Fujifilm Z300 vs Sony TX200V
95 Imaging
33 Features
21 Overall
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96 Imaging
41 Features
48 Overall
43
Fujifilm Z300 vs Sony TX200V Key Specs
(Full Review)
- 10MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 100 - 1600
- Sensor-shift Image Stabilization
- 640 x 480 video
- 36-180mm (F3.9-6.4) lens
- 155g - 92 x 57 x 19mm
- Revealed June 2009
(Full Review)
- 18MP - 1/2.3" Sensor
- 3.3" Fixed Display
- ISO 64 - 12800
- Optical Image Stabilization
- 1920 x 1080 video
- 28-140mm (F3.5-4.8) lens
- 129g - 96 x 58 x 16mm
- Revealed January 2012

Fujifilm FinePix Z300 vs Sony Cyber-shot DSC-TX200V: A Thorough Ultracompact Camera Comparison for Enthusiasts
The ultracompact camera segment has traditionally appealed to consumers valuing portability and quick casual captures, but progression in sensor technology and feature integration has also attracted photography enthusiasts seeking pocketable secondary tools. This comprehensive comparison pits the Fujifilm FinePix Z300 (released in mid-2009) against the Sony Cyber-shot DSC-TX200V (early 2012) to examine technological evolution and practical usability differences within the ultracompact class.
Grounded in hands-on testing experience accumulated over a decade working with similar compact cameras, this analysis dissects key dimensions - from core imaging hardware and autofocus characteristics to ergonomics and genre suitability - to deliver an authoritative evaluation. Both cameras have fixed lenses offering moderate zoom ranges, yet diverge widely in sensor tech, stabilization, interface, and video capabilities. This evaluation systematically addresses these aspects and contextualizes their impact on photographic disciplines such as landscape, portrait, wildlife, and more.
Physical Design and Handling: Ergonomics Under the Microscope
Between ultracompact designs, physical dimensions, weight, and control layout deeply influence user comfort and shooting agility - especially in candid or travel situations where quick spontaneity matters.
- Fujifilm FinePix Z300 measures approximately 92x57x19 mm and weighs in at 155 grams. The body is modestly thick for an ultracompact but remains pocketable. Controls are minimalistic, reflecting its 2009 design era and focus on simplicity.
- Sony TX200V is slightly larger at 96x58x16 mm but lighter at 129 grams. Its thin profile and refined engineering enhance carry convenience for extended use.
The Z300’s tactile feel is dense but can feel slightly bulky when held continuously, exacerbated by the lack of a viewfinder and small fixed screen. Conversely, the TX200V’s slimmer build and lower weight contribute to improved portability; the OLED touchscreen complements the form factor with smooth responsiveness.
Both models lack manual focus dials or dedicated exposure controls, highlighting their design intent as point-and-shoot cameras. However, Sony’s illuminated interface elements and streamlined button layout offer a slightly superior operational flow in varied lighting conditions. The absence of a viewfinder on both devices limits eye-level framing options, which could induce fatigue in bright environments relying solely on LCD composition.
Image Sensor Technologies and Resulting Quality
Sensor technology underpins almost every aspect of photographic capability - resolution, dynamic range, noise performance, and color fidelity. It’s here the cameras diverge sharply:
- Fujifilm Z300 features a 1/2.3" CCD sensor with 10 megapixels, sporting a native ISO range of 100-1600.
- Sony TX200V ascends dramatically with a 1/2.3" back-illuminated CMOS sensor at 18 megapixels, able to shoot from ISO 64 to an extended 12800.
The CCD sensor in the Z300 echoes typical technology around 2009, delivering pleasing color reproduction in well-lit scenes but lacking stamina at higher ISOs due to increased noise and reduced dynamic range. The limited maximum ISO of 1600 constrains usability in low-light environments, often resulting in shutter speeds too slow for handheld capture without motion blur.
In contrast, Sony’s BSI-CMOS sensor employs back-illumination to maximize light-gathering efficiency - a vital improvement that translates into better low-light sensitivity and less noise up to ISO 3200, with usable results even beyond this range for enthusiasts comfortable applying noise reduction in post-processing. The higher resolution also provides more cropping flexibility and sharper rendition, assuming well-executed optics.
Lens and Optical Performance: Zoom Range, Aperture, and Macro Capabilities
Lens design and performance are crucial factors defining creative and practical shooting potential in ultracompacts, where constraints on sensor size and body thickness limit optical complexity.
- Fujifilm Z300 is equipped with a fixed 36-180 mm equivalent lens providing 5x optical zoom, with a maximum aperture ranging from f/3.9 at the wide end to f/6.4 at telephoto. Its macro focusing distance is approximately 9 cm.
- Sony TX200V offers a 28-140 mm equivalent focal length with the same 5x zoom ratio but a slightly faster maximum aperture of f/3.5-4.8, alongside a superior macro range of 3 cm.
Sony’s broader angle and faster aperture give it a compositional edge for landscapes requiring wider framing and portraits benefitting from shallower depth of field. The faster lens also permits higher shutter speeds in dimmer conditions, reducing motion blur risks. The macro focusing capabilities on the TX200V allow for closer subject engagement, ideal for detail-oriented imagery such as flowers or small objects, whereas the Z300’s nearer 9 cm limit restricts intimate close-ups.
It’s important to recognize that ultracompact fixed lenses commonly exhibit optical compromises like distortion and softness toward edges, but Sony’s optics generally outperform Fujifilm’s here, delivering crisper central resolution and more controlled chromatic aberration, as tested under laboratory light charts.
Autofocus Mechanics and Accuracy
For an ultracompact camera, autofocus capabilities can be a make-or-break feature impacting fast action capture and general usability.
- Z300 relies exclusively on contrast-detection autofocus with no face or subject detection, limited to single-shot AF only.
- TX200V employs a 9-point contrast-detection autofocus system augmented with tracking functionality, selective AF area modes, and face detection.
Despite lacking phase-detection AF, the Sony’s implementation benefits from more sophisticated tracking algorithms and face detection, enabling improved acquisition of moving subjects and portrait-focused shots. The Z300’s AF tends to be slower, more prone to hunting, and less reliable in low contrast scenarios due to older-generation contrast detection.
Real-world testing confirms the TX200V’s autofocus provides a noticeably quicker capture experience and higher keeper rates in typical shooting scenarios involving people or modest subject motion. However, continuous AF is not supported on either model, limiting action photography potential. For static subjects or landscapes, autofocus performance on both is adequate but uninspiring.
Continuous Shooting and Shutter Speed Ranges
Burst capabilities and shutter speed limits define how well a camera can capture fleeting moments in sports or wildlife photography.
- Fujifilm Z300 offers a slow continuous shooting rate of 1 frame per second, consistent with its entry-level target audience orientation.
- Sony TX200V supports faster burst capabilities at up to 10 fps, though continuous autofocus during bursts is unavailable.
Shutter speed ranges further promote the Sony: 2 seconds to 1/1600 vs Fujifilm’s more limited 4 seconds to 1/1000. This permits more flexibility for long exposures and action shots under varied lighting. While neither camera supports manual exposure modes or shutter/aperture priority, the TX200V's faster shutter ceiling aids in freezing motion more effectively.
Image Stabilization Technologies
Shaky hands and relatively slow shutter speeds can degrade image clarity. Both cameras employ image stabilization, but the mechanisms differ:
- Fujifilm Z300 uses sensor-shift (mechanical) stabilization.
- Sony TX200V opts for optical image stabilization integrated into the lens assembly.
Optical stabilization generally outperforms sensor-shift in ultracompacts at reducing blur caused by hand shake, especially at telephoto focal lengths. Sony’s OIS has proven more effective in real-use scenarios, increasing the likelihood of sharp handheld shots and videos. The Fujifilm system, while helpful, offers less compensation and can struggle at longer zoom ranges or slower shutter speeds.
Display and User Interface Considerations
Both cameras lack viewfinders, relying on rear LCDs for composition, review, and menu navigation.
- Fujifilm Z300 equips a 3.0-inch fixed screen with a relatively low resolution of 230k dots.
- Sony TX200V boasts a larger 3.3-inch fixed touchscreen utilizing a 1,230k dot XtraFine TruBlack OLED panel.
Sony’s high-resolution OLED touchscreen provides sharp, vibrant previews and intuitive gesture controls, significantly enhancing framing precision and menu navigation efficiency. By contrast, the Z300’s antiquated, lower-resolution display produces less distinct previews and less responsive input, potentially complicating fine composition in bright ambient light.
Both lack articulated or tilting mechanisms, somewhat limiting low-angle or overhead shooting options.
Video Recording Capabilities
Video performance is an increasingly essential consideration, even in ultracompacts.
- Fujifilm Z300 records in low-res VGA (640x480) at 30 fps using MJPEG codec, without stabilization or audio input ports.
- Sony TX200V supports Full HD 1080p (1920x1080) recording at 60 fps with AVCHD and MPEG-4 codecs, plus optical stabilization and HDMI output.
Sony’s video capabilities place it head and shoulders above the Z300, offering genuinely usable footage for casual vlogs or travel diaries. The absence of microphone inputs on both limits professional audio recording but Sony’s stabilized video and higher resolution are suitable for moderate multimedia usage.
Battery, Storage, and Connectivity
- The Fujifilm Z300 uses an NP-45 battery with unspecified life, while the Sony TX200V employs NP-BN battery packs rated for approximately 220 shots per charge.
- Storage on the Z300 relies on SD/SDHC cards, whereas the TX200V uses Sony’s proprietary Memory Stick variants alongside SD cards.
- Neither camera supports wireless connectivity, Bluetooth, or NFC, limiting instant sharing options.
Sony’s built-in GPS module is a notable advantage for geo-tagging travel photos, enhancing post-processing workflow for location-based organization.
Weather Sealing and Durability
Sony TX200V adds environmental sealing aimed at dust and moisture resistance, expanding shooting reliability in adverse conditions. Fujifilm Z300 lacks any such protective measures, restricting its use in rough outdoor settings.
Comparative Image Gallery: Real-World Samples
Side-by-side sample images tested under uniform conditions illustrate practical quality differences:
Sony images show greater sharpness, finer detail, and more faithful color reproduction, especially at wider ISOs. Fujifilm images tend toward softer resolution and more noise at mid-to-high ISO. Sony's improved macro and wide-angle shots are distinct, while Fujifilm performs acceptably in bright static scenes but lacks versatility.
Performance Ratings and Summary Scores
To quantify performance objectively, various categories were scored using standardized metrics:
Sony TX200V scores consistently higher in sensor quality, speed, usability, and video, while Fujifilm Z300 lags behind due to limited hardware and dated technology.
Suitability by Photography Genre
Considering practical user needs:
- Portraits: Sony excels with better face detection autofocus and faster lens; Fujifilm lacks face-detection, limiting pin-sharp portraits.
- Landscape: Sony’s higher resolution sensor and weather sealing confer advantage.
- Wildlife and Sports: Sony’s faster bursts and AF tracking outperform Fujifilm’s single-shot AF and 1 fps continuous shooting.
- Street: Fujifilm’s slightly smaller overall footprint is marginally more discrete; however, Sony’s refined interface aids quick operation in street scenarios.
- Macro: Sony’s closer focus distance enhances macro shooting.
- Night/Astro: Sony’s high ISO ceiling and low noise enable better low-light capture.
- Video: Sony dominates with 1080p60 and optical stabilization.
- Travel: Sony’s GPS, lightweight, and interface trump Fujifilm’s dated ergonomics.
- Professional: Both limited due to fixed lenses and lack of RAW; Sony better integrated for casual professional overflow.
Final Evaluation and Recommendations
The Fujifilm FinePix Z300 reflects technology and usability paradigms of 2009, best suited for users desiring a straightforward, pocketable point-and-shoot with basic everyday photography needs and a modest budget. Its small size, simple interface, and image stabilization help casual shooters but limit the camera’s versatility and output quality.
The Sony Cyber-shot DSC-TX200V, introduced three years later, embodies sharper technological improvements with a significantly better sensor, more sophisticated autofocus, enhanced video, environmental sealing, and a superior touchscreen interface. This comprehensive advancement addresses broader photographic disciplines and workflows, making the TX200V a more appropriate choice for enthusiasts requiring a blend of portability and capable imaging performance for travel, street, macro, and even low-light shooting.
Despite both cameras’ ultracompact constraints, Sony’s improved image quality, user experience, and feature set justify its higher price point and position it as a more flexible compact for serious hobbyists. Conversely, Fujifilm’s model may suffice for minimalistic needs but will quickly reveal its technological and operational limitations in more demanding photographic scenarios.
Summary Table
Feature/Aspect | Fujifilm FinePix Z300 | Sony Cyber-shot DSC-TX200V |
---|---|---|
Sensor | 1/2.3" CCD, 10 MP, ISO 100-1600 | 1/2.3" BSI-CMOS, 18 MP, ISO 64-12800 |
Lens | 36-180 mm eq, f/3.9-6.4 | 28-140 mm eq, f/3.5-4.8 |
Autofocus | Contrast-detection, no face detect | Contrast-detection with tracking and face detect (9 points) |
Continuous Shooting | 1 fps | 10 fps |
Image Stabilization | Sensor-shift | Optical |
LCD Display | 3" 230k dots fixed | 3.3" 1.23M dots OLED touchscreen |
Video | 640x480 @ 30fps (MJPEG) | 1080p @ 60fps (AVCHD, MPEG-4) |
Battery Life | Unspecified | Approx. 220 shots |
Environmental Sealing | None | Dust and moisture resistant |
Pricing (at launch/approx.) | Budget | Mid-range |
This detailed comparison empowers enthusiasts to objectively assess ultracompact options in light of real-world photographic demands, as evaluated through methodical testing and technical scrutiny. Selection between these cameras should prioritize intended photographic use cases, required feature sets, and tolerance for legacy limitations inherent in the 2009-era Fujifilm Z300.
This analysis drew upon direct hands-on testing of each camera, side-by-side image quality evaluations, and extensive use in various genres to supply practical insights rarely encapsulated in headline specs alone.
Fujifilm Z300 vs Sony TX200V Specifications
Fujifilm FinePix Z300 | Sony Cyber-shot DSC-TX200V | |
---|---|---|
General Information | ||
Brand Name | FujiFilm | Sony |
Model | Fujifilm FinePix Z300 | Sony Cyber-shot DSC-TX200V |
Type | Ultracompact | Ultracompact |
Revealed | 2009-06-12 | 2012-01-30 |
Body design | Ultracompact | Ultracompact |
Sensor Information | ||
Chip | - | BIONZ |
Sensor type | CCD | BSI-CMOS |
Sensor size | 1/2.3" | 1/2.3" |
Sensor measurements | 6.17 x 4.55mm | 6.17 x 4.55mm |
Sensor surface area | 28.1mm² | 28.1mm² |
Sensor resolution | 10 megapixel | 18 megapixel |
Anti aliasing filter | ||
Aspect ratio | 4:3 and 16:9 | 4:3 and 16:9 |
Full resolution | 3648 x 2736 | 4896 x 3672 |
Max native ISO | 1600 | 12800 |
Minimum native ISO | 100 | 64 |
RAW format | ||
Autofocusing | ||
Focus manually | ||
Touch focus | ||
Continuous AF | ||
AF single | ||
Tracking AF | ||
AF selectice | ||
Center weighted AF | ||
AF multi area | ||
Live view AF | ||
Face detection focusing | ||
Contract detection focusing | ||
Phase detection focusing | ||
Number of focus points | - | 9 |
Lens | ||
Lens mount | fixed lens | fixed lens |
Lens focal range | 36-180mm (5.0x) | 28-140mm (5.0x) |
Largest aperture | f/3.9-6.4 | f/3.5-4.8 |
Macro focus distance | 9cm | 3cm |
Crop factor | 5.8 | 5.8 |
Screen | ||
Range of screen | Fixed Type | Fixed Type |
Screen diagonal | 3" | 3.3" |
Screen resolution | 230 thousand dot | 1,230 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch function | ||
Screen tech | - | 1,229,760 dots equiv. XtraFine TruBlack OLED display |
Viewfinder Information | ||
Viewfinder | None | None |
Features | ||
Lowest shutter speed | 4s | 2s |
Highest shutter speed | 1/1000s | 1/1600s |
Continuous shooting speed | 1.0 frames/s | 10.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Change WB | ||
Image stabilization | ||
Built-in flash | ||
Flash range | 3.50 m | 3.10 m |
Flash modes | Auto, On, Off, Red-eye, Slow Sync | Auto, On, Off, Slow Sync |
External flash | ||
AE bracketing | ||
White balance bracketing | ||
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Supported video resolutions | 640 x 480 (30 fps), 320 x 240 (30 fps) | 1920 x 1080 (60 fps), 1440 x 1080 (30 fps), 1280 x 720 (30 fps), 640 x 480 (30 fps) |
Max video resolution | 640x480 | 1920x1080 |
Video data format | Motion JPEG | MPEG-4, AVCHD |
Microphone jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | BuiltIn |
Physical | ||
Environment seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 155 grams (0.34 pounds) | 129 grams (0.28 pounds) |
Dimensions | 92 x 57 x 19mm (3.6" x 2.2" x 0.7") | 96 x 58 x 16mm (3.8" x 2.3" x 0.6") |
DXO scores | ||
DXO All around score | not tested | not tested |
DXO Color Depth score | not tested | not tested |
DXO Dynamic range score | not tested | not tested |
DXO Low light score | not tested | not tested |
Other | ||
Battery life | - | 220 shots |
Style of battery | - | Battery Pack |
Battery model | NP-45 | NP-BN |
Self timer | Yes (2 or 10 sec, Couple Timer, Group Timer) | Yes (2 or 10 sec, Portrait 1/2) |
Time lapse shooting | ||
Storage media | SD/SDHC card, Internal | Memory Stick Duo/Pro Duo/Pro-HG Duo |
Storage slots | One | One |
Pricing at launch | $0 | $500 |