higher resolution (12MP) provides sharp portraits with nuanced detail. Full-frame sensor allows optimal subject isolation and pleasing bokeh. Advanced AF ensures accurate eye and face focusing (albeit no dedicated detection here).
Winner: Nikon D3S – for professional portraiture demanding resolution and focus precision.
Landscape Photography
-
Fujifilm S2 Pro: Good color depth and dynamic range for its era, but limited by smaller sensor and lower ISO range.
-
Nikon D3S: Superior dynamic range, high-quality files, weather sealing, and full-frame sensor yield stunning landscapes even in challenging light. Buffer and slower shooting speed less relevant here.
Winner: Nikon D3S, with its enhanced image quality and rugged design.
Wildlife Photography
-
Fujifilm S2 Pro: Lags due to low AF points, slow burst rate, and APS-C crop limiting reach compared to full-frame.
-
Nikon D3S: Industry-standard speed and tracking, fast burst rate, and excellent low light performance make it wildlife-ready.
Winner: Nikon D3S decisively.
Sports Photography
-
Fujifilm S2 Pro: Slow burst speed (2 fps) and limited AF hampers catching peak action.
-
Nikon D3S: Exceptional autofocus and 11 fps burst excel at fast-paced environments.
Winner: Nikon D3S.
Street Photography
-
Fujifilm S2 Pro: Smaller size and simpler design make it more discreet, though its lack of live view and slow response times may frustrate.
-
Nikon D3S: Larger and heavier but fast AF and high ISO performance facilitate candid low-light shots.
Winner: Depends on preference - S2 Pro for stealth, D3S for performance.
Macro Photography
-
Fujifilm S2 Pro: No image stabilization or live view, making accurate manual focus harder.
-
Nikon D3S: Live view and superior AF assist macro focusing, although no in-body stabilization.
Winner: Nikon D3S.
Night and Astrophotography
-
Fujifilm S2 Pro: ISO tops at 1600; not ideal for very low light.
-
Nikon D3S: Extremely high boost ISO and low noise levels make it excellent for astro work.
Winner: Nikon D3S.
Travel Photography
-
Fujifilm S2 Pro: Compact and lightweight, good battery life unknown, limited to older storage.
-
Nikon D3S: Heavy and bulky, longer battery life, dual storage for peace of mind.
Winner: S2 Pro if portability is critical; D3S if versatility and durability matter more.
Professional Workflow Integration
-
Fujifilm S2 Pro: Supports raw format but limited connectivity (USB 1.0), no wireless.
-
Nikon D3S: Raw format, USB 2.0, HDMI out, optional GPS, dual card slots for flexible workflow.
Winner: Nikon D3S.
Visualizing Real-World Capture and Scores
Here’s a look at sample images taken by both cameras in various scenarios - notice the crispness and noise differences.
The overall performance scores from industry-standard tests reveal:
And here is a breakdown of genre-specific performance scores to guide specialized needs:
Final Verdict: Finding the Right Fit for You
Aspect | Choose Fujifilm S2 Pro | Choose Nikon D3S |
---|---|---|
Budget | Limited budget, vintage classic for enthusiasts | Professional with higher budget for cutting-edge features |
Image Quality | Acceptable at 6MP, classic CCD color signature | Superior full-frame, dynamic range, and noise control |
Speed & Autofocus | Basic speed and AF for still subjects | High speed, refined AF for action and wildlife |
Portability | Lightweight and compact | Heavier but rugged and weather sealed |
Video | Still photography only | Basic HD video, sufficient for casual use |
Workflow | Legacy storage, limited connectivity | Dual card slots, HDMI, GPS optional |
Wrapping Up: What to Pick?
If you’re a beginner or collector attracted by the Fujifilm S2 Pro’s distinct character, solid build, and unique CCD rendering, it remains a capable camera for standard photography work. However, be prepared to work within its technological limitations.
For professionals or enthusiasts seeking superior image quality, faster performance, excellent low-light abilities, and robust build quality, the Nikon D3S remains a reliable workhorse. Its advanced autofocus, rapid burst rates, and full-frame sensor equip you for a wide range of disciplines, from sports to landscapes.
No matter which camera you lean toward, remember that lens choices, technique, and creative vision ultimately shape your results. Get hands-on with both if you can, check out relevant lenses, and match your choice to your shooting priorities.
Ready to capture stunning images with one of these legendary DSLRs? Dive into the lenses and accessories that complement your selection, and let your photographic journey flourish.
We hope this detailed comparison helps you make an informed decision. Happy shooting!
Fujifilm S2 Pro vs Nikon D3S Specifications
Fujifilm FinePix S2 Pro | Nikon D3S | |
---|---|---|
General Information | ||
Brand | FujiFilm | Nikon |
Model type | Fujifilm FinePix S2 Pro | Nikon D3S |
Class | Pro DSLR | Pro DSLR |
Announced | 2002-08-02 | 2010-02-16 |
Body design | Large SLR | Large SLR |
Sensor Information | ||
Powered by | - | Expeed |
Sensor type | CCD | CMOS |
Sensor size | APS-C | Full frame |
Sensor dimensions | 23 x 15.5mm | 36 x 23.9mm |
Sensor surface area | 356.5mm² | 860.4mm² |
Sensor resolution | 6 megapixel | 12 megapixel |
Anti alias filter | ||
Aspect ratio | 3:2 | 5:4 and 3:2 |
Max resolution | 4256 x 2848 | 4256 x 2832 |
Max native ISO | 1600 | 12800 |
Max enhanced ISO | - | 102400 |
Min native ISO | 100 | 200 |
RAW photos | ||
Min enhanced ISO | - | 100 |
Autofocusing | ||
Manual focusing | ||
Touch to focus | ||
AF continuous | ||
AF single | ||
AF tracking | ||
AF selectice | ||
AF center weighted | ||
Multi area AF | ||
Live view AF | ||
Face detection focusing | ||
Contract detection focusing | ||
Phase detection focusing | ||
Total focus points | - | 51 |
Cross type focus points | - | 15 |
Lens | ||
Lens mount type | Nikon F | Nikon F |
Number of lenses | 309 | 309 |
Focal length multiplier | 1.6 | 1 |
Screen | ||
Range of screen | Fixed Type | Fixed Type |
Screen sizing | 1.8 inches | 3 inches |
Screen resolution | 117 thousand dot | 921 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch function | ||
Screen technology | - | Low-temperature polysilicon TFT color LCD |
Viewfinder Information | ||
Viewfinder type | Optical (pentaprism) | Optical (pentaprism) |
Viewfinder coverage | 92% | 100% |
Viewfinder magnification | - | 0.7x |
Features | ||
Minimum shutter speed | 30s | 30s |
Fastest shutter speed | 1/4000s | 1/8000s |
Continuous shutter speed | 2.0 frames/s | 11.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | Yes |
Custom WB | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | 15.00 m | no built-in flash |
Flash options | Auto, On, Off, Red-eye reduction, Slow Sync | Front curtain, Rear curtain, Red-Eye, Slow Sync |
External flash | ||
AEB | ||
WB bracketing | ||
Fastest flash sync | 1/125s | 1/250s |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Supported video resolutions | - | 1280 x 720 (24 fps), 640 x 424 (24 fps), 320 x 216 (24 fps) |
Max video resolution | None | 1280x720 |
Video data format | - | Motion JPEG |
Mic input | ||
Headphone input | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 1.0 (1.5 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | Optional |
Physical | ||
Environmental seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 850 grams (1.87 lb) | 1240 grams (2.73 lb) |
Dimensions | 142 x 131 x 80mm (5.6" x 5.2" x 3.1") | 160 x 157 x 88mm (6.3" x 6.2" x 3.5") |
DXO scores | ||
DXO Overall rating | not tested | 82 |
DXO Color Depth rating | not tested | 23.5 |
DXO Dynamic range rating | not tested | 12.0 |
DXO Low light rating | not tested | 3253 |
Other | ||
Battery life | - | 4200 photos |
Battery format | - | Battery Pack |
Battery ID | - | EN-EL4a |
Self timer | Yes (2, 5, 2 or 100 sec) | Yes (2 to 20 sec) |
Time lapse shooting | ||
Storage media | SmartMedia, Compact Flash Type I or II | Compact Flash (Type I or II) x 2, UDMA |
Storage slots | 1 | Two |
Launch pricing | $2,000 | $5,200 |