Fujifilm X-A1 vs Fujifilm X-E1
87 Imaging
57 Features
61 Overall
58


85 Imaging
57 Features
55 Overall
56
Fujifilm X-A1 vs Fujifilm X-E1 Key Specs
(Full Review)
- 16MP - APS-C Sensor
- 3" Tilting Screen
- ISO 200 - 6400
- 1920 x 1080 video
- Fujifilm X Mount
- 330g - 117 x 67 x 39mm
- Revealed November 2013
- New Model is Fujifilm X-A2
(Full Review)
- 16MP - APS-C Sensor
- 2.8" Fixed Screen
- ISO 100 - 6400 (Bump to 25600)
- 1920 x 1080 video
- Fujifilm X Mount
- 350g - 129 x 75 x 38mm
- Announced February 2013
- Renewed by Fujifilm X-E2

Fujifilm X-A1 vs. Fujifilm X-E1: A Hands-On In-Depth Comparison for Enthusiasts and Pros
When browsing Fuji’s mirrorless lineup in 2013, enthusiasts were attracted to two compelling yet subtly different options: the Fujifilm X-A1 and the Fujifilm X-E1. Both promise APS-C sensor performance wrapped in compact, rangefinder-style bodies, but the devil is in the details - from sensor tech to ergonomics, autofocus nuances, and video capabilities.
Having personally put thousands of cameras through their paces over the years across varied genres, I’ve analyzed both the X-A1 and X-E1 extensively. In this comparison, I’ll draw on hands-on shooting tests, lab measurements, and field experience to help readers figure out which body fits their style, budget, and shooting discipline best.
Let’s begin by exploring the cameras’ core differences in construction and design.
Physical Feel and Ergonomics: Handling the Fuji DNA
The X-A1 and X-E1 share Fujifilm’s signature rangefinder aesthetic but express it slightly differently in size, heft, and control layout.
The X-A1 is a compact, lightweight entry-level mirrorless weighing just 330g, with dimensions of 117x67x39mm. It feels almost cute in the hand and is great for those wanting a minimalist yet capable camera that slips easily into a jacket pocket or small bag. However, its smaller grip means longer shoots can feel a bit less secure, especially with heavier lenses.
By contrast, the X-E1 weighs around 350g but feels noticeably chunkier and more refined with solid metal construction (a magnesium alloy top plate vs. plastic on the X-A1). Its dimensions (129x75x38mm) and deeper grip make it easier to hold steady, especially with telephoto primes or zooms. The tactile controls are more traditional retro Fuji, offering direct dials for shutter speed, exposure compensation, and aperture.
You’ll notice the X-E1 includes an Electronic Viewfinder (EVF) with 2.36MP resolution and 0.62x magnification, whereas the X-A1 dispenses with an EVF altogether - relying on the rear 3” screen for image composition. This decision impacts usability especially in bright outdoor conditions or for fast-moving subjects.
In summary, if you crave classic Fuji ergonomics with an EVF and sturdy build, the X-E1’s design appeals to photographers valuing control precision and viewfinder versatility. The X-A1 targets newcomers seeking lightweight simplicity without the EVF bulk.
Screen and Viewfinder: Composing in Different Ways
Both cameras feature non-touch TFT LCDs, but their approaches differ meaningfully.
The X-A1 offers a 3.0” tilting screen at 920k-dot resolution, fairly large for its class. This tilting feature enables flexible shooting angles for street or low-level shots, making it handy for creative portraits or vlogging-style recording despite no touchscreen functionality.
Conversely, the X-E1 sports a smaller fixed 2.8” LCD with just 460k-dots, noticeably less sharp and without articulation. But compensated by the brilliant EVF, the X-E1 grants eye-level framing with 100% coverage, making it a favorite among traditional photographers prepending manual focus or tackling harsh lighting.
From my field experience, tilting screens significantly boost street photography’s spontaneity by facilitating discreet low-angle shooting without crouching, a major plus for the X-A1. Meanwhile, landscape and wedding photographers striving for accurate exposure and manual framing swore by X-E1’s crisp EVF despite the lower-res rear screen.
The Sensor Story: CMOS vs. X-Trans I
Sensor technology is where the cameras differ profoundly - a critical factor for image quality enthusiasts.
Feature | Fujifilm X-A1 | Fujifilm X-E1 |
---|---|---|
Sensor Type | Conventional CMOS ( Bayer filter) | X-Trans I CMOS (APS-C, unique color array) |
Resolution | 16MP (4896x3264) | 16MP (4896x3264) |
Anti-aliasing Filter | Yes | Yes |
Native ISO Range | 200-6400 | 100-6400 (expandable to 25600 boosted) |
The X-E1's X-Trans sensor uses a proprietary color filter array designed to reduce moiré without an optical low-pass filter (OLPF), yielding sharper images with less false color. This configuration also enhances color fidelity, which becomes evident in skin tones and landscape hues when you shoot raw or high-quality JPEGs.
In contrast, the X-A1 has a standard Bayer-pattern CMOS sensor with an OLPF, which smooths detail slightly but helps avoid moiré artifacts on fine textures, though at a modest cost to microcontrast.
In practice, I observed slightly richer color rendering and greater detail retention from the X-E1, especially when colors or textures are demanding (like vibrant foliage or patterned fabrics). The boosted ISO range on the X-E1 also means it handles lower light with fewer artifacts. The X-A1, with a base ISO of 200 and no extended high-ISO mode, is best kept in good lighting.
Autofocus: Tracking Reality in Motion
Autofocus can make or break shooting fast action or candid portraits. Both cameras sport hybrid autofocus with contrast detection but differ in performance subtleties.
The X-A1 houses 49 focus points, all contrast-detection, enabling decent subject acquisition but with some lag in tracking moving objects or focusing under challenging light. I found it reliable for static compositions and casual portraits but prone to hunting if subjects moved unpredictably.
The X-E1, while not officially listing its number of AF points, features continuous AF with contrast detection and slight predictive algorithms but no phase-detection. Its AF tracking lacks sophistication (no face/eye detection), though AF acquisition is marginally faster and more decisive than the X-A1’s.
Neither model meets today’s blazing speed or animal eye AF standards, but for street photography or posed portraits, both deliver solid results. However:
- X-A1 better for static subjects and beginners prioritizing ease
- X-E1 better for deliberate shooting requiring more responsive AF
Photo Quality in Action: Real-World Image Samples
To see these differences clearly, I shot across various genres to compare portraits, landscapes, and street snaps - both JPEG out-of-camera and raw processed in Lightroom.
- Portraits: The X-E1’s X-Trans sensor and subtle micro-contrast produced slightly more lifelike skin tones and a natural, pleasant bokeh. The X-A1 yielded less nuanced color but still respectable results on a budget.
- Landscapes: The X-E1 rendered foliage with punchier greens and better shadow detail. The X-A1’s images required stronger post-processing to reach similar vibrance.
- Street: The X-A1’s tiltable screen aided low-angle captures that brought street scenes to life with novel perspectives. The X-E1 relied on the EVF to frame swiftly and steadily - a boon in bright sunlight.
Burst and Video: Moving Pictures on the Go
Both cameras can shoot 6 frames per second continuous burst, sufficient for amateurs photographing sports or wildlife casually.
Video-wise:
Feature | X-A1 | X-E1 |
---|---|---|
Max resolution | 1080p @ 30fps, ~14 minutes | 1080p @ 24fps, no long limit |
Codec | H.264 | H.264 |
Microphone port | No | Yes |
Headphone port | No | No |
Image stabil. | No | No |
In my experience, X-E1’s video benefits from external mic input, letting you achieve clear audio in run-and-gun interviews or vlogs, while the X-A1 is silent on audio upgrades.
The X-A1’s longer continuous recording time lets you capture casual clips without worrying about timeouts. However, neither have in-body image stabilization or 4K output. Videographers aiming for advanced features will need newer models.
Specialized Shooting Styles: Which Excels Where?
Let’s break down use cases for everyday and niche photography disciplines where I tested these cameras extensively:
Portrait Photography
- X-E1 takes the lead: The X-Trans sensor’s color response handles skin tones delicately, and crisp EVF framing aids precise composition. Eye detection autofocus is missing, though, so manual focus skills help.
- X-A1 is workable, especially with fast lenses, but skin tone fidelity is slightly flatter.
Landscape and Travel
- X-E1 again preferred for dynamic range and resolution nuances; the smaller screen is a compromise.
- X-A1’s tilting screen and lighter weight make it easier to carry and frame for low or high angles on hiking trails.
Wildlife and Sports
- Neither is ideal for intense wildlife or sports due to contrast-only AF and 6 fps cap.
- X-E1 edges out a bit in AF responsiveness but system limitations remain.
Street Photography
- X-A1 is surprisingly nimble, thanks to the tilting screen and pocketable size.
- X-E1’s EVF makes it stealthy and quick at framing but is a bit bulkier.
Macro and Night/Astro Photography
- No image stabilization in either is an obstacle; tripod support needed.
- X-E1’s better ISO performance helps for night landscapes.
Professional Workflows
- X-E1 files exhibit richer color profiles and broader dynamic range, better suited for demanding post-processing.
- X-A1’s standard CMOS files are solid but less flexible.
Build Quality and Durability: Taking It Out in the Field
Neither the X-A1 nor X-E1 has weather sealing or ruggedization, a serious consideration if you shoot in rough conditions.
The X-E1’s metal body provides more durability under everyday wear and tear, while the X-A1’s plastic construction is lighter but less impact resistant. Both are compact enough for travel and casual use, though.
Lens Ecosystem and Compatibility
Both share the Fujifilm X-mount, compatible with over 50 lenses covering wide-angle, portrait primes, zooms, and macros. This is a major strength for Fuji mirrorless cameras - you’re not locked out of Fuji’s excellent lens lineup.
I found pairing the X-E1 with the Fujinon 35mm f/1.4 lens to be a dream for portraits and street, while the X-A1 paired admirably with the more economical 16-50mm f/3.5-5.6 for travel versatility.
Battery Life and Connectivity
- Both cameras run on the NP-W126 battery and deliver roughly 350 shots per charge.
- The X-A1’s built-in Wi-Fi allows direct image transfer, sharing, or remote control via an app, beneficial for casual shooters on the go.
- The X-E1 lacks wireless connectivity but includes a microphone jack for enhanced audio capture.
- Both use single SD card slots supporting SDXC UHS-I cards.
Putting It All Together: Overall Performance Scores
In my formal testing against industry benchmarks (color depth, dynamic range, autofocus speed, video quality), here’s a summary rating:
- The X-E1 scores notably higher for image quality and build.
- The X-A1 offers good value but sits toward the entry-level end.
How They Perform Across Photography Genres
Here’s a breakdown of strengths and weaknesses by discipline based on my extensive shooting sessions:
Final Thoughts and Recommendations
So, which Fuji mirrorless camera should you pick? Here’s what I recommend based on use case and budget:
Choose the Fujifilm X-A1 if you:
- Are budget-conscious, seeking a lightweight, beginner-friendly camera
- Favor a tilting rear screen for flexible composition (great for street and travel)
- Don’t mind skipping an EVF and can live with conventional sensor output
- Shoot mostly in good lighting and want solid JPEGs straight from camera
- Appreciate built-in Wi-Fi for effortless sharing and remote shooting
- Want something fun and portable for casual portraits, travel, and everyday use
Choose the Fujifilm X-E1 if you:
- Value an X-Trans sensor for superior color fidelity and detail
- Prefer an electronic viewfinder for precise, eye-level shot framing
- Demand stronger build quality and lens mount reliability
- Want more advanced video inputs (microphone port)
- Shoot portraits, landscapes, or professional work needing better raw file quality
- Can invest more upfront for a camera with greater creative control and finish
My Personal Neither/Nor Conclusion
Both are admirable cameras from the early days of Fujifilm’s X system, capturing the philosophy of merging retro charm with modern technology. As a professional and longtime Fuji user, my heart leans towards the X-E1 for its balanced image quality, robust design, and compositional tools. Yet, the X-A1 has undeniable appeal as an accessible, lightweight, and fun camera for many enthusiasts dipping their toes into mirrorless systems.
Whichever you pick, you’re joining a passionate community with access to stellar lenses and a vintage-modern interface - a rewarding choice even a decade later.
Feel free to ask me about specific lenses or tips to maximize your shooting on these classic Fuji cameras!
Disclosure: I have no affiliate relationships with camera manufacturers. This review is based solely on personal hands-on experience and independent testing.
Fujifilm X-A1 vs Fujifilm X-E1 Specifications
Fujifilm X-A1 | Fujifilm X-E1 | |
---|---|---|
General Information | ||
Company | FujiFilm | FujiFilm |
Model | Fujifilm X-A1 | Fujifilm X-E1 |
Type | Entry-Level Mirrorless | Entry-Level Mirrorless |
Revealed | 2013-11-30 | 2013-02-28 |
Physical type | Rangefinder-style mirrorless | Rangefinder-style mirrorless |
Sensor Information | ||
Chip | EXR Processor II | EXR Pro |
Sensor type | CMOS | CMOS X-TRANS I |
Sensor size | APS-C | APS-C |
Sensor dimensions | 23.6 x 15.6mm | 23.6 x 15.6mm |
Sensor surface area | 368.2mm² | 368.2mm² |
Sensor resolution | 16 megapixels | 16 megapixels |
Anti aliasing filter | ||
Aspect ratio | 1:1, 3:2 and 16:9 | 1:1, 3:2 and 16:9 |
Full resolution | 4896 x 3264 | 4896 x 3264 |
Max native ISO | 6400 | 6400 |
Max boosted ISO | - | 25600 |
Min native ISO | 200 | 100 |
RAW pictures | ||
Autofocusing | ||
Focus manually | ||
Touch to focus | ||
Continuous AF | ||
AF single | ||
AF tracking | ||
AF selectice | ||
Center weighted AF | ||
AF multi area | ||
Live view AF | ||
Face detection AF | ||
Contract detection AF | ||
Phase detection AF | ||
Number of focus points | 49 | - |
Cross focus points | - | - |
Lens | ||
Lens mounting type | Fujifilm X | Fujifilm X |
Amount of lenses | 54 | 54 |
Focal length multiplier | 1.5 | 1.5 |
Screen | ||
Screen type | Tilting | Fixed Type |
Screen size | 3 inch | 2.8 inch |
Resolution of screen | 920k dots | 460k dots |
Selfie friendly | ||
Liveview | ||
Touch function | ||
Screen technology | TFT LCD | TFT color LCD monitor |
Viewfinder Information | ||
Viewfinder type | None | Electronic |
Viewfinder resolution | - | 2,360k dots |
Viewfinder coverage | - | 100 percent |
Viewfinder magnification | - | 0.62x |
Features | ||
Lowest shutter speed | 30 secs | 30 secs |
Highest shutter speed | 1/4000 secs | 1/4000 secs |
Continuous shooting rate | 6.0 frames per sec | 6.0 frames per sec |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Set WB | ||
Image stabilization | ||
Built-in flash | ||
Flash range | 7.00 m (ISO200m) | - |
Flash settings | Auto / Forced Flash / Suppressed Flash / Slow Synchro / Rear-curtain Synchro / Commander | Auto, On, Off, Red-Eye, Slow Sync, Rear-curtain |
External flash | ||
Auto exposure bracketing | ||
White balance bracketing | ||
Highest flash synchronize | 1/180 secs | 1/180 secs |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Supported video resolutions | 1920 x 1080 30p, Continuous recording: up to approx. 14 min./1280 x 720 30p, Continuous recording: up to approx. 27 min. | 1920 x 1080 (24 fps), 1280 x 720 (24 fps) |
Max video resolution | 1920x1080 | 1920x1080 |
Video format | H.264 | H.264 |
Mic port | ||
Headphone port | ||
Connectivity | ||
Wireless | Built-In | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 330 gr (0.73 lbs) | 350 gr (0.77 lbs) |
Physical dimensions | 117 x 67 x 39mm (4.6" x 2.6" x 1.5") | 129 x 75 x 38mm (5.1" x 3.0" x 1.5") |
DXO scores | ||
DXO All around score | not tested | not tested |
DXO Color Depth score | not tested | not tested |
DXO Dynamic range score | not tested | not tested |
DXO Low light score | not tested | not tested |
Other | ||
Battery life | 350 photographs | 350 photographs |
Style of battery | Battery Pack | Battery Pack |
Battery model | NP-W126 | W126 |
Self timer | Yes (10 sec. / 2 sec.) | Yes (2 or 10 sec) |
Time lapse feature | ||
Storage type | SD memory card / SDHC memory card / SDXC (UHS-I) memory card | SD/SDHC/SDXC |
Card slots | Single | Single |
Launch cost | $329 | $600 |