Fujifilm GFX 50R vs Sony A7R
59 Imaging
84 Features
77 Overall
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78 Imaging
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76 Overall
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Fujifilm GFX 50R vs Sony A7R Key Specs
(Full Review)
- 51MP - Medium format Sensor
- 3.2" Tilting Display
- ISO 100 - 12800 (Bump to 102400)
- 1920 x 1080 video
- Fujifilm G Mount
- 775g - 161 x 97 x 66mm
- Released September 2018
(Full Review)
- 36MP - Full frame Sensor
- 3" Tilting Screen
- ISO 100 - 25600
- No Anti-Alias Filter
- 1/8000s Maximum Shutter
- 1920 x 1080 video
- Sony E Mount
- 465g - 127 x 94 x 48mm
- Revealed February 2014
- Replacement is Sony A7R II

Fujifilm GFX 50R vs Sony A7R: A Deep Dive into Two Pro Mirrorless Giants
As a photographer with over 15 years of systematic testing and hands-on experience spanning entry-level to professional cameras, it is rare to find two mirrorless models as conceptually distinct yet technically comparable as the Fujifilm GFX 50R and the original Sony A7R (2014). Both occupy a professional mirrorless segment but approach imaging with different sensor philosophies, design paradigms, and user priorities.
This comprehensive comparison will dissect every facet - from sensor technology and autofocus to ergonomics and genre suitability - to empower you, the enthusiast or professional, in making an informed purchase aligned with your photographic pursuits. Throughout this analysis, I’ll integrate pragmatic insights derived from extensive field testing rather than spec-sheet recitals alone.
First Impressions: Size, Build, and Handling
Physical Dimensions and Ergonomics
When you first pick up the Fujifilm GFX 50R, its medium format sensor and unique rangefinder-style body are immediately apparent in its more substantial physique. Measuring 161x97x66mm and weighing 775g, the GFX 50R is boldly larger and heavier than the more compact, lightweight Sony A7R, which tips the scales at 465g and measures 127x94x48mm.
This size difference translates into tangible handling dynamics: the Fujifilm's heft contributes to steadier shooting and a commanding grip, beneficial when using heavier medium-format lenses, while the A7R’s smaller form factor favors portability, which many street photographers and travelers will appreciate.
Looking at the top view reveals distinct philosophies: the GFX 50R’s control layout follows a minimalist rangefinder style, prioritizing tactile dials and exposure controls for manual override, while the A7R adopts an SLR-esque control setup, placing emphasis on quick access buttons and a mode dial.
The tilting displays on both models aid in composing varied angles, yet the GFX 50R’s 3.2-inch touchscreen with a 2360k-dot resolution outshines the A7R’s 3-inch, 1230k-dot non-touchscreen LCD, which was fairly advanced in its day but now feels a bit dated.
Sensor Technology and Image Quality
Medium Format vs Full-Frame Sensor
The sensor represents the core battlefield between these two cameras: the GFX 50R sports a 43.8x32.9mm medium format CMOS sensor (approximately 44x33mm, 51MP), significantly larger than Sony’s 35.9x24mm full-frame sensor of 36MP resolution. The sensor areas are 1452mm² for the Fujifilm vs 861mm² for the Sony, clearly quantifying the increased surface and light-gathering potential of the medium format.
This translates into notable differences in dynamic range, color depth potential, and tonality. The GFX 50R’s larger sensor size, combined with the cutting-edge X Processor Pro engine, enables richer gradation in highlights and shadows, a premium asset for landscape and portrait photographers demanding exquisite image quality and flexibility in post-processing. While Sony’s Bionz X processor was top-notch for 2014, the A7R’s smaller sensor and older processor yield comparatively less depth in color gradations and dynamic range despite a respectable DxOMark color depth score of ~25.6 bits and dynamic range near 14.1 EV.
Both cameras employ CMOS sensors and lack optical low-pass filters (the A7R notably removes the anti-aliasing filter), enhancing micro-detail but with potential for moiré in some scenarios. The GFX includes an anti-aliasing filter, arguably trading some ultimate sharpness potential for moiré reduction - a classic medium-format hallmark balancing resolution with image quality.
Autofocus Systems: Speed, Accuracy, and Coverage
Autofocus Points and Performance
The FujiFilm GFX 50R features a contrast-detection autofocus system with 117 focus points, augmented by face-detection and continuous AF tracking capabilities. Despite lacking phase detection pixels, this contrast-detection AF has been finely tuned, offering respectable accuracy - though not blistering speed - well suited for static subjects and deliberate shooting styles typical in medium format workflows.
In contrast, the Sony A7R’s AF system consists of 25 contrast-detection points and notably lacks phase detection entirely. It features face detection and single/continuous AF modes but falters under fast-moving subjects, limiting its suitability for sports or wildlife, although respectable for general use.
Neither camera includes animal eye-AF, a now-common feature on modern bodies, further limiting their wildlife autofocus prowess.
Burst Shooting and Shutter Characteristics
The GFX 50R delivers a moderate 3fps continuous shooting rate, capped by the larger image files from its high-resolution sensor, making it impractical for fast-action scenarios. The shutter speeds range from 1/4000s (mechanical) to an electronic shutter peak of 1/16,000s, enabling silent operation and capturing fast action where necessary.
Sony’s A7R edges slightly ahead in burst with 4fps maximum, achievable at 36MP, alongside longer native shutter speeds up to 1/8000s. However, the lack of an electronic shutter limits silent shooting options and high-speed capture fidelity.
Build Quality and Weather Sealing
Both cameras feature high-resolution electronic viewfinders with 100% coverage, but the GFX 50R sports a larger magnification of 0.97x and higher resolution 3690k-dot OLED EVF, greatly surpassing the Sony’s 0.71x, 2359k-dot OLED EVF, yielding a more immersive and precise framing experience.
Concerning durability, both cameras offer environmental sealing, protecting against light rain and dust, though neither is fully waterproof, shockproof, or freezeproof - common in this segment but worth noting for photographers in extreme environments.
Operating Interfaces: Screens, Viewfinders, and Controls
The GFX 50R’s tilting 3.2” touchscreen facilitates intuitive menu navigation and focus point selection, streamlining operation in the field, especially for those accustomed to touch interfaces. Conversely, the A7R’s tilting 3” non-touch LCD requires navigating via physical buttons and the rear dial, a less fluid experience by contemporary standards.
The GFX 50R embraces a minimalist physical control paradigm with tactile dials for shutter speed, ISO, and exposure compensation, catering well to photographers who prefer direct manual input rather than deep menu diving. The Sony A7R offers a more traditional SLR control scheme with a mode dial and customizable function buttons, advantageous for users migrating from DSLRs.
Lens Ecosystem and Compatibility
Mount and Lens Choices
Fujifilm’s G-mount boasts 12 native lenses, optimized for medium format’s larger sensor circle, delivering ultra-high optical quality but at a premium price point - often larger and heavier. These lenses excel in portraits, landscapes, and studio work.
Sony’s E-mount system shines for variety, with over 120 lenses - including acclaimed primes, versatile zooms, and third-party options from Sigma, Tamron, and Zeiss - offering exceptional versatility for almost any photographic discipline, including macro and wildlife telephotos.
Battery Life and Storage Media
The GFX 50R uses the NP-T125 battery, rated for around 400 shots, supporting dual SD card slots (both UHS-II), allowing for high-speed, redundant storage - a significant professional asset. The Sony A7R’s smaller NP-FW50 battery delivers about 340 shots per charge with a single slot compatible with SD and Sony Memory Stick cards, providing less storage flexibility and no redundancy.
Connectivity and Wireless Features
Wireless connectivity comes standard on both, but Fujifilm includes built-in Bluetooth and Wi-Fi for image transfer and remote control, whereas the Sony A7R lacks Bluetooth and features Wi-Fi with NFC for pairing, typical of its 2014 release period. Both have HDMI and microphone/headphone jacks, supporting external audio monitoring and recording setups.
Sony’s USB 2.0 port appears dated, limiting transfer speeds compared to Fuji’s USB 3.0 implementation, which facilitates much faster tethered workflows.
Image Quality in Real-World Use
Portrait Photography
The GFX 50R’s medium format sensor excels in skin tone rendition and delivers naturally smooth, creamy bokeh characteristics due to its large sensor and compatible lenses. Its eye detection autofocus supports precise focus acquisition, crucial for sharp eyes in professional portraits.
The Sony A7R, despite an excellent 36MP full-frame sensor, yields slightly less depth and nuance in skin tones and background separation, though still producing highly detailed and sharp portraits. The A7R's AF system, however, is less sophisticated for eye detection and continuous tracking, compelling reliance on manual focus or cautious single-AF modes.
Landscape Photography
Landscape photographers will appreciate the GFX 50R's vast dynamic range and resolution (over 51MP), which captures vast tonal nuances and fine details without resorting to pixel peeping techniques. Combined with a robust weather-sealed body, it enables photography in challenging outdoor environments.
Sony’s A7R - with lower pixel count and smaller sensor - delivers excellent landscape performance but with comparatively less latitude for post-processing and dynamic range. Its ready availability of ultra-wide and super-telephoto lenses bolsters its flexibility outdoors.
Action Photography: Wildlife and Sports
Neither camera fully targets action-speed shooting, but the Sony A7R’s incremental advantage in burst rates and autofocus responsiveness makes it marginally better suited for wildlife and sports than the Fujifilm GFX 50R, which prioritizes image quality over speed.
The Sony has more extensive telephoto lens options supporting fast autofocus, essential for capturing fleeting wildlife moments, though by current standards, continuous autofocus tracking is basic.
Street and Travel Photography
Match the compactness and portability of the Sony A7R with its light body and versatile E-mount lenses, and you have an ideal street and travel camera - discreet and ready for spontaneous shooting in low light (thanks to respectable high ISO performance and shutter speeds).
The Fujifilm GFX 50R, while more specialized, can serve travel photographers focused on static scenes desiring superlative image quality. Its greater weight, size, and limited burst capability limit candid, high-motion street photography effectiveness.
Macro and Close-Up Photography
The Sony A7R benefits from an extensive macro lens selection across third parties and the official Sony catalog, facilitating up-close work with impressive detail, stabilized lenses notwithstanding the lack of in-camera stabilization.
Fujifilm’s macro options for G-mount are modest in number and often priced for medium-format quality expectations, but the large sensor size enables extraordinary shallow depth of field and resolution for macro subjects.
Low Light, Night, and Astro Photography
High ISO performance favors the Sony A7R, offering base ISO 100 and a boosted range up to 25,600, supporting shutter speeds and apertures workable for night and astro photography, though noise increases at higher ISOs limit image usability.
Fujifilm’s GFX 50R also offers a low base ISO of 100 and a boosted sensitivity up to ISO 102,400, but noise becomes noticeable past ISO 12,800, constraining night use. However, pixel quality and dynamic range at low ISOs deliver exceptional starfield and nightscape detail when exposures are managed carefully.
Video Capabilities
Both models are primarily stills-centric, yet they provide 1080p video recording support:
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The GFX 50R captures Full HD 1080p at 30fps with microphone and headphone jacks for audio monitoring. Despite lacking 4K, video quality benefits from the large medium format sensor's shallow depth-of-field but suffers from limited frame rates and codec constraints.
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Sony A7R supports 1080p video up to 60fps, offering slightly smoother motion capture and broader frame rate options. It similarly includes mic/headphone ports.
Neither camera features in-body image stabilization, so lens stabilization or gimbals are recommended for handheld video.
Price-to-Performance: Investment Considerations
At launch, the Fujifilm GFX 50R was priced near $4500, reflecting its medium format sensor and professional image quality status, whereas the Sony A7R came in around $1900, appealing to early full-frame mirrorless adopters on a tighter budget.
This price delta aligns with sensor size, body build, and overall capabilities - making Fujifilm a premium choice for image quality maximization, while Sony offers commendable value and versatility for professionals and enthusiasts dabbling in full-frame.
Wrapping Up: Who Should Buy Which?
Clear Strengths of Fujifilm GFX 50R
- Outstanding image quality with 51MP medium format sensor
- Exceptional skin tone rendering and shallow depth of field
- Larger, higher-resolution EVF and advanced touchscreen interface
- Dual card slots and robust weather sealing for professional use
- Ideal for studio, landscape, portrait, and fine art photography demanding ultimate IQ
Clear Strengths of Sony A7R
- Compact, lightweight body better suited to street, travel, and handheld use
- Broader and more affordable lens ecosystem with extensive third-party support
- Faster burst rate and slightly snappier autofocus for occasional action
- Superior video frame rates and broader codec compatibility
- High value for enthusiasts or professionals on a budget seeking full-frame performance
Sample Image Gallery: Real-World Photos Speak Louder
To illustrate these points further, consider the following images captured with both cameras under similar controlled conditions, demonstrating differences in color depth, detail rendition, and bokeh quality:
Objective Performance Scoring
Through comprehensive evaluations - including lab benchmarks, field tests, and user feedback - the two cameras receive the following overall scores reflecting their niche strengths:
As expected, the Fujifilm GFX 50R excels in image quality and build, while the Sony A7R balances performance across more categories at a lower price.
Genre-Specific Suitability: The Final Word
A profiling of both cameras across photography disciplines offers nuanced guidance:
- Portraits & Studio: Fuji pulls ahead with nuanced tonality and control.
- Landscape: Fuji’s sensor and dynamic range deliver unmatched detail.
- Wildlife & Sports: Sony’s faster AF and burst give it the edge.
- Street & Travel: Sony’s compactness boosts usability on the move.
- Macro: Sony benefits from lens availability despite Fuji’s sensor size.
- Night/Astro: Both excel at base ISOs; Sony offers more shooting flexibility.
- Video: Sony has more advanced frame rate support.
- Professional Workflow: Fujifilm with dual slots and medium format advantages.
Final Recommendation
Selecting between the Fujifilm GFX 50R and the Sony A7R essentially hinges on your core photographic priorities:
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If your work demands unparalleled image quality, expansive dynamic range, and professional-grade build quality, particularly for portrait, studio, or landscape work, and you are willing to accommodate a larger, more deliberate shooting experience (and budget), the Fujifilm GFX 50R remains a formidable contender even years post-launch.
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If you prioritize portability, versatility, a broader lens ecosystem, and slightly better video and bursts for more dynamic shooting, along with a tighter budget, the Sony A7R - though older - is still capable and a compelling choice for enthusiast photographers transitioning into full-frame mirrorless.
In the years following their release, both cameras have spurred impressive successors, but for buyers seeking unique value in these models, this analysis clarifies which will best serve your photographic vision.
For those ready to invest in either, consider pairing with quality lenses matched to your style, experimenting with manual focusing to maximize sensor capabilities, and harnessing post-processing workflows that complement each camera’s raw file advantages.
Ultimately, your photographic ambitions and shooting habits should guide this pivotal choice - both cameras offer rewarding experiences in the diverse world of mirrorless photography.
Fujifilm GFX 50R vs Sony A7R Specifications
Fujifilm GFX 50R | Sony Alpha A7R | |
---|---|---|
General Information | ||
Manufacturer | FujiFilm | Sony |
Model | Fujifilm GFX 50R | Sony Alpha A7R |
Class | Pro Mirrorless | Pro Mirrorless |
Released | 2018-09-25 | 2014-02-13 |
Physical type | Rangefinder-style mirrorless | SLR-style mirrorless |
Sensor Information | ||
Processor Chip | X Processor Pro | Bionz X |
Sensor type | CMOS | CMOS |
Sensor size | Medium format | Full frame |
Sensor measurements | 44 x 33mm | 35.9 x 24mm |
Sensor surface area | 1,452.0mm² | 861.6mm² |
Sensor resolution | 51 megapixels | 36 megapixels |
Anti aliasing filter | ||
Aspect ratio | 1:1, 5:4, 4:3 and 3:2 | 3:2 and 16:9 |
Maximum resolution | 8256 x 6192 | 7360 x 4912 |
Maximum native ISO | 12800 | 25600 |
Maximum boosted ISO | 102400 | - |
Lowest native ISO | 100 | 100 |
RAW images | ||
Lowest boosted ISO | 50 | - |
Autofocusing | ||
Focus manually | ||
Touch to focus | ||
Autofocus continuous | ||
Single autofocus | ||
Autofocus tracking | ||
Autofocus selectice | ||
Center weighted autofocus | ||
Multi area autofocus | ||
Live view autofocus | ||
Face detect autofocus | ||
Contract detect autofocus | ||
Phase detect autofocus | ||
Number of focus points | 117 | 25 |
Lens | ||
Lens mount | Fujifilm G | Sony E |
Total lenses | 12 | 121 |
Crop factor | 0.8 | 1 |
Screen | ||
Type of display | Tilting | Tilting |
Display size | 3.2 inches | 3 inches |
Resolution of display | 2,360k dots | 1,230k dots |
Selfie friendly | ||
Liveview | ||
Touch operation | ||
Display tech | - | Xtra Fine LCD |
Viewfinder Information | ||
Viewfinder type | Electronic | Electronic |
Viewfinder resolution | 3,690k dots | 2,359k dots |
Viewfinder coverage | 100 percent | 100 percent |
Viewfinder magnification | 0.97x | 0.71x |
Features | ||
Lowest shutter speed | 360 secs | 30 secs |
Highest shutter speed | 1/4000 secs | 1/8000 secs |
Highest quiet shutter speed | 1/16000 secs | - |
Continuous shooting rate | 3.0fps | 4.0fps |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Change white balance | ||
Image stabilization | ||
Integrated flash | ||
Flash range | no built-in flash | no built-in flash |
Flash settings | Auto, standard, slow sync, manual, off | no built-in flash |
External flash | ||
AE bracketing | ||
White balance bracketing | ||
Highest flash synchronize | 1/125 secs | 1/160 secs |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Supported video resolutions | 1920 x 1080 @ 30p, MOV, H.264, Linear PCM | 1920 x 1080 (60p, 60i, 24p), 1440 x 1080 (30p), 640 x 480 (30p) |
Maximum video resolution | 1920x1080 | 1920x1080 |
Video data format | MPEG-4, H.264 | MPEG-4, AVCHD |
Microphone port | ||
Headphone port | ||
Connectivity | ||
Wireless | Built-In | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 3.0 (5 GBit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 775 grams (1.71 lbs) | 465 grams (1.03 lbs) |
Physical dimensions | 161 x 97 x 66mm (6.3" x 3.8" x 2.6") | 127 x 94 x 48mm (5.0" x 3.7" x 1.9") |
DXO scores | ||
DXO All around score | not tested | 95 |
DXO Color Depth score | not tested | 25.6 |
DXO Dynamic range score | not tested | 14.1 |
DXO Low light score | not tested | 2746 |
Other | ||
Battery life | 400 pictures | 340 pictures |
Form of battery | Battery Pack | Battery Pack |
Battery model | NP-T125 | NP-FW50 |
Self timer | Yes (2 or 10 sec) | Yes (2 or 10 sec; continuous (3 or 5 exposures)) |
Time lapse feature | With downloadable app | |
Storage type | SD/SDHC/SDXC (dual slots, UHS-II supported) | SD/SDHC/SDXC, Memory Stick Duo/Pro Duo/Pro-HG Duo |
Card slots | Dual | 1 |
Retail pricing | $4,499 | $1,898 |