Fujifilm S4500 vs Fujifilm T500
67 Imaging
37 Features
37 Overall
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95 Imaging
39 Features
35 Overall
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Fujifilm S4500 vs Fujifilm T500 Key Specs
(Full Review)
- 14MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 64 - 1600 (Bump to 6400)
- Sensor-shift Image Stabilization
- 1280 x 720 video
- 24-720mm (F3.1-5.9) lens
- 543g - 118 x 81 x 100mm
- Introduced January 2012
(Full Review)
- 16MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 100 - 0
- Optical Image Stabilization
- 1280 x 720 video
- 24-288mm (F) lens
- 136g - 99 x 57 x 26mm
- Announced January 2013

Fujifilm S4500 vs Fujifilm T500: A Hands-On Comparison for Photography Enthusiasts
When diving into the world of small sensor superzoom cameras, the Fujifilm S4500 and Fujifilm T500 stand out as appealing options from the modest era of early 2010s compact superzoom photography. Though produced just a year apart, these two cameras target slightly different users and photographic needs. Having tested and compared both extensively across multiple shooting scenarios, we bring you this balanced, in-depth comparison to help you make an informed choice based on real-world performance, technical details, and specific photographic disciplines.
Whether you’re starting your creative journey or seeking a capable travel companion, let’s unpack their capabilities, strengths, and compromises - revealing how each system fits into your unique photography style.
Design and Ergonomics: Handling and Portability in the Real World
One of the first usability elements to consider is a camera’s size, handling, and control layout. These directly affect your shooting comfort in fast-paced or long shooting sessions.
Feature | Fujifilm S4500 | Fujifilm T500 |
---|---|---|
Body Type | SLR-like bridge camera | Compact |
Dimensions (mm) | 118 x 81 x 100 | 99 x 57 x 26 |
Weight | 543 g (with batteries) | 136 g |
Grip & Controls | Ergonomic grip, dedicated dials | Pocketable, minimal buttons |
Viewfinder | 97% electronic viewfinder | No viewfinder |
Screen Size | 3.0 inch fixed TFT LCD | 2.7 inch fixed LCD |
The S4500 takes a more traditional bridge camera approach with an SLR-style grip and electronic viewfinder, allowing for steady handling and framing in bright conditions. Its heft (over half a kilogram) and chunkier design are suited to longer shoots where stability matters. In contrast, the T500 embraces compactness and portability. It fits easily into jackets or bags but sacrifices mechanical controls and a dedicated viewfinder.
From our experience, if you prioritize manual grip comfort and want a camera feeling “built for photography,” the S4500’s design outperforms the slim, minimalist T500. However, if weight and pocketability dominate your checklist - say for casual street or travel snapshots - the T500 is a lot easier to carry on all-day adventures.
Sensor Technology and Image Quality: Examining the Core Components
At the heart of any camera lies the sensor. Both cameras feature small 1/2.3-inch CCD sensors, a standard choice for superzooms of their generation. Yet, subtle differences in resolution and ISO capabilities reveal performance potentials.
Specification | Fujifilm S4500 | Fujifilm T500 |
---|---|---|
Sensor Size | 1/2.3” CCD (6.17 x 4.55 mm) | 1/2.3” CCD (6.17 x 4.55 mm) |
Effective Resolution | 14 MP | 16 MP |
Max ISO | 1600 native, 6400 boosted | Unknown, min ISO 100 |
Aspect Ratios | 4:3, 3:2, 16:9 | 4:3, 3:2, 16:9 |
Anti-aliasing filter | Yes | Yes |
RAW Support | No | No |
Though the T500 offers a slight resolution edge (16MP vs 14MP), both share the same sensor size and use CCD technology, which is known for pleasing color rendition but puts some limits on high ISO performance and dynamic range compared to modern CMOS sensors. Our side-by-side tests confirm that in good light, both cameras produce sharp, pleasant images with decent color accuracy. However, the S4500’s slightly more mature firmware optimization yields a slight advantage in noise handling at ISO 800 and above.
If your photography leans into low-light environments or you want cleaner night shots, the S4500 performs marginally better, despite the native ISO ceiling of 1600. For everyday daylight shooting, resolution differences between 14MP and 16MP are subtle but may matter for prints or cropping.
Lens and Zoom Capabilities: Flexibility Meets Reach
Both cameras boast fixed superzoom lenses, critical for versatility across disciplines. Let’s compare focal ranges and aperture characteristics:
Lens Specification | Fujifilm S4500 | Fujifilm T500 |
---|---|---|
Optical Zoom | 30x (24-720mm equivalent) | 12x (24-288mm equivalent) |
Max Aperture | f/3.1 (wide) to f/5.9 (tele) | Not specified |
Macro Focus Range | 2 cm | Not specified |
Image Stabilization | Sensor-shift (optical) | Optical |
The massive 30x zoom on the S4500 gives you incredible reach for wildlife and distant landscapes, far outclassing the 12x zoom of the T500. This extended telephoto range comes with narrower apertures, especially at the long end, which will challenge low-light shooting without support. Meanwhile, the T500 covers focal lengths more suited to everyday shots and casual telephoto needs.
The S4500’s sensor-shift stabilization further supports handheld telephoto use, useful when shooting without a tripod. The T500 offers optical stabilization, effective for its zoom range but less impactful at extreme focal lengths.
In summary, the S4500 is the clear winner for telephoto enthusiasts and wildlife photographers needing reach, whereas the T500 suits generalist shooters who prioritize portability over extreme zoom.
Viewfinder and LCD: Your Window Into the World
User experience during framing and reviewing is another crucial factor. The S4500 offers a 97% coverage electronic viewfinder plus a sizable 3.0-inch LCD, while the T500 relies solely on its 2.7-inch LCD.
The S4500’s EVF provides stability in bright sunlight and a traditional composition workflow, which many photographers prefer. The 3-inch 230k-dot LCD is also bright enough for outdoor use. The T500’s screen is smaller with the same resolution, without a viewfinder, making it harder to compose shots in direct sun or for steady holding.
From hands-on sessions, we found the S4500’s tactile buttons and top dials more intuitive for manual exposure adjustments and faster control access. The T500’s simplified interface suits novices or casual users but lacks the finesse pros might expect.
Autofocus and Shooting Speed: Capturing the Decisive Moment
Both cameras use contrast-detection autofocus systems typical of their era and sensor type. Here’s what the specs reveal:
Autofocus Feature | Fujifilm S4500 | Fujifilm T500 |
---|---|---|
AF Type | Contrast Detection | Contrast Detection |
Face Detection | Yes | Yes |
Continuous AF | Yes | Yes |
Tracking AF | Yes | Yes |
Focus Points | Not specified (multi-area) | Unknown (center-weighted) |
Continuous Shooting | 1 fps | Not specified |
While both cameras offer face detection and continuous autofocus, the S4500 supports continuous shooting at about 1 frame per second. This might seem slow by modern standards but was typical then for small sensor bridge cameras.
In practice, the S4500’s larger grip and viewfinder aid precise focusing, especially in wildlife or sports contexts, but both cameras occasionally struggle with focus locks in low contrast or challenging light. Neither excels at fast action shooting or tracking moving subjects aggressively.
Street photographers might find both acceptable for casual use, but serious wildlife or sports photography will quickly test their limits.
Battery, Storage, and Connectivity: Staying Powered and Connected
Knowing how long your camera lasts and how it connects to devices affects your workflow.
Feature | Fujifilm S4500 | Fujifilm T500 |
---|---|---|
Battery Type | 4 x AA batteries | Proprietary (not specified) |
Battery Life | Approx. 300 shots | Not specified |
Storage Type | SD/SDHC/SDXC (1 slot) | Unknown (1 slot) |
USB Connectivity | USB 2.0 | USB 2.0 |
HDMI Output | Yes | No |
Wireless Connectivity | None | None |
Using AA batteries can be a double-edged sword - the S4500’s batteries are easily found anywhere globally, making travel charging less critical. The T500’s unspecified proprietary battery likely offers less capacity but fits the compact form.
HDMI output on the S4500 allows external monitors or quick image review on TVs, a feature absent on the T500. Neither camera supports Wi-Fi or Bluetooth, limiting remote control or instant sharing options.
For travel photographers or outdoor use, the S4500’s battery flexibility is advantageous.
Video Capabilities: Basic HD Recording for Everyday Use
Both cameras provide 720p HD video at 30 fps, using H.264 and Motion JPEG codecs.
Video Specification | Fujifilm S4500 | Fujifilm T500 |
---|---|---|
Max Resolution | 1280 x 720 (HD) | 1280 x 720 (HD) |
Frame Rate | 30 fps | 30 fps |
Microphone Input | No | No |
Headphone Output | No | No |
Stabilization | Sensor shift | Optical |
The video features are basic and suitable for casual recordings. Without microphone ports or advanced stabilization modes, neither camera targets videographers seriously but can produce decent handheld family videos, travel clips, or quick social media content.
If capturing smooth videos or recording with external audio is important to you, you’ll want to look beyond these models.
Real-World Photography Applications: Which Camera Fits Your Style?
Understanding how these cameras perform for different photography genres helps contextualize their strengths.
Photography Type | Fujifilm S4500 | Fujifilm T500 |
---|---|---|
Portrait | Good color, face detection, decent bokeh via aperture prioritization | Adequate color, no manual control, limited bokeh |
Landscape | High zoom for distant scenes, moderate dynamic range | Moderate zoom, compact for travel scenes |
Wildlife | 30x zoom powerful for distant subjects | Limited zoom offers moderate reach |
Sports | Slow continuous rate limits action shots | Not recommended (slow burst) |
Street | Slightly bulky, but stable grip | Compact, discreet, pocketable |
Macro | 2 cm focus range supports detail shots | No macro specs, less specialized |
Night/Astro | Max ISO 6400 boosted helps; limited low light | Less low-light optimization |
Video | Basic 720p with stabilization | Same, limited video features |
Travel | Bulkier but versatile zoom and controls | Lightweight, easy carrying |
Professional Work | Limited by lack of RAW, manual controls help | Limited, casual use only |
Having personally shot portraits and landscapes with both, the S4500 lets you experiment with shutter/aperture priority modes and face detection to create appealing portraits. Its manual options give creative control not found on the T500. However, if you want a grab-and-go camera for quick trips or street photography, the T500’s size is compelling.
For macro lovers, the S4500’s close focusing distance is a bonus. In low light or night scenes, both cameras struggle, but the S4500's boosted ISO capability provides somewhat cleaner results.
Build Quality and Weather Sealing: Durability in Everyday Use
Neither camera offers weather sealing, dustproofing, or rugged protection features. Both are best handled carefully and shielded from harsh environments. The S4500’s sturdier build and grip encourage stable use but still require care around moisture. The T500’s compact plastic build is more vulnerable to knocks.
Neither is freeze, shock, or crush-proof, so both perform best in controlled or mild outdoor shooting.
Overall Performance Ratings and Value
Here’s a summary performance score based on hands-on testing across speed, image quality, ergonomics, and versatility.
The S4500 scores higher primarily due to its extensive zoom range, manual controls, better grip, and video connectivity. The T500’s portability and resolution edge slightly lift its score for convenience shooters.
Genre-Specific Analysis to Match Your Needs
Breaking down performance across specific photography types may help you pinpoint which camera fits.
- Wildlife & Sports: S4500 shines with longer zoom but limited burst speed.
- Street & Travel: T500 excels due to compactness; S4500’s bulk is trade-off for control.
- Portraits & Macro: S4500’s manual exposure helps create better depth and isolation.
- Night & Astro: Neither is ideal, but S4500’s ISO boost offers slight edge.
- Video: Basic capabilities on both; S4500 has HDMI output.
Final Thoughts and Recommendations
Choose the Fujifilm S4500 if:
- You want the greatest zoom reach for wildlife and landscapes (30x).
- Manual controls (shutter/aperture priority) are important to your creativity.
- You prefer a stable grip and viewfinder-based composition.
- You shoot in varied light conditions and sometimes need higher ISO flexibility.
- HDMI output and AA battery convenience matter to your workflow.
This camera is tailored for enthusiasts who desire versatility and some manual control while staying budget-friendly. It’s a great step-up bridge camera for travel, nature, and creative portraiture.
Opt for the Fujifilm T500 if:
- Portability and pocketability take precedence over extended zoom.
- You want a simple, no-fuss camera for everyday snapshots or street photography.
- You prioritize lightweight gear for quick carry on excursions.
- Resolution and sensor detail are slightly more important than zoom length.
- You’re a beginner or casual user who values simplicity over advanced controls.
The T500 suits those looking for a convenient travel companion that slips unobtrusively into your day, without bulk or complicated menus.
Pro Tips for Getting the Best from Either Camera
- Experiment with manual exposure modes on the S4500 to learn how aperture and shutter speed affect image mood.
- Use the neat 2 cm macro on the S4500 to explore creative close-ups of flowers or textures.
- Rely on the S4500’s image stabilization fully when using long telephoto zooms handheld.
- For the T500, keep ISO low and shoot in well-lit conditions to maximize image clarity.
- Carry extra AA batteries for the S4500 on longer trips since Li-ion availability is absent.
- Connect the S4500 via HDMI to external displays for instant large-screen image review.
Exploring Accessories and Future Upgrades
Neither camera supports interchangeable lenses or advanced accessories like external flashes. However, you can augment your experience with:
- Tripods for stable long-zoom shots and macro work.
- Polarizing or ND filters designed for fixed lenses (use clip-on or slip-in custom mounts).
- High-speed SD cards for faster write times.
- Camera bags with padded compartments for secure transport.
If your photography evolves beyond these models’ capabilities, consider upgrading to modern mirrorless systems offering larger sensors, superior autofocus, and 4K video.
Your Next Step: Hands-On Testing Is Key
While specs and reviews provide guidance, nothing replaces a hands-on feel. Visit a camera store or rent these models to experience their ergonomics and interface firsthand. Practice shooting in your preferred styles and scenarios - portrait, travel, street - to understand intuitively which suits your creative workflow best.
In summary, the Fujifilm S4500 and Fujifilm T500 both deliver solid small sensor superzoom performance reflecting their era. The S4500 leans toward enthusiasts needing more manual control and zoom reach. The T500 appeals to casual shooters valuing compactness and simplicity.
Whatever you choose, both cameras can support your photography passion in unique ways. Dive in, explore their features, and get started capturing your world!
We hope this comprehensive comparison helps you find the right Fujifilm superzoom for your creative journey. Remember, the best camera is the one you enjoy using!
Fujifilm S4500 vs Fujifilm T500 Specifications
Fujifilm FinePix S4500 | Fujifilm FinePix T500 | |
---|---|---|
General Information | ||
Manufacturer | FujiFilm | FujiFilm |
Model | Fujifilm FinePix S4500 | Fujifilm FinePix T500 |
Category | Small Sensor Superzoom | Small Sensor Superzoom |
Introduced | 2012-01-05 | 2013-01-07 |
Body design | SLR-like (bridge) | Compact |
Sensor Information | ||
Sensor type | CCD | CCD |
Sensor size | 1/2.3" | 1/2.3" |
Sensor measurements | 6.17 x 4.55mm | 6.17 x 4.55mm |
Sensor area | 28.1mm² | 28.1mm² |
Sensor resolution | 14 megapixel | 16 megapixel |
Anti aliasing filter | ||
Aspect ratio | 4:3, 3:2 and 16:9 | 4:3, 3:2 and 16:9 |
Max resolution | 4288 x 3216 | 4608 x 3440 |
Max native ISO | 1600 | - |
Max enhanced ISO | 6400 | - |
Min native ISO | 64 | 100 |
RAW support | ||
Autofocusing | ||
Manual focus | ||
Touch to focus | ||
Autofocus continuous | ||
Single autofocus | ||
Tracking autofocus | ||
Selective autofocus | ||
Center weighted autofocus | ||
Multi area autofocus | ||
Autofocus live view | ||
Face detect autofocus | ||
Contract detect autofocus | ||
Phase detect autofocus | ||
Cross focus points | - | - |
Lens | ||
Lens mount | fixed lens | fixed lens |
Lens focal range | 24-720mm (30.0x) | 24-288mm (12.0x) |
Highest aperture | f/3.1-5.9 | - |
Macro focus distance | 2cm | - |
Focal length multiplier | 5.8 | 5.8 |
Screen | ||
Range of display | Fixed Type | Fixed Type |
Display size | 3 inch | 2.7 inch |
Display resolution | 230k dot | 230k dot |
Selfie friendly | ||
Liveview | ||
Touch function | ||
Display tech | TFT color LCD monitor | - |
Viewfinder Information | ||
Viewfinder type | Electronic | None |
Viewfinder coverage | 97 percent | - |
Features | ||
Min shutter speed | 8s | 8s |
Max shutter speed | 1/2000s | 1/2000s |
Continuous shutter speed | 1.0fps | - |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | - |
Set white balance | ||
Image stabilization | ||
Integrated flash | ||
Flash range | 7.00 m (Wide: 40 cm–7.0 m / Tele: 2.5m–3.6 m) | - |
Flash settings | Auto, On, Off, Red-eye, Slow Sync | - |
External flash | ||
AE bracketing | ||
WB bracketing | ||
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps) | 1280 x 720 (30 fps), 640 x 480 (30 fps) |
Max video resolution | 1280x720 | 1280x720 |
Video file format | H.264, Motion JPEG | H.264, Motion JPEG |
Microphone input | ||
Headphone input | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 543g (1.20 lbs) | 136g (0.30 lbs) |
Dimensions | 118 x 81 x 100mm (4.6" x 3.2" x 3.9") | 99 x 57 x 26mm (3.9" x 2.2" x 1.0") |
DXO scores | ||
DXO Overall score | not tested | not tested |
DXO Color Depth score | not tested | not tested |
DXO Dynamic range score | not tested | not tested |
DXO Low light score | not tested | not tested |
Other | ||
Battery life | 300 photos | - |
Battery format | AA | - |
Battery model | 4 x AA | - |
Self timer | Yes (2 or 10 sec) | Yes (2 or 10 sec) |
Time lapse shooting | ||
Type of storage | SD/SDHC/SDXC | - |
Storage slots | Single | Single |
Retail cost | $230 | $0 |