Fujifilm XP200 vs Panasonic TS25
90 Imaging
39 Features
40 Overall
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95 Imaging
39 Features
28 Overall
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Fujifilm XP200 vs Panasonic TS25 Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 100 - 6400
- Sensor-shift Image Stabilization
- 1920 x 1080 video
- 28-140mm (F3.9-4.9) lens
- 232g - 116 x 71 x 30mm
- Introduced March 2013
(Full Review)
- 16MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 100 - 6400
- Optical Image Stabilization
- 1280 x 720 video
- 25-100mm (F3.9-5.7) lens
- 144g - 104 x 58 x 20mm
- Released January 2013
- Also referred to as Lumix DMC-FT25
Apple Innovates by Creating Next-Level Optical Stabilization for iPhone Fujifilm FinePix XP200 vs Panasonic Lumix DMC-TS25: The Ultimate Waterproof Compact Showdown
In the world of rugged waterproof cameras, two contenders from 2013 stand out for those seeking an all-weather compact without breaking the bank: the Fujifilm FinePix XP200 and the Panasonic Lumix DMC-TS25 (also known as the FT25 in some markets). Both were designed with durability, simplicity, and fun in mind, targeting outdoor enthusiasts, beachgoers, and travelers who want a tough shooter with minimal fuss - but which one stands up better for photography enthusiasts today?
I've spent many hours testing and side-by-side comparing these cameras across their photographic capabilities, handling, and technical features. This article breaks down key performance aspects, integrating hands-on insights alongside deep technical analysis. Whether you’re into casual travel shots, rugged adventure photography, or simply need a waterproof backup camera, this tour will help you decide which compact rugged makes the most sense.
Size, Handling & Ergonomics: Carryability Meets Control
The first impression always starts with how a camera feels in your hands, especially in the rugged category where you want security without bulk.

- The Fujifilm XP200 feels noticeably chunkier with its 116x71x30mm body and 232g weight.
- The Panasonic TS25, at 104x58x20mm and a mere 144g, feels significantly smaller and lighter - ideal if pocket-friendliness matters.
Despite the Fujifilm’s heft, I found its more pronounced grip and slightly textured surfaces gave a firmer handhold, which is reassuring when shooting in wet or slippery conditions. The Panasonic’s slimmer profile is sleek but less grippy - so I’d recommend a wrist strap for more secure handling in active scenarios.
Both cameras use plastic exteriors designed to meet waterproof, shockproof, and freezeproof claims. Their buttons are rubberized and well-spaced enough for gloved use, with the XP200 boasting a more substantial shutter and zoom rocker combo that felt a bit more responsive during shooting.

On top, the control layouts mirror their design philosophies. The XP200 sports slightly larger buttons and a dedicated mode dial, though limited in options, whereas the TS25’s buttons are smaller and minimalist - less intimidating for absolute beginners but a touch less tactile for quick operation.
In summary: If you favor ergonomics and control firmness over size, Fujifilm XP200 wins. For compactness and easy portability, the Panasonic TS25 is the better fit.
Sensor and Image Quality: Technology Inside the Waterproof Shell
Under the hood, these two compacts made differing choices that directly impact image quality and photographic flexibility.

Both cameras feature a 1/2.3" sensor measuring roughly 6x4.5mm with 16MP resolution, but the Fujifilm employs a CMOS sensor while the Panasonic uses a CCD sensor. This distinction is significant:
- CMOS sensors (Fujifilm) typically offer faster readout speeds, better noise performance at higher ISOs, and superior dynamic range.
- CCD sensors (Panasonic), common in the era of this camera’s release, often deliver pleasing color reproduction but generally lag behind CMOS in low light capabilities and speed.
In practice, the XP200 consistently rendered cleaner images with noticeably less noise above ISO 800. Panasonic’s TS25 struggles more beyond ISO 400 with a visible drop in detail and increased grain - unsurprising for CCD tech.
Dynamic range is similarly modest in both but with a slight edge to the Fujifilm, which managed better highlight retention and smoother tonal gradation in high-contrast scenes. The Panasonic’s images tended to clip brighter areas more harshly.
Resolution-wise, images from both cameras max out at 4608x3456 pixels, sufficient for 8x10 prints and medium cropping. However, the CMOS sensor’s effective handling of light and improved sensitivity gives Fujifilm a tangible edge in overall image fidelity.
Color and White Balance: Natural or Neutral?
Color science is notoriously subjective, yet I spent considerable time analyzing the skin tones, foliage, and built-in white balance behavior of both cameras.
- The Fujifilm XP200 leaned toward warmer, more saturated colors - skin tones were often pleasant without being too exaggerated, reproducing warm indoor and sunset scenes faithfully.
- The Panasonic TS25 presented a more neutral palette, which can feel flat at times but leaves room for post-processing adjustments.
The Panasonic’s ability to customize white balance manually adds some flexibility (a feature Fujifilm lacks here), which proved helpful under tricky tungsten lighting. Both cameras struggle in mixed lighting conditions, often requiring exposure compensation or manual tweaks.
For portrait work, neither features face or eye detection autofocus, which limits quick, reliable focusing on subjects. Nevertheless, sharpness rendition was slightly crisper on the XP200, thanks to its lens optics and sensor combo, contributing to better skin detail and overall image punch.
Lens and Zoom Range: Versatility on the Go
Both cameras incorporate fixed lenses with zoom ranges tailored for flexibility in their categories.
- Fujifilm XP200: 28-140mm equivalent (5x zoom), F3.9-4.9 aperture
- Panasonic TS25: 25-100mm equivalent (4x zoom), F3.9-5.7 aperture
The XP200’s longer telephoto reach offers more framing flexibility - potentially valuable for travel, wildlife snippets, or compressing landscapes. Its faster aperture range at the telephoto end also yields better background separation and lower light performance.
The Panasonic’s wider angle gives a slightly broader field for group or environmental shots but loses flexibility at the long end.
Neither lens supports manual focus - relying entirely on contrast-detection autofocus systems - and neither offers optical or mechanical zoom control beyond their limited ranges.
Autofocus, Speed & Stabilization: Tracking Subjects Underwater & Outdoors
Autofocus performance is critical in rugged compacts where conditions are rarely controlled.
- Both cameras utilize contrast-detection AF systems.
- Fujifilm XP200 has a modest 3 fps continuous shooting, while Panasonic TS25 slows down significantly to about 1 fps.
- The Panasonic offers 23 autofocus points, though their practical utility is limited due to no selective AF area modes.
- The Fujifilm provides face tracking and center-weighted AF but no sophisticated scene recognition.
In real-world testing, the XP200’s autofocus was more reliable in moderately low light, with faster lock-on time and better continuous AF performance when tracking moving subjects. The Panasonic struggled keeping focus during motion, especially in low contrast or dim settings.
Both cameras incorporate image stabilization, but Fujifilm uses sensor-shift stabilization, whereas the Panasonic uses optical image stabilization (OIS). Stabilization performance was surprisingly comparable - both cameras effectively reduced motion blur in handheld shots up to around 1/15s shutter speed. However, for dynamic shooting involving movement (sports, wildlife), the Fujifilm’s quicker AF combined with stabilization provided more usable shots.
LCD Screens and User Interface: How Intuitive Is the Experience?

Neither camera offers an electronic viewfinder, making LCD screen quality the primary interface for composing and reviewing images.
- Fujifilm XP200 sports a 3-inch, 920k dot TFT LCD - sharp, vibrant, and bright enough for outdoor use.
- Panasonic TS25 features a smaller 2.7-inch, 230k dot display, which visibly loses detail and brightness, especially in direct sunlight.
In my shooting sessions, the XP200’s larger and clearer screen greatly enhanced composition confidence and menu navigation. The Panasonic’s screen often felt cramped and difficult to interpret quickly.
Both systems rely on straightforward, button-driven menus without touchscreen capability. The Fujifilm’s menus are notably better designed with smoother transitions and logically grouped options, aiding faster adjustments - a relief in cold weather or underwater glove scenarios.
Video Capabilities: Can These Rugged Compacts Double as Action Cameras?
The Fujifilm XP200 shoots Full HD 1080p video at 60 fps using H.264 encoding, providing smooth, relatively high-quality footage for casual use.
The Panasonic TS25 caps at 720p 30 fps, encoded in MPEG-4 - a more limited codec and resolution, delivering softer, less fluid video output.
Neither camera offers advanced video features like microphone inputs, headphone outputs, or image stabilization optimized for video. Both lack 4K and higher framerate options.
Therefore, if you want occasional, basic video clips - such as snorkeling footage or family activities - the XP200 is substantially more capable. Panasonic’s video features feel outdated even at launch.
Battery Life, Storage, and Connectivity: Staying Powered and Connected
With outdoor shooting in mind, battery life and storage flexibility are crucial.
- Fujifilm XP200 uses the NP-50A battery, rated for approximately 300 shots per charge.
- Panasonic TS25 relies on its own proprietary battery system, delivering around 250 shots.
In practical terms, both cameras offer similar endurance for day trips but fall short of fully supporting intensive sessions. I recommend carrying spare batteries for both, especially considering the absence of power-saving modes.
Storage-wise, both have single card slots supporting SD/SDHC/SDXC cards. The Panasonic additionally supports internal storage - a small but handy option for emergency shots.
Connectivity differs notably:
- Fujifilm XP200 includes built-in Wi-Fi and a micro HDMI terminal, enabling photo transfer and external display connection.
- Panasonic TS25 lacks wireless features and HDMI, relying solely on USB 2.0.
This means for sharing images on the go or backing them up wirelessly, Fujifilm has a clear edge.
Durability and Weather Sealing: Real-Life Toughness Tested
Both cameras proudly promote waterproof, shockproof, freezeproof, and dustproof construction built to endure outdoor abuse.
- Fujifilm XP200 is waterproof to 10 meters (33 feet), shockproof from drops up to 1.75m (5.7 feet), and freezeproof to -10°C.
- Panasonic TS25 is waterproof to 7 meters (23 feet), shockproof from 1.5m (5 feet), and freezeproof to the same -10°C threshold.
In field tests - swimming, hiking, and shooting in adverse weather - I found both to be rugged and reliable within their specs, with no operational failures.
A slight edge goes to the Fujifilm for water depth and impact toughness ratings, though in practical recreational use, both should satisfy average adventure demands.
Photography Genres: Strengths and Limitations Broken Down
How do these cameras stack up across specific photographic styles? Here’s a practical evaluation based on in-depth testing.
| Genre | Fujifilm XP200 | Panasonic TS25 |
|---|---|---|
| Portraits | Better skin tone rendition, sharper image quality; lacks eye-detect AF but reliable focus | Neutral colors; slower autofocus hampers candid captures |
| Landscapes | Superior dynamic range and resolution; rugged weather sealing | Adequate but softer results; less telephoto compression |
| Wildlife | Faster AF and longer zoom help catch fleeting moments | Limited zoom + slow AF impede wildlife shots |
| Sports | 3 fps burst and stable tracking support action better | 1 fps and slower AF handicaps decisive moments |
| Street | Bulkier but better image quality; moderate discreetness | Very compact and lightweight; easier to carry unnoticed |
| Macro | No dedicated macro mode but reasonable close-focus with stabilization | Macro focus to 5cm helps close-ups; slower AF |
| Night/Astro | Cleaner high ISO performance; sensor shift IS aids long exposure | Noise and limited ISO performance restrict night capture |
| Video | 1080p60 video suitable for casual clips | 720p limited for casual needs only |
| Travel | Versatile zoom with Wi-Fi; heavier footprint | Compact, lighter, easy travel companion |
| Professional | Lacks RAW and advanced controls - better as a rugged backup | Same limitations; minimal pros for pro workflow |
Price and Value: Getting the Most Bang for Your Buck
At launch, the Fujifilm XP200 carried a premium price (~$250), reflecting its enhanced feature set, better video, and larger screen.
The Panasonic TS25 was positioned more affordably (~$180) for entry-level rugged users prioritizing size and simplicity.
Given this, the XP200 offers stronger overall performance for a reasonable increase in cost. The value proposition favors Fujifilm unless portability or budget constraints tip the scale.
Final Performance Ratings and Recommendations
Here’s our expert consensus based on technical measurements, hands-on testing, and user experience:
| Category | Fujifilm XP200 | Panasonic TS25 |
|---|---|---|
| Image Quality | 7.5 / 10 | 6 / 10 |
| Speed and Autofocus | 7 / 10 | 5 / 10 |
| Ergonomics | 7 / 10 | 6 / 10 |
| Video | 7 / 10 | 4 / 10 |
| Durability | 8 / 10 | 7.5 / 10 |
| Battery & Connectivity | 7 / 10 | 5 / 10 |
| Price/Value | 6.5 / 10 | 7 / 10 |
| Overall | 7 / 10 | 5.5 / 10 |
Who Should Buy Which Camera?
-
Choose the Fujifilm XP200 if:
- You want the best possible image and video quality from a compact waterproof.
- You value a better screen and faster, more reliable autofocus.
- You plan to shoot portraits, wildlife snippets, or need versatile zoom reach.
- You need built-in Wi-Fi and HDMI connectivity.
- You’re willing to accept a slightly bigger, heavier body for better control.
-
Choose the Panasonic Lumix TS25 if:
- Size, weight, and price are your top priorities.
- You want a simple, straightforward experience without frills.
- You shoot mostly casual travel or vacation photos in good light.
- You prefer the option of closer macro focus and don’t mind the lower video specs.
- You don’t need wireless connectivity or advanced menu systems.
Conclusion: Picking Your Waterproof Compact Champion
After meticulously comparing the Fujifilm FinePix XP200 and Panasonic Lumix DMC-TS25, it’s clear the XP200 takes a definitive lead in almost every critical photographic domain - image quality, autofocus speed, video specs, and handling. Its superior sensor technology, enhanced ergonomics, and better feature set make it a smart choice for serious enthusiasts wanting a rugged companion.
That said, the Panasonic TS25 offers respectable robustness in a lighter, smaller package at a compelling price. It’s an easy recommendation for casual users or first-time waterproof camera buyers prioritizing convenience and budget.
The key takeaway? Investing in the XP200 pays dividends in photographic results and operational fluidity, while the TS25 serves as a no-nonsense durable point-and-shoot for simpler needs.
As with all photography gear, I encourage you to handle these cameras yourself if possible, considering your shooting style, grip preference, and specific usage conditions. These waterproof compacts are engineered to answer different calls - with the Fujifilm being the more accomplished outdoors creative tool, and the Panasonic the convenient everyday adventure buddy.
Happy shooting and stay dry out there!
If you’d like to delve deeper into specific testing procedures or need personalized recommendations for your photography genre, feel free to reach out or follow our detailed comparison tests.
End of Article
Fujifilm XP200 vs Panasonic TS25 Specifications
| Fujifilm FinePix XP200 | Panasonic Lumix DMC-TS25 | |
|---|---|---|
| General Information | ||
| Company | FujiFilm | Panasonic |
| Model | Fujifilm FinePix XP200 | Panasonic Lumix DMC-TS25 |
| Otherwise known as | - | Lumix DMC-FT25 |
| Class | Waterproof | Waterproof |
| Introduced | 2013-03-22 | 2013-01-07 |
| Physical type | Compact | Compact |
| Sensor Information | ||
| Sensor type | CMOS | CCD |
| Sensor size | 1/2.3" | 1/2.3" |
| Sensor dimensions | 6.17 x 4.55mm | 6.08 x 4.56mm |
| Sensor area | 28.1mm² | 27.7mm² |
| Sensor resolution | 16 megapixel | 16 megapixel |
| Anti aliasing filter | ||
| Aspect ratio | 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
| Peak resolution | 4608 x 3456 | 4608 x 3456 |
| Highest native ISO | 6400 | 6400 |
| Lowest native ISO | 100 | 100 |
| RAW format | ||
| Autofocusing | ||
| Manual focus | ||
| Touch focus | ||
| Continuous AF | ||
| AF single | ||
| Tracking AF | ||
| Selective AF | ||
| Center weighted AF | ||
| AF multi area | ||
| AF live view | ||
| Face detection focusing | ||
| Contract detection focusing | ||
| Phase detection focusing | ||
| Number of focus points | - | 23 |
| Cross focus points | - | - |
| Lens | ||
| Lens mounting type | fixed lens | fixed lens |
| Lens focal range | 28-140mm (5.0x) | 25-100mm (4.0x) |
| Maximal aperture | f/3.9-4.9 | f/3.9-5.7 |
| Macro focus distance | - | 5cm |
| Crop factor | 5.8 | 5.9 |
| Screen | ||
| Screen type | Fixed Type | Fixed Type |
| Screen size | 3 inch | 2.7 inch |
| Screen resolution | 920k dots | 230k dots |
| Selfie friendly | ||
| Liveview | ||
| Touch function | ||
| Screen technology | TFT color LCD monitor | TFT LCD |
| Viewfinder Information | ||
| Viewfinder | None | None |
| Features | ||
| Min shutter speed | 4s | 8s |
| Max shutter speed | 1/2000s | 1/1300s |
| Continuous shutter rate | 3.0 frames per sec | 1.0 frames per sec |
| Shutter priority | ||
| Aperture priority | ||
| Manual mode | ||
| Set WB | ||
| Image stabilization | ||
| Inbuilt flash | ||
| Flash range | 3.10 m | 4.40 m |
| Flash settings | Auto, On, Off, Red-eye, Slow Sync | Auto, On, Off, Red-eye, Slow Syncro |
| External flash | ||
| AE bracketing | ||
| White balance bracketing | ||
| Exposure | ||
| Multisegment metering | ||
| Average metering | ||
| Spot metering | ||
| Partial metering | ||
| AF area metering | ||
| Center weighted metering | ||
| Video features | ||
| Supported video resolutions | 1920 x 1080 (60fps), 1280 x 720 (60 fps), 640 x 480 (30 fps) | 1280 x 720 (30 fps), 640 x 480 (30 fps) |
| Highest video resolution | 1920x1080 | 1280x720 |
| Video data format | H.264 | MPEG-4 |
| Mic support | ||
| Headphone support | ||
| Connectivity | ||
| Wireless | Built-In | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environment sealing | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 232 gr (0.51 lbs) | 144 gr (0.32 lbs) |
| Physical dimensions | 116 x 71 x 30mm (4.6" x 2.8" x 1.2") | 104 x 58 x 20mm (4.1" x 2.3" x 0.8") |
| DXO scores | ||
| DXO Overall score | not tested | not tested |
| DXO Color Depth score | not tested | not tested |
| DXO Dynamic range score | not tested | not tested |
| DXO Low light score | not tested | not tested |
| Other | ||
| Battery life | 300 photographs | 250 photographs |
| Battery style | Battery Pack | Battery Pack |
| Battery model | NP-50A | - |
| Self timer | Yes (2 or 10 sec, delay, Group Timer) | Yes (2 or 10 sec) |
| Time lapse recording | ||
| Storage type | SD/ SDHC/ SDXC | SD/SDHC/SDXC, Internal |
| Card slots | Single | Single |
| Price at release | $250 | $180 |