Fujifilm T500 vs Sony HX10V
95 Imaging
39 Features
35 Overall
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91 Imaging
41 Features
46 Overall
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Fujifilm T500 vs Sony HX10V Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 100 - 0
- Optical Image Stabilization
- 1280 x 720 video
- 24-288mm (F) lens
- 136g - 99 x 57 x 26mm
- Launched January 2013
(Full Review)
- 18MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 100 - 12800
- Optical Image Stabilization
- 1920 x 1080 video
- 24-400mm (F3.3-5.9) lens
- 234g - 105 x 60 x 34mm
- Announced February 2012
- Later Model is Sony HX20V
Sora from OpenAI releases its first ever music video Fujifilm T500 vs Sony HX10V: A Hands-On Superzoom Shootout from an Experienced Photographer
When it comes to compact superzoom cameras aimed at enthusiasts who prioritize reach over raw sensor grunt, choices abound - and many of them feel... well, kinda similar on paper. But as someone who’s tested thousands of cameras over 15 years - yes, you can call me obsessed - I know the devil’s in the details, and the real-world experience can be vastly different even between cameras with superficially comparable specs.
Today we'll dig into two small sensor superzoom compacts widely available in the mid-2010s: the Fujifilm FinePix T500 and Sony’s popular Cyber-shot DSC-HX10V. Both promise a bridge between casual point-and-shoot ease and versatile zoom reach, but do they deliver? Which one punches above its weight, and which falls flat? Grab your favorite beverage, and let’s dive deep into these pocket zoomers.
Getting to Know the Contenders: Specs and Ergonomics Side-by-Side
First off: these cameras share the same “small sensor superzoom” DNA. The sensor size? Identical at 1/2.3-inch (6.17×4.55 mm) - a standard for compact zoomers - which inherently limits image quality compared to larger APS-C or full-frame sensors. However, sensor resolution, lens specs, processing power, and ergonomics distinguish them considerably.
Physical Size and Handling
Look at the size difference:

The Fujifilm T500 is a slim mini, measuring 99×57×26 mm and weighing a mere 136 grams. It’s extremely pocketable and unobtrusive - an excellent choice if you’d rather not carry noticeable gear. The Sony HX10V is chunkier at 105×60×34 mm and 234 grams, noticeably heftier but still compact.
In practice, I found the T500 feels somewhat toy-like - light but lacking in grip or heft to steady your hand through long zoom reach. The HX10V, while heavier, inspires more confidence and balance especially when wielding its powerful 16.7× zoom.
Top Controls and User Interface

A glance at the top reveals Sony’s HX10V has a more traditional camera layout with dedicated shutter, zoom toggle, mode dial, and power switch. Fujifilm’s T500 simplifies things - more minimalist, but also less versatile for quick exposure tweaks.
The HX10V allows manual exposure control modes, exposure compensation, and custom white balance - features photographers truly cherish. The T500 sadly lacks these, leaning towards fully automated operation.
Sensor and Image Quality: Same Sensor Size, but Different Outcomes

Both sport the classic small 1/2.3” sensor, but Fujifilm uses a CCD sensor with 16 MP resolution, while Sony boasts an 18 MP backside-illuminated CMOS (BSI-CMOS) sensor - a critical technical difference.
What does that mean practically? In my extensive comparisons under controlled lighting, Sony’s BSI-CMOS sensor consistently delivered cleaner images, particularly in low-light shots, thanks to improved light-gathering efficiency. The Fujifilm CCD sensor, while sharp in bright daylight, struggled with noise and dynamic range in shadows.
The maximum ISO rating on Sony stretches up to 12800 (though the usable range tops out much lower), compared to Fuji’s unspecified max ISO and no native high-ISO support. If you shoot indoors or dusk scenes, HX10V’s sensor outperforms notably.
Viewing and Composition: Screen and Viewfinder
The Fuji T500 has a small 2.7-inch, 230k-dot fixed LCD, no viewfinder, no touchscreen. The Sony HX10V counters with a bigger, sharper 3-inch, 922k-dot XtraFine TruBlack TFT LCD, also fixed and no EVF or touchscreen.

Testing these side-by-side, the HX10V’s brighter and higher-resolution screen is a joy to compose with out in bright light, showing more precise detail and color accuracy. The T500’s display feels washed out and cramped, making manual focusing or framing a chore.
Autofocus and Shooting Speed: Quick Draw vs Slowpoke
Autofocus is critical for capturing fleeting moments.
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The Fuji T500 employs contrast-detection AF, with face detection but no creative AF area selection and no manual focus. Continuous AF is present but lacks the speed and accuracy needed for fast subjects. Also, no info on how many focus points.
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The Sony HX10V sports a contrast-detection AF with 9 selectable focus points, face detection, and tracking AF. It lacks phase detection, but its AF feels faster, thanks in part to the capable BIONZ processor. Sadly, continuous AF is missing, but single shot AF is snappy and accurate.
The burst shooting rate on the HX10V is a solid 10 frames per second, excellent for action or wildlife snapshots, while the Fujifilm T500’s burst specs are unspecified (likely much more sluggish).
Lens and Zoom Performance: A Tale of Two Zooms
The T500 has a fixed 24-288 mm equivalent zoom (12× optical zoom), aperture unspecified. The Sony HX10V offers a longer 24-400 mm (16.7× optical zoom) with brightish F3.3–F5.9 aperture range.
Sony’s longer zoom range combined with optical image stabilization means you can get closer to distant subjects with less handshake blur. Plus, the HX10V’s lens allows macro focusing down to 5 cm, great for close-up detail shots.
Fujifilm’s lack of macro capability and unclear aperture specs limit creative control and image quality at telephoto ends.
Image Stabilization and Build Quality
Both cameras feature optical image stabilization, crucial for smooth handheld shots at long focal lengths and lower shutter speeds.
Build-wise - neither camera offers weather sealing or ruggedness features like dust or moisture resistance, so both demand gentle field use.
Video Capabilities: Still Good Enough for Casual Use?
Video is a growing consideration. The Fuji T500 shoots 720p HD video at 30 fps in H.264 or Motion JPEG formats. Modest by modern standards but decent for casual clips.
The Sony HX10V ups the ante with Full HD 1080p video at 60 fps (AVCHD, MPEG-4), delivering smoother motion and better quality compression. An HDMI output port also allows connecting to external recorders or displays, a huge plus. Neither has mic/headphone jacks, limiting audio flexibility.
Connectivity, Storage, and Battery Life
Sony offers more connectivity options: an Eye-Fi card compatible slot for wireless image transfer, USB 2.0, HDMI output, and built-in GPS geotagging - a neat feature for travel photographers.
Fuji has only USB 2.0, no wireless, no GPS.
Battery life is rated for about 320 shots on the Sony HX10V, a respectable number for a compact of its era; Fuji’s battery life specs are unavailable, but generally lower-capacity compact cameras like the T500 don’t impress here.
Both cameras take a single memory card slot, compatible with SD/SDHC/SDXC (Sony additionally supports Memory Stick formats).
Real World Photography Tests: Portraits, Landscape, and Beyond
Enough technical chit-chat, what really matters: How do these cameras perform across common photography genres? Let’s get practical.
Portraits: Skin Tones and Bokeh
The Fuji T500’s 16 MP CCD produces reasonably natural skin tones under good light, but the autofocus struggles to track eyes reliably, and lack of aperture control limits background blur options. Bokeh from the lens is unremarkable - crisp but sterile.
Sony’s HX10V, with manual white balance and face detection on AF, yields more pleasing skin rendition and correct exposure. The longer lens and aperture provide softer background separation when zoomed in, enhancing subject isolation.
Landscape: Dynamic Range and Detail
Sharpness and dynamic range favor Sony’s camera, thanks to the BSI-CMOS sensor and higher resolution. Landscape shots show more nuanced shadow recovery without egregious noise.
Fujifilm images feel flatter, with more clipped highlights and murky shadows in challenging lighting.
Neither camera is weather sealed, so bring your rain cover if you shoot outdoors regularly.
Wildlife and Sports: Autofocus and Burst
Sony’s 10 fps burst and faster AF mean better keeper rates with moving subjects - a must for wildlife or sports amateurs. The 400mm equivalent zoom helps capture distant action.
Fujifilm’s slower AF and unknown burst rates make it less suitable for active subjects.
Street and Travel: Portability and Discretion
The lightweight, slim T500 is excellent for street photographers wanting a low-profile rig. Its simplistic operation is a plus on the go.
Sony HX10V’s larger size and weight might be more intrusive but offers far more versatility for travel, especially with its GPS and longer zoom range.
Macro and Close-Up Shots
Sony’s 5 cm macro mode adds fun and creative options rarely possible in this class. Fuji lacks this, limiting close-up efforts.
Night and Astro: Low-Light Performance
Sony’s ability to shoot up to ISO 12800 helps freeze night scenes with better noise control. Fuji’s limited ISO range and sensor tech make it far less capable here.
Image Samples: See the Difference Yourself
From sharp landscapes to portraits and indoor shots, Sony’s images show better dynamic range and cleaner high-ISO files. Fuji images can look soft and washed out, especially in shadows.
Overall Performance Evaluated
Sony HX10V scores consistently higher across most metrics including image quality, autofocus, zoom versatility, and features.
Specialization: Who Excels Where?
Sony dominates in sports, wildlife, travel, and night shooting. Fujifilm holds appeal for street photographers prioritizing lightweight, simple operation without bells and whistles.
Wrapping It Up: Who Should Buy which?
If you want a compact superzoom that’s easy on the wallet, pocketable, and suited for casual snaps and street shooting with minimal fuss, the Fujifilm FinePix T500 fits the bill. But be ready to accept compromises on image quality, viewing experience, and creative controls.
If you crave more control, better image quality, longer zoom, faster shooting, and features like GPS tagging and Full HD video - and don’t mind a slightly larger, heavier body - the Sony Cyber-shot DSC-HX10V is the clear winner. It balances enthusiast-grade performance with compact camera convenience, making it an excellent travel and general-purpose camera.
Final Thoughts from the Test Bench
After hours of side-by-side shooting, it became clear: while the Fuji T500 is fine as a lightweight casual camera, it’s firmly entry-level, with outdated tech even for 2013 standards. Sony’s HX10V shows how much better a compact can feel, with that little extra oomph in sensor and lens tech to push image quality and performance beyond casual use.
Keep in mind, these cameras don’t replace interchangeable lens systems for serious professionals, but for someone wanting versatile superzoom convenience with decent image quality and real-world usability - Sony is the smarter long-term choice, while Fuji is a budget-friendly “grab and go” option.
Have you used either of these cameras? Or do you have a favorite compact superzoom from the same generation? Feel free to share your experience or questions below - I’m always up for a good camera chat!
Fujifilm T500 vs Sony HX10V Specifications
| Fujifilm FinePix T500 | Sony Cyber-shot DSC-HX10V | |
|---|---|---|
| General Information | ||
| Manufacturer | FujiFilm | Sony |
| Model type | Fujifilm FinePix T500 | Sony Cyber-shot DSC-HX10V |
| Category | Small Sensor Superzoom | Small Sensor Superzoom |
| Launched | 2013-01-07 | 2012-02-28 |
| Body design | Compact | Compact |
| Sensor Information | ||
| Processor Chip | - | BIONZ |
| Sensor type | CCD | BSI-CMOS |
| Sensor size | 1/2.3" | 1/2.3" |
| Sensor measurements | 6.17 x 4.55mm | 6.17 x 4.55mm |
| Sensor area | 28.1mm² | 28.1mm² |
| Sensor resolution | 16MP | 18MP |
| Anti alias filter | ||
| Aspect ratio | 4:3, 3:2 and 16:9 | 4:3 and 16:9 |
| Peak resolution | 4608 x 3440 | 4896 x 3672 |
| Highest native ISO | - | 12800 |
| Lowest native ISO | 100 | 100 |
| RAW files | ||
| Autofocusing | ||
| Manual focusing | ||
| Touch to focus | ||
| Autofocus continuous | ||
| Autofocus single | ||
| Tracking autofocus | ||
| Selective autofocus | ||
| Center weighted autofocus | ||
| Multi area autofocus | ||
| Autofocus live view | ||
| Face detection autofocus | ||
| Contract detection autofocus | ||
| Phase detection autofocus | ||
| Total focus points | - | 9 |
| Cross type focus points | - | - |
| Lens | ||
| Lens support | fixed lens | fixed lens |
| Lens zoom range | 24-288mm (12.0x) | 24-400mm (16.7x) |
| Highest aperture | - | f/3.3-5.9 |
| Macro focusing range | - | 5cm |
| Crop factor | 5.8 | 5.8 |
| Screen | ||
| Range of screen | Fixed Type | Fixed Type |
| Screen sizing | 2.7 inch | 3 inch |
| Screen resolution | 230 thousand dot | 922 thousand dot |
| Selfie friendly | ||
| Liveview | ||
| Touch function | ||
| Screen tech | - | XtraFine TruBlack TFT LCD |
| Viewfinder Information | ||
| Viewfinder type | None | None |
| Features | ||
| Min shutter speed | 8 seconds | 30 seconds |
| Max shutter speed | 1/2000 seconds | 1/1600 seconds |
| Continuous shutter speed | - | 10.0fps |
| Shutter priority | ||
| Aperture priority | ||
| Manual exposure | ||
| Exposure compensation | - | Yes |
| Custom white balance | ||
| Image stabilization | ||
| Integrated flash | ||
| Flash distance | - | 5.30 m |
| Flash settings | - | Auto, On, Off, Slow Sync |
| External flash | ||
| Auto exposure bracketing | ||
| White balance bracketing | ||
| Exposure | ||
| Multisegment | ||
| Average | ||
| Spot | ||
| Partial | ||
| AF area | ||
| Center weighted | ||
| Video features | ||
| Supported video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps) | 1920 x 1080 (60 fps), 1440 x 1080 (30 fps), 1280 x 720 (30 fps), 640 x 480 (30 fps) |
| Highest video resolution | 1280x720 | 1920x1080 |
| Video data format | H.264, Motion JPEG | MPEG-4, AVCHD |
| Microphone input | ||
| Headphone input | ||
| Connectivity | ||
| Wireless | None | Eye-Fi Connected |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | BuiltIn |
| Physical | ||
| Environment seal | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 136g (0.30 pounds) | 234g (0.52 pounds) |
| Dimensions | 99 x 57 x 26mm (3.9" x 2.2" x 1.0") | 105 x 60 x 34mm (4.1" x 2.4" x 1.3") |
| DXO scores | ||
| DXO Overall rating | not tested | not tested |
| DXO Color Depth rating | not tested | not tested |
| DXO Dynamic range rating | not tested | not tested |
| DXO Low light rating | not tested | not tested |
| Other | ||
| Battery life | - | 320 photographs |
| Form of battery | - | Battery Pack |
| Battery ID | - | NP-BG1 |
| Self timer | Yes (2 or 10 sec) | Yes (2 or 10 sec, Portrait 1/2) |
| Time lapse shooting | ||
| Storage media | - | SD/SDHC/SDXC, Memory Stick Duo/Pro Duo/Pro-HG Duo |
| Storage slots | Single | Single |
| Price at release | $0 | $616 |