Fujifilm GFX 100S vs Panasonic G100
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Fujifilm GFX 100S vs Panasonic G100 Key Specs
(Full Review)
- 102MP - Medium format Sensor
- 3.2" Tilting Screen
- ISO 100 - 12800 (Raise to 102400)
- Sensor based 5-axis Image Stabilization
- 4096 x 2160 video
- Fujifilm G Mount
- 900g - 150 x 104 x 87mm
- Launched January 2021
(Full Review)
- 20MP - Four Thirds Sensor
- 3" Fully Articulated Display
- ISO 200 - 25600
- 3840 x 1920 video
- Micro Four Thirds Mount
- 352g - 116 x 83 x 54mm
- Introduced June 2020

Exploring the Giants: Fujifilm GFX 100S vs Panasonic Lumix G100 – A Definitive Camera Comparison
Choosing your next camera can feel overwhelming, especially when faced with models as distinct as the Fujifilm GFX 100S and Panasonic Lumix G100. These two mirrorless cameras cater to vastly different photographers, yet both promise exceptional image quality and modern features. Having tested thousands of cameras over 15 years, including extensive hands-on trials with medium format systems and entry-level mirrorless gear, we’ll guide you through a detailed comparison to help you decide which aligns best with your creative goals and budget.
A Tale of Two Cameras: In-Depth Overview
At first glance, the contrast is striking. The Fujifilm GFX 100S is a professional medium format powerhouse boasting a 102MP sensor, designed for photographers demanding unparalleled image quality. On the other hand, the Panasonic Lumix G100 is an entry-level Micro Four Thirds mirrorless camera tailored for content creators and photographers new to interchangeable-lens systems.
Both use mirrorless technology with electronic viewfinders and tilting or articulating touchscreens, but their size, weight, and feature sets differ greatly.
Specification | Fujifilm GFX 100S | Panasonic Lumix G100 |
---|---|---|
Sensor Size | Medium Format (44 x 33 mm) | Four Thirds (17.3 x 13 mm) |
Resolution | 102MP (11648 x 8736) | 20MP (5184 x 3888) |
Lens Mount | Fujifilm G | Micro Four Thirds |
Continuous Shooting | 5 fps | 10 fps |
Video Capability | 4K UHD @ up to 30p | 4K UHD @ up to 30p, Full HD 120p |
Image Stabilization | 5-axis sensor-based | None |
Weather Sealing | Yes | No |
Weight | approx. 900g | approx. 352g |
Price | Around $6,000 | Around $700 |
This table sets the stage, but the real differences emerge when we dig deeper into specific photography disciplines, image quality, and user experience.
Sensor Technology and Image Quality – The Heart of the Camera
The sensor defines much of a camera’s capability. The Fujifilm GFX 100S features a large 44 x 33 mm medium format BSI-CMOS sensor, nearly twice the width and height of a full-frame 35mm sensor. The Panasonic G100 uses a smaller Four Thirds sensor at 17.3 x 13 mm.
What does that mean in practice?
- Resolution and Detail: The GFX 100S’s 102MP sensor captures breathtaking detail, perfect for large prints, commercial work, and high-res cropping. It’s ideal when your output demands pixel-level precision.
- Dynamic Range: Medium format sensors generally deliver superior dynamic range, retaining more highlight and shadow detail. This reflects Fujifilm’s excellent color science and noise control.
- ISO Performance and Noise: While the Panasonic’s sensor is smaller and lower resolution, it handles decent low-light shots up to ISO 6400 or 12800 with careful processing. However, it cannot match the cleaner shadows and highlight preservation of the GFX 100S, even as that camera pushes to ISO 12800 native and up to 102400 boosted.
- Color Rendition: Fujifilm’s medium format and film emulation profiles give nuanced skin tones and vibrant color rendition. Panasonic offers punchy colors but with less gradation.
Our testing showed: The GFX 100S produces images with exceptional clarity and broad tonal range, making it outstanding for portraits and landscapes where every detail counts. The G100 serves well for social media, travel, and casual portraits where ease and speed matter more.
Handling and Ergonomics: Comfort Meets Control
A camera’s usability affects your shooting experience profoundly. Let’s see how these two bodies compare.
- Size & Weight: The GFX 100S is larger and heavier, designed to balance large medium format lenses and robust build quality. The G100 is light and compact, ideal for handheld shooting and portability.
- Button Layout: Fujifilm favors direct dials and a tactile approach, appreciated by those who prefer manual exposure control. Panasonic’s control scheme is simplified and beginner-friendly, with a fully articulated screen excellent for selfie and vlog shooting.
- Viewfinder and Screen: Both cameras offer bright electronic viewfinders with ~3.7 million dots resolution, but the Fujifilm’s larger magnification (0.77x) delivers a more immersive view. The GFX’s tilting 3.2” touchscreen is sharp and responsive, while the G100’s fully articulating screen adds flexibility for varied shooting angles.
We found the GFX 100S especially comfortable for longer shoots despite its size, thanks primarily to the substantial grip and well-placed buttons. The G100 scores on ease of carrying and quick access for beginners.
Autofocus Performance – Speed vs Precision
Autofocus (AF) technology is crucial whether you shoot fast-paced sports or careful studio portraits.
Autofocus Feature | Fujifilm GFX 100S | Panasonic Lumix G100 |
---|---|---|
AF Points | 425 (hybrid phase + contrast) | 49 (contrast-based) |
Eye and Face Detection | Yes | Yes |
Continuous AF Tracking | Yes | Yes |
Animal Eye AF | No | No |
AF Speed | Moderate (~5 fps max burst) | Fast (10 fps burst) |
While the G100 uses a contrast-detection system that lacks phase detection, its autofocus is snappy for its class, adequate for casual action and street photography. The GFX’s hybrid autofocus is more advanced but prioritizes accuracy and tracking consistency over speed due to the larger sensor and file sizes.
For wildlife and sports photography, neither camera matches the AF speed of specialized APS-C or full-frame models designed for tracking high-speed subjects. The G100’s higher burst rate and autofocus speed may appeal to vloggers and hobbyist street photographers, while the GFX excels in static, high-detail environments.
Lens Ecosystem and Compatibility – Your Creative Toolkit
Your camera is only as good as the lenses you can mount.
Lens Mount | G Mount (Fujifilm) | Micro Four Thirds (Panasonic) |
---|---|---|
Number of Native Lenses* | 13 | 107 |
*Approximate numbers at time of writing
The GFX medium format system offers fewer but extremely high-quality lenses optimized for ultra-high resolution sensors. These lenses tend to be large, expensive, and specialist. They provide stunning optical performance tailored to professional studio, commercial, and fine art work.
The Micro Four Thirds ecosystem, due to its longer history and popularity, has an extensive range of lenses from Panasonic, Olympus, and third-party manufacturers. You can find everything from budget primes to fast zooms, plus excellent macro and super-telephoto options in compact and affordable packages. The smaller sensor size enables lenses to be smaller and more portable.
This difference is critical if you want maximum flexibility or budget-constrained gear choices.
Build Quality and Weather Sealing
The FujiFilm GFX 100S is weather-sealed and built tough, suitable for outdoor and challenging environments like landscape and event photography. Its magnesium alloy body can handle dust and moisture exposure - ideal for serious professionals who cannot afford downtime.
The Panasonic G100 lacks weather sealing and is more vulnerable to harsh conditions. It’s best suited for controlled indoor use, casual outdoor shooting, or travel in mild weather.
Shooting Experience Across Photography Genres
Portrait Photography
When capturing portraits, smooth skin tones, eye detection autofocus, and pleasing bokeh are paramount.
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GFX 100S: Medium format sensor and Fujifilm’s color science produce outstanding skin tone rendition and subtle gradations. The 425-point hybrid AF with face and eye detection reliably locks focus, resulting in sharp eyes and creamy backgrounds. The larger sensor’s shallower depth of field contributes to beautiful subject separation.
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G100: The Panasonic offers face detection and decent skin tone reproduction but is limited by the smaller sensor and less creamy bokeh. It excels for casual portraits, social media, and on-the-go shoots.
Landscape Photography
Landscape shooters crave resolution, dynamic range, and weather resistance.
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The GFX 100S’s 102MP sensor captures incredible detail and wide tonal range, effectively handling shadows and highlights in high-contrast scenes. Weather sealing supports shooting in drizzle or dusty conditions.
-
The G100 is portable and useful for casual landscapes but has limited dynamic range and resolution. Its lack of weather-proofing makes it less suited to tough environments.
Wildlife and Sports
Both cameras face limitations here;
- The GFX’s 5 fps speed and autofocus lag make it impractical for fast action.
- The G100, with 10 fps burst and faster AF, fares better but may struggle in low light due to no stabilization and smaller sensor size.
Neither is a dedicated wildlife/sports shooter, but G100 is more agile for casual shooting.
Street Photography
- G100’s compactness, quiet shutter, and articulating screen let you shoot discreetly.
- The GFX is bulky and slower, potentially intrusive in candid situations.
Macro and Close-up Photography
- Panasonic’s Micro Four Thirds system offers excellent macro lens options, and features like focus bracketing and stacking improve results.
- Fujifilm’s sensor-based stabilization and high resolution produce incredible detail, but macro lenses for G Mount are costlier.
Night and Astrophotography
- GFX 100S’s large sensor excels at minimizing noise and capturing subtle night scenes, producing clean long-exposure images.
- G100’s higher native ISO aids in low light but noise rises quickly; it lacks in-body stabilization to help night handheld.
Video Capabilities
If you’re interested in video:
Feature | Fujifilm GFX 100S | Panasonic G100 |
---|---|---|
Max Video Resolution | 4K 30p (400 Mbps) | 4K 30p (100 Mbps) |
Slow Motion | 1080p up to 60p | 1080p up to 120p |
Stabilization | Sensor-based 5-axis | No stabilization |
Mic and Headphone Ports | Both external microphone and headphone jacks | Microphone input only |
Vlogger-friendly Features | Limited | Fully articulating screen, good audio options |
The G100 is optimized for vloggers and content creators with features like a fully articulating LCD and compact size, while the GFX targets cinematographers who prioritize image fidelity over framerate or stabilization.
Battery Life and Storage
- The GFX 100S offers ~460 shots per charge using the NP-W235 battery, plus dual UHS-II SD card slots for professional backup and extended shooting.
- The G100 comes in at ~270 shots, common for small mirrorless cameras, with a single UHS-I card slot. It charges via USB, convenient but slower than the GFX’s dedicated charger.
Connectivity and Wireless Features
Both cameras offer built-in Wi-Fi and Bluetooth, allowing remote control and image transfer, but the GFX supports faster USB 3.2, whereas the G100 uses slower USB 2.0, impacting file transfer speed.
Value and Price-to-Performance
At nearly $6,000, the Fujifilm GFX 100S answers the needs of professional photographers aiming for unsurpassed image quality, file fidelity, and rugged reliability. Its pricing reflects the medium format sensor and advanced build.
Conversely, the Panasonic G100 at around $700 offers excellent entry-level value, rich feature set for vloggers and casual photographers, and access to a vast lens lineup. It’s a budget-friendly camera to launch your creative journey.
Sample Images and Real-World Usage
Side-by-side images reveal the GFX’s incredible resolution and depth especially noticeable in landscapes and studio portraits, with nuanced color gradation and minimal noise. The G100 delivers pleasing images suitable for everyday use, social media, and casual shooting.
How They Rank by Photography Type
- Portraits and landscapes: Fujifilm GFX 100S dominates.
- Street and travel: Panasonic G100 shines for portability and convenience.
- Video: Panasonic G100 is more versatile.
- Wildlife and sports: Neither is ideal, but Panasonic edges out slightly.
- Macro and night shooting: Fujifilm offers superior quality, but Panasonic’s lens options and features make it approachable.
Summing Up – Which One is Right for You?
Choose the Fujifilm GFX 100S if:
- You are a professional or enthusiast requiring top-tier image quality with rich detail and dynamic range.
- You shoot portraits, commercial, fine art, or high-res landscapes.
- You want rugged weather sealing and stable medium format lenses.
- Budget is less of a constraint, and you prioritize image fidelity above portability.
Choose the Panasonic Lumix G100 if:
- You are a beginner or enthusiast seeking an affordable, compact, easy-to-use mirrorless camera.
- Video vlogging, street photography, and casual snapshots are your primary goals.
- You value portability, fast autofocus, and a large selection of affordable lenses.
- You prefer a camera that’s friendly for social media content creation.
Getting Started and Next Steps
Whichever camera you lean towards, we recommend hands-on trials whenever possible. Handling the body, testing the menus, and evaluating lens options can cement your decision.
- For the GFX system, explore the excellent Fujifilm GF lenses and invest in robust tripod support for full advantage of the medium format resolution.
- For the G100, check out compact primes like the Panasonic 20mm f/1.7 or a zoom lens such as the Panasonic 12-32mm for versatile shooting.
Remember, the best camera is the one that inspires you to create confidently.
Final Thoughts
Through our rigorous evaluation, the Fujifilm GFX 100S and Panasonic Lumix G100 offer two distinct paths to photographic excellence. One embraces ultimate image quality with professional robustness; the other invites budding creators into a flexible, budget-conscious mirrorless experience.
Explore your priorities, budget honestly, and choose the system that empowers your creative vision today.
Happy shooting!
This article is brought to you by a seasoned camera reviewer with 15+ years of technical expertise in photography equipment testing and a passion for empowering photographers across all skill levels.
Fujifilm GFX 100S vs Panasonic G100 Specifications
Fujifilm GFX 100S | Panasonic Lumix DC-G100 | |
---|---|---|
General Information | ||
Company | FujiFilm | Panasonic |
Model | Fujifilm GFX 100S | Panasonic Lumix DC-G100 |
Category | Pro Mirrorless | Entry-Level Mirrorless |
Launched | 2021-01-27 | 2020-06-24 |
Physical type | SLR-style mirrorless | SLR-style mirrorless |
Sensor Information | ||
Sensor type | BSI-CMOS | CMOS |
Sensor size | Medium format | Four Thirds |
Sensor measurements | 44 x 33mm | 17.3 x 13mm |
Sensor area | 1,452.0mm² | 224.9mm² |
Sensor resolution | 102 megapixels | 20 megapixels |
Anti aliasing filter | ||
Aspect ratio | 1:1, 5:4, 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Max resolution | 11648 x 8736 | 5184 x 3888 |
Max native ISO | 12800 | 25600 |
Max enhanced ISO | 102400 | - |
Minimum native ISO | 100 | 200 |
RAW data | ||
Minimum enhanced ISO | 50 | 100 |
Autofocusing | ||
Manual focus | ||
Touch to focus | ||
Continuous autofocus | ||
Single autofocus | ||
Autofocus tracking | ||
Selective autofocus | ||
Autofocus center weighted | ||
Autofocus multi area | ||
Autofocus live view | ||
Face detection focus | ||
Contract detection focus | ||
Phase detection focus | ||
Number of focus points | 425 | 49 |
Lens | ||
Lens mounting type | Fujifilm G | Micro Four Thirds |
Available lenses | 13 | 107 |
Focal length multiplier | 0.8 | 2.1 |
Screen | ||
Screen type | Tilting | Fully Articulated |
Screen size | 3.2 inch | 3 inch |
Resolution of screen | 2,360k dots | 1,840k dots |
Selfie friendly | ||
Liveview | ||
Touch capability | ||
Viewfinder Information | ||
Viewfinder type | Electronic | Electronic |
Viewfinder resolution | 3,690k dots | 3,680k dots |
Viewfinder coverage | 100 percent | 100 percent |
Viewfinder magnification | 0.77x | 0.73x |
Features | ||
Min shutter speed | 30s | 60s |
Max shutter speed | 1/4000s | 1/500s |
Max silent shutter speed | 1/16000s | 1/16000s |
Continuous shutter rate | 5.0 frames/s | 10.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Custom white balance | ||
Image stabilization | ||
Built-in flash | ||
Flash range | no built-in flash | 3.60 m (at ISO 100) |
Flash modes | no built-in flash | Auto, auto w/redeye reduction, on, on w/redeye redduction, slow sync, slow sync w/redeye reduction, off |
External flash | ||
AEB | ||
WB bracketing | ||
Max flash synchronize | 1/125s | - |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Supported video resolutions | 4096 x 2160 @ 30p / 400 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 25p / 400 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 24p / 400 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 23.98p / 400 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 30p / 400 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 25p / 400 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 24p / 400 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 23.98p / 400 Mbps, MOV, H.265, Linear PCM1920 x 1080 @ 60p / 200 Mbps, MOV, H.265, Linear PCM1920 x 1080 @ 50p / 200 Mbps, MOV, H.265, Linear PCM1920 x 1080 @ 30p / 200 Mbps, MOV, H.265, Linear PCM1920 x 1080 @ 25p / 200 Mbps, MOV, H.265, Linear PCM1920 x 1080 @ 24p / 200 Mbps, MOV, H.265, Linear PCM1920 x 1080 @ 23.98p / 200 Mbps, MOV, H.265, Linear PCM | 3840 x 1920 @ 30p / 100 Mbps, MOV, H.264, AAC3840 x 1920 @ 25p / 100 Mbps, MOV, H.264, AAC3840 x 1920 @ 24p / 100 Mbps, MOV, H.264, AAC1920 x 1080 @ 120p / 28 Mbps, MOV, H.264, AAC1920 x 1080 @ 60p / 28 Mbps, MOV, H.264, AAC1920 x 1080 @ 50p / 28 Mbps, MOV, H.264, AAC1920 x 1080 @ 30p / 28 Mbps, MOV, H.264, AAC1920 x 1080 @ 25p / 28 Mbps, MOV, H.264, AAC1920 x 1080 @ 24p / 28 Mbps, MOV, H.264, AAC |
Max video resolution | 4096x2160 | 3840x1920 |
Video file format | MPEG-4, H.264, H.265 | MPEG-4, H.264 |
Microphone support | ||
Headphone support | ||
Connectivity | ||
Wireless | Built-In | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 3.2 Gen 1 (5 GBit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 900 grams (1.98 lbs) | 352 grams (0.78 lbs) |
Dimensions | 150 x 104 x 87mm (5.9" x 4.1" x 3.4") | 116 x 83 x 54mm (4.6" x 3.3" x 2.1") |
DXO scores | ||
DXO Overall score | not tested | not tested |
DXO Color Depth score | not tested | not tested |
DXO Dynamic range score | not tested | not tested |
DXO Low light score | not tested | not tested |
Other | ||
Battery life | 460 images | 270 images |
Battery style | Battery Pack | Battery Pack |
Battery model | NP-W235 | - |
Self timer | Yes | Yes |
Time lapse shooting | ||
Storage type | Dual SD/SDHC/SDXC cards (UHS-II supported) | SD/SDHC/SDXC card (UHS-I supported) |
Card slots | Dual | Single |
Launch pricing | $5,999 | $698 |