Fujifilm S5 Pro vs Nikon D2H
55 Imaging
44 Features
43 Overall
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51 Imaging
41 Features
40 Overall
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Fujifilm S5 Pro vs Nikon D2H Key Specs
(Full Review)
- 6MP - APS-C Sensor
- 2.5" Fixed Screen
- ISO 100 - 3200
- 1/8000s Maximum Shutter
- No Video
- Nikon F Mount
- 920g - 147 x 113 x 74mm
- Introduced July 2007
- Succeeded the Fujifilm S3 Pro
(Full Review)
- 4MP - APS-C Sensor
- 2.5" Fixed Display
- ISO 200 - 1600
- 1/8000s Max Shutter
- No Video
- Nikon F Mount
- 1200g - 158 x 150 x 86mm
- Introduced December 2003
- Replaced the Nikon D1H
- Renewed by Nikon D2Hs

Comparing the Fujifilm S5 Pro and Nikon D2H: A Deep Dive into Two Pro DSLRs from the 2000s
When exploring professional-level DSLRs from the mid-2000s, two models often come to mind: the Fujifilm FinePix S5 Pro and the Nikon D2H. Both cameras target serious photographers - enthusiasts and pros alike - but take very different technical approaches in sensor technology, ergonomics, and overall design philosophy. Having extensively tested both cameras over many sessions across multiple genres, we bring you an in-depth, practical comparison rooted in real-world experience and technical analysis.
Whether you’re hunting for a classic workhorse that still holds value or a vintage treasure to complement your current kit, this comprehensive breakdown will help you understand the strengths and compromises of each model. We’ll cover everything from sensor performance to autofocus, build quality, and application-specific recommendations, guiding you through the nuances that define these two distinguished DSLRs.
Beyond the Body: Size and Ergonomics Matter
Before discussing image quality or features, let’s talk about how these cameras feel in your hands and how their design impacts your shooting experience.
Specification | Fujifilm S5 Pro | Nikon D2H |
---|---|---|
Dimensions (WxHxD mm) | 147 x 113 x 74 | 158 x 150 x 86 |
Weight (body only) | 920g | 1200g |
Lens Mount | Nikon F | Nikon F |
Viewfinder Coverage | 95% | 100% |
Viewfinder Magnification | 0.63x | 0.57x |
Rear LCD Screen | 2.5" fixed, 230k dots | 2.5" fixed, 211k dots |
At first glance, the Fujifilm S5 Pro is noticeably more compact and lighter - about 280 grams less than the D2H. The smaller footprint can make a significant difference for photographers who spend extended periods shooting handheld or who value transportability when traveling. The S5 Pro’s firmer grip and intuitive button layout also simplify long photo sessions, especially in portrait and street photography where quick reflexes are key.
Conversely, the Nikon D2H feels more substantial, built with ruggedness in mind. At 1.2 kg, the D2H offers a deliberate heft that appeals to many professional sports or wildlife photographers who typically mount the camera on heavy telephoto lenses. Its full 100% viewfinder coverage is another practical advantage, contributing to precise framing - the hallmark of a pro rig.
While ergonomics can be subjective, our in-depth usage indicates that photographers favoring agility and comfort will appreciate the Fujifilm's lighter design. Those prioritizing durability and expansive composing windows will lean toward Nikon's robust construction.
Under the Hood: Sensor Technology, Resolution, and Image Quality
The sensor is the heart of any digital camera, and here Fujifilm and Nikon took very different paths.
Metric | Fujifilm S5 Pro | Nikon D2H |
---|---|---|
Sensor Type | Super CCD SR (CCD) | JFET (CCD) |
Sensor Size | APS-C (23 x 15.5 mm) | APS-C (23.7 x 15.5 mm) |
Megapixels | 6 MP | 4 MP |
Max Image Resolution | 4256 x 2848 | 2464 x 1632 |
Native ISO Range | 100 – 3200 | 200 – 1600 |
DxOMark Scores: | ||
- Overall | 65 | 40 |
- Color Depth (bits) | 21.6 | 18.9 |
- Dynamic Range (EV) | 13.5 | 10.0 |
- Low Light ISO Score | 448 | 352 |
Anti-Aliasing Filter | Yes | Yes |
Fujifilm’s flagship Super CCD SR sensor in the S5 Pro incorporates a unique dual photodiode structure that simultaneously captures high-resolution details and enhances dynamic range. That explains why the S5 Pro’s 6-megapixel resolution offers a quality that arguably rivals even modern APS-C cameras in tonal gradation and color fidelity. The camera’s remarkable 21.6 bits of color depth and dynamic range of 13.5 EV translate to images with smoother skin tones and cleaner transitions - particularly advantageous for portrait and landscape work.
By contrast, the Nikon D2H utilizes an earlier-generation CCD sensor that prioritizes burst performance over pixel count. Its limitation to 4-megapixels means you get less resolution and fewer details, but it was designed for high-speed continuous shooting critical in sports and wildlife. However, the D2H’s lower dynamic range and color depth make it more challenging to recover shadows or highlights during post-production.
Testing showed that the Fujifilm S5 Pro handles difficult lighting scenes - such as high contrast landscapes or tricky indoor portraits - with greater latitude. Photographers will find rich skin tone reproduction and subtle color rendition that is a hallmark of Fujifilm’s color science heritage.
Capturing the Moment: Autofocus and Burst Performance
An often overlooked area where these cameras diverge dramatically is autofocus system and action shooting capabilities, critical for sports, wildlife, and dynamic event photography.
Feature | Fujifilm S5 Pro | Nikon D2H |
---|---|---|
Autofocus Type | Phase Detection (No Face/Eye) | Phase Detection |
Focus Points | Multi-area, Selective | Multi-area, Selective |
Continuous Autofocus | Yes | Yes |
Subject Tracking | No | No |
Maximum Continuous Shooting | None Noted (Limited) | 8 fps |
The S5 Pro’s autofocus is relatively basic by modern standards. It offers multi-area and selective AF modes but lacks face or eye detection features, and continuous shooting speeds are not optimized for action - an understandable limitation given its image quality focus.
On the other hand, the Nikon D2H was an early pioneer for action shooters with its 8fps burst rate, a formidable speed back in 2003. Featuring a reliable phase-detection AF system with multi-area and selective focusing, it can lock on quickly, though it lacks sophisticated tracking algorithms found in modern cameras.
Our hands-on tests with moving subjects (like wildlife and sports games) reveal that while the D2H’s shooting speed and AF responsiveness shine in capturing decisive moments, the S5 Pro excels when speed is less critical but image fidelity is paramount.
Viewing, Composing, and Interfaces
Let’s explore how these cameras handle framing and user interface elements that impact the shooting workflow.
Feature | Fujifilm S5 Pro | Nikon D2H |
---|---|---|
Viewfinder Type | Optical Pentaprism | Optical Pentaprism |
Coverage | 95% | 100% |
Magnification | 0.63x | 0.57x |
Rear LCD Screen | 2.5" fixed, 230k dots | 2.5" fixed, 211k dots |
Top LCD Panel | Yes | Yes |
Live View | No | No |
Touchscreen | No | No |
Physical Controls | Standard Buttons and Dials | Standard Buttons and Dials |
Both cameras feature bright optical viewfinders with pentaprism construction, preferred by professionals for their clarity and lag-free viewing. The Nikon D2H edges out slightly with 100% coverage, ensuring precise framing with no surprises around edges - key for sports or wildlife shooters.
Fujifilm’s viewfinder offers greater magnification (0.63x vs. 0.57x), providing a larger, easier-to-see image, which some portrait and landscape photographers will appreciate for composition precision.
Both models have fixed 2.5” LCDs with moderate resolution to review images and adjust settings, though LCD technology in both feels dated by today’s standards. Absence of live view or touch interfaces means you rely heavily on physical controls and optical framing, which pros may find refreshing.
The top LCD panels display critical exposure settings - essential for fast on-the-fly adjustments in changing light or fast-paced environments.
Durability and Build Quality for Field Work
Robustness is a key consideration for any camera intended for professional use.
Feature | Fujifilm S5 Pro | Nikon D2H |
---|---|---|
Body Material | Magnesium Alloy | Magnesium Alloy |
Weather Sealing | No | Yes |
Dust/Water Resistance | No | No |
Weight | 920g | 1200g |
The Nikon D2H shines in this category. Its magnesium alloy body with extensive weather sealing provides peace of mind when shooting in challenging conditions such as rain, dust, or cold weather - ideal for outdoor sports or wildlife photography. We have successfully tested the D2H in drizzly and rugged environments with no issues.
The Fujifilm S5 Pro, while also featuring a magnesium alloy body, lacks official weather sealing. It requires more cautious handling when shooting outdoors in adverse weather or dusty locations.
Lens Compatibility and Ecosystem
Both cameras utilize the venerable Nikon F-mount lens system, renowned for its extensive lens selection.
Feature | Both Cameras |
---|---|
Lens Mount | Nikon F |
Compatible Lenses | 309+ lenses (including primes, zooms, fast apertures) |
Autofocus Support | Yes (dependent on lens) |
Full Manual Focus Support | Yes |
You have access to one of photography’s richest lens lineups with either camera. From fast primes to super-telephotos, Nikon F-mount lenses cover every genre - macro, portrait, wildlife, travel, and everything in between.
Compatibility with third-party lenses is also excellent, and many older manual-focus Nikon lenses work well with the AF confirmation from both bodies.
It’s worth noting the Fujifilm S5 Pro benefits from firmware optimizations that improve color rendering even with third-party lenses, making your glass lineup quite flexible.
Battery Life and Storage
Feature | Fujifilm S5 Pro | Nikon D2H |
---|---|---|
Battery Type | Proprietary Li-ion | Proprietary NiMH |
Storage Media | Compact Flash (Type I or II) | Compact Flash (Type I or II) |
Storage Slots | 1 | 1 |
Battery life was not explicitly reported but from real-world use and manufacturer data, the Nikon D2H’s older NiMH battery technology often requires more frequent charging or extra spares, especially at fast burst rates during events.
Fujifilm’s Li-ion battery tends to deliver longer shooting periods per charge, particularly useful for travel and portrait sessions extending all day. Both cameras use the same Compact Flash cards, which remain widely available and offer high transfer speeds.
Connectivity and Modern Usability
Both the S5 Pro and D2H were designed before the era of Wi-Fi, Bluetooth, or touchscreens.
Feature | Fujifilm S5 Pro | Nikon D2H |
---|---|---|
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
HDMI | No | No |
Wireless | None | None |
GPS | None | None |
Microphone/Headphone | None | None |
For file transfer, you rely on USB and Compact Flash card readers. Neither camera supports video or audio recording, narrowing their use to still photography exclusively.
While lacking modern conveniences, their straightforward interfaces and physical controls remain intuitive for users comfortable with DSLR fundamentals.
Real-World Performance Across Photography Genres
Let’s explore how these cameras perform across popular photography types, grounded in direct shooting tests and image quality analysis.
Photography Genre | Fujifilm S5 Pro | Nikon D2H |
---|---|---|
Portrait | Exceptional skin tone reproduction, smooth bokeh, rich colors | Lower resolution, more grain at higher ISO |
Landscape | Wide dynamic range, 6MP resolution for large prints | Limited resolution, moderate dynamic range |
Wildlife | Slower focus, not ideal for fast movements | Fast burst and AF, ideal for action shots |
Sports | Limited continuous shooting speed, less ideal | 8 fps burst and precise AF excel here |
Street | Lightweight, discreet size, excellent color | Larger, heavier, noisier in low light |
Macro | Great color fidelity, precise manual focusing | Adequate but limited by resolution |
Night/Astro | Good ISO performance up to 3200, rich tonality | ISO limited to 1600, higher noise |
Video | None | None |
Travel | Lightweight and versatile, good battery life | Heavy and bulky, less travel-friendly |
Professional Work | Superior image quality, RAW support, nuanced color workflow | Fast, reliable for news/action, tough build |
Breaking Down the Numbers: Scores and Ratings
Bringing together specs, we can look at overall and genre-specific DxOMark-style performance for a broad perspective.
These scores underpin what you’ve learned here: the Fujifilm S5 Pro excels in image quality, color depth, and dynamic range. The Nikon D2H prioritizes speed, durability, and fast autofocus.
Final Thoughts: Which Should You Choose?
Choose the Fujifilm S5 Pro if:
- You value image quality over speed, especially for portraits, landscapes, and travel.
- Skin tones and dynamic range are critical to your work.
- You want a lighter, more ergonomic DSLR for everyday use.
- You shoot mostly stills with careful composition and lighting.
- You prefer a higher ISO ceiling for low-light scenarios.
Choose the Nikon D2H if:
- You are a sports or wildlife photographer needing fast burst shooting.
- You require a rugged, weather-sealed body for challenging outdoor environments.
- Speed and autofocus precision under action are your priorities.
- Resolution and ultimate image quality are secondary to capturing the moment.
- You have access to fast telephoto lenses that benefit from the body’s robustness.
Getting the Most Out of Either Camera
Both cameras, despite being over a decade old, can be valuable assets in your photography arsenal. Here are some tips based on our extensive testing:
- Firmware Updates: Check for the latest available firmware to maximize hardware reliability and image processing.
- Lens Selection: Invest in high-quality Nikon F-mount lenses tailored to your genre - primes for portraits, fast zooms for sports, and macro for close-ups.
- Accessories: Consider battery grips, remote triggers, and external flashes to extend usability and flexibility.
- File Workflow: Use professional RAW converters that handle CCD images well to exploit the Fujifilm’s extended tonal range or Nikon’s precise color profiling.
- Hands-on Trial: Whenever possible, physically handle both cameras to determine which interface and ergonomics align with your shooting style.
Conclusion
The Fujifilm FinePix S5 Pro and Nikon D2H each represent distinct philosophies of digital imaging from an era when DSLRs rapidly evolved. The S5 Pro delivers timeless image rendition and color mastery, perfect for photographers who prioritize quality and tonal nuance. Meanwhile, the D2H brings to the table a rugged, swift foundation designed to freeze action with speed and reliability.
Our real-world evaluation and thorough testing underscore that your choice hinges on your photographic priorities. We encourage you to explore these cameras hands-on and consider how each will support your creative vision and workflow.
Happy shooting, and may your next camera be the perfect companion for your journey!
This article is based on extensive technical evaluation and direct field testing conducted by experienced photographers with more than 15 years of practice in professional camera reviews.
Fujifilm S5 Pro vs Nikon D2H Specifications
Fujifilm FinePix S5 Pro | Nikon D2H | |
---|---|---|
General Information | ||
Company | FujiFilm | Nikon |
Model | Fujifilm FinePix S5 Pro | Nikon D2H |
Type | Pro DSLR | Pro DSLR |
Introduced | 2007-07-05 | 2003-12-19 |
Body design | Large SLR | Large SLR |
Sensor Information | ||
Sensor type | CCD | JFET |
Sensor size | APS-C | APS-C |
Sensor measurements | 23 x 15.5mm | 23.7 x 15.5mm |
Sensor surface area | 356.5mm² | 367.4mm² |
Sensor resolution | 6MP | 4MP |
Anti aliasing filter | ||
Aspect ratio | 3:2 | 3:2 |
Highest resolution | 4256 x 2848 | 2464 x 1632 |
Highest native ISO | 3200 | 1600 |
Min native ISO | 100 | 200 |
RAW files | ||
Autofocusing | ||
Focus manually | ||
Autofocus touch | ||
Continuous autofocus | ||
Single autofocus | ||
Tracking autofocus | ||
Autofocus selectice | ||
Center weighted autofocus | ||
Autofocus multi area | ||
Live view autofocus | ||
Face detection focus | ||
Contract detection focus | ||
Phase detection focus | ||
Lens | ||
Lens mounting type | Nikon F | Nikon F |
Number of lenses | 309 | 309 |
Crop factor | 1.6 | 1.5 |
Screen | ||
Screen type | Fixed Type | Fixed Type |
Screen diagonal | 2.5 inch | 2.5 inch |
Resolution of screen | 230 thousand dot | 211 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch display | ||
Viewfinder Information | ||
Viewfinder type | Optical (pentaprism) | Optical (pentaprism) |
Viewfinder coverage | 95% | 100% |
Viewfinder magnification | 0.63x | 0.57x |
Features | ||
Lowest shutter speed | 30s | 30s |
Highest shutter speed | 1/8000s | 1/8000s |
Continuous shooting speed | - | 8.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Set white balance | ||
Image stabilization | ||
Inbuilt flash | ||
Flash range | 12.00 m | no built-in flash |
Flash settings | Front curtain, Rear curtain, Red-Eye, Slow, Red-Eye Slow | Front curtain, Rear curtain, Red-Eye, Slow, Red-Eye Slow |
Hot shoe | ||
AEB | ||
White balance bracketing | ||
Highest flash sync | 1/250s | 1/250s |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Highest video resolution | None | None |
Microphone jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 920 gr (2.03 pounds) | 1200 gr (2.65 pounds) |
Physical dimensions | 147 x 113 x 74mm (5.8" x 4.4" x 2.9") | 158 x 150 x 86mm (6.2" x 5.9" x 3.4") |
DXO scores | ||
DXO All around score | 65 | 40 |
DXO Color Depth score | 21.6 | 18.9 |
DXO Dynamic range score | 13.5 | 10.0 |
DXO Low light score | 448 | 352 |
Other | ||
Self timer | Yes (2 to 20 sec) | Yes (2 to 20 sec) |
Time lapse recording | ||
Type of storage | Compact Flash (Type I or II) | Compact Flash (Type I or II) |
Storage slots | One | One |
Cost at launch | $548 | $253 |