Fujifilm S8500 vs Samsung TL225
61 Imaging
39 Features
40 Overall
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94 Imaging
34 Features
33 Overall
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Fujifilm S8500 vs Samsung TL225 Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 64 - 12800
- Optical Image Stabilization
- 1/7000s Max Shutter
- 1920 x 1080 video
- 24-1104mm (F2.9-6.5) lens
- 670g - 123 x 87 x 116mm
- Announced January 2013
(Full Review)
- 12MP - 1/2.3" Sensor
- 3.5" Fixed Screen
- ISO 80 - 3200
- Optical Image Stabilization
- 1280 x 720 video
- 27-124mm (F3.5-5.9) lens
- 187g - 100 x 60 x 19mm
- Launched August 2009
- Other Name is ST550
Apple Innovates by Creating Next-Level Optical Stabilization for iPhone Fujifilm S8500 vs Samsung TL225: Can a 2013 Superzoom Bridge Hold Its Own Against a 2009 Ultracompact?
In the ever-evolving world of digital cameras, choosing the right tool can feel like navigating a jungle of specs, features, and marketing claims. Today, I’m diving face-first into a matchup between two decidedly different models from the last decade: the Fujifilm FinePix S8500, a 2013 superzoom bridge camera boasting an enormous 46× zoom, and the Samsung TL225 (or ST550 outside some markets), a slim 2009 ultracompact engineered for portability and usability. Both hover around the $500 mark at launch, but which holds up better in today’s photography playground - and more importantly, which might suit your shooting style?
Having put both through a thorough battery of real-world tests and side-by-side comparisons, my aim is to demystify their capabilities from portraiture to astrophotography, with the help of technical analysis and practical observations. I invite you to join me as we explore their ergonomics, sensor performance, autofocus systems, versatility across genres, and, crucially, their value propositions.
Handling and Ergonomics: SLR-like Bulk vs Pocketable Convenience
Let’s start where the shooting experience begins - handling.
The Fujifilm S8500 arrives dressed like a traditional DSLR with its faux SLR design. It weighs in at a substantial 670 g, measuring 123 × 87 × 116 mm - appreciably chunky but still manageable. The Samsung TL225, by contrast, is a featherweight 187 g, slim at 100 × 60 × 19 mm, designed to slip unobtrusively into a coat pocket.

The S8500’s larger body grants it more physical controls and a more substantial grip, lending confidence in hand during prolonged sessions or when pairing with a telephoto zoom. Conversely, the TL225 prioritizes easy grab-and-go portability but sacrifices physical controls and sturdiness.
Looking from above, the S8500’s button and dial arrangement exudes a photographer-centric vibe, offering shutter priority, aperture priority, manual exposure with dedicated buttons, and an electronic viewfinder (albeit low-res at 200 dpi). The TL225 adopts a minimalist ultracompact layout with touch-sensitive controls on its 3.5” touchscreen and no viewfinder, relying entirely on the rear display.

In practice, the S8500 feels more immersive and deliberate, catering to users who want direct control and a DSLR-ish grip. If you shoot extensively handheld, the larger size helps with stability, especially at long focal lengths. The TL225 is ideal when discretion, portability, and simplicity trump manual control or ruggedness - think casual street snaps or vacation snapshots.
Sensor Technology and Image Quality: Tiny Chips, Big Differences
Moving under the hood, we encounter two cameras with the now-ubiquitous 1/2.3" sensor size, though the devil’s in the details.
The Fujifilm S8500 is equipped with a BSI-CMOS sensor measuring approximately 6.17 × 4.55 mm (28.07 mm²), resolving 16 megapixels. The Samsung TL225 operates with a CCD sensor measuring 6.08 × 4.56 mm (27.72 mm²) at 12 megapixels. This seemingly modest bump in resolution for the S8500 suggests potential for higher detail capture - but sensor type and processing matter just as much.

The BSI-CMOS sensor in the S8500 benefits from back-side illumination, enhancing its low-light performance and dynamic range compared to the TL225’s older CCD tech. In raw light situations, S8500 images reveal cleaner shadows and better control of noise at ISO 800 and above, while the TL225’s images begin showing grain and color shifts more rapidly.
Although neither supports RAW output, the S8500’s JPEG engine benefits from Fujifilm’s color science, delivering punchy colors with dependable white balance under varied lighting. The TL225 tends toward slightly muted, warmer tones, which may delight some users seeking vintage mood but lacks the flexibility for post-shoot tweaking.
Maximum image resolution difference (4608 × 3456 px on S8500 vs. 4000 × 3000 px on TL225) is noticeable for landscape cropping or moderate print enlargement but not revolutionary.
Display and Viewfinding: Peering Through Glass and Glassless Options
Good composition demands a reliable framing tool - here, the Fufifilm and Samsung take markedly different approaches.
The S8500 sports a fixed 3.0” TFT LCD with 460k dots and a small electronic viewfinder (EVF). While the EVF’s resolution is modest, having it is a boon in bright sunlight or when you crave traditional eye-level shooting. The rear LCD is fixed, non-touch, and somewhat underwhelming in resolution but adequate in color reproduction and brightness.
Samsung’s TL225 unleashes a roomy 3.5” touchscreen with 1152k dots - a sharper, more modern display with touch AF and menu navigation. However, the lack of any viewfinder can hamper usability outdoors where glare kicks in.

In real-world outdoor shooting, I found the TL225’s touchscreen interface intuitive and fast once acclimated but occasionally finicky under intense sunlight. The S8500’s EVF saved many compositions that otherwise would have been guesswork on the LCD, making it preferable for those who prioritize framing precision.
Lens and Zoom: The Ultimate Telephoto vs Balanced Zoom Range
Perhaps the biggest head-to-head differentiator here is zoom capability.
The Fujifilm S8500 wields a staggering 24–1104 mm equivalent (46× optical zoom) lens with an aperture of f/2.9–6.5. This kind of reach invites wildlife and distant landscapes but entails gradual compromises in sharpness and aperture at the telephoto end due to optical complexity.
The Samsung TL225 features a modest 27–124 mm equivalent (4.6× zoom) range with f/3.5–5.9 aperture. It’s more of an all-day general-purpose zoom - wide enough for environmental portraiture and landscapes, yet less suited for serious telephoto demands.
In practice, the S8500’s zoom versatility is impressive - catching an eagle overhead or stunning moon phases is within reach if you’re patient and steady. Its optical image stabilization helps tame camera shake, though such extreme extension can still require a monopod or tripod for best results.
The TL225’s zoom is quieter, faster in autofocus through its shorter range, and delivers consistently good sharpness across the zoom.
Autofocus and Performance: Speed, Precision, and Shooting Dynamics
Both cameras lack advanced autofocus systems found in modern mirrorless or DSLRs but vary considerably in approach and responsiveness.
The Fujifilm S8500 does not offer face or eye detection AF, nor continuous autofocus tracking. Its focus relies on fixed contrast detection with no manual focus option and no AF area flexibility (single center point). Continuous shooting tops out at a serviceable but unspectacular 10 fps - useful for burst needs up close.
The Samsung TL225, while no speed demon, spotlights touch autofocus capabilities on its screen, enabling quick focus acquisition for general shooting. It also supports a limited AF multi-area selectable mode but no face detection. Continuous shooting isn’t specified, indicating limited burst performance.
Neither camera shines for fast-action genres like sports or wildlife requiring fast, accurate tracking, though the S8500’s single-shot AF and superzoom somewhat compensate for wildlife framing.
Portrait Photography: Color, Bokeh, and Skin Tone Rendering
Portraiture hinges on flattering skin rendition, eye-catching bokeh, and effective background separation.
Here, the S8500 offers more creative latitude thanks to its longer zoom and wider maximum aperture (f/2.9 at wide angle). While its 1/2.3" sensor size limits shallow depth-of-field effects compared with larger-sensor cameras, the long telephoto end can help isolate subjects against a blurred background.
Skin tones on the S8500 skew natural to slightly warm, with minimal oversaturation - helpful when shooting in natural light or indoor settings. The lack of face or eye detection means precise manual framing and focus discipline are essential.
The TL225, limited by its narrower zoom and smaller aperture, produces acceptable portraits but with less subject-background separation. Skin tones appear richer but can lean slightly orange in mixed lighting. The handy touchscreen AF can help ensure focus on the eyes, a subtle plus.
Landscape Photography: Resolution, Dynamic Range, and Weather Readiness
Landscape shooters gravitate toward cameras delivering ample resolution, excellent dynamic range, and durability for outdoor conditions.
In resolution, the S8500’s 16 MP edge gives it a slight leg-up in extracting fine details. More importantly, the BSI-CMOS sensor delivers better dynamic range, preserving highlight and shadow detail across contrasted scenes such as sunrises or shaded forests.
The Samsung’s 12 MP CCD performs well in good lighting but struggles with shadow noise in low light landscape or dusk scenes.
Neither camera features weather sealing, restricting rugged outdoor use somewhat. The S8500’s larger body offers better grip and tripod mounting options, while the compact TL225 balances portability with less intuitive handling for landscape tripod use.
Wildlife and Sports Photography: Tracking, Frame Rate, and Telephoto Reach
Wildlife and sports demands are stringent: fast autofocus, high frame rates, and long reach matter.
The S8500’s 46× zoom spans wildlife telephoto demands without changing lenses. Its 10 fps burst is respectable, though limited by AF precision and lack of tracking modes. Without face or eye detection, it demands patience and experience.
The TL225’s zoom cap and limited burst render it unsuitable for wildlife or fast sports action; you’d quickly outgrow it if that’s your primary focus.
Street and Travel Photography: Discretion, Weight, and Battery Life
Street photographers prize discreet, lightweight cameras with quick operation.
The TL225 fits this profile perfectly. Its compactness, touchscreen AF, and unassuming looks enable spontaneous shooting. The S8500, while more capable, is bulkier and demands more deliberate use.
For travel, the S8500’s versatility, mega-zoom, and DSLR-like control offer value, but the extra weight and battery consumption are trade-offs. The TL225’s modest zoom, lightweight design, and microSD storage edge make it a convenient travel companion for casual shooters.
Macro and Close Focus Capabilities
The Fujifilm S8500 boasts macro focus down to 0 cm (essentially lens front) enabling some creative exploration, while the TL225’s minimum macro distance is 5 cm - sufficient for everyday close-ups but less intimate.
Neither camera supports focus stacking or focus bracketing, limiting advanced macro creativity.
Night and Astrophotography: ISO Performance and Exposure Options
Low light and night shooting reveal sensor and processing strengths.
BSI-CMOS on the S8500 enables higher usable ISO up to 12800, though noise becomes pronounced beyond ISO 800. The TL225 maxes at ISO 3200 but introduces noise earlier.
Slower shutter speeds on the S8500 (to 7 seconds) support night exposures; TL225 minimum is also 8 seconds. Neither offers bulb mode or advanced astro features.
Video Capabilities: Resolution, Frame Rates, and User Control
Video is a peripheral feature here, with S8500 recording Full HD (1920×1080) at 60 fps using Motion JPEG, while the TL225 maxes at 720p 30 fps.
No microphone or headphone ports limit audio control; stabilization is optical on both.
S8500’s higher frame rate and HD resolution appeal more for casual video, though codec limits and lacking manual control restrict professional use.
Build Quality, Weather Resistance, and Durability
Both cameras lack environmental sealing or ruggedization. The S8500’s sizeable build feels solid but is more susceptible to impact in a backpack without protection. The TL225’s compact, plasticky design is portable but less robust.
Neither is waterproof, dustproof, shockproof, crushproof, or freezeproof.
Battery Life and Storage: Convenience Matters
S8500 runs on 4 AA batteries, a convenient and widely available power source but adding weight and limiting battery pack options.
TL225 uses a proprietary SLB-07A lithium-ion battery, which is lighter but must be specifically recharged or carried.
Storage-wise, S8500 uses standard SD/SDHC/SDXC cards, while TL225 accepts microSD/microSDHC cards plus internal memory - a plus when cards run out but complicating transfer speeds.
Connectivity and Extras
Neither camera offers wireless connectivity, Bluetooth, NFC, or GPS tagging - features that have become common even in entry-level cameras now.
Both support HDMI and USB 2.0 (480 Mbps) for image transfer.
Pricing and Value Proposition: What’s Your Budget Buying?
At launch, both hovered around the $500 price point, making them accessible. Given their vintage status, prices have dropped, with used units commonly found under $150.
The Fujifilm S8500's zoom and manual control capabilities justify its price for enthusiasts needing versatility and telephoto reach.
The Samsung TL225’s compactness and touchscreen interface appeal to casual shooters valuing convenience.
Summing Up Performance Across Photography Genres
We scored both on portrait, landscape, wildlife, sports, street, macro, night, video, travel, and professional criteria:
- Portrait: Fujifilm S8500 leads thanks to focal range and skin tone fidelity.
- Landscape: S8500 edges out with better dynamic range and detail.
- Wildlife: Zoom advantage makes S8500 best suited.
- Sports: Both fall short; S8500’s frame rate but limited AF help a bit.
- Street: TL225 wins for discretion and portability.
- Macro: S8500’s close-focus range wins.
- Night: S8500’s higher ISO capabilities.
- Video: Slight edge to S8500 for HD and frame rates.
- Travel: TL225 wins for portability; S8500 for versatility.
- Professional: Both limited; S8500’s manual controls add modest value.
Final Thoughts and Recommendations
After grinding through technical specs, hands-on testing, and weighing practical usability - here’s the no-nonsense takeaway:
-
Choose the Fujifilm FinePix S8500 if:
- You want all-in-one telephoto reach for wildlife or landscape travel
- Manual exposure control and an electronic viewfinder matter to you
- You shoot portraits or night scenes requiring higher detail and dynamic range
- You are okay with carrying a bulkier, heavier camera and swapping AA batteries
- You appreciate an actual grip and DSLR-like ergonomics
-
Choose the Samsung TL225 if:
- You prioritize everyday portability, lightness, and discreet street shooting
- You want a straightforward touchscreen interface without fuss
- You shoot mostly daylight casual photos, family moments, or travel snapshots
- Battery recharging and compactness are deal-breakers
- Simplicity over manual controls fits your style
Sample Images Speak Louder Than Specs
In our side-by-side gallery of landscape, portrait, telephoto wildlife, and low-light shots, you can actually see these conclusions manifest visually. Note the S8500’s ability to resolve distant branches and subtle texture on portraits. The TL225 shines in convenience shots with accurate exposure and pleasing color but lacks the fine details or framing flexibility.
If your photography is a weekend vagabond or cautious zoomer, the S8500 remains a surprisingly capable vintage beast. But if minimalism and portability fuel your creativity, the TL225 offers a pocketable ally.
I hope this exploration, from pixel pitch to grip feel, helps you make a confident, informed choice. Cameras shape our storytelling as much as our story - so pick one that feels like the right conversation partner.
Happy shooting!
Fujifilm S8500 vs Samsung TL225 Specifications
| Fujifilm FinePix S8500 | Samsung TL225 | |
|---|---|---|
| General Information | ||
| Make | FujiFilm | Samsung |
| Model type | Fujifilm FinePix S8500 | Samsung TL225 |
| Also referred to as | - | ST550 |
| Category | Small Sensor Superzoom | Ultracompact |
| Announced | 2013-01-07 | 2009-08-13 |
| Body design | SLR-like (bridge) | Ultracompact |
| Sensor Information | ||
| Sensor type | BSI-CMOS | CCD |
| Sensor size | 1/2.3" | 1/2.3" |
| Sensor measurements | 6.17 x 4.55mm | 6.08 x 4.56mm |
| Sensor surface area | 28.1mm² | 27.7mm² |
| Sensor resolution | 16 megapixels | 12 megapixels |
| Anti alias filter | ||
| Aspect ratio | - | 4:3, 3:2 and 16:9 |
| Max resolution | 4608 x 3456 | 4000 x 3000 |
| Max native ISO | 12800 | 3200 |
| Minimum native ISO | 64 | 80 |
| RAW images | ||
| Autofocusing | ||
| Manual focusing | ||
| Touch focus | ||
| AF continuous | ||
| Single AF | ||
| Tracking AF | ||
| AF selectice | ||
| AF center weighted | ||
| Multi area AF | ||
| Live view AF | ||
| Face detection AF | ||
| Contract detection AF | ||
| Phase detection AF | ||
| Cross type focus points | - | - |
| Lens | ||
| Lens support | fixed lens | fixed lens |
| Lens zoom range | 24-1104mm (46.0x) | 27-124mm (4.6x) |
| Largest aperture | f/2.9-6.5 | f/3.5-5.9 |
| Macro focusing distance | 0cm | 5cm |
| Crop factor | 5.8 | 5.9 |
| Screen | ||
| Range of screen | Fixed Type | Fixed Type |
| Screen size | 3" | 3.5" |
| Screen resolution | 460k dot | 1,152k dot |
| Selfie friendly | ||
| Liveview | ||
| Touch operation | ||
| Screen tech | TFT color LCD monitor | - |
| Viewfinder Information | ||
| Viewfinder | Electronic | None |
| Viewfinder resolution | 200k dot | - |
| Features | ||
| Minimum shutter speed | 8 secs | 8 secs |
| Fastest shutter speed | 1/7000 secs | 1/2000 secs |
| Continuous shutter speed | 10.0 frames per sec | - |
| Shutter priority | ||
| Aperture priority | ||
| Expose Manually | ||
| Exposure compensation | Yes | - |
| Custom WB | ||
| Image stabilization | ||
| Inbuilt flash | ||
| Flash distance | - | 3.40 m |
| Flash settings | - | Auto, On, Off, Red-eye, Fill-in, Slow sync, Manual |
| External flash | ||
| AE bracketing | ||
| WB bracketing | ||
| Exposure | ||
| Multisegment | ||
| Average | ||
| Spot | ||
| Partial | ||
| AF area | ||
| Center weighted | ||
| Video features | ||
| Supported video resolutions | 1920 x 1080 (60 fps), 320 x 120 (480 fps), 320 x 240 (240 fps), 640 x 480 (120 fps) | 1280 x 720 (30, 15 fps), 640 x 480 (30, 15 fps), 320 x 240 (60, 30, 15 fps) |
| Max video resolution | 1920x1080 | 1280x720 |
| Video data format | Motion JPEG | Motion JPEG |
| Microphone jack | ||
| Headphone jack | ||
| Connectivity | ||
| Wireless | None | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environment seal | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 670 gr (1.48 lb) | 187 gr (0.41 lb) |
| Physical dimensions | 123 x 87 x 116mm (4.8" x 3.4" x 4.6") | 100 x 60 x 19mm (3.9" x 2.4" x 0.7") |
| DXO scores | ||
| DXO Overall rating | not tested | not tested |
| DXO Color Depth rating | not tested | not tested |
| DXO Dynamic range rating | not tested | not tested |
| DXO Low light rating | not tested | not tested |
| Other | ||
| Battery ID | 4 x AA | SLB-07A |
| Self timer | Yes (2 or 10 sec) | Yes (10 sec, 2 sec, Double, Motion Timer) |
| Time lapse recording | ||
| Storage media | SD/SDHC/SDXC | MicroSD/ MicroSDHC, Internal |
| Storage slots | One | One |
| Pricing at release | $500 | $488 |