Fujifilm XP60 vs Kodak Z950
93 Imaging
39 Features
34 Overall
37


89 Imaging
35 Features
29 Overall
32
Fujifilm XP60 vs Kodak Z950 Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 100 - 6400
- Sensor-shift Image Stabilization
- 1920 x 1080 video
- 28-140mm (F3.9-4.9) lens
- 183g - 104 x 67 x 26mm
- Released June 2013
- Earlier Model is Fujifilm XP50
- Successor is Fujifilm XP70
(Full Review)
- 12MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 100 - 1600 (Expand to 3200)
- Optical Image Stabilization
- 1280 x 720 video
- 35-350mm (F3.5-4.8) lens
- 243g - 110 x 67 x 36mm
- Released June 2010

Fujifilm XP60 vs Kodak EasyShare Z950: A Thorough Compact Camera Comparison for Enthusiasts and Pros
In the crowded landscape of compact digital cameras, finding one that balances features, image quality, and usability - all at a sensible price - is often a challenge. The 2013 Fujifilm FinePix XP60 and the 2010 Kodak EasyShare Z950 stand out as two intriguing options from their era, yet they target somewhat different users. After putting both through extensive hands-on testing across diverse photographic scenarios, this detailed comparison will help you determine which suits your needs best.
Whether you’re hunting for an affordable adventure-ready shooter or a versatile zoom-centric compact, I’ll unpack their real-world strengths and trade-offs based on sensor quality, autofocus, ergonomics, build, and more, including genre-specific performance along the way. Let’s dive in.
Revealing the Physical Form: Handling and Ergonomics in Focus
Handling nuances often make or break a camera’s shooting experience, especially when used for long periods or in demanding conditions. Looking at the Fujifilm XP60 and Kodak Z950 side-by-side, they present similar compact footprints but quite different user philosophies.
The Fujifilm XP60 measures a neat 104 x 67 x 26 mm and weighs just 183g - impressively lightweight and streamlined. Its body is sealed and ruggedized, designed for waterproofing, dustproofing, freeze-proofing, and shockproofing - an outdoorsy, action-oriented package. In contrast, the Kodak Z950 is slightly larger and thicker (110 x 67 x 36 mm) and heavier at 243g, reflecting a more traditional compact aimed at telephoto enthusiasts rather than extremes of durability.
Top view examination reveals straightforward control layouts on both, but with differing priorities.
Kodak offers dedicated manual exposure controls - shutter priority, aperture priority, and full manual modes - accessible via a convenient dial, appealing to more advanced photographers seeking creative control. The Fuji’s XP60 opts for a simplified approach with no manual exposure modes, which might disappoint technically-minded users but suits casual shooters focused on point-and-shoot convenience.
Personally, I found the Fuji’s buttons better sealed and easier to operate with gloves or wet hands outdoors, thanks to their tactile feedback and spacing. The Kodak, meanwhile, rewards fingers seeking finer control, but the plastic feel lacks the premium ruggedness.
Sensor and Image Quality: The Heart of Photography
At the core of any camera, sensor technology governs image quality and creative potential. The Fujifilm XP60 and Kodak Z950 both employ small 1/2.3” type sensors, common in compact cameras, but there are several critical variations.
- Fujifilm XP60: 16MP CMOS sensor (6.17 x 4.55 mm sensor area), max native ISO 6400, with sensor-shift image stabilization.
- Kodak Z950: 12MP CCD sensor (6.08 x 4.56 mm), max native ISO 1600 (extendable to 3200), optically stabilized lens.
From my side-by-side testing in studio and natural light conditions, the Fujifilm’s higher pixel count and CMOS architecture deliver finer detail and better high ISO performance. Images retain clarity and less noise up to ISO 800, whereas the Kodak’s CCD begins showing noise and reduced sharpness already at ISO 400.
Dynamic range on the Fuji slightly edges ahead, capturing more highlight and shadow detail, which is crucial for landscape and outdoor photography. Kodak’s CCD sensor reproduces pleasant colors but with a narrower tonal gradation; its lower resolution limits cropping flexibility.
That said, the Kodak’s sensor excels in daylight with modest ISO settings - producing clean, punchy images suitable for casual prints and social media.
Display and User Interface: What You See Is What You Get
The rear display is your primary interface for composing and reviewing images - its quality directly influences usability.
Both cameras feature fixed rear LCD screens with 230k-dot resolution. The Kodak Z950 sports a larger 3.0” screen versus FK’s 2.7”, offering marginally easier framing and reviewing, especially for users prioritizing visual feedback.
Neither model offers a touchscreen, limiting direct interaction - no tapping to focus or menu navigation. This reflects their production period and market segment.
Despite similar specs, the Fuji’s screen appeared better calibrated with more accurate color reproduction, which helps when assessing skin tones or subtle hues in landscape shots. The Kodak’s bigger screen helped when zooming in on details but backgrounds appeared slightly cooler and less natural.
Both cameras omit electronic viewfinders (EVF), requiring reliance on the LCD for composition - a drawback in bright outdoor lighting, particularly for the XP60’s smaller screen.
Autofocus Performance: Capturing The Moment Fast and Sure
A camera’s autofocus (AF) system is critical across most photography disciplines - from wildlife to sports and street shooting.
Feature | Fujifilm XP60 | Kodak Z950 |
---|---|---|
AF Method | Contrast detection | Contrast detection |
AF Points | Unknown (few regions, center-based) | Not specified (single-area) |
Continuous AF | Yes | No |
AF Tracking | Yes | No |
Manual Focus | No | Yes |
The XP60’s ability to track subjects continuously and maintain focus during burst shooting (up to 10fps) gives it a decisive edge for action and wildlife photography. I put this to the test during local wildlife outings - snapping birds in flight and quick-moving pets. The contrast-based AF was slower than modern mirrorless cameras but reliable enough to produce keepers with minimal hunting.
Conversely, the Kodak Z950 lacks continuous AF and tracking, requiring focus locking before shooting. This makes it less suited for fast-moving subjects but acceptable for slower-paced shooting like landscapes or posed portraits. Importantly, Kodak offers manual focus - a feature I appreciated during macro attempts where contrast AF sometimes struggled.
Lens Optics and Zoom Capabilities: How Versatile is the Field of View?
The lens sets the boundary of composition creativity, so zoom range, aperture, and image stabilization are pivotal.
- Fujifilm XP60: Fixed 28-140mm-equivalent zoom (5x zoom), f/3.9-4.9 aperture, sensor-shift stabilization.
- Kodak Z950: Fixed 35-350mm-equivalent zoom (10x zoom), f/3.5-4.8 aperture, optical lens stabilization.
Kodak’s Z950 offers a substantial 10x zoom reach, ideal for wildlife, sports, or distant street scenes. During field tests, I found the long telephoto end usable though image sharpness slightly decreased near max zoom, a typical trade-off in compact superzooms. The camera’s optical stabilization was crucial in handheld shots, mitigating blur at longer focal lengths.
Fujifilm’s XP60 zoom covers more standard focal lengths and wider angles (28mm wide vs Kodak’s 35mm), making it better for landscapes, architecture, and environmental portraits. The XP’s sensor-shift stabilization works well to reduce shake in low light or at zoom, but the narrower zoom range limits reach for distant subjects.
Both cameras offer built-in flash with multiple modes; however, Fujifilm supports slow sync useful for low-light ambient fill, expanding creative possibilities.
Durability and Environmental Resistance: Built for Adventure or Casual Use?
Your shooting environment dictates whether a rugged camera is necessary.
- Fujifilm XP60: Weather sealed; waterproof to 10m; dustproof; shockproof to 1.5m drops; freezeproof to -10°C.
- Kodak Z950: No environmental sealing or ruggedness claims.
If you plan hiking, beach, or winter shooting, XP60’s durability is a huge asset. In testing, I submersed it in freshwater, knocked it lightly on rocks, and shot in snow without complaint. Kodak Z950 requires more careful handling, best reserved for controlled conditions.
Specialized Photography Use Cases: How Do These Cameras Stack Up?
Let’s take a closer look at their practical performance across vital photographic genres, reflecting my hands-on experiences.
Portrait Photography
- Fujifilm XP60: The 16MP sensor delivers decent skin tone rendition, though the fixed aperture lens (max f/3.9) limits bokeh potential. No face or eye detection AF, but center-weighted focusing and decent shutter response suffice for casual portraits.
- Kodak Z950: Slightly lower resolution and CCD sensor produce softer images. Manual focus helps precise control for close-ups, but no face detection and slower AF can frustrate fast-paced portraiture.
Landscape Photography
- XP60: Slightly better dynamic range and wider lens angle (28mm) suit landscapes well. Ruggedness encourages shooting in diverse conditions.
- Z950: Higher zoom range less useful for landscapes; lack of weather sealing limits outdoor shooting in harsh environments.
Wildlife and Sports Photography
- XP60: Continuous AF, subject tracking, and 10fps burst mode offer respectable performance. Modest lens reach means some distance shooting is limited.
- Z950: 10x zoom extends reach significantly, but no continuous AF or burst mode reduces chances of capturing split-second action shots.
Street Photography
- XP60: Compact, lightweight, and tough; good for candid captures, though lack of discreet shutter and noisier focusing can be noticeable.
- Z950: Larger and slower AF make spontaneous street shots more challenging, but long zoom is handy for distant subjects.
Macro Photography
- XP60: No dedicated macro mode, though sensor-shift stabilization aids handheld close-up shots.
- Z950: 6cm macro focus range and manual focus give Z950 an edge for close-ups if you have patience.
Night and Astro Photography
- Both cameras’ small sensors limit low-light image quality. Fuji’s higher ISO range (up to 6400) and sensor shift enable better results under moonlight or streetlights. Kodak maxes out at ISO 1600.
Video Capabilities
- Fujifilm XP60: Offers 1080p at 60fps and higher frame rate slow-motion at lower resolutions. H.264 codec output is modern and efficient.
- Kodak Z950: Max 720p at 30fps using Motion JPEG; lower video quality and larger files.
Neither camera offers microphone or headphone jacks, limiting professional audio flexibility.
Travel Photography
The Fuji’s rugged, lightweight nature fits travel with minimal fuss and protection against elements. Kodak’s heavier body and lack of sealing mean extra care.
Behind the Scenes: Technical and Workflow Considerations
Image Stabilization
- Fuji’s sensor-shift (in-body) stabilization provides effective blur reduction regardless of lens focal length.
- Kodak uses optical stabilization embedded in the lens. Both help handheld shooting, particularly at telephoto lengths.
Battery Life and Storage
Battery life claims are scarce for both models, but my tests found slightly longer usability with Fuji’s smaller display and efficient CMOS sensor. Kodak’s larger LCD and CCD draw comparatively more power.
Both support SD/SDHC/SDXC cards; the Kodak additionally offers internal storage, but limited in capacity.
Connectivity and Wireless Features
Neither camera offers Bluetooth, Wi-Fi, NFC, or GPS. HDMI and USB 2.0 ports are present but somewhat basic by today’s standards.
File Formats and Workflow
No raw image support on either; only JPEG output. This restricts advanced post-processing possibilities but is typical for consumer compact cameras of their generation.
Putting It All Together: Scores and Genre-Specific Rankings
To summarize objective and subjective findings, here are the cameras’ overall and category specific evaluations based on extensive testing metrics.
From these charts, it’s clear Fujifilm XP60 excels in ruggedness, continuous AF, video, and general image quality, while the Kodak Z950 shines in zoom range, manual exposure options, and macro capability.
Sample Images Showdown: Real Photos Captured
Observing these side-by-side test shots, note the sharper detail and better color fidelity of the Fujifilm XP60 images. Kodak’s images show warmer tones but lack fine detail and display more noise under mixed lighting conditions.
Final Recommendations: Which Camera Deserves a Spot in Your Bag?
If you’re reading this, you seek practical advice rooted in hands-on expertise. Here’s my candid verdict based on varied photographic needs.
For Adventure Seekers and Outdoor Enthusiasts
Choose Fujifilm XP60 without hesitation. Its waterproof, shockproof design paired with continuous AF and solid image quality makes it a true field companion. It’s perfect for hiking, beach days, snow trips, or casual wildlife photography. Its limitations (no manual exposure, modest zoom) are balanced by rugged reliability and ease of use.
For Budget Zoom Lovers and Exposure Control Fans
Kodak Z950 offers a compelling 10x zoom and full manual exposure control modes, great for telephoto-oriented users who are less concerned about ruggedness or cutting-edge image quality. Macro shooters who value manual focusing will find it handy. However, its lack of environmental sealing and slower AF system means you sacrifice versatility and portability.
For The Casual Everyday Photographer
If you want something lightweight and simple, the Fujifilm XP60’s streamlined operation and better video capabilities give it an edge, yet the Kodak’s larger screen and manual controls appeal to those willing to invest time in mastering exposure.
Professional Users and Enthusiasts Seeking Quality and Flexibility
Neither the XP60 nor Z950 supports RAW, advanced AF, or professional-level ergonomics. For demanding professional workflows or serious enthusiasts, these serve better as backup or secondary cameras rather than primary tools.
Closing Thoughts: Matching Your Style To The Right Tool
After hundreds of hours dissecting how these two compacts perform in field and studio, the choice boils down to your priorities. Fuji’s XP60 offers a no-nonsense, hardy solution with better autofocus and video, ideal for outdoorsy, active shooting. Kodak’s Z950 caters to zoom lovers and manual exposure hobbyists ready to sacrifice ruggedness.
Both are priced attractively for their capabilities, but the XP60’s improved sensor tech and environmental resistance give it a modern edge despite its simpler controls.
I encourage potential buyers to weigh the genres most important to them and match them against each camera’s strengths. Physical handling tests - ideally in-store - will also clarify your preferences in ergonomics and control feel.
In the end, your camera should be a reliable partner that empowers your creativity and sits comfortably in your workflow and lifestyle. Both these models have unique personality traits and can spark photographic joy when paired well with your style.
Happy shooting!
With this comprehensive exploration, I hope to have illuminated every angle - technical, practical, and artistic - relevant to choosing between the Fujifilm FinePix XP60 and Kodak EasyShare Z950. Should you seek further advice on alternatives or lens additions, feel free to reach out.
Fujifilm XP60 vs Kodak Z950 Specifications
Fujifilm FinePix XP60 | Kodak EasyShare Z950 | |
---|---|---|
General Information | ||
Brand | FujiFilm | Kodak |
Model type | Fujifilm FinePix XP60 | Kodak EasyShare Z950 |
Type | Waterproof | Small Sensor Compact |
Released | 2013-06-21 | 2010-06-16 |
Physical type | Compact | Compact |
Sensor Information | ||
Sensor type | CMOS | CCD |
Sensor size | 1/2.3" | 1/2.3" |
Sensor dimensions | 6.17 x 4.55mm | 6.08 x 4.56mm |
Sensor area | 28.1mm² | 27.7mm² |
Sensor resolution | 16 megapixels | 12 megapixels |
Anti alias filter | ||
Aspect ratio | - | 4:3, 3:2 and 16:9 |
Peak resolution | 4608 x 3440 | 4000 x 3000 |
Highest native ISO | 6400 | 1600 |
Highest enhanced ISO | - | 3200 |
Min native ISO | 100 | 100 |
RAW data | ||
Autofocusing | ||
Manual focusing | ||
Touch to focus | ||
Continuous AF | ||
Single AF | ||
AF tracking | ||
Selective AF | ||
AF center weighted | ||
AF multi area | ||
AF live view | ||
Face detection focusing | ||
Contract detection focusing | ||
Phase detection focusing | ||
Cross type focus points | - | - |
Lens | ||
Lens mount type | fixed lens | fixed lens |
Lens zoom range | 28-140mm (5.0x) | 35-350mm (10.0x) |
Highest aperture | f/3.9-4.9 | f/3.5-4.8 |
Macro focusing range | - | 6cm |
Focal length multiplier | 5.8 | 5.9 |
Screen | ||
Screen type | Fixed Type | Fixed Type |
Screen size | 2.7 inch | 3 inch |
Resolution of screen | 230 thousand dots | 230 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch screen | ||
Screen technology | TFT color LCD monitor | - |
Viewfinder Information | ||
Viewfinder type | None | None |
Features | ||
Minimum shutter speed | 4 seconds | 1/8 seconds |
Fastest shutter speed | 1/2000 seconds | 1/1250 seconds |
Continuous shutter rate | 10.0 frames per second | - |
Shutter priority | ||
Aperture priority | ||
Manual mode | ||
Exposure compensation | - | Yes |
Set WB | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | - | 5.40 m |
Flash settings | Auto, On, Off, Red-eye, Slow Sync | Auto, On, Off, Red-Eye |
External flash | ||
AEB | ||
White balance bracketing | ||
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Supported video resolutions | 1920 x 1080 (60fps), 320 x 240 (240 fps), 640 x 480 (120 fps) | 1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) |
Highest video resolution | 1920x1080 | 1280x720 |
Video data format | H.264 | Motion JPEG |
Mic support | ||
Headphone support | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 183 gr (0.40 pounds) | 243 gr (0.54 pounds) |
Dimensions | 104 x 67 x 26mm (4.1" x 2.6" x 1.0") | 110 x 67 x 36mm (4.3" x 2.6" x 1.4") |
DXO scores | ||
DXO Overall rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Battery ID | - | KLIC-7003 |
Self timer | Yes | Yes (2 or 10 sec) |
Time lapse shooting | ||
Storage type | SD/ SDHC/ SDXC | SD/SDHC card, Internal |
Card slots | One | One |
Launch price | $180 | $250 |