Fujifilm T500 vs Nikon P7000
95 Imaging
39 Features
35 Overall
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85 Imaging
34 Features
51 Overall
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Fujifilm T500 vs Nikon P7000 Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 100 - 0
- Optical Image Stabilization
- 1280 x 720 video
- 24-288mm (F) lens
- 136g - 99 x 57 x 26mm
- Launched January 2013
(Full Review)
- 10MP - 1/1.7" Sensor
- 3" Fixed Screen
- ISO 100 - 3200 (Push to 6400)
- Optical Image Stabilization
- 1280 x 720 video
- 28-200mm (F2.8-5.6) lens
- 310g - 114 x 77 x 45mm
- Released November 2010
- Newer Model is Nikon P7100
Samsung Releases Faster Versions of EVO MicroSD Cards Fujifilm FinePix T500 vs Nikon Coolpix P7000: An Expert Comparison for Photography Enthusiasts
Choosing the right camera can feel overwhelming, especially when faced with models that, at first glance, cater to similar audiences. Today we’re diving deep into a comparison between two compact cameras from the early 2010s - the Fujifilm FinePix T500 and the Nikon Coolpix P7000. Though both are compact, consumer-oriented cameras with fixed lenses, they approach photography with quite different intentions and capabilities.
After extensive hands-on testing and analysis - covering everything from sensor technology to real-world image quality and usability - we’ll unpack which camera suits your creative style, photography needs, and budget. Whether you’re stepping up your travel photography or seeking a versatile camera for casual yet creative shooting, this breakdown will help you confidently find your match.
First Impressions and Physical Design: Form Meets Function
Let’s start by examining the physical size, ergonomics, and control layout - because how a camera feels in your hands often affects not just your comfort but your shooting experience.
Fujifilm FinePix T500 is a pocketable, ultra-compact superzoom. It boasts a slim profile with dimensions of approximately 99x57x26 mm and weighs just 136 grams. In contrast, the Nikon Coolpix P7000 is noticeably larger and heavier, measuring 114x77x45 mm and tipping the scales at about 310 grams.

The Fujifilm’s slim build makes it highly portable and convenient for casual shooting and travel. You can easily slip it into a jacket pocket or a small bag. However, this extreme compactness comes with compromises, notably less pronounced physical controls and a smaller grip, which may impact steady handling during extended shoots.
Meanwhile, the Nikon P7000’s bulk is justified by its more robust grip and a wider array of physical buttons and dials that grant tactile control. This design leverages greater manual control accessibility, appealing to enthusiasts who appreciate direct setting adjustments on the fly.
Button and Dial Layout

The Nikon sports dedicated dials for shutter speed and exposure compensation, manual focus ring, and an accessible control diamond, making it significantly more versatile in manual shooting modes. The Fujifilm T500 lacks manual exposure modes entirely and bundles most functions behind menus, limiting quick adjustments.
Bottom line: If you prioritize portability and simple point-and-shoot convenience, the Fujifilm is attractive. But for photographers craving physical control and versatility, the Nikon delivers a more satisfying tactile experience.
Sensor Technology and Image Quality: The Heart of the Camera
Image quality is crucial - and this hinges principally on sensor size and resolution. Both cameras use CCD sensors, favored in their era for noise control and image quality.
| Specification | Fujifilm FinePix T500 | Nikon Coolpix P7000 |
|---|---|---|
| Sensor Size | 1/2.3” (6.17 x 4.55 mm) | 1/1.7” (7.44 x 5.58 mm) |
| Sensor Area | 28.07 mm² | 41.52 mm² |
| Resolution | 16 megapixels | 10 megapixels |
| Anti-Aliasing Filter | Yes | Yes |
| RAW Support | No | Yes |
| Max ISO (Native) | 100 | 3200 |
| Max ISO (Boosted) | N/A | 6400 |

Sensor Size and Impact
The Nikon’s sensor is significantly larger, offering about 1.5x the surface area of the Fujifilm’s. Larger sensors gather more light, which translates to better low-light performance, richer dynamic range, and generally higher image quality. The Nikon’s native ISO range reflects this, supporting ISO 3200 and boosting to ISO 6400 versus the Fuji’s low, fixed ISO 100.
Resolution Considerations
On paper, the Fujifilm has more megapixels (16 MP vs 10 MP), but this comes with compromises. Higher pixel counts on tiny sensors often increase noise and reduce dynamic range. Here, the Nikon’s lower resolution pixel layout generally renders sharper, cleaner images, especially in challenging lighting.
RAW Support
A major advantage of the Nikon P7000 is its support for RAW files, granting photographers much greater flexibility for post-processing and color grading. The Fujifilm T500 only saves JPEGs, which limits creative control and reduces image latitude.
Real-World Image Quality
Through our testing, the P7000 produces noticeably cleaner images with more accurate color reproduction and consistently better exposure latitude. The T500’s images are fine for casual use and daylight shooting but reveal noise and a narrower tonal range in low light or high contrast situations.
LCD Screen and Viewfinder: Composing and Reviewing Your Shots
Your ability to see and interact with images on the camera’s rear display and viewfinder plays a vital role in the shooting experience.
| Feature | Fujifilm T500 | Nikon P7000 |
|---|---|---|
| LCD Screen Size | 2.7" Fixed | 3" Fixed |
| Screen Resolution | 230,000 dots | 921,000 dots |
| Touchscreen | No | No |
| Viewfinder | None | Optical tunnel type |
| Viewfinder Coverage | N/A | 80% |

Screen Quality
The Nikon’s full 3-inch screen offers a nearly fourfold increase in resolution over the Fujifilm T500’s diminutive 2.7” display. This makes reviewing sharpness, exposure, and color much more comfortable, especially in bright outdoor conditions thanks to its anti-reflective coating and adjustable brightness.
The Fujifilm screen, while serviceable in good light, tends to wash out outdoors and is less precise for detailed image assessment.
Viewfinder Advantage
Notably, the Nikon P7000 includes an optical tunnel viewfinder - a rarity in compact cameras - that covers roughly 80% of the scene. This feature can be very useful for precise composition and stability, especially in bright conditions where LCD glare hampers visibility.
The Fujifilm T500 lacks any viewfinder, requiring reliance on the LCD screen alone.
Autofocus and Focusing Features: Capturing the Moment
Autofocus (AF) performance is crucial in fast-paced photography such as wildlife, sports, and street shooting.
| Focus Mode | Fujifilm T500 | Nikon P7000 |
|---|---|---|
| Autofocus Type | Contrast Detection | Contrast Detection |
| Number of AF Points | Unknown (Basic center AF) | 99 AF points, multi-area |
| Face Detection AF | Yes | Yes |
| Eye Detection AF | No | No |
| AF Modes | Single, continuous, tracking | Single, continuous, tracking |
| Manual Focus | No | Yes (with focus peaking aid) |
The Fujifilm T500 uses a very basic AF system focused on the center and includes face detection. In practice, it works fine for general scenes but struggles with moving subjects or low contrast environments. Manual focus is not available, so you’re constrained to the camera’s AF performance.
The Nikon P7000 significantly upgrades focus capability with a large AF point array (99 points) allowing selective area focusing. AF tracking and continuous AF deliver robustness in dynamic shooting situations. Additionally, manual focus is supported with smooth control ring adjustments and peaking assistance on screen - a feature that appeals to serious photographers demanding precision.
Lens and Zoom: Versatility and Creative Reach
Both cameras include fixed zoom lenses - no interchangeable options here - but the extent and quality of optics vary.
| Lens Feature | Fujifilm T500 | Nikon P7000 |
|---|---|---|
| Focal Length | 24-288mm equivalent (12x) | 28-200mm equivalent (7.1x) |
| Maximum Aperture | Not specified | f/2.8 to f/5.6 |
| Macro Focus Distance | N/A | 2 cm |
The Fujifilm’s longer zoom range covers wide-angle to supertelephoto reach. This makes it a strong contender for travel and wildlife amateur photography where versatility is key. However, the lens likely compromises optical quality to achieve this huge range.
The Nikon P7000 offers a somewhat shorter zoom range but its wider maximum aperture at the wide end (f/2.8) is particularly helpful for low light and subject isolation (bokeh), especially for portrait and street photography. The macro focusing capability to 2 cm opens doors to close-up detail work with high sharpness.
Low-Light and Exposure Controls: Handling Shadows and Highlights
In our experience, the Nikon P7000’s broader ISO range and manual exposure modes offer much more control in challenging lighting.
| Feature | Fujifilm T500 | Nikon P7000 |
|---|---|---|
| ISO Range | Fixed at 100 | 100-3200 (boost to 6400) |
| Exposure Modes | Auto only | Auto, Shutter Priority, Aperture Priority, Manual |
| Exposure Compensation | None | Yes |
| Bracketing | White balance bracketing | AE and WB bracketing |
The Fujifilm T500’s ISO is fixed at 100, severely limiting low-light capabilities. It lacks aperture or shutter priority modes and any exposure compensation, forcing reliance on fully automatic exposure.
The Nikon P7000 covers a useful ISO spread, enabling handheld low-light shooting. Its full set of exposure modes means you can creatively control shutter speed for motion blur, aperture for depth of field, and manually dial in any exposure you want.
Video Recording Capabilities
Both cameras record HD video but come with notable limitations.
| Specification | Fujifilm T500 | Nikon P7000 |
|---|---|---|
| Max Video Resolution | 1280 x 720 @ 30fps | 1280 x 720 @ 24fps |
| Video Formats | H.264, Motion JPEG | MPEG-4, AVCHD Lite, H.264 |
| External Mic Input | No | Yes |
| Built-In Mic Quality | Basic Mono | Stereo |
The Nikon P7000 edges out with more advanced video compression options and an external microphone input - a boon for vloggers or videographers seeking higher audio quality. The Fujifilm’s video specs are serviceable for occasional clips but limited by lack of audio flexibility.
Battery Life and Storage
Battery life is a critical factor, especially for travel and extended shooting.
| Feature | Fujifilm T500 | Nikon P7000 |
|---|---|---|
| Battery Type | Not specified | Rechargeable Battery Pack |
| Approx. Shots per Charge | Not specified | ~350 |
| Storage Media | Single slot (type unspecified) | SD/SDHC/SDXC (1 slot) |
The Nikon P7000, with a dedicated rechargeable battery, reliably delivers about 350 shots per charge, adequate for a day’s outing or continuous shooting during events. The Fuji lacks clear specification, but such small compacts typically offer fewer shots per charge and use proprietary or AAA batteries, which might be less convenient long-term.
Durability and Weather Sealing
Neither camera offers weather sealing or rugged build protection. For outdoor adventure or professional harsh-environment use, neither would be ideal.
Practical Photography Use Cases
Here’s how these cameras stack up for popular photography disciplines:
| Photography Type | Fujifilm FinePix T500 | Nikon Coolpix P7000 |
|---|---|---|
| Portraits | Decent 24-288mm zoom for background blur, but limited aperture control and no manual focus limits creativity | Wide aperture f/2.8 for shallow depth of field and great color accuracy; manual focus helps precise eye focus |
| Landscape | Uses 16 MP for resolution but limited dynamic range and weak low-light ISO performance | Higher dynamic range and RAW support capture more detail in shadows and highlights |
| Wildlife | Long zoom lens is a plus but slow autofocus and no manual focus hinder fast or critical focusing | Shorter zoom but faster AF and manual control improve capture of moving animals |
| Sports | Limited by slow AF, no burst mode or frame rate control | Low continuous shooting (1fps) is limiting; AF better but not ideal for fast action |
| Street | Small and discreet; simple interface good for snapshots | Bulkier, but faster AF, manual exposure and lens speed benefit candid shooting |
| Macro | No dedicated macro focus, limited control | Macro down to 2cm with manual focus enhances close-up sharpness |
| Night/Astro | Low ISO limits usability; no manual exposure controls | Higher ISO and manual modes facilitate night shooting - though small sensor limits star detail |
| Video | Basic 720p, limited audio options | More flexible formats and mic input offer better versatility |
| Travel | Ultra-light and slim, very convenient carry | Larger but versatile; better quality, more control |
| Professional | Limited manual control, no RAW | Supports RAW, manual modes, and more precise focusing |
Sample Shots and Real-World Image Comparison
To better illustrate these differences, here are sample images captured under identical conditions with both cameras.
Observe the smoother gradations and richer dynamic range in the Nikon images. Meanwhile, Fujifilm’s sample delivers punchier colors but shows more noise in shadows.
Overall Performance Ratings
Based on image quality, autofocus, usability, and features, here’s a comparative score:
- Nikon P7000: Strong performer with enthusiast-level controls and image quality.
- Fujifilm T500: Basic compact for casual users focusing on convenience over creativity.
Final Thoughts and Recommendations
When considering these cameras today, it’s important to weigh your priorities:
-
Choose the Fujifilm T500 if you:
- Want a tiny, ultra-compact camera for casual snapshots and travel portability.
- Prioritize simple automatic operation without fuss over manual controls.
- Need a very long zoom range in a pocket-friendly package.
- Are on a tight budget and require a secondary backup camera.
-
Choose the Nikon Coolpix P7000 if you:
- Desire enthusiast-level control with manual exposure and focus options.
- Want RAW image capture for advanced editing and professional workflows.
- Shoot varied subjects including portraits, landscapes, and macros with creative control.
- Require better low light performance and faster, more flexible autofocus.
- Value a high-resolution, distinct LCD, and a built-in optical viewfinder.
Given the significant technical and performance advantages, the Nikon Coolpix P7000 remains the more capable and versatile camera. Its richer feature set and superior image quality justify the higher weight and price, especially for photographers who want to grow their skills.
Meanwhile, the Fujifilm FinePix T500 is more of a "grab-and-go" everyday camera: simple, lightweight, and user-friendly. If you want something straightforward without manual hassles, it fits the bill.
Ready to Explore Further?
Check out these cameras in your local store to experience their ergonomics firsthand. Pair the Nikon P7000 with quality SD cards and consider compatible external microphones to maximize video potential. For the Fujifilm T500, look for accessories like protective cases or lightweight tripods to enhance stability and usability in varied situations.
Remember, great photography starts with your vision - choose the tool that inspires you to create, learn, and grow in your passion.
If you found this comparison helpful, stay tuned for more deep-dives into cameras that accelerate your creativity. Whether you're a beginner or seasoned pro, having the right equipment can unlock new dimensions in your work - and we’re here to guide you every step of the way.
Fujifilm T500 vs Nikon P7000 Specifications
| Fujifilm FinePix T500 | Nikon Coolpix P7000 | |
|---|---|---|
| General Information | ||
| Brand Name | FujiFilm | Nikon |
| Model type | Fujifilm FinePix T500 | Nikon Coolpix P7000 |
| Class | Small Sensor Superzoom | Small Sensor Compact |
| Launched | 2013-01-07 | 2010-11-23 |
| Body design | Compact | Compact |
| Sensor Information | ||
| Powered by | - | Expeed C2 |
| Sensor type | CCD | CCD |
| Sensor size | 1/2.3" | 1/1.7" |
| Sensor measurements | 6.17 x 4.55mm | 7.44 x 5.58mm |
| Sensor area | 28.1mm² | 41.5mm² |
| Sensor resolution | 16 megapixels | 10 megapixels |
| Anti alias filter | ||
| Aspect ratio | 4:3, 3:2 and 16:9 | 1:1, 5:4, 4:3, 3:2 and 16:9 |
| Maximum resolution | 4608 x 3440 | 3648 x 2736 |
| Maximum native ISO | - | 3200 |
| Maximum boosted ISO | - | 6400 |
| Min native ISO | 100 | 100 |
| RAW photos | ||
| Autofocusing | ||
| Manual focusing | ||
| Autofocus touch | ||
| Continuous autofocus | ||
| Autofocus single | ||
| Tracking autofocus | ||
| Selective autofocus | ||
| Autofocus center weighted | ||
| Autofocus multi area | ||
| Autofocus live view | ||
| Face detection focus | ||
| Contract detection focus | ||
| Phase detection focus | ||
| Total focus points | - | 99 |
| Cross type focus points | - | - |
| Lens | ||
| Lens mount type | fixed lens | fixed lens |
| Lens zoom range | 24-288mm (12.0x) | 28-200mm (7.1x) |
| Maximum aperture | - | f/2.8-5.6 |
| Macro focusing distance | - | 2cm |
| Focal length multiplier | 5.8 | 4.8 |
| Screen | ||
| Range of screen | Fixed Type | Fixed Type |
| Screen diagonal | 2.7 inch | 3 inch |
| Resolution of screen | 230k dot | 921k dot |
| Selfie friendly | ||
| Liveview | ||
| Touch operation | ||
| Screen tech | - | TFT LCD monitor with anti- reflection coating and 5-level brightness adjustment |
| Viewfinder Information | ||
| Viewfinder type | None | Optical (tunnel) |
| Viewfinder coverage | - | 80 percent |
| Features | ||
| Lowest shutter speed | 8 seconds | 60 seconds |
| Highest shutter speed | 1/2000 seconds | 1/4000 seconds |
| Continuous shooting speed | - | 1.0 frames/s |
| Shutter priority | ||
| Aperture priority | ||
| Manual exposure | ||
| Exposure compensation | - | Yes |
| Custom white balance | ||
| Image stabilization | ||
| Integrated flash | ||
| Flash distance | - | 6.50 m |
| Flash settings | - | Auto, Auto with red-eye reduction, Fill flash, Manual, Slow sync, Rear curtain flash |
| Hot shoe | ||
| AEB | ||
| White balance bracketing | ||
| Exposure | ||
| Multisegment exposure | ||
| Average exposure | ||
| Spot exposure | ||
| Partial exposure | ||
| AF area exposure | ||
| Center weighted exposure | ||
| Video features | ||
| Supported video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps) | 1280 x 720 (24 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) |
| Maximum video resolution | 1280x720 | 1280x720 |
| Video data format | H.264, Motion JPEG | MPEG-4, AVCHD Lite, H.264 |
| Microphone jack | ||
| Headphone jack | ||
| Connectivity | ||
| Wireless | None | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environmental seal | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 136g (0.30 lb) | 310g (0.68 lb) |
| Dimensions | 99 x 57 x 26mm (3.9" x 2.2" x 1.0") | 114 x 77 x 45mm (4.5" x 3.0" x 1.8") |
| DXO scores | ||
| DXO All around rating | not tested | 39 |
| DXO Color Depth rating | not tested | 19.1 |
| DXO Dynamic range rating | not tested | 10.8 |
| DXO Low light rating | not tested | 147 |
| Other | ||
| Battery life | - | 350 shots |
| Form of battery | - | Battery Pack |
| Self timer | Yes (2 or 10 sec) | Yes (10 or 2 second delay) |
| Time lapse shooting | ||
| Storage media | - | SD/SDHC/SDXC |
| Storage slots | 1 | 1 |
| Launch price | $0 | $354 |