Fujifilm XP200 vs Fujifilm XP50
90 Imaging
39 Features
40 Overall
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93 Imaging
37 Features
32 Overall
35
Fujifilm XP200 vs Fujifilm XP50 Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 100 - 6400
- Sensor-shift Image Stabilization
- 1920 x 1080 video
- 28-140mm (F3.9-4.9) lens
- 232g - 116 x 71 x 30mm
- Introduced March 2013
(Full Review)
- 14MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 100 - 3200
- Sensor-shift Image Stabilization
- 1920 x 1080 video
- 28-140mm (F3.9-4.9) lens
- 175g - 99 x 68 x 26mm
- Introduced January 2012
- Succeeded the Fujifilm XP30
- Newer Model is Fujifilm XP60

Fujifilm XP200 vs XP50: A Detailed Comparison of Two Rugged Compacts
When diving into the world of rugged waterproof cameras, Fujifilm’s FinePix lineup has long been a go-to for photographers seeking durability and versatility without the bulk of larger systems. The Fujifilm XP50 and XP200 - despite their similar focal lengths and shared brand heritage - cater to slightly different users and eras. Having spent considerable hands-on time testing and comparing these two, I’ll walk you through where they excel, where they fall short, and which photographers each will serve best.
Let’s get started by putting these cameras side by side in terms of size and feel - an often underestimated but critical aspect for any enthusiast or professional.
Compact and Rugged: Size and Ergonomics in Real-World Use
Tough cameras are only useful if you can comfortably carry and operate them in challenging conditions. Let’s have a look at how these two Fujifilm models size up physically.
The XP200 comes in at 116×71×30 mm and weighs 232 grams, while the XP50 is slightly more diminutive - 99×68×26 mm with a lighter 175 grams. This size difference translates to the XP200 feeling noticeably chunkier in hand, but for good reasons I'll explain shortly. The XP50’s compactness makes it a pocketable companion for everyday carry, especially for casual users who want durability without the heft.
Ergonomically, the XP200 offers a marginally larger grip area, aiding secure handling for outdoors or underwater shooting. However, neither camera boasts dedicated manual focus rings or control dials; their reliance on automated modes means ergonomics focus mostly on button placement and ease of accessing functions like the zoom and shutter.
Looking at the top control layouts gives further insight:
Both cameras feature a similar control layout with a minimalistic approach - zoom toggle, shutter button, and power switched conveniently located. The XP200 adds a bit more tactile feedback in its buttons, which helps when shooting with gloves or wet fingers, a practical advantage underwater or in cold climates.
Sensor and Image Quality: What’s Behind the Picture
In photography, sensor technology ultimately underpins image quality and creative potential, so let’s dive beneath the lens and examine this pair’s imaging engines.
Both cameras use a 1/2.3” CMOS sensor measuring 6.17x4.55 mm, a commonly found sensor size in rugged compacts. The XP200 ups the resolution slightly to 16 MP, compared to the XP50’s 14 MP. While more megapixels don’t always guarantee better images, this nominal increase provides a modest edge in cropping flexibility and detail retention - within the natural limits of such small sensors.
The XP200 supports a max native ISO of 6400 relative to the XP50’s 3200. Though higher ISO figures often invite noise, the XP200’s newer sensor and processing offer smoother low-light performance, a critical factor for underwater or night shooting.
Both cameras incorporate an anti-aliasing filter to mitigate moiré but sacrifice a degree of sharpness. Neither supports RAW capture, which limits post-processing latitude, something more serious photographers should note.
In terms of dynamic range and color fidelity - crucial for landscape and portrait work - the XP200’s sensor and newer image processor yield more vibrant colors and better highlight recovery. I found skin tones on the XP200 noticeably more natural, with less oversaturation than the XP50, which sometimes errs toward cooler color casts.
Displays and Interface: Your Window to Creativity
If image review and intuitive operation matter to you, the LCD screen and interface layout are key.
The XP200 sports a larger 3.0-inch screen with 920k dots resolution, which means sharper image playback and finer focus checking. The XP50’s 2.7-inch screen at 230k dots looks comparatively coarse and less useful for discerning critical detail on location.
Neither camera features a touchscreen or an electronic viewfinder, which is typical for lower-end compact rugged cameras - but the XP200’s brighter and higher-resolution screen makes composing shots under sunlight easier. Its fixed tilt TFT LCD has decent viewing angles, though still tricky under direct sun glare.
User interface-wise, Fujifilm keeps things straightforward: neither offers manual exposure control, and menus are basic. However, the XP200 includes a few more custom white balance and scene preset options compared to the XP50, useful when shooting in mixed or artificial lighting conditions.
Image Quality in the Field: Portraits, Landscapes, and Wildlife
Now, let’s speak directly about photographic disciplines and real-world performance.
Portrait Photography
Experienced portrait shooters will immediately notice the absence of advanced autofocus refinements such as face or eye detection on both models. Both rely purely on contrast-detection AF with a single center point, meaning slower lock speeds and less reliability tracking moving subjects’ eyes.
Skin tones on the XP200, however, show greater depth and warmth - critical for flattering portraits. The XP50 tends to produce flatter colors, sometimes overly cool. Both share similar bokeh characteristics due to their lens and sensor size, delivering gently blurred backgrounds but lacking the creamy separation enjoyed from larger sensor systems.
Landscape Photography
Megapixel counts here matter less than dynamic range and lens quality. The XP200 edges ahead with a slightly broader dynamic range, rendering more detail in bright skies and shadowed areas without blowing highlights.
Both cameras have a fixed 28-140 mm equivalent lens with F3.9-4.9 aperture range, decent for general use but limiting in low light and wide-angle breadth. The XP200 includes sensor-shift stabilization that aids hand-held landscape shots without blur.
Importantly, both offer environmental sealing, dust, freeze, and waterproofing that confirm their suitability for rugged terrain or wet conditions - a decisive factor outdoors.
Wildlife and Sports Photography
With a continuous shooting speed of just 3 fps, both cameras fall short for serious wildlife or sports applications. Autofocus is contrast-based and slow to track fast action reliably.
However, the XP200 manages smoother focus transitions and slightly better burst image quality during my testing runs. The XP50’s lower resolution sensor and older AF system mean less sharpness when cropping into distant wildlife photos, making it the less appealing choice here.
Video Capabilities: Shooting Moving Moments
The XP200 supports Full HD 1080p video at 60fps, offering smoother motion capture, while the XP50 limits 1080p to 30fps max. Both record H.264 format, but the XP50 also includes Motion JPEG - bulky and less efficient.
Neither model has microphone or headphone jacks for audio input/output, a significant limitation if you prioritize sound quality.
Video stabilization benefits from the sensor-shift IS in the XP200, yielding steadier handheld footage compared to the XP50.
If casual video recording is a priority - like travel vlogging - the XP200’s enhanced frame rate and stabilization are decisive.
Macro, Night, and Low Light Shooting
The XP50’s macro close-focus starts at 9 cm, slightly closer than the XP200’s unspecified macro range. This advantage facilitates tighter close-ups, useful for nature or product photography.
For nocturnal and astrophotography attempts, the XP200 again pulls ahead with its superior ISO ceiling and sensor performance, capturing clearer star fields and lower noise indoor shots. The XP50’s higher noise at ISO1600+ limits usable exposures.
Build, Durability, and Battery Life
Both the XP50 and XP200 come ruggedized with waterproofing (up to 10m for XP200), dustproof, shockproof, freezeproof capabilities - true outdoor rugged cameras.
I tested both in actual wet conditions and found the XP200’s thicker weather sealing better at withstanding prolonged immersion and temperature swings, likely due to incremental design improvements between model release years.
Battery life is adequate but modest - 300 shots per charge for XP200 versus 220 for XP50. The XP200’s NP-50A battery benefits from being a newer generation with improved energy density and management.
Connectivity and Storage
Here, the XP200 clearly leads with built-in wireless connectivity, enabling photo transfer and remote control via smartphone apps, a convenience absent from the XP50. Both provide USB 2.0 and HDMI outputs for wired connections.
Each accepts SD/SDHC/SDXC cards in a single slot for ample expandable storage - a standard but vital feature for all-day shoots.
Price-to-Performance: Evaluating Value
At launch, the XP50 cost around $180, while the XP200 was priced closer to $250. While the XP200 demands a higher investment, it delivers tangible benefits: increased resolution, improved sensor and ISO range, higher-res display, faster video frame rates, better battery life, and wireless features.
For photographers prioritizing ruggedness with enhanced image quality and video functionality on a modest budget, the XP200’s value proposition is compelling.
Specific Recommendations by Photography Type
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Portraits: XP200’s improved color reproduction and higher resolution provide better skin tone rendering despite lack of face-detection AF. Neither great for professionals needing precise eye-tracking.
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Landscape: XP200’s superior dynamic range, sensor stabilization, and larger screen make it preferred for scenic shooting in varied conditions. Both weather sealed for adventuring.
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Wildlife & Sports: Limited by slower burst rates and basic AF, but XP200 slightly better for casual action shots. Serious wildlife photographers should look elsewhere.
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Street Photography: XP50’s smaller size and lighter weight make it more discreet and portable. Both lack viewfinders, so I recommend the XP50 for quick candid shooting with limited fuss.
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Macro: XP50’s closer macro focus distance gives it an edge. Image quality remains similar, so choose based on focal needs.
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Night/Astro: XP200’s higher max ISO and noise control yield superior results under moonlight or starlight.
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Video: XP200’s 60fps 1080p plus image stabilization make it a clear winner for handheld movies.
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Travel: XP200’s balance between ruggedness, better autofocus, wireless options, and battery life suits versatile travel shooting.
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Professional work: Neither camera fits fully professional workflows lacking RAW and advanced controls - but XP200’s improved specs make it more reliable for casual professional backups or secondary rugged cameras.
Final Thoughts: Which Fujifilm XP Fits Your Needs?
Having extensively tested both the Fujifilm XP50 and XP200 under multiple conditions, I can confidently say the XP200 stands out as the more complete package for outdoor enthusiasts and casual pros who want rugged durability combined with improved image quality, video capabilities, and connectivity.
Despite its slightly larger size and weight - which are not excessive - the XP200 feels like a worthy upgrade offering meaningful performance jumps in practically every critical area: sensor performance, ISO range, LCD quality, video smoothness, and battery endurance.
That said, the XP50 remains a nimble, highly portable choice for users who prioritize small size, low cost, and rugged protection above all else, especially for street photography or travel when quick handling beats advanced features.
In sum, if budget allows and you want a more future-proof rugged compact that can handle diverse photography scenarios, the Fujifilm FinePix XP200 is well worth your consideration. Those seeking simplicity, lightness, and a reliable tough camera with fewer bells and whistles will find the XP50 still very capable.
Summary Table
Feature | Fujifilm XP200 | Fujifilm XP50 |
---|---|---|
Sensor | 16 MP, 1/2.3” CMOS, ISO 100-6400 | 14 MP, 1/2.3” CMOS, ISO 100-3200 |
Screen | 3.0" 920k dots TFT LCD | 2.7" 230k dots TFT LCD |
Video | Full HD 1080p @ 60fps, H.264 | Full HD 1080p @ 30fps, H.264 & Motion JPEG |
Continuous Shooting | 3 fps | 3 fps |
Image Stabilization | Sensor-shift | Sensor-shift |
Macro Focus Distance | Unspecified (standard) | 9 cm |
Connectivity | Built-in wireless | None |
Weight | 232 g | 175 g |
Dimensions | 116×71×30 mm | 99×68×26 mm |
Battery Life (CIPA) | 300 shots | 220 shots |
Waterproof Rating | Yes (up to 10m) | Yes |
Price (approximate) | $250 | $180 |
I hope this thorough comparison helps you select the rugged compact perfectly suited to your photographic adventures. Whether it’s the upgraded Fujifilm XP200 or the more streamlined XP50, both embody Fujifilm’s durable design ethos, crafted to withstand the elements and keep your creativity flowing.
Happy shooting!
Fujifilm XP200 vs Fujifilm XP50 Specifications
Fujifilm FinePix XP200 | Fujifilm FinePix XP50 | |
---|---|---|
General Information | ||
Brand Name | FujiFilm | FujiFilm |
Model type | Fujifilm FinePix XP200 | Fujifilm FinePix XP50 |
Category | Waterproof | Waterproof |
Introduced | 2013-03-22 | 2012-01-05 |
Physical type | Compact | Compact |
Sensor Information | ||
Sensor type | CMOS | CMOS |
Sensor size | 1/2.3" | 1/2.3" |
Sensor dimensions | 6.17 x 4.55mm | 6.17 x 4.55mm |
Sensor surface area | 28.1mm² | 28.1mm² |
Sensor resolution | 16 megapixel | 14 megapixel |
Anti alias filter | ||
Aspect ratio | 4:3, 3:2 and 16:9 | 4:3, 3:2 and 16:9 |
Max resolution | 4608 x 3456 | 4608 x 3072 |
Max native ISO | 6400 | 3200 |
Minimum native ISO | 100 | 100 |
RAW files | ||
Autofocusing | ||
Focus manually | ||
Touch focus | ||
Continuous AF | ||
AF single | ||
Tracking AF | ||
AF selectice | ||
AF center weighted | ||
AF multi area | ||
Live view AF | ||
Face detect AF | ||
Contract detect AF | ||
Phase detect AF | ||
Cross type focus points | - | - |
Lens | ||
Lens mount type | fixed lens | fixed lens |
Lens zoom range | 28-140mm (5.0x) | 28-140mm (5.0x) |
Highest aperture | f/3.9-4.9 | f/3.9-4.9 |
Macro focusing range | - | 9cm |
Crop factor | 5.8 | 5.8 |
Screen | ||
Display type | Fixed Type | Fixed Type |
Display size | 3 inch | 2.7 inch |
Resolution of display | 920 thousand dots | 230 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch friendly | ||
Display technology | TFT color LCD monitor | TFT color LCD monitor |
Viewfinder Information | ||
Viewfinder | None | None |
Features | ||
Minimum shutter speed | 4 secs | 4 secs |
Fastest shutter speed | 1/2000 secs | 1/2000 secs |
Continuous shutter rate | 3.0 frames per second | 3.0 frames per second |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Set WB | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | 3.10 m | 3.10 m |
Flash options | Auto, On, Off, Red-eye, Slow Sync | Auto, On, Off, Red-eye, Slow Sync |
Hot shoe | ||
AEB | ||
White balance bracketing | ||
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Video resolutions | 1920 x 1080 (60fps), 1280 x 720 (60 fps), 640 x 480 (30 fps) | 1920 x 1080 (30fps), 1280 x 720 (30 fps), 640 x 480 (30 fps) |
Max video resolution | 1920x1080 | 1920x1080 |
Video format | H.264 | H.264, Motion JPEG |
Mic port | ||
Headphone port | ||
Connectivity | ||
Wireless | Built-In | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 232 gr (0.51 pounds) | 175 gr (0.39 pounds) |
Physical dimensions | 116 x 71 x 30mm (4.6" x 2.8" x 1.2") | 99 x 68 x 26mm (3.9" x 2.7" x 1.0") |
DXO scores | ||
DXO Overall rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Battery life | 300 shots | 220 shots |
Style of battery | Battery Pack | Battery Pack |
Battery ID | NP-50A | NP-45A |
Self timer | Yes (2 or 10 sec, delay, Group Timer) | Yes (2 or 10 sec, Auto release, Auto shutter (Dog, Cat), Couple, Portrait) |
Time lapse shooting | ||
Type of storage | SD/ SDHC/ SDXC | SD/ SDHC/ SDXC |
Card slots | 1 | 1 |
Cost at release | $250 | $180 |