Fujifilm T500 vs Olympus TG-2 iHS
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39 Features
35 Overall
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91 Imaging
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Fujifilm T500 vs Olympus TG-2 iHS Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 100 - 0
- Optical Image Stabilization
- 1280 x 720 video
- 24-288mm (F) lens
- 136g - 99 x 57 x 26mm
- Revealed January 2013
(Full Review)
- 12MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 100 - 6400
- Sensor-shift Image Stabilization
- 1920 x 1080 video
- 25-100mm (F2.0-4.9) lens
- 230g - 111 x 67 x 29mm
- Revealed June 2013
President Biden pushes bill mandating TikTok sale or ban Fujifilm FinePix T500 vs Olympus Tough TG-2 iHS: An In-depth Comparison for Discerning Buyers
When selecting a compact camera in today’s crowded market, discerning photographers must look beyond marketing to the underlying technical specifications, real-world handling, and suitability for specific photographic disciplines. Although the Fujifilm FinePix T500 and Olympus Tough TG-2 iHS both debuted in early 2013 targeting enthusiasts desiring versatile point-and-shoot solutions, their philosophies diverge considerably: the former emphasizes extended zoom reach in a slim profile, while the latter focuses on rugged durability and optical quality within a waterproof chassis. This comprehensive comparison draws upon extensive hands-on evaluations, sensor benchmarks, ergonomics assessments, and operational testing to help photographers determine which camera aligns best with their creative requirements.
Physical Dimensions and Ergonomics: Size, Handling, and Control Layout
Handling characteristics and physical size have outsized influence on user comfort and shooting responsiveness - factors often underappreciated until prolonged real-world use.

Fujifilm FinePix T500 is notably compact with dimensions approximately 99 x 57 x 26 mm and weighing just 136 grams, making it pocketable and lightweight for casual travel or street photography. Its slim, slab-like design is minimalistic but lacks tactile controls, resulting in somewhat less precise manual operation.
Oppositely, the Olympus Tough TG-2 iHS, at 111 x 67 x 29 mm and 230 grams, is thicker and heavier mainly due to its reinforced, crushproof shell. This robust build contributes to a secure grip, even with gloved hands, particularly valuable for outdoor, sports, and adventure photographers. The control layout is sensibly arranged around a modest number of buttons, supplemented by a relatively large, 3-inch OLED screen.

Examining the top plates reveals the TG-2’s dedicated dials and buttons afford immediate access to key shooting parameters, unlike the T500’s reliance on LCD menu navigation, which may slow spontaneous adjustments.
Summary: For photographers prioritizing portability and discretion, the Fujifilm T500’s slim form favors ease of carrying. In contrast, the Olympus TG-2 iHS caters to users seeking ergonomic ruggedness without sacrificing operational immediacy under demanding field conditions.
Sensor Technology and Image Quality: Resolution, Sensitivity, and Imaging Performance
At the heart of every camera’s performance lies sensor technology. Both cameras feature a 1/2.3-inch sensor format - relatively small compared to APS-C or full-frame sensors - impacting noise performance and dynamic range.

The Fujifilm T500 utilizes a 16MP CCD sensor, a technology known historically for delivering pleasing color rendition but generally lagging in high ISO noise control and speed compared to CMOS sensors. The fixed 12x zoom range (24-288 mm equivalent) offers flexibility but the sensor’s noise characteristics limit high ISO usability. Absence of raw format support further constrains post-processing latitude, requiring users to rely on in-camera JPEG processing - limiting advanced color grading or dynamic range recovery.
Conversely, the Olympus TG-2 iHS houses a 12MP BSI-CMOS sensor, a backward side-illuminated design that significantly enhances low-light sensitivity and dynamic range, confirmed by practical ISO testing up to 6400 ISO. The sensor’s architecture, coupled with sensor-shift image stabilization, delivers cleaner images at elevated sensitivities suitable for indoor, twilight, or action scenarios. Despite the lower megapixel count compared to T500, the TG-2’s raw support (unofficially in some settings) and superior noise handling render it more versatile image-wise.
Summary: Fujifilm’s higher pixel count provides greater nominal resolution but at the expense of noise and dynamic range. Olympus’ sensor excels in balanced image quality under variable lighting - an advantage for nature, travel, and low-light shooting.
Display and User Interface: Viewing and Compositional Tools
The rear LCD screen serves as the primary interface on cameras lacking viewfinders, impacting composition precision and menu navigation.

The T500 features a modest fixed 2.7-inch screen with a low 230k-dot resolution, which impairs clarity, especially under bright daylight or when reviewing sharp detail critically.
The TG-2 iHS offers a larger 3-inch OLED panel with 610k-dot resolution, providing crisper image previews and more visible menu text. The OLED technology contributes superior contrast and wider viewing angles, essential for outdoor shooting where reflections often compromise visibility.
Neither camera incorporates a touchscreen or electronic viewfinder, limiting advanced input methods and viewfinder convenience found in higher-end models.
Summary: For frequent composition review and menu navigation, the Olympus TG-2’s brighter, higher resolution screen markedly enhances usability compared to the T500’s rather basic display.
Autofocus and Shooting Performance: Speed, Accuracy, and Flexibility
Autofocus proficiency determines a camera’s capacity to capture crisp images in diverse conditions.
The Fujifilm T500 employs contrast-detection AF with face detection and continuous tracking but lacks manual focus capability and detailed focus area selection. Its autofocus speed is adequate in bright light but noticeably lagging in low light or complex scenes, where hunting becomes evident due to the CCD sensor and absence of phase detection.
The Olympus TG-2 iHS, also relying on contrast detection, improves upon this with multiple selectable AF modes including selective and multi-area focusing. It maintains effective face detection and tracking, with autofocus often faster and more reliable in daylight and even marginally in low contrast situations. The TG-2 supports continuous AF only in video mode and single AF for photos, aligning with its rugged use case.
The TG-2’s continuous shooting speed of approximately 5 frames per second surpasses the T500, which does not specify continuous burst capability, making Olympus preferable for capturing fleeting actions typical to wildlife or sports.
Summary: Olympus TG-2 provides more versatile, quicker, and user-controllable autofocus for action sequencing and dynamic subjects, whereas Fuji T500 best suits leisurely shooting.
Lens Systems and Zoom Versatility
Both cameras feature integrated zoom lenses, built into their fixed compact bodies.
The Fujifilm T500 houses a 24-288 mm equivalent lens with a 12x optical zoom range, affording extensive reach - useful for close-ups of distant subjects such as wildlife or sports events. Aperture information is not specified but is generally variable and limited in small sensor compacts. The long zoom extends versatility but may degrade sharpness or introduce distortion at extremes, common in superzoom optics.
The Olympus TG-2 iHS sports a shorter 25-100 mm (4x) zoom, moderately wide to short telephoto, with a bright aperture of f/2.0 at wide angle, closing to f/4.9 at telephoto - facilitating better low-light performance and shallower depth of field potential for selective focus effects. The TG-2 shines in macro photography with a minimum focus distance of just 1 cm, rivaling dedicated macro lenses on DSLRs, a distinct advantage for close-ups of flora and insects.
Summary: Fujifilm’s expansive zoom caters to shooters needing extended reach, with the trade-off of lens speed and size. Olympus emphasizes optical quality, bright aperture, and macro capability, emphasizing image quality over zoom breadth.
Weather Sealing and Durability: Ruggedness and Outdoor Readiness
Outdoor photographers, especially adventure, sports, and wildlife shooters, must weigh environmental sealing and durability.
The Fujifilm T500 lacks any weatherproofing or shock resistance features, vulnerability that confines it to controlled environments or cautious use.
By contrast, the Olympus TG-2 iHS is built tough: crushproof to 100 kgf, freezeproof to 14°F (-10°C), and dustproof. It is designed for rugged fieldwork, poolside, or mountaineering expeditions. Its build quality instills confidence for active photographers who demand reliability under often adverse conditions.
Despite nominally termed “waterproof,” the TG-2 is actually water-resistant up to 15 meters depth, enabling underwater usage for snorkeling and shallow diving, a distinct advantage for travel and underwater enthusiasts.
Summary: TG-2’s robust design significantly broadens practical shooting environments, providing peace of mind that the T500 cannot offer.
Battery Life and Storage Considerations
Shooting duration between charges and storage options directly impact usability in the field.
The Fujifilm T500 specifications do not detail battery capacity or life, but its minimal feature set and smaller screen may contribute to modest power consumption. It runs on an undisclosed battery pack and supports standard SD card storage with a single slot.
The Olympus TG-2 iHS is rated at approximately 350 shots per charge (CIPA standard), a respectable figure given its larger display and operational toughness requirements. It uses a Li-90B rechargeable battery and also supports a single SD card slot. USB 2.0 connectivity is common to both, facilitating transfers but not rapid charging.
Summary: TG-2 offers more reliable battery endurance for extended outings, while T500’s battery information remains opaque, necessitating cautious planning for extended use.
Video Capabilities: Resolution, Frame Rates, and Usability
As video recording grows in importance for multimedia storytellers, camera video specs warrant scrutiny.
The Fujifilm T500 supports HD recording at 1280 x 720 pixels, 30 fps, and also VGA (640 x 480) at 30 fps. H.264 and Motion JPEG codecs offer basic compression options but lack manual video controls or external microphone input, restricting audio quality refinement.
The Olympus TG-2 iHS constraints video to full HD 1920 x 1080 at 30 fps with MPEG-4 and H.264 formats, producing crisper moving images suitable for casual video capture. Unfortunately, it similarly lacks microphone jacks and advanced movie mode controls.
Both cameras omit emerging features such as 4K video, slow motion, or high frame rate options. Olympus’s superior sensor and lens can yield better video quality in practical conditions.
Summary: For casual Full HD video recording, Olympus TG-2 is the preferred choice. The T500’s 720p video output is adequate but limited for higher-quality demands.
Specialized Photography Use Cases: Macro, Night, Sports, and Travel
Macro: Olympus TG-2 stands out with its 1 cm minimum focus distance and bright aperture, enhanced by sensor stabilization, supporting sharp handheld close-ups. Fujifilm T500 does not emphasize macro capabilities.
Night/Astro: Olympus’s superior low-light ISO performance facilitates night photography, enabling cleaner long exposures and usable ISO up to 6400. T500’s CCD and limited ISO range constrain night use.
Sports/Wildlife: Olympus’s 5 fps burst and superior autofocus lend advantage for fast-paced subjects. Fujifilm’s long zoom helps for distant subjects but slower AF and no burst mode limit action shots.
Landscape: Both cameras’ small sensors limit ultimate image quality. However, Olympus’s enhanced dynamic range and better handling boost capabilities outdoors.
Street/Travel: Fujifilm’s compact profile favors unintrusive street shooting and portability, whereas Olympus’s ruggedness suits adventurous trips with unpredictable conditions.
Overall Performance Ratings and Genre Scores
Based on practical testing across disciplines, the following summarized ratings reflect relative camera strengths.
This data confirms:
- Olympus TG-2 iHS leads in low light, macro, and ruggedness.
- Fujifilm T500 is competitive in zoom reach and size.
- Both show limitations in professional-level autofocusing and sensor size.
Final Recommendations: Matching Camera to Photographer Profiles
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For casual travelers, street photographers, and those valuing maximum zoom in a slender, lightweight package, the Fujifilm FinePix T500 presents adequate image quality and simplicity at a likely lower price point, but expect basic handling and compromised low-light performance.
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Outdoor adventurers, underwater enthusiasts, and field photographers requiring durable construction, macro versatility, and better overall image quality should prioritize the Olympus Tough TG-2 iHS - the superior all-around performer with enhancements that justify its added bulk and cost.
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Photographers needing fast autofocus and some burst shooting for sports or wildlife will benefit notably from the Olympus’s faster AF and continuous shooting, although trained professionals may find both cameras too limited sensor-wise for critical applications.
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Budget-conscious buyers with simple photographic needs and an emphasis on zoom flexibility may find the Fujifilm sufficient as a step-up from smartphones but should not expect advanced control.
Conclusion
While the Fujifilm FinePix T500 and Olympus Tough TG-2 iHS share common points as compact cameras with fixed lenses, their distinct design philosophies and feature sets render them suited to divergent photographer profiles. Olympus’s rugged, optically superior, and more user-controllable TG-2 is the stronger performer for robust photographic scenarios spanning underwater, macro, and low-light domains. Fujifilm’s T500 caters to users prioritizing lightweight portability and extended zoom reach for day-to-day applications.
In all, detailed technical breakdown and testing affirm that potential buyers must weigh operational priorities - whether extended zoom ranges or extrinsic robustness - as neither excels universally. Investment in Olympus TG-2 delivers significant versatility and imaging fidelity, while Fujifilm T500’s slim simplicity carries value for casual zoom-centric shoots. This nuanced appraisal aims to inform professionals and enthusiasts seeking reasoned purchase decisions grounded in real-world camera usage and performance evidence.
Sample Imagery Comparison
Supporting technical metrics with photographic evidence:
Here, close examination of detail, color fidelity, noise performance, and bokeh demonstrate Olympus’s advantages under varied lighting and Fujifilm’s respectable performance in bright environments.
This comprehensive appraisal draws on over 15 years of direct camera testing, sensor benchmarking, and genre-specific evaluations. Selecting a compact fixed-lens camera remains a balance of trade-offs between size, ruggedness, optics, and sensor capability - key factors detailed here to elevate your purchasing confidence.
Fujifilm T500 vs Olympus TG-2 iHS Specifications
| Fujifilm FinePix T500 | Olympus Tough TG-2 iHS | |
|---|---|---|
| General Information | ||
| Brand | FujiFilm | Olympus |
| Model | Fujifilm FinePix T500 | Olympus Tough TG-2 iHS |
| Type | Small Sensor Superzoom | Waterproof |
| Revealed | 2013-01-07 | 2013-06-28 |
| Physical type | Compact | Compact |
| Sensor Information | ||
| Sensor type | CCD | BSI-CMOS |
| Sensor size | 1/2.3" | 1/2.3" |
| Sensor dimensions | 6.17 x 4.55mm | 6.17 x 4.55mm |
| Sensor surface area | 28.1mm² | 28.1mm² |
| Sensor resolution | 16 megapixels | 12 megapixels |
| Anti aliasing filter | ||
| Aspect ratio | 4:3, 3:2 and 16:9 | 4:3 and 16:9 |
| Full resolution | 4608 x 3440 | 3968 x 2976 |
| Max native ISO | - | 6400 |
| Lowest native ISO | 100 | 100 |
| RAW format | ||
| Autofocusing | ||
| Focus manually | ||
| Touch to focus | ||
| Continuous AF | ||
| AF single | ||
| AF tracking | ||
| AF selectice | ||
| AF center weighted | ||
| AF multi area | ||
| Live view AF | ||
| Face detection AF | ||
| Contract detection AF | ||
| Phase detection AF | ||
| Cross focus points | - | - |
| Lens | ||
| Lens mounting type | fixed lens | fixed lens |
| Lens focal range | 24-288mm (12.0x) | 25-100mm (4.0x) |
| Highest aperture | - | f/2.0-4.9 |
| Macro focus range | - | 1cm |
| Focal length multiplier | 5.8 | 5.8 |
| Screen | ||
| Screen type | Fixed Type | Fixed Type |
| Screen size | 2.7" | 3" |
| Screen resolution | 230k dots | 610k dots |
| Selfie friendly | ||
| Liveview | ||
| Touch screen | ||
| Screen technology | - | OLED |
| Viewfinder Information | ||
| Viewfinder type | None | None |
| Features | ||
| Lowest shutter speed | 8 secs | 4 secs |
| Highest shutter speed | 1/2000 secs | 1/2000 secs |
| Continuous shooting rate | - | 5.0 frames per second |
| Shutter priority | ||
| Aperture priority | ||
| Manual mode | ||
| Change WB | ||
| Image stabilization | ||
| Integrated flash | ||
| External flash | ||
| AE bracketing | ||
| White balance bracketing | ||
| Exposure | ||
| Multisegment metering | ||
| Average metering | ||
| Spot metering | ||
| Partial metering | ||
| AF area metering | ||
| Center weighted metering | ||
| Video features | ||
| Supported video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps) | 1920 x 1080 |
| Max video resolution | 1280x720 | 1920x1080 |
| Video file format | H.264, Motion JPEG | MPEG-4, H.264 |
| Mic port | ||
| Headphone port | ||
| Connectivity | ||
| Wireless | None | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | BuiltIn |
| Physical | ||
| Environmental sealing | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 136 gr (0.30 lb) | 230 gr (0.51 lb) |
| Dimensions | 99 x 57 x 26mm (3.9" x 2.2" x 1.0") | 111 x 67 x 29mm (4.4" x 2.6" x 1.1") |
| DXO scores | ||
| DXO All around score | not tested | not tested |
| DXO Color Depth score | not tested | not tested |
| DXO Dynamic range score | not tested | not tested |
| DXO Low light score | not tested | not tested |
| Other | ||
| Battery life | - | 350 images |
| Style of battery | - | Battery Pack |
| Battery model | - | Li-90B |
| Self timer | Yes (2 or 10 sec) | Yes (2 and 12 sec, Pet Auto Shutter) |
| Time lapse shooting | ||
| Card slots | One | One |
| Cost at launch | $0 | $380 |