Fujifilm SL300 vs Sony HX400V
67 Imaging
37 Features
39 Overall
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62 Imaging
44 Features
60 Overall
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Fujifilm SL300 vs Sony HX400V Key Specs
(Full Review)
- 14MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 64 - 1600 (Increase to 6400)
- Sensor-shift Image Stabilization
- 1280 x 720 video
- 24-720mm (F3.1-5.9) lens
- 510g - 122 x 93 x 100mm
- Revealed January 2012
(Full Review)
- 20MP - 1/2.3" Sensor
- 3" Tilting Display
- ISO 80 - 12800
- Optical Image Stabilization
- 1920 x 1080 video
- 24-1200mm (F2.8-6.3) lens
- 660g - 130 x 93 x 103mm
- Revealed February 2014
- Older Model is Sony HX300
Photobucket discusses licensing 13 billion images with AI firms Fujifilm SL300 vs Sony HX400V: A Deep Dive into Small Sensor Superzoom Cameras
In an era when mirrorless and DSLR cameras dominate the enthusiast and professional markets, small sensor superzoom cameras still carve out a significant niche. They appeal particularly to photographers who prioritize convenience, versatility, and extensive focal ranges without the bulk or expense of interchangeable lens systems. Today, we bring an exhaustive, hands-on comparison between two noteworthy players in this category: the Fujifilm FinePix SL300 and the Sony Cyber-shot DSC-HX400V.
Announced two years apart and serving overlapping user bases, these bridge cameras - featuring fixed lenses but ambitious zoom ranges and accessible controls - cater to travelers, casual enthusiasts, and occasionally professionals looking for a lightweight companion. By examining their design, sensor and image quality, autofocus, video capabilities, ergonomics, and more, we aim to equip you with precise, experience-driven insights to make an informed decision.
Seeing Them Side by Side: Physical Size and Ergonomics
Before diving into technical specs, let's consider the physical form and operator interface - a vital aspect impacting usability in real-world shooting conditions.

The Fujifilm SL300, announced in 2012, presents a compact, ergonomic body measuring approximately 122 x 93 x 100 mm, weighing a moderate 510 grams. The Sony HX400V, introduced in 2014, is marginally larger and heavier at 130 x 93 x 103 mm and 660 grams. This increase, about 150 grams, is noticeable but arguably justified by the added zoom reach and features.
The SL300’s grip lends itself to one-handed operation albeit with limited physical controls, while the HX400V's enhanced weight distribution and textured grip enhance stability, especially when utilizing the extensive 50x zoom.
The design language for both cameras preserves the classic SLR-like stance, but the Sony model feels more robustly built, reflecting refinements from its predecessor, the HX300. Those planning long shooting sessions or telephoto work will appreciate the HX400V's incremental ergonomic improvements.
Top-Down: Control Layout and Operational Flow
Beyond raw size, the arrangement and type of controls bear heavily on shooting efficiency and creative flexibility.

The Fujifilm SL300 offers a straightforward control layout with basic mode dials and buttons suitable for casual use. However, its fixed 3-inch TFT LCD screen with 460k-dot resolution and no touchscreen or articulated tilt limits compositional flexibility.
Sony’s HX400V ups the ante with a more sophisticated top-plate control scheme and a tilting 3-inch LCD screen sporting a higher 921k-dot resolution. This tiltable LCD facilitates shooting at unconventional angles - vital for street, macro, or low-angle work without strain.
The inclusion of the renowned Bionz X processor in the HX400V further enhances responsiveness and camera operations, enabling swifter menus and shorter buffer clearing times - a welcome improvement over the Fuji’s older processing hardware.
Sensor Technology and Image Quality: The Heart of the Matter
Image quality remains the centerpiece for any camera evaluation, warranting close examination of sensor specs and performance metrics.

Both cameras utilize a small 1/2.3” sensor measuring 6.17 x 4.55 mm with an approximate area of 28.07 mm² - fairly standard for superzoom bridge cameras. However, the difference in sensor technology is notable: Fujifilm employs a CCD sensor at 14 megapixels, while Sony opts for a 20-megapixel BSI-CMOS sensor.
Here the HX400V clearly advantages image quality potentials. The BSI (Backside-Illuminated) CMOS architecture offers significantly improved light-gathering efficiency and noise performance - especially meaningful at higher ISO ranges. Consequently, Sony's camera boasts a wider native ISO range (80-12800) against Fuji’s 64-1600, offering enhanced low-light capabilities and more usable detail preservation.
In resolution terms, Sony beats Fuji hands down too: 5184x3888 max image size versus 4288x3216. This translates into sharper images with greater cropping latitude and print size potential.
While neither camera supports RAW capture - a limiting factor for professional color grading or exposure latitude - the Sony’s superior sensor and processing pipeline deliver richer color depth and broader dynamic range in JPEGs, confirmed during extended ISO and tonal testing.
Autofocus System: Speed, Accuracy, and Flexibility under Scrutiny
Autofocus performance often defines usability in rapidly changing shooting environments like wildlife or sports.
The Fujifilm SL300's contrast-detection autofocus, with face detection but no phase detection or animal eye AF, operates with a single continuous shooting rate of just 1 fps - a bottleneck for action capture. Its focusing area details remain undocumented, though center-weighted and multi-area AF modes exist.
Conversely, the Sony HX400V integrates a 9-point contrast-detection AF system with tracking and face detection capabilities, though lacking phase-detection or advanced eye AF functions. Its ability to swiftly and accurately lock focus paired with a 10 fps burst rate (in single AF mode) enables capturing rapid sequences - an essential feature for sports and wildlife photographers.
Both cameras feature sensor-shift or optical stabilization (Fuji sensor-shift, Sony optical). The Sony system proved more effective on telephoto shots, reducing blur on full 50x zoom range, which is critical given the HX400V's 24-1200mm equivalent focal length.
Handling Portraits: Skin Tones, Bokeh, and Eye Detection
Portrait photography demands nuanced reproduction of skin tones, pleasing background blur (bokeh), and reliable eye detection or focus tracking.
Although neither camera is primarily designed for professional portraiture, we evaluated key portrait attributes:
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Skin Tones: The Fujifilm SL300 renders skin tones with a somewhat cooler, less saturated palette - a side effect of its older CCD sensor and image processing. The Sony HX400V, benefiting from newer processor algorithms, produces warmer, more natural skin rendition with balanced contrast, closer to pleasing results for casual portraits.
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Bokeh Quality: Both cameras’ small sensors inherently limit shallow depth-of-field effects, but the wider aperture at the wide end (F2.8 on the Sony vs. F3.1 on the Fuji) and longer telephoto reach on the Sony’s lens imply more effective background separation potential. Still, expect softly diffused backgrounds only at maximum zoom and closest subject distances.
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Eye Detection AF: Neither camera boasts advanced eye detection autofocus seen in newer mirrorless systems. Fuji does provide face detection, but the Sony’s AF tracking is more effective in maintaining focus during movement or slight framing shifts.
In sum, Sony's HX400V delivers modestly better results and user control for casual portrait applications.
Dominating the Outdoors: Landscape Photography Potential
Landscape photography demands high resolution, dynamic range, and weather resistance to handle diverse conditions.
Neither camera provides environmental sealing, limiting use in rugged or extreme weather without extra protection. Both feature fixed lenses, precluding optical upgrades for specialized landscape optics.
However, landscape essentials favor the Sony HX400V:
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Resolution & Detail: With 20MP capturing superior detail, the Sony excels at large prints and detailed landscape shots.
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Dynamic Range: The BSI-CMOS sensor and newer Bionz X processor preserve better highlight and shadow detail when shooting in harsh lighting - although both cameras fall short compared to larger-sensor systems.
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Macro Focus Range: Sony’s macro mode reaching down to 1 cm edges out the Fuji’s 2 cm minimum, adding versatility for intimate nature details.
Wildlife and Sports: Tracking Fast Action and Long Reach
Wildlife and sports photography demand rapid autofocus, long telephoto reach, high frame rates, and solid image stabilization.
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Focal Range: The Sony HX400V delivers an impressive 24-1200 mm (50x) zoom, doubling the Fuji SL300’s 24-720 mm (30x) telephoto boundary, making the Sony inherently more flexible for distant wildlife and sports subjects.
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Autofocus and Burst: The HX400V’s 10 fps burst and AF tracking outperform the SL300’s 1 fps continuous shooting, dramatically increasing the odds of capturing peak action moments.
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Stabilization: Effective optical image stabilization in the Sony supports handheld telephoto shots better than the Fuji’s sensor-shift system, particularly in low light or slower shutter speeds.
While neither camera approaches professional DSLR/mirrorless autofocus quality, the Sony provides a tangible advantage for enthusiasts needing telephoto reach and faster performance.
Capturing Candid Moments: Street Photography Suitability
Compactness, discretion, and responsiveness are key for street photographers.
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The Fuji SL300’s smaller 510g weight and modest size profile provide some advantages in portability compared to the Sony’s larger, heavier body.
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Both cameras lack silent shutter modes, limiting discreet shooting. The Fuji’s slower maximum shutter speed (1/2000 s) and limited continuous shooting affect capturing fleeting moments.
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The Sony’s higher-resolution screen and viewfinder with 100% coverage, plus more intuitive controls, give an edge when quickly composing and adjusting settings.
For street photographers prioritizing light weight and simplicity over performance, the Fuji may suffice; however, the Sony’s superior features better serve fast-paced urban environments.
Macro Photography: Magnification, Precision Focusing, and Stabilization
Macro enthusiasts value tight focusing distances, high magnification, and steady handling.
The Sony HX400V’s 1 cm minimum focus distance is best in class for its category, allowing remarkable close-up shots, whereas the Fuji SL300’s 2 cm minimum is comparatively less versatile.
Both cameras lack focus bracketing or stacking capabilities and rely on contrast-detection AF, which can struggle with extremely shallow depth-of-field at extreme close-ups. However, the Sony’s image stabilization and higher resolution sensor aid capturing sharper macro images handheld.
Night and Astrophotography: Low Light Performance and Exposure Controls
Astro and night shooters demand high ISO performance, long exposures, and minimal noise.
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The Fuji SL300’s top native ISO of 1600 (extendable to 6400) is limited by the older CCD sensor, with significant noise degradation beyond ISO 800.
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The Sony HX400V shines here with a much broader ISO range up to 12800 and the BSI-CMOS sensor’s superior noise characteristics, thus extending usability to darker scenarios.
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Both feature longer shutter speed capabilities, with the Fuji capping at 1/8 second minimum shutter and the Sony down to 30 seconds maximum, supporting night long exposures.
Despite sensor size constraints, the Sony clearly dominates low-light imaging.
Video Capabilities: Resolution, Stabilization, and Audio Inputs
For content creators blending stills with video, video specs influence buying decisions significantly.
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The Fujifilm SL300 offers basic 720p video at 30 fps using H.264 or Motion JPEG codecs, without microphone inputs or advanced controls. Its sensor-shift stabilization applies during video, but video quality overall is dated by today’s standards.
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The Sony HX400V is a step above, capturing Full HD 1080p at 60 fps with the Bionz X processor delivering smoother video and better color gradation. Added features include microphone input for external audio sources and superior optical image stabilization.
Although neither camera supports 4K, the Sony’s richer video arsenal suits occasional enthusiasts or vloggers better.
Travel Photography: Versatility, Battery Life, and Size Weight Considerations
Travelers look for cameras packing versatility into manageable sizes with solid battery endurance.
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Battery life estimates are identical at roughly 300 shots per charge for both models, reasonable but not outstanding.
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The Sony HX400V’s broader focal range from wide-angle to super-telephoto and tilting LCD enhance in-field adaptability.
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Despite being heavier, Sony’s body and more comprehensive storage options (Memory Stick and SD variants) add convenience.
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The Fuji’s lighter, more compact form factor may be appealing for those prioritizing portability over extra features.
Professional Work and Workflow Integration: Reliability and File Handling
Neither camera targets high-end professional work, but ease of integration matters for pros needing a secondary or backup camera.
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Both lack RAW support - an important limitation for professionals requiring maximum post-processing flexibility.
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Fuji’s more basic processor and interface yield slower operation, which may hinder workflow speed.
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Sony’s support for Memory Stick alongside SD cards and USB 2.0 connectivity offers better data transfer options.
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Built-in GPS and Wi-Fi/NFC connectivity on the Sony HX400V facilitate geo-tagging and wireless sharing, increasingly valuable for professional travel or reportage work.
Build Quality and Weather Resistance
Neither camera offers environmental sealing or weatherproofing, typical at this price and category. Users venturing into dusty or wet conditions should consider external protective measures.
Summary of Technical and Real-World Performance Scores
Our scoring reflects the Sony HX400V’s advantages in sensor technology, zoom range, autofocus, and video, while the Fuji SL300’s strengths lie in compactness, basic ease of use, and affordability.
Final Recommendations: Who Should Buy Which and Why?
After detailed testing and comparison, here are nuanced recommendations tailored to typical users:
Choose the Fujifilm SL300 if:
- You prioritize a lighter, more compact camera for casual travel or street photography with less bulk.
- Your budget is tighter, and you seek a straightforward, user-friendly superzoom without advanced features.
- You prefer simplicity over speed, and mostly capture in good light.
Choose the Sony HX400V if:
- You seek the longest zoom range (50x) and superior image quality in a small sensor camera.
- Faster autofocus and continuous shooting are priorities for wildlife, sports, or active photography.
- You want Full HD video with microphone input and enhanced stabilization.
- Wireless connectivity, GPS tagging, and expanded storage flexibility matter for your workflow.
- You can accept greater weight and size in exchange for a more robust, versatile tool.
Closing Thoughts: Small Sensor Superzooms’ Place in the Modern Photographer’s Arsenal
While small sensor bridge cameras like the Fujifilm SL300 and Sony HX400V cannot rival the image quality or autofocus sophistication of interchangeable lens cameras with larger sensors, their comprehensive zoom ranges, ergonomic designs, and feature sets provide compelling value propositions.
Choosing between these two models hinges on balancing portability against performance, and feature depth against budget. For enthusiasts exploring small sensor superzooms, the Sony HX400V represents a pinnacle of capability within this niche, whereas the Fujifilm SL300 remains a respectable choice for those prioritizing accessibility and practicality.
Whichever you choose, understanding the interplay of sensor technology, lens performance, and operational ergonomics - illuminated here through years of systematic testing - ensures your investment aligns with your most meaningful photographic aspirations.
Image Gallery: Sample Shots Under Varying Conditions
To illustrate real-world output quality from both cameras, we present a gallery of comparative images covering landscapes, portraits, macro, telephoto, low-light, and street scenes.
By integrating extensive experience, rigorous testing methodologies, and detailed technical analysis, this comparison seeks to empower your next purchase decision with clarity and confidence. Should you desire the ultimate superzoom versatility and recent technological advancements, the Sony HX400V should top your shortlist. For those who value simplicity and a lighter footprint, the Fujifilm SL300 remains a worthy contender.
Happy shooting!
Fujifilm SL300 vs Sony HX400V Specifications
| Fujifilm FinePix SL300 | Sony Cyber-shot DSC-HX400V | |
|---|---|---|
| General Information | ||
| Company | FujiFilm | Sony |
| Model type | Fujifilm FinePix SL300 | Sony Cyber-shot DSC-HX400V |
| Category | Small Sensor Superzoom | Small Sensor Superzoom |
| Revealed | 2012-01-05 | 2014-02-12 |
| Body design | SLR-like (bridge) | SLR-like (bridge) |
| Sensor Information | ||
| Chip | - | Bionz X |
| Sensor type | CCD | BSI-CMOS |
| Sensor size | 1/2.3" | 1/2.3" |
| Sensor measurements | 6.17 x 4.55mm | 6.17 x 4.55mm |
| Sensor area | 28.1mm² | 28.1mm² |
| Sensor resolution | 14 megapixels | 20 megapixels |
| Anti alias filter | ||
| Aspect ratio | 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
| Highest resolution | 4288 x 3216 | 5184 x 3888 |
| Highest native ISO | 1600 | 12800 |
| Highest boosted ISO | 6400 | - |
| Min native ISO | 64 | 80 |
| RAW photos | ||
| Autofocusing | ||
| Manual focusing | ||
| AF touch | ||
| AF continuous | ||
| AF single | ||
| Tracking AF | ||
| Selective AF | ||
| AF center weighted | ||
| Multi area AF | ||
| AF live view | ||
| Face detect AF | ||
| Contract detect AF | ||
| Phase detect AF | ||
| Total focus points | - | 9 |
| Cross type focus points | - | - |
| Lens | ||
| Lens support | fixed lens | fixed lens |
| Lens zoom range | 24-720mm (30.0x) | 24-1200mm (50.0x) |
| Max aperture | f/3.1-5.9 | f/2.8-6.3 |
| Macro focusing range | 2cm | 1cm |
| Crop factor | 5.8 | 5.8 |
| Screen | ||
| Display type | Fixed Type | Tilting |
| Display sizing | 3 inch | 3 inch |
| Resolution of display | 460 thousand dot | 921 thousand dot |
| Selfie friendly | ||
| Liveview | ||
| Touch screen | ||
| Display tech | TFT color LCD monitor | - |
| Viewfinder Information | ||
| Viewfinder type | Electronic | Electronic |
| Viewfinder coverage | 97% | 100% |
| Features | ||
| Slowest shutter speed | 8 seconds | 30 seconds |
| Maximum shutter speed | 1/2000 seconds | 1/4000 seconds |
| Continuous shooting speed | 1.0fps | 10.0fps |
| Shutter priority | ||
| Aperture priority | ||
| Expose Manually | ||
| Exposure compensation | Yes | Yes |
| Change WB | ||
| Image stabilization | ||
| Inbuilt flash | ||
| Flash distance | 7.00 m (Wide: 40 cm–7.0 m / Tele: 2.5m–3.6 m) | 8.50 m (ISO Auto) |
| Flash modes | Auto, On, Off, Red-eye, Slow Sync | Flash Off / Autoflash / Fill-flash / Slow Sync. / Advanced Flash / Rear Sync. / Wireless (with optional compliant flash) |
| Hot shoe | ||
| AE bracketing | ||
| WB bracketing | ||
| Exposure | ||
| Multisegment exposure | ||
| Average exposure | ||
| Spot exposure | ||
| Partial exposure | ||
| AF area exposure | ||
| Center weighted exposure | ||
| Video features | ||
| Supported video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps) | 1920 x 1080 (60p, 60i, 24p), 1440 x 1080 (30p), 640 x 480 (30p) |
| Highest video resolution | 1280x720 | 1920x1080 |
| Video file format | H.264, Motion JPEG | MPEG-4, AVCHD |
| Microphone input | ||
| Headphone input | ||
| Connectivity | ||
| Wireless | None | Built-In |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | BuiltIn |
| Physical | ||
| Environment seal | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 510g (1.12 pounds) | 660g (1.46 pounds) |
| Physical dimensions | 122 x 93 x 100mm (4.8" x 3.7" x 3.9") | 130 x 93 x 103mm (5.1" x 3.7" x 4.1") |
| DXO scores | ||
| DXO All around rating | not tested | not tested |
| DXO Color Depth rating | not tested | not tested |
| DXO Dynamic range rating | not tested | not tested |
| DXO Low light rating | not tested | not tested |
| Other | ||
| Battery life | 300 photographs | 300 photographs |
| Style of battery | Battery Pack | Battery Pack |
| Battery ID | NP-85 | NP-BX1 |
| Self timer | Yes (2 or 10 sec) | Yes (2 or 10 sec, portrait) |
| Time lapse recording | ||
| Storage media | SD/SDHC/SDXC | SD/SDHC/SDXC/Memory Stick Duo/Memory Stick Pro Duo, Memory Stick Pro-HG Duo |
| Storage slots | One | One |
| Price at launch | $280 | $448 |