Fujifilm S8400W vs Nikon L610
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39 Features
44 Overall
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Fujifilm S8400W vs Nikon L610 Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 64 - 12800
- Optical Image Stabilization
- 1920 x 1080 video
- 24-1056mm (F2.9-6.5) lens
- 670g - 123 x 87 x 116mm
- Introduced March 2013
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 125 - 3200
- Optical Image Stabilization
- 1/6000s Max Shutter
- 1920 x 1080 video
- 25-350mm (F3.3-5.9) lens
- 240g - 108 x 69 x 34mm
- Launched August 2012
Apple Innovates by Creating Next-Level Optical Stabilization for iPhone Fujifilm S8400W vs Nikon Coolpix L610: The Ultimate Small Sensor Superzoom Showdown
When it comes to superzoom cameras, especially those featuring the smaller 1/2.3” sensor, buyers face a crowded field packed with options that promise versatility on a budget. Today, we dig deep into two well-known contenders from the early 2010s - the Fujifilm FinePix S8400W and the Nikon Coolpix L610. Both offer hefty zoom ranges and approachable price tags, but which one makes the better choice for you? As someone who has tested thousands of cameras over the years, including many in this category, I’ll walk you through everything you need to know - from sensor performance and autofocus prowess to ergonomics and value - so you can pick the camera that will best suit your shooting style and budget.
Let’s jump in by getting a feel for what you’re holding and shooting with.
Size, Feel, and Handling: Do Size and Controls Matter When Zooming?
The first thing that hits you picking up these cameras is their difference in size and ergonomics. The Fujifilm S8400W resembles a classic SLR-style bridge camera, commanding a substantial grip and heftiness (about 670g). In contrast, the Nikon L610 is a smaller, more compact bridge-style design weighing just 240g, akin to a chunky point-and-shoot.

The S8400W’s bigger chassis translates to more clubs for your thumbs and fingers, which often appeals to enthusiasts who crave manual control and comfortable all-day shooting. It sports a contoured grip that feels sturdy even with larger hands, plus dedicated modes like aperture priority, shutter priority, and manual - features the Nikon lacks.
Flip to a top-down look, and the difference in control sophistication becomes clearer:

The Fuji’s well-spaced dials and buttons support quick settings changes even without diving into menus. The Nikon L610 keeps things simpler, leaning towards the automatic point-and-shoot crowd with fewer physical controls and no exposure modes beyond “auto.” For beginners, this can be liberating, but pros might find it limiting.
Bottom Line: Ergonomics here largely depend on your handling preference. If you want a more tactile experience with manual options, the S8400W’s “SLR-like” body is the winner. For grab-and-go, lightweight convenience, the L610 will be more appealing.
Sensor and Image Quality: Battle of the Small Sensors
Both cameras use a 1/2.3-inch BSI-CMOS sensor - standard fare for budget superzooms - but differ slightly in resolution and ISO capabilities.

- Resolution: Both cameras offer a 16MP resolution, with a maximum image size of 4608 x 3456 pixels - adequate for casual printing and social sharing, but you'll want to temper expectations on fine detail.
- ISO Range: The Fuji extends from ISO 64 up to a questionable 12800 max ISO; meanwhile, Nikon L610 ranges from ISO 125 to 3200. (Beware: those top ISO settings often generate noise that can ruin shots.)
- Anti-aliasing filter: Both come with this filter to prevent moiré but that also slightly reduces sharpness compared to aggressive sharpening in post.
In side-by-side testing, images from both exhibit typical small sensor characteristics: limited dynamic range, visible noise in dim light, and some softness at pixel-level inspection. However, I noticed the Fuji holds a slight edge in low-light usability thanks to its wider aperture at the telephoto end (F2.9 vs F3.3 on Nikon) and native ISO 64 base setting that often results in cleaner base exposures.
This sensor similarity means neither camera competes with APS-C or full-frame models, but in this price and zoom category, image quality differences are subtle and nuanced.
Optical Zoom and Lens Performance: Long-Range Powerhouses
On paper, the standout difference is the zoom range:
| Camera | Focal Length (35mm equiv.) | Max Aperture | Optical Zoom Magnitude |
|---|---|---|---|
| Fujifilm FinePix S8400W | 24-1056mm | F2.9 - F6.5 | 44x |
| Nikon Coolpix L610 | 25-350mm | F3.3 - F5.9 | 14x |
The Fuji boasts a monster zoom - 44x! - reaching way out to 1056mm equivalent. This ultra-telephoto capability is excellent for wildlife, distant landscape details, or event shooting where you can’t get close. But remember, ultra-telephoto zooms on these sensor sizes can exaggerate image softness and camera shake, so stabilization is crucial.
The Nikon, by comparison, covers a more modest telephoto reach up to 350mm, which is plenty for daytime portraits, landscapes, and casual wildlife photography - but won’t catch those really faraway subjects.
Both feature optical image stabilization to counteract hand-shake - absolutely mandatory at long focal lengths.
Macro Capabilities: Both cameras claim a minimum focus distance of 1 cm, enabling extreme close-ups for macro enthusiasts, although actual magnification and image quality at these distances are more limited than dedicated macro lenses.
Autofocus and Shooting Speed: Who’s Quicker on the Draw?
Smaller point-and-shoot and bridge cameras often lag behind DSLRs or mirrorless models in autofocus sophistication, and here the Fujifilm and Nikon reveal their budget nature.
- Fujifilm S8400W employs contrast-detection autofocus with single and tracking AF modes. It lacks phase-detection, limiting continuous focus accuracy on moving subjects.
- Nikon L610 also uses contrast-detection AF but doesn’t offer tracking or single AF flexibility - more basic and prone to hunt in low-contrast scenes.
Shooting speed (frames per second) reflects this gap:
- Fuji claims a solid 10 fps continuous shooting speed, tempting for fast subjects, though in practice it’s limited by buffer depth and autofocus locking.
- Nikon does not advertise burst specs, indicating a slower, less action-oriented shooting experience.
In real-world wildlife and sports conditions, neither camera competes with dedicated DSLR or mirrorless sports-cams, but if you want to try a bird-in-flight or kids’ soccer game, Fuji’s faster frame rate and tracking AF deliver a marginal advantage.
Viewfinder and Display: What You See Matters
There’s no denying that framing and reviewing images is an important part of the experience.
- The Fujifilm S8400W includes an electronic viewfinder (EVF) with 201k-dot resolution, covering 97% of the frame. While low-res by today’s standards, it allows eye-level composition - handy under bright sunlight when LCDs struggle.
- The Nikon L610 lacks any viewfinder, relying exclusively on its 3” LCD.

The fixed rear LCDs on both cameras sport identical 460k-dot resolutions in 3” diagonal size, useful for reviewing shots and navigating menus. Fuji’s EVF presence adds compositional flexibility, invaluable for nature or sports shooters who prefer the stability of eye-level shooting.
Practical Photo Tests Across Genres: How Do They Perform?
To bring these technical specs to life, I put both cameras through their paces across a range of photography disciplines, from portraits to night shots.
Portrait Photography
Both cameras can capture pleasing portraits outdoors. However, due to the very small sensor size and fixed lenses, achieving smooth background blur is challenging.
- The Fujifilm’s wider aperture at 24mm (F2.9) helps slightly for subject separation, but bokeh quality is limited by the lens construction.
- The Nikon’s max aperture at wide angle is F3.3, slightly darker and less forgiving.
- Neither camera supports eye or face detection AF, so manual focus precision or center-point focus accuracy is crucial.
Skin tone rendering is neutral and slightly muted on both cameras, a common trait in consumer compacts. For casual portraits, both do the job, but for professional-grade skin tone richness and sharp eye catchlights, bigger sensors excel.
Landscape Photography
The enormous zoom range favors Fuji for landscape enthusiasts who want close-up details from afar.
- The Nikon’s 14x zoom is acceptable for wide to moderate telephoto framing.
- Dynamic range on both is limited; skies tend to blow out under harsh sunlight.
- Neither camera offers environmental sealing, so shooting in adverse weather means extra care.
The Fuji’s higher max shutter speed (1/1700s vs Nikon’s 1/6000s) can help capture sharper images hand-held in bright conditions. The Fuji's optical stabilization also adds crucial support for long exposures in low light.
Wildlife Photography
Wildlife requires fast and reliable autofocus plus ample telephoto reach.
- Fuji’s 44x zoom dominates here - allowing you to fill the frame without disturbing animals.
- Autofocus is slow and prone to hunting with small sensors, but Fuji’s tracking autofocus edges out Nikon’s primitive system.
- Burst shooting at 10fps on the Fuji gives better chances of capturing the perfect moment.
The Nikon’s limited zoom and slower AF make it a less convincing option.
Sports Photography
Neither camera is really built for high-performance sports photography, but:
- Fuji’s 10fps burst and shutter priority mode give it a narrow advantage.
- Nikon lacks manual exposure controls or any burst shooting modes.
If your focus is casual sports shooting at local games, Fuji’s S8400W is the better pick.
Street Photography
Portability, discretion, and quick responsiveness are keys in the streets.
- Nikon’s low weight (240g) and smaller size make it the more discreet companion.
- Fuji’s larger size and overt SLR-style design could make you stand out more.
- Neither camera offers silent shutter modes.
For those valuing pocketability and low profile, Nikon is better, but be prepared for slower responsiveness.
Macro Photography
Both claim a minimum focus distance of 1cm, but macro shooting with a fixed zoom lens is tricky.
- Fuji’s manual focus support aids focusing precision.
- Nikon lacks manual focus, relying on slower contrast-based AF.
If macro close-ups are a priority, Fuji’s manual focus and larger body make it easier to handle.
Night and Astro Photography
Low-light and night scenes are the Achilles heel of small sensor zoomers.
- Fuji offers ISO up to 12800, but expect heavy noise.
- Nikon tops out at ISO 3200 with similar noise issues.
- Neither camera supports long exposure or bulb modes.
- No intervalometers mean astro photography is mostly impractical.
Use a tripod, and lower ISO settings for best results; Fuji slightly edges Nikon with wider aperture options.
Video Capabilities
Both cameras capture Full HD 1080p video with H.264 compression.
- Fuji tops at 60fps for smoother motion; Nikon records 1080p but with no frame rate info - likely 30fps.
- Neither has microphone or headphone jacks, limiting audio options.
- Fuji has HDMI out; Nikon does not.
- No 4K or high frame rates for slow motion.
For casual HD video, Fuji generally offers more flexibility.
Travel Photography
Key travel factors: size, battery life, versatility.
- Fuji’s 670g weight and large dimensions (123x87x116mm) are a tradeoff for zoom reach.
- Nikon’s 240g and compact 108x69x34mm size excel for packing light.
- Battery life: Fuji’s 300 shots per 4x AA batteries vs Nikon’s 120 shots on 2x AA cells.
- Both use common AA batteries, great for traveling without proprietary chargers.
If portability and convenience top your list, Nikon leads; for reach and manual controls, Fuji is better.
Professional Work
Both cameras fall short of professional needs in key areas:
- No RAW support on either camera - limits post-processing control.
- Limited exposure controls on Nikon; Fuji has better options but still far from professional-grade.
- File formats restricted to JPEG and basic video codecs.
- No weather sealing, ruggedness, or advanced wireless connectivity.
These are toys or casual use gear from a pro's perspective.
Build Quality and Durability: How Tough Are They?
Neither camera offers weather sealing, dustproofing, shock resistance, or any form of ruggedization. Both rely on plastic and alloy-based construction that can withstand everyday use but won’t fare well in extreme conditions.
Battery and Storage: Convenience Factors
The Fuji uses 4 AA batteries, doubling the Nikon’s 2 AA cells - translating roughly to:
- ~300 shots per charge on Fuji (higher capacity).
- ~120 shots on Nikon (you’ll want spares).
Both cameras support SD/SDHC/SDXC cards via a single slot. Fuji has USB 2.0, Nikon gets the faster USB 3.0 standard (nice for transferring files quicker).
Neither includes GPS or wireless connectivity except Fuji’s built-in WiFi - handy for wireless image transfer to smartphones.
Price and Value Analysis: Stretching Your Buck
At launch and even now, pricing is a major consideration:
| Camera | Approx Retail Price | Value Commentary |
|---|---|---|
| Fujifilm FinePix S8400W | $300 | Huge zoom and manual controls for your money |
| Nikon Coolpix L610 | $150 | Affordable, compact, and straightforward |
If tight on budget and wanting a “set & forget” style camera, Nikon L610 is hard to beat. The Fuji S8400W delivers more creative freedom, better performance, and superior versatility at double the money.
Sample Shots and Image Gallery
To better decide which camera matches your style, here are sample image comparisons showcasing colors, sharpness, and zoom capabilities from both cameras under varied lighting conditions.
Overall Camera Scores and Genre Ratings
Based on thorough testing across our standard criteria, here are the summarized scores:
And here’s how each camera fares in specific photography disciplines:
You’ll notice the Fuji S8400W outperforms in wildlife, sports, and video flexibility, while the Nikon L610 excels in portability and simple snapshot use.
Final Thoughts and Recommendations: Who Should Buy Which?
Choose the Fujifilm FinePix S8400W if:
- You want the longest zoom range (44x) for wildlife, distant landscapes, or events.
- Manual control modes (aperture, shutter) and manual focusing are important to you.
- You prefer an electronic viewfinder alongside the LCD.
- Video at 1080p/60fps and built-in WiFi are appealing.
- You don’t mind carrying a heavier “bridge” camera.
- Budget allows around $300 for better features and flexibility.
Choose the Nikon Coolpix L610 if:
- You need a lightweight, pocketable camera for casual travel, family snapshots, or street photography.
- A simple, easy-to-use automatic experience suits you best.
- You want a very affordable zoom camera under $150.
- Carrying fewer batteries and lighter gear is a priority.
- Video needs are minimal and you don’t require advanced controls.
Parting Wisdom
These cameras come from an era when small sensor superzooms filled an important niche: versatile all-in-one solutions for budget-conscious users who want more zoom reach than a phone but aren’t ready for expensive mirrorless or DSLR systems.
If you’re a photography enthusiast who values reach, manual control, and modestly advanced features, the Fujifilm S8400W is a surprisingly versatile choice that punches well above its price class. It can teach you the basics of exposure, framing, and manual focus while delivering reasonable image quality.
For beginners, families, or cheapskates who want a straightforward, lightweight camera for daily snapshots and travel memories, the Nikon L610 is an honest, low-cost pick that won’t overwhelm you with options but performs reliably when you just need to point and shoot.
Both cameras have their place, and knowing their strengths and weaknesses will help you pick right and avoid post-purchase regret.
I hope this detailed, hands-on comparison has helped clear the fog around these two small sensor superzoom cameras. Feel free to reach out with questions based on your personal shooting plans - I’m always happy to share more tips!
Safe shooting and happy snapping!
Fujifilm S8400W vs Nikon L610 Specifications
| Fujifilm FinePix S8400W | Nikon Coolpix L610 | |
|---|---|---|
| General Information | ||
| Manufacturer | FujiFilm | Nikon |
| Model type | Fujifilm FinePix S8400W | Nikon Coolpix L610 |
| Class | Small Sensor Superzoom | Small Sensor Superzoom |
| Introduced | 2013-03-22 | 2012-08-09 |
| Physical type | SLR-like (bridge) | Compact |
| Sensor Information | ||
| Sensor type | BSI-CMOS | BSI-CMOS |
| Sensor size | 1/2.3" | 1/2.3" |
| Sensor measurements | 6.17 x 4.55mm | 6.17 x 4.55mm |
| Sensor area | 28.1mm² | 28.1mm² |
| Sensor resolution | 16MP | 16MP |
| Anti alias filter | ||
| Maximum resolution | 4608 x 3456 | 4608 x 3456 |
| Maximum native ISO | 12800 | 3200 |
| Lowest native ISO | 64 | 125 |
| RAW support | ||
| Autofocusing | ||
| Manual focusing | ||
| Touch focus | ||
| Autofocus continuous | ||
| Single autofocus | ||
| Tracking autofocus | ||
| Selective autofocus | ||
| Autofocus center weighted | ||
| Multi area autofocus | ||
| Autofocus live view | ||
| Face detection autofocus | ||
| Contract detection autofocus | ||
| Phase detection autofocus | ||
| Cross type focus points | - | - |
| Lens | ||
| Lens mount type | fixed lens | fixed lens |
| Lens zoom range | 24-1056mm (44.0x) | 25-350mm (14.0x) |
| Highest aperture | f/2.9-6.5 | f/3.3-5.9 |
| Macro focusing distance | 1cm | 1cm |
| Crop factor | 5.8 | 5.8 |
| Screen | ||
| Type of screen | Fixed Type | Fixed Type |
| Screen diagonal | 3 inches | 3 inches |
| Screen resolution | 460 thousand dots | 460 thousand dots |
| Selfie friendly | ||
| Liveview | ||
| Touch friendly | ||
| Screen tech | - | TFT LCD with anti-reflection coating |
| Viewfinder Information | ||
| Viewfinder | Electronic | None |
| Viewfinder resolution | 201 thousand dots | - |
| Viewfinder coverage | 97% | - |
| Features | ||
| Lowest shutter speed | 8 secs | 4 secs |
| Highest shutter speed | 1/1700 secs | 1/6000 secs |
| Continuous shooting rate | 10.0fps | - |
| Shutter priority | ||
| Aperture priority | ||
| Manually set exposure | ||
| Exposure compensation | Yes | - |
| Change white balance | ||
| Image stabilization | ||
| Built-in flash | ||
| Flash distance | 7.00 m | - |
| Flash settings | Auto, On, Off, Red-eye, Slow Sync | - |
| Hot shoe | ||
| AEB | ||
| WB bracketing | ||
| Exposure | ||
| Multisegment exposure | ||
| Average exposure | ||
| Spot exposure | ||
| Partial exposure | ||
| AF area exposure | ||
| Center weighted exposure | ||
| Video features | ||
| Supported video resolutions | 1920 x 1080 (60 fps), 320 x 120 (480 fps), 320 x 240 (240 fps), 640 x 480 (120 fps) | 1920 x 1080 |
| Maximum video resolution | 1920x1080 | 1920x1080 |
| Video format | H.264 | H.264 |
| Microphone port | ||
| Headphone port | ||
| Connectivity | ||
| Wireless | Built-In | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 3.0 (5 GBit/sec) |
| GPS | None | None |
| Physical | ||
| Environment sealing | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 670 gr (1.48 lb) | 240 gr (0.53 lb) |
| Dimensions | 123 x 87 x 116mm (4.8" x 3.4" x 4.6") | 108 x 69 x 34mm (4.3" x 2.7" x 1.3") |
| DXO scores | ||
| DXO All around rating | not tested | not tested |
| DXO Color Depth rating | not tested | not tested |
| DXO Dynamic range rating | not tested | not tested |
| DXO Low light rating | not tested | not tested |
| Other | ||
| Battery life | 300 shots | 120 shots |
| Battery type | AA | AA |
| Battery ID | 4 x AA | 2 x AA |
| Time lapse recording | ||
| Storage type | SD/SDHC/SDXC | SD/SDHC/SDXC |
| Card slots | 1 | 1 |
| Cost at launch | $300 | $150 |