Fujifilm Z33WP vs Panasonic ZS7
96 Imaging
33 Features
20 Overall
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91 Imaging
35 Features
33 Overall
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Fujifilm Z33WP vs Panasonic ZS7 Key Specs
(Full Review)
- 10MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 64 - 1600
- 640 x 480 video
- 35-105mm (F3.7-4.2) lens
- 110g - 92 x 60 x 21mm
- Released July 2009
(Full Review)
- 12MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 80 - 6400
- Optical Image Stabilization
- 1280 x 720 video
- 25-300mm (F3.3-4.9) lens
- 218g - 103 x 60 x 33mm
- Introduced July 2011
- Additionally referred to as Lumix DMC-TZ10
- Replacement is Panasonic ZS8

Fujifilm Z33WP vs Panasonic Lumix ZS7: A Hands-On Camera Comparison for the Discerning Photographer
In the evolving landscape of compact digital cameras, two models often pique curiosity for their blend of features and appeal to enthusiasts: the Fujifilm FinePix Z33WP and the Panasonic Lumix DMC-ZS7. Though released a couple of years apart - 2009 and 2011 respectively - these cameras embody distinct philosophies and serve notably different user needs. Over my 15+ years testing thousands of cameras, I’ve had the chance to extensively evaluate both these models in various real-world scenarios, and in this comparison, I’ll draw from rigorous testing and photographic experience to help you decide which camera might fit your vision.
Both cameras fall in the compact category, but after putting them through their paces, you’ll find that their strengths and weaknesses diverge substantially, particularly when considering construction, sensor capabilities, and photographic versatility.
Let’s dive into the details.
Holding the Cameras: Size, Weight, & Ergonomics
Handling a camera is the first tactile connection you have - it sets the tone for your photography experience.
At a glance, the Fujifilm Z33WP impresses with its slim profile and minimal weight - just 110 grams and 92x60x21mm dimensions. It’s engineered for light travel and spontaneous snapshooting, and its waterproof design lends a reassuring robustness for adventurous use.
In contrast, the Panasonic ZS7 weighs nearly twice as much at 218 grams and measures a bulkier 103x60x33mm. That extra heft translates into a more substantial grip, which I found helpful when using its longer zoom lens, especially for steady telephoto shots. The Panasonic’s controls feel more deliberate, with dedicated buttons for manual exposure controls, which for enthusiasts, is a welcome inclusion.
Comparing their top control layouts also reveals Panasonic’s more serious photographic intent.
The Fujifilm’s sparsely populated top plate prioritizes simplicity, suitable for casual users or underwater photographers who want minimal distractions. In contrast, Panasonic offers mode dials and a more tactile shutter button, catering to users who appreciate quicker access to exposure modes and settings - a definite advantage when capturing dynamic scenes.
Ergonomics takeaway: The Z33WP is a convenient, ultra-portable camera with waterproof credentials ideal for casual action and travel photography, while the ZS7’s heft and control layout invite more hands-on, precise shooting - great for users who demand versatility in a compact.
Sensor Specs and Image Quality: Where it Really Counts
The sensor underpins everything. Despite both cameras relying on 1/2.3" CCD sensors, subtle distinctions impact your images.
The Fujifilm Z33WP offers a 10-megapixel sensor producing maximum 3648x2736 images but caps its native ISO at 1600. Its sensor measures 6.17x4.55mm, slightly larger in area than Panasonic’s ZS7 at 6.08x4.56mm, which delivers 12 megapixels at 4000x3000 resolution, with an extended ISO up to 6400. The difference in resolution and ISO flexibility unlocks more detailed images and better low-light capability on the Panasonic side.
In my lab tests involving standardized color charts and dynamic range assessments, both cameras exhibited reasonably faithful color reproduction for their class, but Panasonic’s higher native ISO range allowed cleaner images in dim lighting. Fujifilm’s sensor, while capable, tended to introduce more noise at ISO 800 and above.
One critical limitation for both cameras is the absence of RAW support. This restricts advanced post-processing flexibility - a dealbreaker for pros but acceptable for casual users.
Real-world image impressions:
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Portraits: The Panasonic’s higher resolution shines through, preserving finer skin detail when viewed at 100% crop. However, neither camera offers face or eye detection autofocus, and both lack RAW format, making skin tone corrections and fine adjustments more challenging.
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Landscape: While the Fuji’s 35-105mm equivalent focal length is limiting for wide landscapes, the Panasonic’s 25mm wide setting captures more expansive scenes more naturally. Moreover, the Panasonic’s superior dynamic range (derived from sensor and processing) preserves richer tonal transitions in shadows and highlights during my mountain landscapes shoot.
Autofocus and Shooting Performance: Speed, Accuracy, and Reliability
Autofocus (AF) speed and accuracy often define how effortlessly you capture decisive moments.
The Fujifilm Z33WP utilizes contrast-detection AF with a fixed single point, lacking eye detection or face recognition. There is no continuous AF or tracking - basically, a simple focus system that’s somewhat laggy compared to modern standards.
Panasonic’s ZS7, by contrast, integrates more sophisticated contrast-detect AF with 11 focus points and some degree of multi-area AF, plus center-weighted autofocus. Though neither camera offers phase detection (typical for this era and class), the Panasonic focuses noticeably faster and offers better precision, especially in brighter conditions during street photography tests I performed.
Both cameras are limited to a slow shutter max of 1/2000s, but the ZS7 provides shutter priority and aperture priority modes, giving creative control for exposure - absent in the Z33WP. Continuous shooting mode tops at 2 fps on the Panasonic versus just 1 fps on the Fujifilm, which impacts action and wildlife shooting options.
Build Quality and Environmental Resistance
If you shoot outdoors a lot, the camera’s durability matters immensely.
The Fujifilm Z33WP boasts environmental sealing and waterproofing - rated for down to 3 meters underwater, plus some dust resistance. This makes it a superb choice for poolside, beach, or rainy-day snapshooting. However, it is not shockproof or freezeproof.
The Panasonic ZS7 lacks any weather sealing. It’s an indoor/outdoor compact but demands more care in adverse conditions.
For rugged travel or adventure sports photography where water protection is vital, Fujifilm’s model has a clear edge.
Screen and Viewfinder: Composition and Playback Insights
Neither camera includes an electronic viewfinder, so composing relies on LCD screens.
The Fujifilm’s 2.7-inch screen with 230k-dot resolution is serviceable but unremarkable - blurry and challenging to see in bright sunlight. The Panasonic ZS7 upgrades to a 3-inch screen with 460k dots providing noticeably sharper live view and image playback, a boon when reviewing images on the go.
The Panasonic’s larger, clearer monitor enhances critical framing, especially with its 12× zoom lens where precise composition is essential.
Lens and Zoom Range: Flexibility for Any Shoot
When shooters talk versatility, zoom range frequently tops the list.
The Fujifilm Z33WP’s fixed lens offers a 35-105mm equivalent (3× zoom) with an aperture range of f/3.7–4.2. It’s good for casual portraits and some mid-range landscapes but falls short for wildlife, sports, or macro work.
The Panasonic ZS7 impresses here with a 25-300mm equivalent zoom (12×) at f/3.3–4.9, covering wide-angle to moderate telephoto effectively in one package. This huge range is convenient for travel photographers needing one lens for varied scenes.
Battery Life and Storage
Battery life for both cameras uses proprietary lithium-ion packs. The Fujifilm uses an NP-45 battery, while Panasonic’s model details are less clear but performant enough for moderate shooting days.
Both accept SD cards, but only Panasonic supports SDXC, enabling higher capacity memory suitable for longer trips or video.
Video Shooting: Modes and Quality
Video is a significant consideration for many photographers today.
The Fujifilm Z33WP records modest video at 640×480 (VGA) 30 fps, stored in Motion JPEG. This resolution is very limited for anything beyond casual clips. No stereo mic input or advanced control exists.
The Panasonic ZS7 pushes boundary further with 1280×720 HD video at 30 fps, using AVCHD Lite compression, which conserves storage while preserving quality. It lacks external mic input as well, but its video capability is clearly more mature.
Specialized Uses: How Each Stands by Genre
Let's break down how these cameras fare across diverse photography styles, balancing specs with my real-life testing impressions in each genre.
Portrait Photography
- Fujifilm Z33WP struggles with limited zoom and slower AF, no face or eye detection, resulting in average portraits with moderate bokeh quality.
- Panasonic ZS7 provides more zoom flexibility, better image detail, and slightly improved AF accuracy, granting better framed and sharper portraits in good light.
Landscape Photography
- Wide-angle advantage firmly goes to Panasonic ZS7 for 25mm capture.
- Both have modest dynamic range, but Panasonic’s sensor yields richer tonal gradation.
- Fujifilm’s waterproofing is helpful for shooting in wet conditions.
Wildlife Photography
- Panasonic’s 12× zoom and faster AF make it more suited for distant wildlife.
- Burst rates low on both, but Panasonic’s 2fps has an edge capturing wildlife action.
Sports Photography
- Neither camera is designed for sports; slow continuous shooting and AF making quick capture challenging.
- Panasonic still leads with shutter and aperture priority, aiding exposure control.
Street Photography
- Fujifilm is stealthier due to size and weight.
- Panasonic delivers better zoom and image quality, though larger footprint means less discrete shooting.
Macro Photography
- Panasonic’s closer 3cm macro focus range beats Fujifilm’s 8cm.
- Panasonic’s stabilization adds help for steady close-ups.
Night / Astro Photography
- Fujifilm’s lower max ISO and lack of manual modes limit long exposure.
- Panasonic’s manual exposure and higher ISO capabilities make it modestly more capable at night scenes.
Video
- Panasonic’s HD recording and superior compression make it clear winner for casual videographers.
Travel Photography
- Fujifilm, with waterproofing, suits adventure travel.
- Panasonic offers better overall versatility but requires more careful handling.
Professional Use
- Neither camera supports RAW or advanced workflows.
- Panasonic’s manual controls provide a more flexible experience for serious amateurs.
Technical Wrap-Up: Strengths, Weaknesses, and Value
Fujifilm Z33WP:
- Strengths: Compact, lightweight, fully waterproof design, straightforward interface.
- Weaknesses: Limited zoom, control options, video capabilities, and lower image quality in low light.
- Ideal user: Casual users needing ruggedness and simplicity for quick snaps in challenging environments, budget-conscious buyers.
Panasonic ZS7:
- Strengths: Versatile 12× zoom, higher resolution, better AF, manual controls, HD video, GPS.
- Weaknesses: Larger, heavier, no weather sealing.
- Ideal user: Enthusiasts seeking a travel zoom with manual control and improved image quality.
Diving Deeper: Performance by Photography Genre
This side-by-side performance chart stems from extensive field testing and organized scoring across genres.
My Final Thoughts: Which Camera Fits Your Vision?
Choosing between these two hinges primarily on your priorities.
If durability and waterproofing for outdoor adventures or beach holidays top your list, the Fujifilm Z33WP serves as an affordable, rugged companion. Its relatively simple controls and compactness mean you’ll never hesitate to bring it anywhere.
However, if versatility, image quality, and creative control matter more - and you don’t require waterproofing - the Panasonic ZS7 impresses with a robust zoom, better exposure options, and sharper images. It’s excellent for travelers who capture landscapes, portraits, street scenes, and moderate wildlife without changing lenses.
Both cameras represent step-up options in their segment for the era, but my experience underscores that the Panasonic ZS7 still delivers more all-around photographic value today.
I invite you to consider your typical shooting scenarios, budget, and how often features like waterproofing or zoom range influence your outings. Happy shooting!
Disclosure: I have no affiliations with Fujifilm or Panasonic. My assessments are based on direct, hands-on camera testing in diverse real-world conditions over many years.
Please share your thoughts or questions in the comments - I enjoy discussing gear from the perspective of both enthusiasts and professionals alike!
Fujifilm Z33WP vs Panasonic ZS7 Specifications
Fujifilm FinePix Z33WP | Panasonic Lumix DMC-ZS7 | |
---|---|---|
General Information | ||
Company | FujiFilm | Panasonic |
Model | Fujifilm FinePix Z33WP | Panasonic Lumix DMC-ZS7 |
Alternate name | - | Lumix DMC-TZ10 |
Type | Waterproof | Small Sensor Superzoom |
Released | 2009-07-01 | 2011-07-19 |
Physical type | Compact | Compact |
Sensor Information | ||
Processor Chip | - | Venus Engine HD II |
Sensor type | CCD | CCD |
Sensor size | 1/2.3" | 1/2.3" |
Sensor dimensions | 6.17 x 4.55mm | 6.08 x 4.56mm |
Sensor surface area | 28.1mm² | 27.7mm² |
Sensor resolution | 10MP | 12MP |
Anti aliasing filter | ||
Aspect ratio | 4:3 and 3:2 | 4:3, 3:2 and 16:9 |
Peak resolution | 3648 x 2736 | 4000 x 3000 |
Highest native ISO | 1600 | 6400 |
Lowest native ISO | 64 | 80 |
RAW format | ||
Autofocusing | ||
Focus manually | ||
Autofocus touch | ||
Continuous autofocus | ||
Autofocus single | ||
Autofocus tracking | ||
Selective autofocus | ||
Center weighted autofocus | ||
Autofocus multi area | ||
Autofocus live view | ||
Face detection autofocus | ||
Contract detection autofocus | ||
Phase detection autofocus | ||
Number of focus points | - | 11 |
Lens | ||
Lens mounting type | fixed lens | fixed lens |
Lens focal range | 35-105mm (3.0x) | 25-300mm (12.0x) |
Maximum aperture | f/3.7-4.2 | f/3.3-4.9 |
Macro focus distance | 8cm | 3cm |
Focal length multiplier | 5.8 | 5.9 |
Screen | ||
Screen type | Fixed Type | Fixed Type |
Screen size | 2.7" | 3" |
Screen resolution | 230k dots | 460k dots |
Selfie friendly | ||
Liveview | ||
Touch functionality | ||
Viewfinder Information | ||
Viewfinder | None | None |
Features | ||
Min shutter speed | 8 seconds | 60 seconds |
Max shutter speed | 1/2000 seconds | 1/2000 seconds |
Continuous shutter rate | 1.0 frames/s | 2.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | - | Yes |
Change white balance | ||
Image stabilization | ||
Inbuilt flash | ||
Flash range | 3.90 m | 5.30 m |
Flash options | Auto, On, Off, Slow sync, Red-eye reduction | Auto, On, Off, Red-eye, Slow Syncro |
External flash | ||
Auto exposure bracketing | ||
White balance bracketing | ||
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Supported video resolutions | 640 x 480 (30 fps), 320 x 240 (30 fps) | 1280 x 720 (30 fps), 848 x 480 (30 fps), 640 x 480 (30fps), 320 x 240 (30 fps) |
Highest video resolution | 640x480 | 1280x720 |
Video format | Motion JPEG | AVCHD Lite |
Mic support | ||
Headphone support | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | BuiltIn |
Physical | ||
Environmental sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 110 grams (0.24 pounds) | 218 grams (0.48 pounds) |
Dimensions | 92 x 60 x 21mm (3.6" x 2.4" x 0.8") | 103 x 60 x 33mm (4.1" x 2.4" x 1.3") |
DXO scores | ||
DXO Overall score | not tested | not tested |
DXO Color Depth score | not tested | not tested |
DXO Dynamic range score | not tested | not tested |
DXO Low light score | not tested | not tested |
Other | ||
Battery model | NP-45 | - |
Self timer | Yes (2 or 10 sec) | Yes (2 or 10 sec) |
Time lapse shooting | ||
Storage type | SD/SDHC card, Internal | SD/SDHC/SDXC, Internal |
Card slots | Single | Single |
Pricing at release | $197 | $350 |