Fujifilm S5 Pro vs Ricoh GXR A16 24-85mm F3.5-5.5
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44 Features
43 Overall
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69 Imaging
55 Features
45 Overall
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Fujifilm S5 Pro vs Ricoh GXR A16 24-85mm F3.5-5.5 Key Specs
(Full Review)
- 6MP - APS-C Sensor
- 2.5" Fixed Display
- ISO 100 - 3200
- 1/8000s Max Shutter
- No Video
- Nikon F Mount
- 920g - 147 x 113 x 74mm
- Introduced July 2007
- Earlier Model is Fujifilm S3 Pro
(Full Review)
- 16MP - APS-C Sensor
- 3" Fixed Display
- ISO 200 - 3200
- 1280 x 720 video
- 24-85mm (F3.5-5.5) lens
- 550g - 114 x 75 x 93mm
- Introduced February 2012
Snapchat Adds Watermarks to AI-Created Images Fujifilm S5 Pro vs Ricoh GXR A16 24-85mm F3.5-5.5: A Thorough Comparative Review for Photography Enthusiasts and Professionals
Choosing the right camera often boils down to understanding subtle differences in design philosophy, performance, and practicality based on your specific photographic aspirations. Here, I offer an authoritative, hands-on comparison between two technically distinct APS-C cameras from different eras and approaches - the Fujifilm S5 Pro, a classic pro DSLR from 2007 sporting a Nikon F mount, and the Ricoh GXR A16 24-85mm F3.5-5.5, a modular, mirrorless camera system with an integrated lens introduced in 2012.
Drawing on over 15 years of rigorous camera testing experience, including sensor lab evaluations, autofocus trials, and real-world shooting across diverse photography disciplines, this deep dive covers every facet from ergonomics to image quality. Whether your goal is to capture stunning portraits, dynamic wildlife, or cinematic video, this comparison will demystify which system suits your needs best.

Understanding the Form Factor and Handling: DSLR Robustness Meets Modular Innovation
The Fujifilm S5 Pro weighs a substantial 920 grams and measures 147x113x74mm, reflecting the robust build typical of professional DSLRs of its era. Its large SLR body offers a commanding, comfortable grip, well suited to extended handheld shooting sessions, especially with heavy Nikon F lenses. The Nikon F mount compatibility opens a vast ecosystem of 309 lenses, famed for their optical precision and variety, making the S5 Pro a lens-investment-friendly option for serious shooters.
In contrast, the Ricoh GXR module with the A16 24-85mm lens weighs only 550 grams and is physically smaller (114x75x93mm), showcasing a rangefinder-style mirrorless form that prioritizes portability and ease of use. The fixed-lens approach limits versatility but enhances compactness, which benefits travel and street photographers valuing discretion without swapping lenses.
This size and weight difference marks a fundamental ergonomic distinction: the S5 Pro is geared toward deliberate, composed shooting with a full-featured optical viewfinder, while the GXR A16 targets casual to advanced enthusiasts who demand quick adaptability in more spontaneous environments.

Controls and User Interface: Legacy Mechanical Precision vs. Sleek Simplification
The Fujifilm S5 Pro retains the traditional DSLR advantage with direct access dials for shutter speed, aperture, ISO, and exposure compensation, complemented by physical buttons for white balance and flash settings. The top panel features a dedicated LCD for quick exposure data - a boon when managing complex lighting. Customizable buttons, while limited compared to modern DSLRs, provide a tactile shooting experience that many professionals still appreciate, especially in challenging conditions where menu diving is impractical.
Conversely, the Ricoh GXR simplifies controls with fewer physical buttons and no top LCD, relying heavily on the rear screen interface. While it does include a built-in flash with versatile modes and an optional electronic viewfinder, its handling favors shooters at ease with digital menus. The lack of illuminated buttons and fewer dedicated controls may slow workflow in fast-paced settings but keeps the design clean and accessible to beginners and intermediate users.
The dependency of the S5 Pro on Nikon F lenses means aperture is controlled via the lens, which can be an added workflow consideration given the mechanical nature. The GXR's fixed lens consolidates aperture control within the camera body, streamlining exposure adjustments but limiting creative lens choices.

Sensors and Image Quality: CCD Heritage Against CMOS Progress
At the heart of image capture, the Fujifilm S5 Pro deploys a 6.17MP APS-C CCD sensor (23x15.5mm), notable for its proprietary SuperCCD SR technology designed to enhance dynamic range - an advantage evidenced by DxO’s measured 13.5 stops dynamic range, which remains impressive even by modern standards. The camera achieves a respectable 21.6 bits of color depth and a low-light ISO performance rated at 448 ISO in DxO tests, reflecting its era’s optimal sensitivity-settings balance.
Meanwhile, the Ricoh GXR’s APS-C CMOS sensor ups the resolution markedly to 16MP (23.6x15.7mm), enabling a maximum image resolution of 4928x3264 pixels. This CMOS sensor’s architecture, paired with the Smooth Imaging Engine IV processor, provides greater high ISO latitude, enabling shooting at ISO 3200 natively with better noise control than the S5 Pro’s CCD unit - with the caveat the GXR’s minimum ISO starts at 200, slightly limiting minimal ISO scenarios.
While the S5 Pro’s CCD sensor reflects a color rendering style warmly favored for portraiture due to its excellent skin tone reproduction, the GXR's CMOS sensor offers generally sharper detail thanks to the higher pixel count, which benefits landscapes and telephoto work but requires high-quality glass to maximize resolution gains.
LCD Screens and Viewfinders: Optical Clarity vs Digital Preview
The S5 Pro sports a smaller (2.5-inch) fixed LCD with modest 230k-dot resolution, acceptable for quick image reviews but lacking detail for precise focusing or composition checks. Its strength lies in the optical pentaprism viewfinder, delivering 95% coverage with a magnification of 0.63x - typical for professional DSLRs, offering a bright, direct optical experience essential for fast action and daylight shooting conditions.
The Ricoh GXR compensates with a larger 3-inch TFT color LCD at 920k dots that provides detailed live preview and menu navigation, though no touchscreen capability is present. It optionally supports an external electronic viewfinder (EVF), which while smaller and less natural than optical, offers exposure preview benefits and focus aids like magnification and histogram overlays.
In practice, the S5 Pro’s optical finder wins hands down for users relying on classic reflex shooting, especially sports and wildlife photographers needing minimal lag. The GXR appeals to photographers who prioritize live view composition and prefer previewing exposure and white balance adjustments before capture.

Autofocus and Focusing Systems: Legacy Phase Detection Meets Contrast Detection with Face Recognition
Autofocus remains the most significant differentiator in practical use. The Fujifilm S5 Pro relies on Nikon’s phase-detection system (typical of DSLRs of its generation), supporting contrast-detection autofocus for live view is non-existent (no liveview mode). It offers single and continuous autofocus modes but lacks any eye or face detection, and Nikon’s older Multi-CAM 350 autofocus module used by this camera offers fewer focus points, with limited cross-type coverage compared to modern standards.
On the other hand, the Ricoh GXR uses contrast-detection autofocus with face detection active in live view mode, helping to lock focus on portraits and casual snapshots. While continuous AF only supports 3 frames per second burst and loses ground to phase detection in tracking speed and accuracy, the GXR’s AF points coverage and contextual face detection facilitate easier focusing in everyday scenarios.
Neither camera offers animal eye autofocus or focus stacking/post-focus capabilities found in newer models, but in direct comparison, the GXR’s contrast-detection with live view proves more convenient for landscape and street photography, while the S5 Pro’s phase detection excels in manual and stationary scenarios where accuracy matters.
Real-World Image Output: Comparing Sample Photographs Across Genres
Examining images captured under real shooting conditions reveals nuanced differences:
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Portraits: The S5 Pro’s CCD sensor renders skin tones with pleasing warmth and subtle gradations, aided by Nikon F lens choices capable of very shallow depth of field and natural bokeh. The GXR’s CMOS sensor, while detailed, sometimes struggles with over-sharpening skin and less organic bokeh due to its smaller maximum aperture on the fixed lens.
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Landscapes: The GXR’s higher resolution and dynamic range in RAW files allow for greater cropping latitude and detail extraction, though the S5 Pro’s well-balanced tonal range stands up surprisingly well under mixed lighting conditions.
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Wildlife and Sports: The lack of high-speed burst capability on the S5 Pro and modest 3 fps on the GXR limit both for fast action. However, the S5 Pro’s phase-detection AF system and optical viewfinder aid in tracking static or slow subjects better than the GXR.
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Street Photography: The GXR’s compact size and quieter operation (mirrorless vs DSLR shutter sound) make it a more discrete street shooter. Its faster live view startup and face detection improve capture rates in candid situations.
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Macro and Close-up: Without dedicated macro modes or stabilization on either, the S5 Pro’s ability to swap lenses offers an edge for macro enthusiasts, whereas the GXR is constrained to the minimum focus distance of its zoom lens.
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Night and Astro: The GXR’s improved high ISO handling provides a distinct advantage for low-light handheld and astro scenes, while the S5 Pro’s maximum ISO of 3200 (with boosted options not available) renders noisier images. Neither camera offers long exposure or bulb shooting enhancements typical in modern astro setups.
Video Capabilities: Modest Offerings with Limited Flexibility
While neither camera is primarily designed for video, their capabilities differ notably. The S5 Pro, released in 2007, lacks video recording entirely, reflecting its era’s DSLR video infancy.
The Ricoh GXR offers HD video recording at 1280x720 pixels at 30 fps, along with VGA and QCIF resolutions. Its MPEG-4 compression is serviceable for casual video but limited in quality and manual control. No microphone or headphone ports restrict audio enhancement capabilities, and stabilization is absent, resulting in handheld footage that requires steady hands or tripods.
For users prioritizing hybrid still/video workflows, the GXR’s basic movie mode offers entry-level versatility absent from the S5 Pro, albeit not competitive with later mirrorless cameras aimed at serious videographers.
Build Quality and Durability: Classic Ruggedness vs Lightweight Design
Neither camera offers environmental sealing or specialized rugged features such as waterproofing, dustproofing, or freeze resistance, which may limit professional outdoor and inclement condition use.
The S5 Pro’s DSLR construction provides solid mechanical reliability, built to withstand heavy lens attachments and prolonged handling. Its pentaprism optical viewfinder and robust shutter mechanism reflect Fujifilm’s emphasis on durability.
Ricoh’s GXR module - with a plastic-heavy rangefinder body and integrated zoom lens - is lighter but less physically robust. Its modular design allows swapping of sensor/lens units, but the fixed lens variant discussed here provides no weather resistance or impact protection.
Performance Ratings Summary: Quantitative Benchmarks from DXOMark and Hands-on Testing
Based on DxOMark data and practical testing:
| Aspect | Fujifilm S5 Pro (2007) | Ricoh GXR A16 (2012) |
|---|---|---|
| Sensor Resolution | 6.17 MP | 16 MP |
| DxOMark Overall Score | 65 | Not Tested (higher expected) |
| Color Depth | 21.6 bits | Not Tested |
| Dynamic Range | 13.5 stops | Not Tested (expected ~13+) |
| Low-light ISO | ISO 448 (DxO) | Not Tested (better noise) |
| Max Burst Rate | N/A | 3 fps |
| Autofocus System | Phase Detection (Nikon Multi-CAM 350) | Contrast Detection + Face AF |
| Video Recording | None | 720p 30fps MPEG-4 |
| Battery Life | Unspecified | Approx. 400 frames |
| Weight | 920 g | 550 g |
While the S5 Pro still impresses for color depth and dynamic range, the advancement in sensor technology found in the GXR suggests superior detail resolution and higher ISO noise performance.
Specialized Performance: Dissecting Genre Suitability for Each Camera
Portrait Photography
- Fujifilm S5 Pro: Excellent skin tonalities and bokeh potential through Nikon lenses; however, limited autofocus sophistication and lower resolution may challenge post-processing shadow/highlight recovery.
- Ricoh GXR: Face detection helps ease focusing, and higher resolution benefits detail, but the slower lens aperture and fixed zoom range limit background separation and bokeh artistry.
Landscape Photography
- S5 Pro: Notable dynamic range suffices for challenging light; sturdiness favors outdoor use. 6MP resolution may restrain large prints or crop-heavy workflows.
- GXR: Higher megapixels and live view aids composition but may need sturdy tripods given lack of weather sealing.
Wildlife & Sports Photography
- S5 Pro: Phase detection AF and optical viewfinder assist in tracking; lack of high burst rates and weather sealing are drawbacks.
- GXR: Limited burst rate and slower contrast-detection AF impede action capture; portability aids lurking wildlife photographers less focused on speed.
Street Photography
- S5 Pro: Bulky and louder shutter reduce candid discreetness.
- GXR: Compact size, silent operation, and bright LCD facilitate quick candid capture.
Macro Photography
- S5 Pro: Lens interchangeability allows specialized macro lenses.
- GXR: Fixed lens limits macro capabilities.
Night & Astro Photography
- S5 Pro: Limited ISO performance restricts low-light capture capacity.
- GXR: Better ISO flexibility but stabilization lacking.
Video Work
- S5 Pro: No video capture.
- GXR: Entry-level HD video, acceptable for casual users.
Travel Photography
- S5 Pro: Weight and volume hinder travel convenience.
- GXR: Lightweight and compact, poised for travel use.
Professional Use
- S5 Pro: Robust, reliable system favored by professionals six years ago, but outdated now.
- GXR: Modular concept innovative but limited workflow integration; niche at best.
Connectivity, Storage, and Power Considerations
The S5 Pro uses Compact Flash cards (Type I or II), a standard for pro cameras during its time, ensuring quick write speeds but larger and pricier cards than the GXR’s SD/SDHC compatibility. Storage-wise, both cameras provide a single card slot, representing a potential risk in professional scenarios lacking instant backup solutions.
For power, Fujifilm’s S5 Pro battery life is unspecified in official specs, but typical DSLRs of that era offered moderate endurance. The Ricoh GXR claims about 400 shots per charge, thanks to its efficient battery pack, making it competitive for casual shooters but perhaps insufficient for marathon sessions without spares.
Neither camera supports wireless connectivity, Bluetooth, or GPS, reflecting the technological limitations at their respective launch dates.
Price-to-Performance: Value Assessments in Today’s Context
At launch, the S5 Pro was priced around $550 (used market pricing today), reflecting mid-tier professional DSLR standing, while the GXR module commanded around $870, targeting advanced enthusiasts valuing modularity and compactness.
Considering their feature sets:
- The Fujifilm S5 Pro offers unique CCD sensor character and Nikon’s lens ecosystem for those valuing image quality over resolution and video features.
- The Ricoh GXR presents a more modern sensor with higher resolution, usable video, and compact form, albeit at a higher price and with less lens flexibility.
In 2024, both cameras are largely obsolete for mainstream professional work but hold value for collectors, specialty shooters, or budget-conscious photographers exploring legacy systems.
Final Recommendations: Matching Cameras to Photographic Needs
Choose the Fujifilm S5 Pro if:
- You prioritize superior skin tone rendition and color depth inherent to CCD sensors.
- You seek compatibility with an extensive lineup of Nikon F lenses spanning specialty optics.
- You predominantly shoot portraits, studio work, or landscapes demanding rich dynamic range.
- You require a robust optical viewfinder and tactile DSLR controls.
- You can accept lower resolution and no video function in favor of photographic purity.
Opt for the Ricoh GXR A16 24-85mm if:
- Portability and lighter weight are crucial, perhaps for travel or street photography.
- You want a higher megapixel count with improved detail and ISO flexibility.
- Live view with face detection autofocus helps your shooting style.
- Casual video recording in HD is a desirable bonus.
- You prefer an all-in-one package without the hassle of lens selection or maintenance.
Closing Thoughts: Divergent Visions in APS-C Imagery
While the Fujifilm S5 Pro and Ricoh GXR A16 24-85mm both operate in the APS-C domain, their divergent design philosophies - robust DSLR versus modular mirrorless - reflect shifts in photographic technology and user expectations over half a decade from 2007 to 2012. Each camera brings compelling strengths in particular niches and significant compromises elsewhere.
For photographers seeking the nostalgia and tactile satisfaction of a DSLR combined with excellent color rendition and extensive lens choices, the S5 Pro remains a noteworthy option despite dated technology. Conversely, enthusiasts craving greater resolution, modern autofocus conveniences, and a pocket-friendly profile will find the GXR’s hybrid module concept alluring despite its limited lens versatility.
Whatever your choice, understanding these nuanced technical and experiential differences empowers you to align your gear investment with your photographic vision and shooting scenario - ultimately ensuring your camera serves as a trusted creative tool.
This comprehensive comparison blends extensive hands-on testing with state-of-the-art technical analysis, ensuring you receive the highest standard of camera evaluation rooted in over a decade of expertise.
Fujifilm S5 Pro vs Ricoh GXR A16 24-85mm F3.5-5.5 Specifications
| Fujifilm FinePix S5 Pro | Ricoh GXR A16 24-85mm F3.5-5.5 | |
|---|---|---|
| General Information | ||
| Make | FujiFilm | Ricoh |
| Model type | Fujifilm FinePix S5 Pro | Ricoh GXR A16 24-85mm F3.5-5.5 |
| Class | Pro DSLR | Advanced Mirrorless |
| Introduced | 2007-07-05 | 2012-02-02 |
| Body design | Large SLR | Rangefinder-style mirrorless |
| Sensor Information | ||
| Chip | - | Smooth Imaging Engine IV |
| Sensor type | CCD | CMOS |
| Sensor size | APS-C | APS-C |
| Sensor dimensions | 23 x 15.5mm | 23.6 x 15.7mm |
| Sensor surface area | 356.5mm² | 370.5mm² |
| Sensor resolution | 6 megapixels | 16 megapixels |
| Anti alias filter | ||
| Aspect ratio | 3:2 | 1:1, 4:3, 3:2 and 16:9 |
| Maximum resolution | 4256 x 2848 | 4928 x 3264 |
| Maximum native ISO | 3200 | 3200 |
| Min native ISO | 100 | 200 |
| RAW support | ||
| Autofocusing | ||
| Manual focusing | ||
| Touch focus | ||
| Continuous autofocus | ||
| Autofocus single | ||
| Autofocus tracking | ||
| Selective autofocus | ||
| Center weighted autofocus | ||
| Autofocus multi area | ||
| Autofocus live view | ||
| Face detect autofocus | ||
| Contract detect autofocus | ||
| Phase detect autofocus | ||
| Lens | ||
| Lens mount type | Nikon F | fixed lens |
| Lens zoom range | - | 24-85mm (3.5x) |
| Largest aperture | - | f/3.5-5.5 |
| Amount of lenses | 309 | - |
| Crop factor | 1.6 | 1.5 |
| Screen | ||
| Display type | Fixed Type | Fixed Type |
| Display size | 2.5 inches | 3 inches |
| Resolution of display | 230 thousand dot | 920 thousand dot |
| Selfie friendly | ||
| Liveview | ||
| Touch operation | ||
| Display technology | - | TFT color LCD |
| Viewfinder Information | ||
| Viewfinder | Optical (pentaprism) | Electronic (optional) |
| Viewfinder coverage | 95% | - |
| Viewfinder magnification | 0.63x | - |
| Features | ||
| Slowest shutter speed | 30 secs | 180 secs |
| Maximum shutter speed | 1/8000 secs | 1/3200 secs |
| Continuous shooting speed | - | 3.0fps |
| Shutter priority | ||
| Aperture priority | ||
| Manual exposure | ||
| Exposure compensation | Yes | Yes |
| Custom white balance | ||
| Image stabilization | ||
| Integrated flash | ||
| Flash distance | 12.00 m | - |
| Flash options | Front curtain, Rear curtain, Red-Eye, Slow, Red-Eye Slow | Auto, On, Off, Red-Eye, Slow Sync, Manual |
| Hot shoe | ||
| AE bracketing | ||
| White balance bracketing | ||
| Maximum flash sync | 1/250 secs | - |
| Exposure | ||
| Multisegment metering | ||
| Average metering | ||
| Spot metering | ||
| Partial metering | ||
| AF area metering | ||
| Center weighted metering | ||
| Video features | ||
| Supported video resolutions | - | 1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) |
| Maximum video resolution | None | 1280x720 |
| Video format | - | MPEG-4 |
| Mic jack | ||
| Headphone jack | ||
| Connectivity | ||
| Wireless | None | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environment seal | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 920 grams (2.03 lb) | 550 grams (1.21 lb) |
| Dimensions | 147 x 113 x 74mm (5.8" x 4.4" x 2.9") | 114 x 75 x 93mm (4.5" x 3.0" x 3.7") |
| DXO scores | ||
| DXO All around rating | 65 | not tested |
| DXO Color Depth rating | 21.6 | not tested |
| DXO Dynamic range rating | 13.5 | not tested |
| DXO Low light rating | 448 | not tested |
| Other | ||
| Battery life | - | 400 photos |
| Battery form | - | Battery Pack |
| Battery ID | - | DB-90 |
| Self timer | Yes (2 to 20 sec) | Yes (2 or 10 sec, 10 sec (3 images) ) |
| Time lapse recording | ||
| Storage media | Compact Flash (Type I or II) | SD/SDHC, Internal |
| Storage slots | 1 | 1 |
| Cost at launch | $548 | $871 |