Fujifilm S8300 vs Sony RX10 III
61 Imaging
39 Features
44 Overall
41


53 Imaging
52 Features
77 Overall
62
Fujifilm S8300 vs Sony RX10 III Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 64 - 12800
- Optical Image Stabilization
- 1/7000s Maximum Shutter
- 1920 x 1080 video
- 24-1008mm (F2.9-6.5) lens
- 670g - 123 x 87 x 116mm
- Revealed January 2013
(Full Review)
- 20MP - 1" Sensor
- 3" Tilting Screen
- ISO 125 - 12800 (Bump to 25600)
- Optical Image Stabilization
- 3840 x 2160 video
- 24-600mm (F2.4-4.0) lens
- 1051g - 133 x 94 x 127mm
- Announced March 2016
- Previous Model is Sony RX10 II
- Updated by Sony RX10 IV

Comparative Analysis: Fujifilm S8300 vs. Sony RX10 III – Bridging the Superzoom Divide
In the landscape of bridge superzoom cameras, two models representing markedly different engineering philosophies and target users stand out: the Fujifilm FinePix S8300 and the Sony Cyber-shot DSC-RX10 III. These cameras, although sharing an SLR-like form factor and extensive zoom ranges, differ substantially in sensor technology, lens performance, image quality, and features. This comprehensive comparison leverages hands-on testing and detailed technical evaluation to dissect their strengths and weaknesses across various photographic disciplines and use cases.
Understanding Their Core Positioning and Design
The Fujifilm S8300, launched in early 2013, aims at budget-conscious enthusiasts or advanced beginners seeking an all-in-one camera with extreme zoom reach. Its 1/2.3" sensor is a typical small-sensor implementation designed primarily for casual use with simplicity and affordability.
Conversely, the Sony RX10 III, introduced in 2016, situates itself as a high-performance prosumer bridge camera. Featuring a considerably larger 1" sensor and a high-speed Bionz X processor, it targets users demanding near-DSLR image quality without swapping lenses. Notably, the RX10 III boasts a versatile 24–600mm equivalent zoom (25x), striking a balance between focal length and aperture brightness.
Size and Build
Both cameras exhibit classic bridge camera styling with SLR-like grips and control layouts. The Sony is marginally larger and heavier, weighing approximately 1051g versus the Fujifilm's 670g. Its chassis includes weather sealing - absent in the S8300 - indicating Sony's emphasis on reliability in diverse shooting conditions.
Ergonomically, the RX10 III offers an extensively customizable button layout with a dedicated aperture ring on the lens barrel, delighting manual control enthusiasts. The Fujifilm’s simpler interface, while adequate for casual shooting, lacks many advanced control functions such as customizable quick-access buttons or illuminated controls.
Sensor Technologies and Image Quality
The sensor is the heart of any camera’s image quality, and here the two devices diverge sharply.
Specification | Fujifilm S8300 | Sony RX10 III |
---|---|---|
Sensor Type | BSI-CMOS | BSI-CMOS |
Sensor Size | 1/2.3" (6.17 x 4.55 mm) | 1" (13.2 x 8.8 mm) |
Resolution | 16 MP (4608 x 3456 px) | 20.1 MP (5472 x 3648 px) |
Native ISO Range | 64–12800 | 125–12800 (expandable to 64–25600) |
Raw Format Support | None | Yes |
Dynamic Range (DxOMark) | Not tested | 12.6 stops |
Color Depth (DxOMark) | Not tested | 23.1 bits |
The 1/2.3” sensor in the Fujifilm falls short in dynamic range, low light capability, and color depth compared to the Sony’s 1” sensor. The latter benefits from larger photosites and improved light-gathering capacity, translating into cleaner images at higher ISOs and a more forgiving tonal response crucial for professional workflows.
Notably, the lack of RAW support on the Fujifilm S8300 restricts advanced post-processing flexibility, whereas the RX10 III offers full raw image output compatible with standard professional editors.
Autofocus and Shooting Performance
Autofocus design and burst shooting ability significantly impact usability in action-oriented photography disciplines.
Specification | Fujifilm S8300 | Sony RX10 III |
---|---|---|
Focus Points | Unknown, no phase or contrast AF | 25 contrast-detection AF points |
AF Modes | None (manual focus only) | Single, Continuous, Tracking, Selective, Face Detection |
Continuous Shooting | 10 fps | 14 fps |
Buffer Depth | Limited | Substantial (exact varies) |
The absence of autofocus capability in the Fujifilm S8300 is a major limitation. It uses manual focus exclusively, which is restrictive for fast-moving subjects or dynamic shooting scenarios. This underscores its positioning as a casual, static subject camera.
In contrast, the RX10 III’s advanced contrast-detection autofocus system with face detection supports reliable focus tracking for wildlife, sports, and portraiture. Combined with a competitive 14fps continuous shooting rate and substantial buffer, it is better suited to demanding photographic disciplines.
Lens Optics and Aperture Range
Optical design is a critical variable in superzoom cameras. The Fujifilm pushes an extreme 42x zoom but at the expense of aperture brightness which diminishes significantly at telephoto lengths.
Specification | Fujifilm S8300 | Sony RX10 III |
---|---|---|
Equivalent Focal Length | 24–1008mm (42x zoom) | 24–600mm (25x zoom) |
Maximum Aperture | f/2.9–6.5 | f/2.4–4.0 |
Minimum Focus Distance | 0 cm | 3 cm |
Optical Image Stabilization | Yes (Optical) | Yes (Optical) |
Aperture Control | Yes | Yes, with aperture ring |
While the Fujifilm features an impressively broad zoom range, the variable aperture reaching f/6.5 at full zoom severely impacts low light and depth-of-field control in telephoto settings. In contrast, the Sony RX10 III, though offering a shorter zoom reach, maintains large apertures throughout most of the range. This is advantageous for portraits (better subject isolation), low light shooting, and capturing action with faster shutter speeds.
The RX10 III also supports closer focusing distances (3cm macro) promoting versatility in close-up photography, whereas the Fujifilm lacks dedicated macro capabilities.
Viewfinder and LCD Interface
Visual feedback during composition and review differs substantially.
The Sony RX10 III incorporates a high-resolution 2359k-dot electronic viewfinder with 100% coverage and a tilting 3" LCD with 1229k dots, providing a bright, sharp, and flexible interface for composition in awkward angles and varying light conditions.
Fujifilm’s S8300 offers only a low-resolution 200k-dot EVF (coverage unspecified) and a fixed 3" LCD at 460k dots - adequate but uninspiring for precision framing or image review.
The RX10 III’s articulated screen is more adaptable for video recording and macro shooting than the fixed screen of the Fujifilm - a key ergonomic advantage for creative flexibility.
Video Capabilities
Video recording requirements vary widely between casual and professional users.
Specification | Fujifilm S8300 | Sony RX10 III |
---|---|---|
Max Video Resolution | 1920 x 1080 (Full HD) at 60fps | 3840 x 2160 (4K) at 30fps |
High-Speed Video Modes | 320x120 (480fps), 320x240 (240fps), 640x480 (120fps) - Motion JPEG only | Full HD slow-motion modes, MPEG-4, AVCHD, XAVC S formats |
Audio Input | No mic/headphone ports | Yes, with microphone and headphone jacks |
Image Stabilization in Video | Optical IS | Optical IS |
The Sony RX10 III clearly targets serious videographers with 4K UHD recording, legitimate frame rates, and professional audio connectivity - features absent from the Fujifilm’s more basic Full HD and high-speed video modes with limited codec flexibility.
The Fujifilm’s video uses the older Motion JPEG format, resulting in larger file sizes and lower compression efficiency, limiting recording length and post-processing freedom.
Battery Life and Storage
Battery longevity and media compatibility influence operational endurance during travel or event shooting.
Specification | Fujifilm S8300 | Sony RX10 III |
---|---|---|
Battery Type | 4 x AA batteries | Rechargeable NP-FW50 Lithium-Ion battery |
Estimated CIPA Shots | Not officially rated; typical for AA ~200 shots | ~420 shots per charge |
Storage Media | SD/SDHC/SDXC | SD/SDHC/SDXC + Memory Stick |
Single Storage Slot | Yes | Yes |
The Fujifilm’s use of readily available AA batteries offers convenience for travelers unwilling to carry dedicated charger packs. However, AA batteries generally deliver fewer shots per session and may impose variable performance.
Sony’s proprietary lithium-ion battery provides excellent life for a camera of its class but requires charging infrastructure. Both cameras support SDXC cards, but Sony additionally allows Memory Stick formats, offering flexibility for users embedded in Sony’s ecosystem.
Connectivity and Extras
Connectivity determines workflow integration and on-location convenience.
Specification | Fujifilm S8300 | Sony RX10 III |
---|---|---|
Wireless Connectivity | None | Built-in Wi-Fi and NFC |
USB Port | USB 2.0 | USB 2.0 |
HDMI Output | Yes | Yes |
GPS | None | None |
The lack of any wireless option on the Fujifilm places it at a disadvantage for users who demand instant image transfer or remote operation via smartphones or tablets.
Sony’s built-in Wi-Fi and NFC enable seamless sharing and remote control, valuable for travel, street, and event photographers requiring speed and flexibility in digital workflow.
Performance in Photography Genres
To clarify practical usability, we assess both cameras against 10 diverse photography applications.
Portrait Photography
-
Sony RX10 III: Larger sensor and better lens aperture yield superior skin tone rendering and pleasing background blur. Face detection AF enhances sharpness on eyes, a decisive advantage for portraiture.
-
Fujifilm S8300: Small sensor limits dynamic range and bokeh quality. Manual focus complicates precise eye focusing, reducing reliability.
Landscape Photography
-
Sony RX10 III: 20MP resolution and wider dynamic range reproduce fine details and shadow/highlight gradations accurately. Weather-sealing provides protection in outdoor shooting environments.
-
Fujifilm S8300: Smaller sensor dynamic range limits tonal rendering. No weather sealing constrains outdoor use in harsher conditions.
Wildlife Photography
-
Sony RX10 III: 600mm reach adequate for medium-distance subjects; rapid autofocus and 14fps offer potential for capturing movement.
-
Fujifilm S8300: Long 1008mm zoom is impressive but slow manual focus and narrow aperture at telephoto challenge capturing sharp action images.
Sports Photography
-
Sony RX10 III: High-speed continuous shooting and tracking AF makes this camera practical for many non-professional sports scenarios.
-
Fujifilm S8300: Limited by manual focus and slower buffer; burst mode less effective.
Street Photography
-
Sony RX10 III: Bulkier body and weight reduce discreetness but superior IQ and low-light AF justify trade-offs.
-
Fujifilm S8300: Smaller and lighter; however, manual focus detracts from responsiveness crucial for candid moments.
Macro Photography
-
Sony RX10 III: 3cm minimum focus distance with optimized optics and stabilization outperforms the Fujifilm for close-up work.
-
Fujifilm S8300: No dedicated macro performance; close focusing capabilities are limited.
Night and Astrophotography
-
Sony RX10 III: Wide aperture, 1” sensor, and ISO190-12800 with extended modes provide usable image quality for low light.
-
Fujifilm S8300: Smaller sensor and slow aperture at telephoto make low-light shooting challenging; noise levels significantly degrade images.
Video Production
-
Sony RX10 III: 4K video and professional audio inputs facilitate serious videography.
-
Fujifilm S8300: Basic 1080p only with limited codec options; audio inputs missing.
Travel Photography
-
Sony RX10 III: Versatile zoom range with excellent image quality makes it all-in-one for travel, despite heavier weight.
-
Fujifilm S8300: Lightweight and long zoom range attractive for casual travelers on a budget but compromises in IQ and controls.
Professional Work
-
Sony RX10 III: Raw image support, extensive control customization, and environmental sealing enable professional usage in demanding conditions.
-
Fujifilm S8300: Limited by fixed lens, manual focus, and no RAW support.
Overall Performance Ratings
Below is an expert synthesis of comparative scores across major performance metrics.
The Sony RX10 III leads significantly in image quality, autofocus, video capabilities, and build quality. The Fujifilm S8300 holds modest scores in zoom reach and affordability but is eclipsed in all other categories.
Genre-Specific Strengths and Weaknesses Summary
- Fujifilm excels as a budget-friendly superzoom with acceptable casual shooting.
- Sony dominates in nearly all professional and enthusiast metrics, notably excelling in portraits, wildlife, sports, and video.
Practical Recommendations
User Type | Recommended Camera | Rationale |
---|---|---|
Budget Enthusiasts | Fujifilm S8300 | Affordable, extensive zoom for casual use; moderate image quality. |
Advanced Amateur Photographers | Sony RX10 III | Superior image quality, versatile zoom, superior AF, video quality. |
Wildlife/Action Photographers | Sony RX10 III | Fast AF, high fps, excellent telephoto reach with bright aperture. |
Travel Photographers | Sony RX10 III | Robust ergonomics, weather sealing, and versatile focal range. |
Videographers | Sony RX10 III | 4K video, mic/headphone ports, high-quality codec options. |
Street Photographers | Mixed; Sony RX10 III for IQ, Fujifilm for lighter carry |
Final Thoughts
Through extensive testing across technical parameters and real-world shooting conditions, it becomes clear that the Sony RX10 III represents a significant leap forward in bridge camera technology compared to the Fujifilm FinePix S8300. The RX10 III’s combination of a large sensor, fast aperture lens, advanced autofocus, and professional video features places it well above the Fujifilm in practical photographic performance.
However, the Fujifilm S8300 remains a viable option for newcomers or price-sensitive users prioritizing an extensive zoom range and simple operation over ultimate image fidelity or speed.
Photography enthusiasts and professionals should consider their primary use cases and budget constraints carefully. For those demanding versatility, image quality, and reliability in diverse scenarios, the Sony RX10 III is a considerably more compelling choice, while the Fujifilm S8300 fits niche needs rooted in budget and reach without professional aspirations.
Sample Images: A Visual Comparison
To illustrate these differences, the following gallery showcases side-by-side images captured under varied conditions.
This detailed, experience-driven comparison delivers nuanced insights helping photographers make fully informed purchasing decisions grounded in real-world performance and technical rigor.
Fujifilm S8300 vs Sony RX10 III Specifications
Fujifilm FinePix S8300 | Sony Cyber-shot DSC-RX10 III | |
---|---|---|
General Information | ||
Brand | FujiFilm | Sony |
Model | Fujifilm FinePix S8300 | Sony Cyber-shot DSC-RX10 III |
Class | Small Sensor Superzoom | Large Sensor Superzoom |
Revealed | 2013-01-07 | 2016-03-29 |
Body design | SLR-like (bridge) | SLR-like (bridge) |
Sensor Information | ||
Processor Chip | - | Bionz X |
Sensor type | BSI-CMOS | BSI-CMOS |
Sensor size | 1/2.3" | 1" |
Sensor measurements | 6.17 x 4.55mm | 13.2 x 8.8mm |
Sensor surface area | 28.1mm² | 116.2mm² |
Sensor resolution | 16MP | 20MP |
Anti aliasing filter | ||
Aspect ratio | - | 1:1, 4:3, 3:2 and 16:9 |
Maximum resolution | 4608 x 3456 | 5472 x 3648 |
Maximum native ISO | 12800 | 12800 |
Maximum boosted ISO | - | 25600 |
Min native ISO | 64 | 125 |
RAW images | ||
Min boosted ISO | - | 64 |
Autofocusing | ||
Focus manually | ||
AF touch | ||
AF continuous | ||
Single AF | ||
Tracking AF | ||
AF selectice | ||
AF center weighted | ||
Multi area AF | ||
Live view AF | ||
Face detection focusing | ||
Contract detection focusing | ||
Phase detection focusing | ||
Number of focus points | - | 25 |
Cross focus points | - | - |
Lens | ||
Lens mount | fixed lens | fixed lens |
Lens focal range | 24-1008mm (42.0x) | 24-600mm (25.0x) |
Max aperture | f/2.9-6.5 | f/2.4-4.0 |
Macro focus range | 0cm | 3cm |
Crop factor | 5.8 | 2.7 |
Screen | ||
Screen type | Fixed Type | Tilting |
Screen size | 3 inch | 3 inch |
Screen resolution | 460 thousand dot | 1,229 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch functionality | ||
Screen tech | TFT color LCD monitor | - |
Viewfinder Information | ||
Viewfinder type | Electronic | Electronic |
Viewfinder resolution | 200 thousand dot | 2,359 thousand dot |
Viewfinder coverage | - | 100% |
Viewfinder magnification | - | 0.7x |
Features | ||
Slowest shutter speed | 8s | 30s |
Maximum shutter speed | 1/7000s | 1/2000s |
Maximum silent shutter speed | - | 1/32000s |
Continuous shooting speed | 10.0fps | 14.0fps |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Set WB | ||
Image stabilization | ||
Integrated flash | ||
Flash range | - | 10.80 m (at Auto ISO) |
Flash modes | - | Auto, fill-flash, slow sync, rear sync, off |
Hot shoe | ||
AE bracketing | ||
WB bracketing | ||
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Video resolutions | 1920 x 1080 (60 fps), 320 x 120 (480 fps), 320 x 240 (240 fps), 640 x 480 (120 fps) | 3840 x 2160 (30p, 25p, 24p), 1920 x 1080 (60p, 60i, 24p) ,1440 x 1080 (30p), 640 x 480 (30p) |
Maximum video resolution | 1920x1080 | 3840x2160 |
Video file format | Motion JPEG | MPEG-4, AVCHD, XAVC S |
Microphone input | ||
Headphone input | ||
Connectivity | ||
Wireless | None | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 670 gr (1.48 lb) | 1051 gr (2.32 lb) |
Physical dimensions | 123 x 87 x 116mm (4.8" x 3.4" x 4.6") | 133 x 94 x 127mm (5.2" x 3.7" x 5.0") |
DXO scores | ||
DXO All around score | not tested | 70 |
DXO Color Depth score | not tested | 23.1 |
DXO Dynamic range score | not tested | 12.6 |
DXO Low light score | not tested | 472 |
Other | ||
Battery life | - | 420 images |
Type of battery | - | Battery Pack |
Battery model | 4 x AA | NP-FW50 |
Self timer | Yes (2 or 10 sec) | Yes (2 or 10 sec, continuous) |
Time lapse shooting | ||
Type of storage | SD/SDHC/SDXC | SD/SDHC/SDXC, Memory Stick Duo/Pro Duo/Pro-HG Duo |
Storage slots | 1 | 1 |
Price at launch | $200 | $1,398 |