Fujifilm Z37 vs Panasonic S2
95 Imaging
32 Features
13 Overall
24
96 Imaging
37 Features
29 Overall
33
Fujifilm Z37 vs Panasonic S2 Key Specs
(Full Review)
- 10MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 100 - 1600
- 640 x 480 video
- 35-105mm (F3.7-4.2) lens
- 125g - 90 x 58 x 24mm
- Released July 2009
(Full Review)
- 14MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 100 - 6400
- Optical Image Stabilization
- 1280 x 720 video
- 28-112mm (F3.1-6.5) lens
- 112g - 98 x 57 x 21mm
- Announced January 2012
Pentax 17 Pre-Orders Outperform Expectations by a Landslide Fujifilm Z37 vs Panasonic Lumix S2: A Detailed Comparison of Compact Small Sensor Cameras
Choosing the right camera can feel overwhelming, especially with models that share similar form factors yet differ in nuanced features that impact your photography experience. Today, we dive deep into a hands-on, technical comparison between two compact small sensor cameras: the Fujifilm FinePix Z37 (2009) and the Panasonic Lumix DMC-S2 (2012). Though both target the casual shooter who prefers portability and simplicity, their feature sets and real-world performance reveal distinct strengths and limitations you should know before investing.
Drawing on years of comprehensive testing of small sensor compacts, we’ll unpack image quality, autofocus, ergonomics, continuous shooting, video capabilities, and more - with a lens on how they perform across popular photography genres and use cases. Whether you’re a beginner exploring photography essentials or a seasoned enthusiast seeking a lightweight backup, this comparison will guide your decision with clarity and confidence.
First Impressions: Size and Handling in Your Hands
Portability often tops the wishlist for compact cameras, but size is only meaningful combined with comfortable handling and quick access to controls. Both the Fujifilm Z37 and Panasonic S2 are pocketable, but subtle variations impact everyday convenience and shooting stability.
- Fujifilm Z37 measures approximately 90 x 58 x 24 mm and weighs 125g.
- Panasonic S2 is slightly wider but slimmer at 98 x 57 x 21 mm, and lighter at 112g.

The Panasonic’s slimmer profile and lighter weight offer an advantage for prolonged carry, making it more travel-friendly. Conversely, the Fujifilm’s more squared design yields a firmer grip despite its marginally bulkier footprint. Both cameras feature a compact fixed lens extending around the same general range, but the S2’s focal length begins slightly wider at 28mm equivalent versus 35mm on the Z37.
In practice: For street photography or quick snaps on the go, the Panasonic feels more discreet and natural in hand, while the Fujifilm’s grip might grant you steadier shots during longer sessions.
Design and Control Layout: Intuitive Interfaces for Swift Capture
Ergonomics extend beyond size to how tactile and logical the button placements and dials are - factors that affect your shooting efficiency.

Neither camera boasts fully manual controls; both aim for straightforward point-and-shoot ease. Here’s what’s notable:
- Neither has a viewfinder, relying entirely on rear LCDs.
- Both feature fixed 2.7-inch screens with a resolution of around 230k dots.
- The Fujifilm Z37 emphasizes simplicity, with a minimal number of buttons and no touchscreen.
- Panasonic S2 adds custom white balance and stabilization toggles but still lacks dedicated exposure modes or manual focus.
The main takeaway is both cameras cater to casual users rather than advanced photographers, prioritizing quick operation over granular control.
Examining the Sensor and Image Quality: What’s Behind the Image?
The heart of image capture lies in sensor performance - resolution, sensitivity, and noise handling are critical.
| Feature | Fujifilm Z37 | Panasonic Lumix S2 |
|---|---|---|
| Sensor Type | CCD | CCD |
| Sensor Size | 1/2.3" (6.17 x 4.55 mm) | 1/2.3" (6.08 x 4.56 mm) |
| Sensor Area | 28.07 mm² | 27.72 mm² |
| Resolution | 10 MP (3648x2736) | 14 MP (4320x3240) |
| Max ISO (native) | 1600 | 6400 |
| Anti-aliasing Filter | Yes | Yes |
| Raw Support | No | No |

Both sensors share the classic small 1/2.3-inch dimension, common in compact cameras, which inherently restricts shallow depth-of-field and ultimate image detail. However, the Panasonic edges ahead with 14 megapixels and a higher sensitivity range (up to ISO 6400 native) - good news for low-light shooting and cropping capability.
In practical testing:
- The Fujifilm Z37 delivers sharp images in good lighting but struggles to retain detail and minimize noise at ISO 800 and above.
- Panasonic S2 allows shooting at higher ISOs with comparatively better noise control, thanks to improved sensor technology typical circa 2012.
If you value resolution and a broader ISO envelope for night scenes or indoor photography, the Panasonic S2’s sensor is a modest yet meaningful upgrade.
Back LCD and User Interface: Composing Your Shot with Confidence
Both models sport fixed 2.7-inch LCDs of similar resolution - useful for framing but limited by size and clarity by today’s standards.

- The Fujifilm Z37’s screen is adequate for basic composition but has duller color reproduction and less brightness outdoors.
- Panasonic’s TFT display offers slightly improved contrast and color fidelity, enhancing live preview accuracy.
Neither touchscreen nor articulated display features simplify review or creative framing angles. For landscape and street photographers who often compose without a viewfinder, screen quality greatly impacts usability.
Autofocus and Shooting Speed: Catching the Decisive Moment
Speed and accuracy in autofocusing and image capture can define your success across genres like sports, wildlife, and event photography.
| Autofocus Feature | Fujifilm Z37 | Panasonic Lumix S2 |
|---|---|---|
| AF Type | Contrast detection only | Contrast detection + Face Detection |
| Number of Focus Points | Not specified (basic center weighted) | 23 AF points |
| AF Modes | Single AF | Single, Multi-area, Face detection |
| Continuous Shooting | Not available | 2 fps |
The Panasonic’s introduction of 23 focus points and face detection marks a noteworthy evolution over the Fujifilm’s very basic center-weighted contrast AF area. Though neither camera is suited for fast-moving subjects, the Panasonic can better lock focus in typical conditions, especially portraiture.
Continuous shooting capabilities clearly favor the Panasonic’s 2 fps burst, whereas the Fujifilm lacks this feature entirely. This makes Panasonic more versatile for capturing sequences of moments, albeit still relatively slow in speed.
Built-in Stabilization: How Important Is It Here?
Image stabilization is essential when shooting in lower light or at telephoto focal lengths to reduce blur from camera shake.
- Fujifilm Z37: Lacks any form of image stabilization.
- Panasonic S2: Employs optical image stabilization.
This difference is significant because the Panasonic enables sharper handheld shots at slower shutter speeds, particularly useful in travel and everyday shooting scenarios where tripods are impractical.
Lens and Focal Range: Flexibility vs Aperture Constraints
A fixed zoom lens characterizes both cameras but differs slightly in focal length and aperture:
| Camera | Lens Focal Length (35mm Equivalent) | Max Aperture Range (f/) | Macro Range |
|---|---|---|---|
| Fujifilm Z37 | 35-105mm (3x zoom) | f/3.7 - f/4.2 | 8 cm |
| Panasonic S2 | 28-112mm (4x zoom) | f/3.1 - f/6.5 | 5 cm |
The Panasonic offers a slightly wider starting focal length at 28mm, ideal for landscapes and tight interiors. The Fujifilm starts at 35mm, a classic portrait and everyday focal length.
Aperture-wise, the Fujifilm maintains a slightly brighter lens range, especially at the telephoto end. However, the Panasonic’s macro focusing distance of 5 cm versus 8 cm lets you get closer for better close-up shots - a small but welcome advantage for macro enthusiasts.
Video Capture Potential: Simple Clips or Creative Expression?
Compact cameras offer basic video functionality, and while neither excels for advanced video work, the Panasonic S2 provides a more versatile option:
| Feature | Fujifilm Z37 | Panasonic S2 |
|---|---|---|
| Max Video Resolution | VGA (640 x 480) at 30 fps | HD (1280 x 720) at 30 fps |
| Frame Rate | 30 fps | 30 fps |
| Format | Motion JPEG | Motion JPEG |
| Stabilization | None | Optical IS |
| Audio Port | None | None |
Though neither has microphone or headphone inputs, the Panasonic’s ability to shoot 720p HD video is a significant step up from the Fujifilm’s VGA output, producing clearer clips suitable for casual sharing or basic vlogging.
Real-World Use Across Popular Photography Styles
Let’s break down how these cameras perform across the photography genres many users care about.
Portrait Photography
- Fujifilm: 35mm equivalent and brighter lens fares well for skin tones, though lack of advanced AF or face detection limits usability. No raw means less room for post.
- Panasonic: Face detection AF improves eye focus precision. Higher resolution sensor captures more detail. Optical IS helps handheld shooting in lower light.
Winner: Panasonic for sharper portraits and better focus reliability.
Landscape Photography
- Both share modest sensor sizes limiting dynamic range.
- Panasonic’s wider 28mm lens captures more expansive scenes.
- No weather sealing on either model.
- Panasonic’s higher resolution sensor provides more cropping freedom.
Winner: Panasonic, especially for wider framing and detail.
Wildlife and Sports Photography
- Neither camera excels in autofocus tracking or burst rates.
- Panasonic’s 2 fps burst rate is marginally better; face detection is not optimized for animals.
- Both limited by small sensors and slow AF.
Winner: Neither is recommended; Panasonic marginally better.
Street Photography
- Discreet size favors both models.
- Panasonic’s lighter weight and wider 28mm end better for environmental context.
- Fujifilm’s grip stability aids steadier shots.
Winner: Panasonic for wider versatility and portability.
Macro Photography
- Panasonic’s 5 cm minimum focus distance outperforms Fujifilm’s 8 cm.
- Optical stabilization helps maintain sharpness at close range.
Winner: Panasonic.
Night and Astrophotography
- Panasonic’s 6400 max ISO offers more flexibility.
- Both struggle with noise above ISO 800 but Panasonic’s sensor fares better.
- No manual exposure modes limit creative control.
Winner: Panasonic for higher ISO support.
Video Work
- Panasonic’s HD video and stabilization make it better for casual videos.
- Fujifilm’s VGA video is suitable only for simple clips.
Winner: Panasonic.
Travel Photography
- Panasonic’s lighter weight and optical stabilization improve usability on the go.
- Both have fixed lenses but Panasonic’s range and features better serve travel needs.
Winner: Panasonic.
Professional and Workflow Integration
- Neither supports raw files, limiting post-processing flexibility.
- Both rely on JPEG output, which is a constraint for professional applications.
- Limited connectivity - no wireless or HDMI - affect integration into modern workflows.
Winner: Neither ideal for pro use, but Panasonic’s extra resolution and white balance options make it more adaptable.
Battery Life and Storage: How Long Can You Shoot?
- Fujifilm Z37: Battery details sparse; uses NP-45A rechargeable battery. No published CIPA rating.
- Panasonic S2: Rated for about 280 shots per charge; uses proprietary battery pack.
Both support SD/SDHC cards; Panasonic accepts SDXC for higher capacities. Lack of explicit battery metrics on Fujifilm forces cautious expectations.
Pricing and Overall Value
| Camera | Launch Price (Approx.) | Feature Highlights |
|---|---|---|
| Fujifilm FinePix Z37 | $130 | Simplicity, compactness |
| Panasonic Lumix S2 | $110 | Higher MP sensor, optical IS, HD video |
Given the Panasonic’s richer feature set, higher resolution, and improved stabilization, it offers better value for nearly the same price point, especially for users wanting more flexibility.
Summary Table of Key Specs and Performance
| Feature | Fujifilm FinePix Z37 | Panasonic Lumix DMC-S2 |
|---|---|---|
| Sensor | 1/2.3” CCD, 10MP | 1/2.3” CCD, 14MP |
| Lens | 35-105mm f/3.7-4.2 | 28-112mm f/3.1-6.5 |
| Image Stabilization | None | Optical IS |
| Autofocus | Center AF, contrast detection | 23 points, face detection |
| Continuous Shooting | None | 2 fps |
| Video | VGA 640x480 | HD 1280x720 |
| LCD Size | 2.7” fixed, 230k dots | 2.7” fixed, 230k dots |
| Weight | 125 g | 112 g |
| Price | ~$130 | ~$110 |
Reviewing sample images, the Panasonic consistently delivers sharper details, richer colors, and cleaner noise control across various conditions.
Our expert scoring, based on sensor, autofocus, stabilization, and video capability, places the Panasonic S2 slightly ahead in overall performance.
The Panasonic’s score improves significantly in video, portrait, and macro categories, while the Fujifilm’s simplicity leaves it competitive mostly in basic architectural or daylight scenes.
Final Recommendations: Which Camera Matches Your Creative Path?
Choose the Fujifilm FinePix Z37 if:
- You want a straightforward, easy-to-use compact with minimal settings.
- Your photography is primarily casual, daylight snapshots.
- Budget is tight and you prefer simplicity over features.
Choose the Panasonic Lumix DMC-S2 if:
- You desire higher resolution and better low-light capability.
- Optical image stabilization and face detection are important for portraits and travel.
- You want HD video alongside casual photography.
- You appreciate a modestly broader zoom range and closer macro focusing.
Unlocking Creativity With Small Sensor Compacts
While neither camera matches modern mirrorless or DSLR cameras in control or image quality, both offer pathways into photography’s fundamental joys: storytelling through images, convenience, and the thrill of discovery.
Don't hesitate to handle both models if possible - ergonomics and personal comfort can make a surprisingly big difference. Also, consider the lenses and accessories compatible with each if you plan to expand your shooting style.
Whether you start with the reliable simplicity of the Fujifilm or the feature-packed Panasonic, these compacts represent accessible gateways into exploring photography’s expressive potential. Check them out, get started, and enjoy capturing your world in a form factor that fits your lifestyle.
Your next step: Visit a camera retailer to hold both models, test the controls, and evaluate image samples firsthand. Consider which features align best with your creative goals and budget. Armed with this in-depth comparison, you’re well on your way to finding a compact companion that inspires your photographic journey.
Thank you for joining our detailed exploration. For more expert camera guides and reviews with real-world insights, stay tuned to our expert photography resource library.
Fujifilm Z37 vs Panasonic S2 Specifications
| Fujifilm FinePix Z37 | Panasonic Lumix DMC-S2 | |
|---|---|---|
| General Information | ||
| Brand | FujiFilm | Panasonic |
| Model | Fujifilm FinePix Z37 | Panasonic Lumix DMC-S2 |
| Class | Small Sensor Compact | Small Sensor Compact |
| Released | 2009-07-22 | 2012-01-09 |
| Body design | Compact | Compact |
| Sensor Information | ||
| Sensor type | CCD | CCD |
| Sensor size | 1/2.3" | 1/2.3" |
| Sensor measurements | 6.17 x 4.55mm | 6.08 x 4.56mm |
| Sensor surface area | 28.1mm² | 27.7mm² |
| Sensor resolution | 10 megapixels | 14 megapixels |
| Anti aliasing filter | ||
| Aspect ratio | 4:3 and 3:2 | 4:3 and 16:9 |
| Highest Possible resolution | 3648 x 2736 | 4320 x 3240 |
| Maximum native ISO | 1600 | 6400 |
| Min native ISO | 100 | 100 |
| RAW format | ||
| Autofocusing | ||
| Focus manually | ||
| Touch to focus | ||
| Autofocus continuous | ||
| Autofocus single | ||
| Tracking autofocus | ||
| Autofocus selectice | ||
| Autofocus center weighted | ||
| Multi area autofocus | ||
| Live view autofocus | ||
| Face detection focus | ||
| Contract detection focus | ||
| Phase detection focus | ||
| Number of focus points | - | 23 |
| Lens | ||
| Lens mount | fixed lens | fixed lens |
| Lens focal range | 35-105mm (3.0x) | 28-112mm (4.0x) |
| Maximal aperture | f/3.7-4.2 | f/3.1-6.5 |
| Macro focus distance | 8cm | 5cm |
| Crop factor | 5.8 | 5.9 |
| Screen | ||
| Screen type | Fixed Type | Fixed Type |
| Screen sizing | 2.7 inch | 2.7 inch |
| Screen resolution | 230 thousand dot | 230 thousand dot |
| Selfie friendly | ||
| Liveview | ||
| Touch friendly | ||
| Screen tech | - | TFT Color LCD |
| Viewfinder Information | ||
| Viewfinder type | None | None |
| Features | ||
| Minimum shutter speed | 3 seconds | 8 seconds |
| Fastest shutter speed | 1/1000 seconds | 1/1600 seconds |
| Continuous shutter speed | - | 2.0 frames per sec |
| Shutter priority | ||
| Aperture priority | ||
| Expose Manually | ||
| Set white balance | ||
| Image stabilization | ||
| Built-in flash | ||
| Flash range | 3.10 m | 3.30 m |
| Flash modes | Auto, On, Off, Red-eye, Slow Sync | Auto, On, Off, Red-Eye reduction |
| External flash | ||
| AE bracketing | ||
| WB bracketing | ||
| Exposure | ||
| Multisegment metering | ||
| Average metering | ||
| Spot metering | ||
| Partial metering | ||
| AF area metering | ||
| Center weighted metering | ||
| Video features | ||
| Video resolutions | 640 x 480 (30 fps), 320 x 240 (30 fps) | 1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) |
| Maximum video resolution | 640x480 | 1280x720 |
| Video data format | Motion JPEG | Motion JPEG |
| Microphone jack | ||
| Headphone jack | ||
| Connectivity | ||
| Wireless | None | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environment seal | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 125g (0.28 lb) | 112g (0.25 lb) |
| Physical dimensions | 90 x 58 x 24mm (3.5" x 2.3" x 0.9") | 98 x 57 x 21mm (3.9" x 2.2" x 0.8") |
| DXO scores | ||
| DXO Overall score | not tested | not tested |
| DXO Color Depth score | not tested | not tested |
| DXO Dynamic range score | not tested | not tested |
| DXO Low light score | not tested | not tested |
| Other | ||
| Battery life | - | 280 photos |
| Battery form | - | Battery Pack |
| Battery model | NP-45A | - |
| Self timer | Yes (2 or 10 sec) | Yes (2 or 10 sec) |
| Time lapse feature | ||
| Type of storage | SD/SDHC card, Internal | SD/SDHC/SDXC, Internal |
| Storage slots | Single | Single |
| Price at release | $130 | $109 |