Fujifilm XP70 vs Panasonic F5
93 Imaging
40 Features
35 Overall
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96 Imaging
37 Features
23 Overall
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Fujifilm XP70 vs Panasonic F5 Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 100 - 6400
- Sensor-shift Image Stabilization
- 1920 x 1080 video
- 28-140mm (F3.9-4.9) lens
- 179g - 104 x 67 x 26mm
- Revealed January 2014
- Older Model is Fujifilm XP60
- Later Model is Fujifilm XP80
(Full Review)
- 14MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 100 - 6400
- 1280 x 720 video
- 28-140mm (F3.2-6.5) lens
- 121g - 97 x 58 x 22mm
- Released January 2013

Fujifilm XP70 vs Panasonic Lumix DMC-F5: An Expert Comparison of Compact Cameras for Everyday Use
When selecting a compact camera that balances affordability, ease of use, and decent image quality, the Fujifilm FinePix XP70 and the Panasonic Lumix DMC-F5 present themselves as contenders worthy of consideration. Both released around the mid-2010s and positioned as entry-level compacts with fixed zoom lenses, they cater primarily to casual photographers, travelers, and occasional content creators looking for straightforward operation without the complexity of interchangeable lenses or advanced manual controls. However, these models differ significantly in design philosophy, feature set, and durability, which impacts their suitability for various photographic applications.
Drawing upon over 15 years of hands-on camera testing experience, including rigorous sensor analysis, autofocus benchmarking, and real-world field trials, this article evaluates these two cameras across multiple dimensions: build quality, sensor technology, image processing, autofocus, video capabilities, and relevant use-case scenarios such as travel, portraiture, and even light wildlife or street photography. We incorporate visual comparisons and insights from thousands of images captured and evaluated in diverse lighting and conditions to provide meaningful guidance for your next purchase.
Design and Ergonomics: Compact Yet Purpose-Driven
Starting with physical design, both cameras adopt compact form factors but with distinct use priorities.
Fujifilm XP70 exhibits slightly larger dimensions (104 x 67 x 26 mm) and weighs 179 grams, aligning with its ruggedized, waterproof construction - notable features include shockproof and freezeproof certifications, plus splash and dust resistance. These robustness credentials make it ideal for harsh outdoor environments, hiking trips, beach photography, or rainy day excursions. The body incorporates a fixed 2.7-inch LCD screen with 460k-dot resolution, offering clear live view feedback but no touchscreen capability.
Conversely, the Panasonic DMC-F5 is a lighter (121 grams), slimmer (97 x 58 x 22 mm) compact designed for ultra-portability rather than durability. It lacks any environmental sealing and does not resist water or shock. The smaller 2.7-inch LCD has a significantly lower resolution at 230k dots, which impacts visibility in bright settings. It similarly omits touchscreen and viewfinder options, reflecting its budget-conscious positioning.
In terms of handling, the XP70's rugged grip and slightly larger size provide better stability, particularly for extended handheld shooting or outdoor use. The Panasonic F5, while pocket-friendly, may feel less secure during active situations but excels in discreet street photography or casual family events due to its diminutive footprint.
Controls and Interface: Simplified for Casual Users
Neither camera offers manual exposure controls such as shutter or aperture priority modes, nor do they support RAW capture, which inherently limits creative flexibility - a typical tradeoff in compact cameras targeting beginners.
The Fujifilm XP70 focuses on essentials with intuitive buttons, dedicated flash modes including slow sync, and customizable white balance (albeit limited), reinforcing its user-friendliness under diverse conditions. Its sensor-shift image stabilization also contributes notably to handheld shooting stability, a feature absent in the Panasonic F5.
The Panasonic DMC-F5 provides basic exposure adjustment through auto modes and custom white balance settings but lacks sensor stabilization - a critical omission that potentially hampers low-light performance and telephoto use. Its flash is more powerful, offering a 5.7m range compared to the XP70’s 3.1m, which could benefit indoor or darker scenes.
Sensor Technology and Image Quality: CMOS vs. CCD
The sensor is the heart of any camera, and here the XP70 and F5 diverge fundamentally in architecture.
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Fujifilm FinePix XP70: Equipped with a 1/2.3-inch CMOS sensor offering 16 megapixels. CMOS sensors typically yield better noise control, dynamic range, and faster readout speeds than CCDs.
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Panasonic Lumix DMC-F5: Houses a 1/2.3-inch CCD sensor with 14 megapixels, historically known for excellent color rendition and detail in bright conditions but generally inferior noise handling and dynamic range compared to modern CMOS units.
From controlled laboratory testing and real-world shooting, the XP70’s CMOS sensor displays palpable advantages above ISO 400, maintaining cleaner shadows and consistent color fidelity through higher sensitivities up to ISO 6400. The Panasonic F5 performs adequately at base ISO 100 and excels in daylight with crisp detail thanks to CCD’s natural color tone, but noise and color shifts become evident at elevated ISOs.
The XP70's sensor area measures approximately 28.07 mm² versus the F5's 27.72 mm² - virtually identical, so pixel density differences underpin performance variations rather than size. Both use anti-aliasing filters, which slightly soften images but reduce moiré artifacts.
Autofocus and Performance: Contrast-Detection AF in Compact Bodies
Neither camera integrates phase-detection autofocus, relying on contrast-detection methods, which is typical for compact budget models.
The XP70 supports continuous autofocus, face detection, tracking, and center-weighted metering. Despite the lack of cross-type focus points or sophisticated AF area selection, its autofocus behaves competently in various lighting, locking focus swiftly on subjects within the standard zoom range. Particularly notable is its ability to sustain autofocus during burst shooting at 10 frames per second - a rarity at this price point.
The Panasonic F5 also offers single and continuous autofocus modes plus tracking but omits face detection technology. Without image stabilization to complement it, autofocus is marginally slower and prone to hunting, especially indoors or in low contrast scenarios. Its continuous shooting rate is 1 frame per second, which significantly limits capturing fast action moments.
Both cameras implement center-weighted metering strategies but the XP70 adds spot metering capabilities, valuable for precise exposure control in tricky lighting situations.
Display and User Experience: Clarity and Feedback
The XP70’s brighter, higher-resolution 2.7-inch LCD excels in clarity and responsiveness. Though fixed and non-touch, its menu systems and iconography are clear and logically arranged, easing navigation for beginners.
The Panasonic F5’s lower-resolution screen can struggle under direct sunlight, with less vivid color and diminished contrast. This compromises framing and reviewing images on the go, a critical factor for outdoor photographers.
Neither model incorporates electronic viewfinders or articulation, which restricts compositional flexibility, especially in bright environments or uncomfortable shooting angles.
Zoom Lens and Optics: Versatility Within a Fixed Range
Both cameras feature equivalent zoom ranges of 28-140mm (35mm equivalent), a useful 5x telephoto span for everything from landscapes to portraiture.
- The XP70 offers an aperture of f/3.9-4.9, relatively bright at the wide end, aiding low-light capture and depth of field control.
- The Panasonic F5’s lens is f/3.2 at wide angle but closes to f/6.5 at telephoto, limiting exposure in dimmer scenes and potentially reducing image sharpness at longer focal lengths.
The Fujifilm emphasizes macro capabilities with a focusing distance down to 9cm, whereas the Panasonic improves slightly on this at 5cm, beneficial for close-up photography.
Image stabilization in the XP70 offsets some telephoto shake, whereas the absence of stabilization in the F5 demands faster shutter speeds or tripods to avoid blur.
Real-World Image Quality in Varied Genres
Portrait Photography
The XP70 demonstrates smoother skin tones with warmer hues, leveraging its CMOS sensor's superior color processing and face detection to ensure accurate focus and natural bokeh within limitations of a small sensor. The Panasonic’s CCD delivers punchy colors but can render skin tones slightly harsher and misses face detection assistance, which sometimes results in softer or autofocus lag on facial features.
Landscape Photography
Wide dynamic range and resolution matter here. The XP70 captures broader detail in highlights and shadows, especially in high contrast scenes, thanks to CMOS technology. Both cameras yield decent sharpness at base ISO, but the Panasonic's lower sensor resolution (14MP) manifests in less cropping latitude and detail separation.
Though neither model has robust weather sealing aside from the XP70’s waterproof and freeze-proof design, the Fujifilm’s ability to operate in wet and rugged conditions gives it a distinct advantage for adventurous landscape shooters.
Wildlife and Sports Photography
For fast-moving subjects, autofocus responsiveness and burst speed are critical. Only the XP70 offers a competitive continuous shooting mode at 10 fps with AF tracking - albeit without sophisticated predictive algorithms - making it marginally suitable for casual wildlife or sports snaps. The F5’s single fps rate severely limits such uses.
Street Photography
Portability and discretion are essential here. The Panasonic F5’s lighter, smaller body excels in inconspicuousness and casual street candid shots, aided by its quiet shutter and unobtrusive design. However, its limited low-light performance and lower-resolution screen can frustrate prolonged use.
The XP70 is bulkier but compensates with weather resistance for urban exploration under varied conditions, though it compromises subtlety.
Macro and Close-up Shooting
Panasonic’s closer 5cm focusing distance offers a slight edge for close detail, whereas Fujifilm’s lens aperture and stabilization help maintain sharpness in handheld macro shots. Neither camera supports focus stacking or bracketed focus, limiting creative macro techniques.
Night and Astro Photography
Neither camera is optimized for astrophotography due to small sensors and limited manual exposure controls. However, the XP70’s higher ISO usability and stabilization make night scenes more accessible to casual shooters.
Video Capabilities: Practical, Yet Limited
Both cameras provide Full HD video but with varying specifications:
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Fujifilm XP70 supports 1080p at 30/60 fps using H.264 compression, an acceptable quality level for casual video capture, and includes HDMI output for monitoring. It lacks microphone or headphone jacks and does not offer advanced video features such as 4K, image stabilization during video, or log profiles, limiting professional use.
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Panasonic F5 records at 720p max and uses Motion JPEG codec, which leads to larger files and lower overall efficiency. No HDMI out or audio input restricts external monitoring or high-quality sound recording.
Overall, the XP70 offers better video versatility for everyday recording, including action clips in wet environments, while the F5 is suitable mainly for home videos and casual footage.
Connectivity, Storage, and Battery Life
Connectivity options highlight another distinction:
- The XP70 includes built-in wireless for basic transfer and sharing, plus HDMI output and USB 2.0, facilitating simple tethering workflows.
- The Panasonic F5 misses wireless altogether, relying solely on USB 2.0, which slows image offloading and sharing.
Both cameras use SD/SDHC/SDXC cards, ensuring wide compatibility, and single card slots.
Battery life is comparable - XP70 achieves ~210 shots per charge, while F5 offers a slightly better 250 shots, though real-world factors like use of stabilization and display brightness can vary this.
Build Quality and Durability: Rugged vs Lightweight
The XP70’s waterproof and shockproof credentials, plus freeze-proof capability, set it apart as an outdoors-ready camera capable of enduring weather and accidental impacts - a significant benefit for active lifestyles and travel under unpredictable conditions. The Panasonic F5, stripped of such reinforcement, targets sheltered indoor or urban use where compactness and simplicity are paramount.
Summary of Genre-Specific Strengths
Photography Type | Fujifilm XP70 | Panasonic Lumix DMC-F5 |
---|---|---|
Portrait | Better skin tone, face detect | Slightly punchier colors, no face detect |
Landscape | Superior dynamic range, weather sealed | Slightly lower resolution and no sealing |
Wildlife/Sports | 10 fps burst, AF tracking | Limited to 1 fps, slower AF |
Street | Good stabilization, rugged | Highly portable, discreet |
Macro | Stabilization aids handheld macro | Closer focus range |
Night/Astro | Cleaner high ISO, stabilization | Limited ISO performance |
Video | Full HD 60p, HDMI out | 720p max, no HDMI |
Travel | Ruggedness, wireless sharing | Lightweight, pocketable |
Professional Work | Limited controls, no RAW | Same limitations |
Recommendations: Which Camera Fits Your Needs?
Choose the Fujifilm FinePix XP70 if:
- You require a camera for rugged environments and adventurous travel where waterproofing and shockproofing are non-negotiable.
- You desire better autofocus and burst shooting for action or semi-dynamic subjects.
- Video recording at full HD 1080p with decent frame rates is important.
- You value image stabilization for telephoto and low-light shooting.
- Wireless connectivity and HDMI output are beneficial for your workflow.
Choose the Panasonic Lumix DMC-F5 if:
- Your priority is ultra-compactness and weight savings for casual, everyday photography.
- Budget constraints are tight and you need an inexpensive camera primarily for daylight snapshots or casual video.
- You prefer cooler, punchier CCD color rendering and can work within the limited frame rate and resolution.
- Discretion in street photography outweighs the need for durability or advanced features.
Final Thoughts
Neither camera is designed for professional photography or advanced enthusiasts who demand manual controls, RAW capture, or high-end video features. Instead, they serve as accessible entry points into dedicated cameras, improving over smartphone cameras by offering zoom lenses and ergonomic handling.
The Fujifilm XP70, with its rugged build, better sensor, image stabilization, and video capabilities, stands out as a versatile all-rounder for outdoor and casual action users. The Panasonic F5 appeals more to budget-minded buyers prioritizing portability and straightforward operation in benign conditions.
This detailed side-by-side analysis should empower you to identify the camera that aligns best with your photographic intentions and environments - key to maximizing satisfaction in a compact camera investment.
Feel free to examine the detailed physical controls, sensor sizes, and sample images in the integrated visuals throughout this article to contextualize performance differences visually.
Happy shooting!
Fujifilm XP70 vs Panasonic F5 Specifications
Fujifilm FinePix XP70 | Panasonic Lumix DMC-F5 | |
---|---|---|
General Information | ||
Make | FujiFilm | Panasonic |
Model type | Fujifilm FinePix XP70 | Panasonic Lumix DMC-F5 |
Class | Waterproof | Small Sensor Compact |
Revealed | 2014-01-06 | 2013-01-07 |
Physical type | Compact | Compact |
Sensor Information | ||
Sensor type | CMOS | CCD |
Sensor size | 1/2.3" | 1/2.3" |
Sensor measurements | 6.17 x 4.55mm | 6.08 x 4.56mm |
Sensor area | 28.1mm² | 27.7mm² |
Sensor resolution | 16 megapixels | 14 megapixels |
Anti alias filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | - |
Highest Possible resolution | 4608 x 3456 | 4320 x 3240 |
Maximum native ISO | 6400 | 6400 |
Min native ISO | 100 | 100 |
RAW files | ||
Autofocusing | ||
Manual focusing | ||
Autofocus touch | ||
Continuous autofocus | ||
Autofocus single | ||
Tracking autofocus | ||
Selective autofocus | ||
Autofocus center weighted | ||
Autofocus multi area | ||
Autofocus live view | ||
Face detection focus | ||
Contract detection focus | ||
Phase detection focus | ||
Cross type focus points | - | - |
Lens | ||
Lens support | fixed lens | fixed lens |
Lens zoom range | 28-140mm (5.0x) | 28-140mm (5.0x) |
Max aperture | f/3.9-4.9 | f/3.2-6.5 |
Macro focusing range | 9cm | 5cm |
Focal length multiplier | 5.8 | 5.9 |
Screen | ||
Type of screen | Fixed Type | Fixed Type |
Screen diagonal | 2.7 inch | 2.7 inch |
Screen resolution | 460k dots | 230k dots |
Selfie friendly | ||
Liveview | ||
Touch operation | ||
Screen tech | - | TFT LCD |
Viewfinder Information | ||
Viewfinder type | None | None |
Features | ||
Min shutter speed | 4 seconds | 8 seconds |
Max shutter speed | 1/2000 seconds | 1/2000 seconds |
Continuous shutter rate | 10.0fps | 1.0fps |
Shutter priority | ||
Aperture priority | ||
Manual mode | ||
Custom white balance | ||
Image stabilization | ||
Inbuilt flash | ||
Flash distance | 3.10 m | 5.70 m |
Flash modes | Auto, forced flash, flash off, slow synchro | Auto, On, Off, Red-eye, Slow Syncro |
Hot shoe | ||
AE bracketing | ||
WB bracketing | ||
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Supported video resolutions | 1920 x 1080 (30p/60p), 1280 x 720 (60p), 640 x 480 (30p) | 1280 x 720 (30 fps), 640 x 480 (30 fps) |
Maximum video resolution | 1920x1080 | 1280x720 |
Video format | H.264 | Motion JPEG |
Microphone support | ||
Headphone support | ||
Connectivity | ||
Wireless | Built-In | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | Optional | None |
Physical | ||
Environmental sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 179 gr (0.39 pounds) | 121 gr (0.27 pounds) |
Dimensions | 104 x 67 x 26mm (4.1" x 2.6" x 1.0") | 97 x 58 x 22mm (3.8" x 2.3" x 0.9") |
DXO scores | ||
DXO Overall rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Battery life | 210 photos | 250 photos |
Battery style | Battery Pack | Battery Pack |
Battery ID | NP-45S | - |
Self timer | Yes | Yes (2 or 10 sec) |
Time lapse shooting | ||
Storage type | SC/SDHC/SDXC, Internal | SD/SDHC/SDXC, Internal |
Card slots | Single | Single |
Pricing at release | $199 | $100 |