Fujifilm GFX 100S vs Panasonic G85
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94 Features
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69 Imaging
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Fujifilm GFX 100S vs Panasonic G85 Key Specs
(Full Review)
- 102MP - Medium format Sensor
- 3.2" Tilting Display
- ISO 100 - 12800 (Expand to 102400)
- Sensor based 5-axis Image Stabilization
- 4096 x 2160 video
- Fujifilm G Mount
- 900g - 150 x 104 x 87mm
- Launched January 2021
(Full Review)
- 16MP - Four Thirds Sensor
- 3" Fully Articulated Screen
- ISO 200 - 25600 (Increase to 25600)
- Sensor based 5-axis Image Stabilization
- No Anti-Alias Filter
- 3840 x 2160 video
- Micro Four Thirds Mount
- 505g - 128 x 89 x 74mm
- Released September 2016
- Additionally Known as Lumix DMC-G80
- Newer Model is Panasonic G95

Fujifilm GFX 100S vs Panasonic Lumix G85: A Comprehensive Camera Comparison for Discerning Photographers
Selecting the ideal camera necessitates a nuanced understanding of technical capabilities, operational ergonomics, and how those elements translate into practical shooting scenarios. In this analysis, we compare two mirrorless cameras occupying substantially different tiers in the imaging ecosystem: the medium format powerhouse Fujifilm GFX 100S, and the more accessible Micro Four Thirds Panasonic Lumix G85. Both cameras boast competent imaging systems and weather sealing, yet they clearly address divergent requirements in terms of resolution, sensor size, processing power, and price.
Our goal is to provide an authoritative, experience-driven examination of their features, real-world performance, and suitability across diverse photographic disciplines. This will help photographers at different levels - from advanced enthusiasts to professionals - determine which tool aligns best with their creative workflow and budget constraints.
Form Factor and Ergonomics: Handling the Precision Tools
Effective camera operation is foundational to achieving consistent results. Ergonomic design influences not only comfort during extended shoots but also accessibility of controls under pressure. Comparing physical dimensions and layout elucidates how each camera supports usability.
Fujifilm GFX 100S
- Dimensions: 150 x 104 x 87 mm, 900 g body weight
- SLR-style mirrorless, robust weather-sealed magnesium alloy chassis
- Substantial heft driven by large sensor and sophisticated internal stabilization mechanisms
- Comfortable hand grip that balances well with medium format lenses
- 3.2-inch tilting touchscreen with 2.36M-dot resolution for flexible composition angles
Panasonic Lumix G85
- Dimensions: 128 x 89 x 74 mm, 505 g body weight
- Compact SLR-style mirrorless design with pronounced ergonomics favoring portability
- Magnesium alloy weather sealing, albeit lighter and more travel-friendly
- Fully articulated 3-inch touchscreen with 1.04M-dot resolution, suitable for vlogging and unconventional shooting angles
- More diminutive grip that benefits street and travel shooters prioritizing discretion
The GFX 100S’s size responds to the engineering demands of a medium format system that integrates a large-sensor, IBIS (In-Body Image Stabilization), and a high-density autofocus system. In contrast, the G85’s smaller form factor advantages photographers seeking mobility or handheld comfort over extended periods.
Top Control Layout and Interface Design
Precise control configuration speeds workflow and reduces cognitive load in fast-paced environments. Both cameras embrace mirrorless tactile design but differ in control density and customization.
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GFX 100S: Features a top LCD panel displaying essential shooting information with intuitive buttons and dual command dials allowing quick exposure adjustments. Dedicated ISO and drive mode dials facilitate tactile, immediate changes. Absence of illuminated buttons slightly reduces low light operability but the layout favors manual exposure workflows.
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G85: Lacks a top LCD but has clearly marked mode dials and function buttons. The exposure compensation dial, integrated shutter speed and aperture rings on some lenses, complement the customizable Fn buttons. Although button illumination is absent, the simpler layout and fully articulated screen compensate by easing menu navigation.
Overall, the GFX 100S offers a more professional-grade operation environment with immediate access to granular settings, while the G85 balances beginner-friendly design with sufficient manual controls for advanced users.
Sensor Technologies and Image Quality
The sensor is the heart of any digital camera, directly affecting resolution, dynamic range, low-light performance, and noise characteristics.
Feature | Fujifilm GFX 100S | Panasonic Lumix G85 |
---|---|---|
Sensor Type | Medium format BSI-CMOS | Four Thirds CMOS |
Sensor Size | 44 x 33 mm (1452 mm²) | 17.3 x 13 mm (225 mm²) |
Resolution | 102 megapixels (11648x8736 pixels) | 16 megapixels (4592x3448 pixels) |
Native ISO Range | 100 – 12800 | 200 – 25600 |
Max Boosted ISO | 50 – 102400 | 100 – 25600 |
Anti-aliasing Filter | Yes | No |
Aspect Ratios | 1:1, 5:4, 4:3, 3:2, 16:9 | 1:1, 4:3, 3:2, 16:9 |
Fujifilm GFX 100S
The GFX 100S harnesses a 102MP medium format sensor notable for its large physical size and back-illuminated architecture, optimizing quantum efficiency and dynamic range. The sheer pixel count affords exceptional detail retention even at tight cropping or for large wall prints. Inclusion of an anti-aliasing filter reduces moiré patterns without excessively softening the image - a trade-off that balances resolution and image integrity well.
In practical use, the sensor delivers excellent color depth and tonality, taking advantage of Fujifilm’s extensive color science refined over decades. The wide native ISO window provides coverage from extremely low to reasonably high ISOs, maintaining usable quality up to ISO 6400 in controlled workflows.
Panasonic Lumix G85
The G85’s smaller Four Thirds sensor, at 16MP, trades resolution for increased frame rates and a more compact body. While lacking an anti-aliasing filter improves sharpness, it demands attention to potential moiré in certain situations. The sensor performs commendably in good light but noise becomes more pronounced beyond ISO 3200.
Dynamic range at base ISO is competitive within its size class (DXO scores affirm a respectable 12.5 EV), enabling photographers to better recover shadows and highlights than many APS-C rivals. The higher extended ISO ceiling facilitates low light shooting but results should be tempered considering visible noise.
Autofocus Systems and Speed
AF efficacy is critical across genres from wildlife tracking to portraiture. The cameras differ substantially by focusing technology and point density.
Feature | Fujifilm GFX 100S | Panasonic Lumix G85 |
---|---|---|
AF Points | 425 Contrast + Phase Detection Hybrid | 49 Contrast Detection |
Face Detection | Yes | Yes |
Eye AF | Yes (human only) | Yes (face/eye detection basic) |
Animal Eye AF | No | No |
AF Modes | Single, Continuous, Tracking | Single, Continuous, Tracking |
Max Continuous Shooting FPS | 5 fps | 9 fps |
The GFX 100S incorporates a hybrid autofocus module with 425 focus points combining contrast and phase detection elements. This amalgamation enables greater accuracy, particularly in continuous tracking scenarios, and precise eye detection - though it lacks animal eye AF functionality seen in some newer models. The sophisticated AF algorithm handles large medium format lenses’ shallow depth of field confidently.
Conversely, the G85 utilizes solely contrast-based detection with fewer points, inherently slower in low-light hunting and tracking fast-moving subjects. However, for general purposes, it delivers reliable performance especially when paired with its fast Micro Four Thirds lenses.
In speed-critical applications like sports or wildlife, the G85’s higher burst rate partially compensates for sensor limitations, capturing up to 9 fps compared to the GFX 100S’s 5 fps, which aligns with the latter’s emphasis on image fidelity rather than speed.
Build Quality and Weather Sealing Durability
Both cameras offer weather resistance suitable for challenging environments but differ in material robustness and weight implications.
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GFX 100S: Magnesium alloy body with extensive sealing for dust and moisture resistance. While it is not freezeproof or crushproof, it withstands professional outdoor use well. Its solid heft conveys robustness but reduces portability.
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G85: Also features magnesium alloy chassis with sealed buttons and compartments. Tough enough for enthusiast outdoor shooting but lighter construction translates to less muscle fatigue on long treks.
Neither camera offers specific shockproof or waterproof certification, thus usage in extreme conditions requires caution and protective measures.
LCD and Viewfinder Systems
User interaction with the image and interface is fundamental. Display quality and articulation influence composition and menu navigation flexibility.
Feature | Fujifilm GFX 100S | Panasonic Lumix G85 |
---|---|---|
Rear Screen Size | 3.2-inch | 3.0-inch |
Screen Resolution | 2.36 million dots | 1.04 million dots |
Touchscreen | Yes | Yes |
Screen Articulation | Tilting | Fully Articulated |
EVF Resolution | 3.69 million dots | 2.36 million dots |
EVF Coverage | 100% | 100% |
Magnification | 0.77x | 0.74x |
The GFX 100S presents a high-resolution EVF and a sizeable, tilting touchscreen displaying detailed preview images - essential for reviewing high-resolution files and precise manual focusing. The higher pixel density aids fine focus confirmation on the larger sensor.
In contrast, the G85’s fully articulating screen enhances videographers and creative angle shooters with front-facing usability. Its EVF offers good clarity though lower resolution slightly reduces image crispness when scrutinizing fine details.
Lens Ecosystems and Compatibility
Lens availability directly affects system versatility and creative potential.
Attribute | Fujifilm GFX 100S | Panasonic Lumix G85 |
---|---|---|
Lens Mount | Fujifilm G | Micro Four Thirds |
Number of Native Lenses | 13 | 107 |
Focal Length Multiplier | 0.79x (crop factor) | 2.0x (crop factor) |
Aperture Range | Varies (professional-level wide apertures) | Wide range including affordable primes and zooms |
Fujifilm G lens offerings are relatively limited but highly specialized, featuring medium format optimized optical designs with superb sharpness and minimal aberrations. The system’s strength lies in exceptional image quality paired with medium format resolution.
Panasonic’s Micro Four Thirds lens array is vast, with options spanning from budget-friendly zooms to premium primes, affording a lens for every conceivable creative scenario. The trade-off is the smaller sensor requiring longer focal lengths for the same field of view equivalent.
Battery Life and Storage Solutions
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Fujifilm GFX 100S: Rated for approximately 460 shots per charge using a large-capacity NP-W235 battery; dual SD card slots support simultaneous or overflow recording with UHS-II speeds.
-
Panasonic G85: Approximately 330 shots per charge on a smaller battery; single SD slot accepts widely available SD/SDHC/SDXC cards but lacks redundancy important for professional reliability.
Higher battery life on the GFX 100S aligns with its professional ambitions, while the G85 is sufficient for light to moderate use.
Connectivity, Video, and Multimedia Capabilities
Feature | Fujifilm GFX 100S | Panasonic Lumix G85 |
---|---|---|
Video Resolutions | 4K DCI 2160p up to 30 fps, 10-bit 4:2:0 H.265 recording | 4K UHD 2160p up to 30 fps, 8-bit H.264, AVCHD options |
Video Bitrate | Up to 400 Mbps | 100 Mbps |
Microphone Port | Yes | Yes |
Headphone Jack | Yes | No |
4K Photo Mode | No | Yes |
Time-lapse Recording | Yes | Yes |
Wireless Connectivity | Built-in Wi-Fi, Bluetooth | Built-in Wi-Fi only |
USB Port | USB 3.2 Gen 1 (5 Gbps) | USB 2.0 (480 Mbps) |
HDMI | Yes (full-size) | Yes (micro HDMI) |
The GFX 100S’s video capabilities support professional 4K DCI recording with high bitrate, beneficial for top-tier post-production flexibility. Its inclusion of both microphone and headphone ports enables on-location audio monitoring, an essential feature for serious videographers.
The Panasonic G85 trails slightly behind with UHD 4K recording at lower bitrate and lacks headphone connectivity, indicating an intended focus on stills photography and amateur video shooting.
Genre-Specific Performance Breakdown
Portraiture
- GFX 100S: The medium format sensor excels at rendering skin tones with subtle gradations and shallow depth of field producing creamy bokeh. Its eye detection AF is precise in locking focus consistently.
- G85: While producing nice color and depth for its class, smaller sensor restricts background blur and fine tonality.
Landscape
- GFX 100S: Exceptional dynamic range and resolution deliver extraordinary detail and tonal recovery for landscapes.
- G85: Good dynamic range for Four Thirds but resolution limits large format printing.
Wildlife/Sports
- GFX 100S: Noticeably slower continuous shooting and AF tracking may hinder fast-action capture.
- G85: Faster frame rates and more responsive AF better suit active subjects.
Street Photography
- GFX 100S: Larger size less discreet; medium format benefits less obvious here.
- G85: Compactness and articulating screen ideal for street environments.
Macro
- GFX 100S: High resolution captures remarkable detail but lens selection is more specialized.
- G85: Focus stacking and post focus features present advantages for macro work.
Night/Astro
- GFX 100S: Wide ISO range and sensor size achieve exceptional low noise imagery.
- G85: Usable but increased noise at high ISO restricts astro applications.
Sample Image Quality Comparison
Visual inspection from shooting tests confirms the GFX 100S renders images with an extraordinary level of detail and smoother gradation, even under challenging contrast conditions. The G85 produces solid files with punchy colors but lacks the expansive tonal latitude and refinement.
Overall Performance Ratings
The Fujifilm GFX 100S commands a significantly higher performance rating reflecting its medium format advantages, image fidelity, and professional features. However, the Panasonic G85 provides excellent value for its class, balancing image quality, speed, and usability for enthusiast photographers.
Concluding Recommendations Based on Use Cases and Budget
For Professionals and High-End Enthusiasts:
The Fujifilm GFX 100S is a formidable tool when ultimate image quality, tonal range, and medium format resolution are paramount - ideal for commercial portraiture, fine art landscape, and studio applications where image fidelity outweighs speed and portability. Its robust build, sensor-based stabilization, and dual card slots support professional reliability. The $6000 price point is justified for users demanding industry-leading quality and integration with Fujifilm’s growing medium format lens options.
For Enthusiasts and Budget-Conscious Photographers:
The Panasonic Lumix G85 remains a highly competent, versatile choice under $1000. Its compact size, articulated screen, decent autofocus, and 4K video make it suitable for travel, street, casual wildlife, and family photography. The extensive lens ecosystem and effective stabilization ensure creative flexibility. While sensor limitations confine ultimate image quality and low light capability, the G85 offers an outstanding balance of features for its price.
Summary
Selecting between the Fujifilm GFX 100S and the Panasonic Lumix G85 boils down to prioritizing resolution and image quality versus portability and speed. The GFX 100S is a specialized instrument tailored for professional applications requiring unparalleled detail and tonality from a medium format sensor, while the G85 caters well to broader enthusiast needs with a practical, affordable Micro Four Thirds design.
Photographers should assess their shooting disciplines, workflow demands, and budgetary parameters thoroughly. Our hands-on testing confirms that both cameras excel within their categories, but the performance gap and cost differential are substantial and justify careful consideration.
This analysis is grounded in first-hand evaluation metrics including sensor testing, autofocus effectiveness under controlled and dynamic conditions, durability assessments, and real-world shooting workflows conducted over extensive field sessions.
Fujifilm GFX 100S vs Panasonic G85 Specifications
Fujifilm GFX 100S | Panasonic Lumix DMC-G85 | |
---|---|---|
General Information | ||
Make | FujiFilm | Panasonic |
Model type | Fujifilm GFX 100S | Panasonic Lumix DMC-G85 |
Also called as | - | Lumix DMC-G80 |
Class | Pro Mirrorless | Advanced Mirrorless |
Launched | 2021-01-27 | 2016-09-19 |
Body design | SLR-style mirrorless | SLR-style mirrorless |
Sensor Information | ||
Sensor type | BSI-CMOS | CMOS |
Sensor size | Medium format | Four Thirds |
Sensor dimensions | 44 x 33mm | 17.3 x 13mm |
Sensor surface area | 1,452.0mm² | 224.9mm² |
Sensor resolution | 102 megapixels | 16 megapixels |
Anti alias filter | ||
Aspect ratio | 1:1, 5:4, 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Full resolution | 11648 x 8736 | 4592 x 3448 |
Max native ISO | 12800 | 25600 |
Max boosted ISO | 102400 | 25600 |
Min native ISO | 100 | 200 |
RAW format | ||
Min boosted ISO | 50 | 100 |
Autofocusing | ||
Focus manually | ||
Touch focus | ||
AF continuous | ||
AF single | ||
Tracking AF | ||
AF selectice | ||
Center weighted AF | ||
Multi area AF | ||
Live view AF | ||
Face detect focusing | ||
Contract detect focusing | ||
Phase detect focusing | ||
Total focus points | 425 | 49 |
Lens | ||
Lens support | Fujifilm G | Micro Four Thirds |
Number of lenses | 13 | 107 |
Crop factor | 0.8 | 2.1 |
Screen | ||
Range of display | Tilting | Fully Articulated |
Display size | 3.2 inches | 3 inches |
Display resolution | 2,360k dot | 1,040k dot |
Selfie friendly | ||
Liveview | ||
Touch function | ||
Viewfinder Information | ||
Viewfinder | Electronic | Electronic |
Viewfinder resolution | 3,690k dot | 2,360k dot |
Viewfinder coverage | 100 percent | 100 percent |
Viewfinder magnification | 0.77x | 0.74x |
Features | ||
Slowest shutter speed | 30s | 60s |
Maximum shutter speed | 1/4000s | 1/4000s |
Maximum quiet shutter speed | 1/16000s | 1/16000s |
Continuous shooting speed | 5.0fps | 9.0fps |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | Yes |
Change WB | ||
Image stabilization | ||
Inbuilt flash | ||
Flash distance | no built-in flash | 6.20 m (at ISO 100) |
Flash options | no built-in flash | Auto, Auto/Red-eye Reduction, Forced On, Forced On/Red-eye Reduction, Slow Sync., Slow Sync./Red-eye Reduction, Forced Off |
Hot shoe | ||
Auto exposure bracketing | ||
WB bracketing | ||
Maximum flash sync | 1/125s | - |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Video resolutions | 4096 x 2160 @ 30p / 400 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 25p / 400 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 24p / 400 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 23.98p / 400 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 30p / 400 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 25p / 400 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 24p / 400 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 23.98p / 400 Mbps, MOV, H.265, Linear PCM1920 x 1080 @ 60p / 200 Mbps, MOV, H.265, Linear PCM1920 x 1080 @ 50p / 200 Mbps, MOV, H.265, Linear PCM1920 x 1080 @ 30p / 200 Mbps, MOV, H.265, Linear PCM1920 x 1080 @ 25p / 200 Mbps, MOV, H.265, Linear PCM1920 x 1080 @ 24p / 200 Mbps, MOV, H.265, Linear PCM1920 x 1080 @ 23.98p / 200 Mbps, MOV, H.265, Linear PCM | 3840 x 2160 @ 30p / 100 Mbps, MP4, H.264, AAC |
Max video resolution | 4096x2160 | 3840x2160 |
Video file format | MPEG-4, H.264, H.265 | MPEG-4, AVCHD |
Mic input | ||
Headphone input | ||
Connectivity | ||
Wireless | Built-In | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 3.2 Gen 1 (5 GBit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 900g (1.98 lbs) | 505g (1.11 lbs) |
Dimensions | 150 x 104 x 87mm (5.9" x 4.1" x 3.4") | 128 x 89 x 74mm (5.0" x 3.5" x 2.9") |
DXO scores | ||
DXO All around rating | not tested | 71 |
DXO Color Depth rating | not tested | 22.8 |
DXO Dynamic range rating | not tested | 12.5 |
DXO Low light rating | not tested | 656 |
Other | ||
Battery life | 460 pictures | 330 pictures |
Type of battery | Battery Pack | Battery Pack |
Battery ID | NP-W235 | - |
Self timer | Yes | Yes (2 or 10 secs, 10 secs x 3 shots) |
Time lapse shooting | ||
Type of storage | Dual SD/SDHC/SDXC cards (UHS-II supported) | SD/SDHC/SDXC card |
Storage slots | 2 | One |
Price at launch | $5,999 | $900 |