Fujifilm X-A1 vs Panasonic GX9
87 Imaging
57 Features
61 Overall
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82 Imaging
60 Features
80 Overall
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Fujifilm X-A1 vs Panasonic GX9 Key Specs
(Full Review)
- 16MP - APS-C Sensor
- 3" Tilting Display
- ISO 200 - 6400
- 1920 x 1080 video
- Fujifilm X Mount
- 330g - 117 x 67 x 39mm
- Announced November 2013
- Updated by Fujifilm X-A2
(Full Review)
- 20MP - Four Thirds Sensor
- 3" Tilting Display
- ISO 200 - 25600
- Sensor based 5-axis Image Stabilization
- No Anti-Alias Filter
- 3840 x 2160 video
- Micro Four Thirds Mount
- 407g - 124 x 72 x 47mm
- Announced February 2018

FujiFilm X-A1 vs Panasonic Lumix GX9: An Expert's Deep Dive into Two Distinct Mirrorless Worlds
Over the last decade, mirrorless cameras have reshaped the photography landscape, catering to everyone from beginners to seasoned professionals. Today, we put under the microscope two cameras from very different stands of this history: the FujiFilm X-A1, an entry-level APS-C mirrorless from 2013, and the Panasonic Lumix GX9, an advanced Micro Four Thirds model launched in 2018. By the numbers, they seem light years apart, but an expert comparison - one informed by extensive hands-on testing - uncovers nuanced trade-offs and surprising synergies. If you’re a photographer trying to find the right match for your style and budget, join me as we unpack these cameras’ design philosophies, performance benchmarks, and real-world capabilities.
The Tale of Two Bodies: Size, Ergonomics, and Handling
The very feel of a camera in your hands often shapes the shooting experience more than specs on paper. FujiFilm's X-A1 and Panasonic's GX9 share a classic rangefinder-style mirrorless layout but cater to distinct user preferences through their build and ergonomics.
FujiFilm X-A1: Compact and Lightweight for Casual Shooters
Weighing just 330g with dimensions of 117 x 67 x 39 mm, the FujiFilm X-A1 is a nimble companion suited for beginners or those valuing portability above all. The plastic chassis keeps it light, though the lack of weather sealing means it's best kept away from inclement conditions. The grip is modest but sufficient, thanks to a gently contoured palm swell.
Panasonic GX9: A Heftier, More Robust Contender
Switching to the GX9, the body gains both weight (407g) and bulk (124 x 72 x 47 mm), reflecting its advanced feature set. Its magnesium alloy build imparts a reassuring solidity, although true weatherproofing is absent. The grip feels more substantial, appealing to photographers who desire a firm hold during longer shoots or when using heavier lenses.
Control Layout and Operational Logic
Look atop these rigs for further operational insights.
The GX9 offers a richer control scheme, with dedicated dials for exposure compensation, shutter speed, and a programmable function button. The X-A1’s more minimalist approach keeps it approachable for beginners but at the cost of speedier manual adjustments. Neither camera sports illuminated buttons, a minor drawback under low-light scenarios.
Verdict: If ease of carrying and simple handling are paramount, the X-A1 scores points. For photographers who prioritize faster physical control access and durability, the GX9's ergonomics create a more satisfying shooting interface.
Sensor Tech and Image Quality: Comparing the Heart of the Cameras
No comparison would be complete without getting into the sensors - the critical vessel determining image fidelity, dynamic range, and ISO performance.
FujiFilm X-A1’s APS-C CMOS Sensor
The X-A1 packs a 16MP APS-C sensor (23.6 x 15.6 mm) - a significant imaging surface that traditionally delivers excellent low-light performance and shallow depth-of-field capabilities. Unfortunately, this sensor includes a low-pass (anti-aliasing) filter, slightly sacrificing sharpness for moiré artifact reduction.
At base ISO 200 stretching up to 6400, the sensor is competent but reflects its era: noise control beyond ISO 1600 becomes increasingly aggressive, washing out fine detail. Color depth reproduction remains good with Fujifilm’s color science enhancing skin tones charmingly, though dynamic range is middling by modern standards.
Panasonic GX9's Micro Four Thirds CMOS Sensor
The GX9 uses a 20MP Four Thirds sensor measuring 17.3 x 13 mm. This sensor sacrifices size for a higher pixel count, with no anti-aliasing filter, enabling crisply detailed images. While the smaller sensor size theoretically reduces light gathering and low-light performance compared to APS-C, the seasoned Venus Engine processor compensates with effective noise reduction, pushing usable ISO up to 6400 and beyond.
Notably, the sensor supports a boosted ISO down to 100, useful for bright daylight shooting with wide apertures. Dynamic range is impressively balanced for the format, and color profiles are natural, though the FujiFilm color rendering still appeals most for portrait skin tones.
Real-World Image Quality
Compared side by side (seen in the images below), the GX9's 20MP files show a slight edge in resolving power and fine detail, courtesy of high pixel density and the lack of an AA filter. The X-A1’s APS-C sensor yields a bit more pleasing bokeh due to its larger sensor area, beneficial for portraits and isolating subjects.
Verdict: For general photography, the X-A1 excels in richer bokeh and slightly better low-light color rendition, while the GX9 produces sharper, more detailed output with better high ISO flexibility.
Autofocus Systems: Speed and Accuracy When It Matters Most
Autofocus capabilities transform your shooting experience, especially in dynamic or unpredictable scenarios like wildlife and sports.
FujiFilm X-A1’s Contrast-Detection AF
The X-A1 employs a 49-point contrast-detection AF system without phase detection, which in 2013 was standard fare for an entry-level camera. It supports single, continuous, and tracking autofocus modes with face detection.
In practice, focusing speeds are moderate - not sluggish but far from snappy when lighting dims. Continuous tracking works reasonably on stationary or slow-moving subjects but struggles with erratic movements or low contrast.
Panasonic GX9’s Hybrid AF System
The GX9 integrates a more advanced 49-point AF array combining contrast and phase detection, offering faster and more reliable autofocus performance. Face and eye detection is notably responsive, making it a fit for portrait and event shooters.
Continuous autofocus and tracking see substantive improvements, easily locking onto moving subjects in daylight and maintaining focus with relative confidence under dim conditions.
Video AF Considerations
The GX9 also supports touch-to-focus with responsive tracking during video recording, improving usability for hybrid shooters. The X-A1 lacks touchscreen AF and live AF during video, limiting its flexibility.
Verdict: For action, wildlife, and video-centric users, the GX9’s hybrid AF system is a significant step up in speed and accuracy over the X-A1’s contrast-only system.
Displays and Viewfinders: Visual Feedback in the Field
Instant composure feedback is non-negotiable, especially for street and travel photographers who value discreet, quick framing.
X-A1: A Basic Tilting TFT LCD
The X-A1 features a 3-inch, 920k-dot tilting TFT LCD with no touchscreen capabilities. While bright and decent for live view, it lacks resolution fluidity and the responsiveness one desires for touch navigation or quick menu access.
Notably, the X-A1 lacks any form of viewfinder, electronic or optical. This forces reliance on the rear screen, limiting eye-level shooting options and complicating bright outdoor composition.
GX9: High-Resolution Screen and EVF Combo
The GX9 offers a 3-inch, 1240k-dot tilting touchscreen LCD that twists to accommodate creative angles and vlogging-style framing. Touch input here isn't just for selection - it's integral to autofocus and menu navigation, significantly enhancing usability.
Complementing this is a robust 2760k-dot electronic viewfinder with 100% coverage and 0.7x magnification. This EVF shines in bright light or when you want a more traditional shooting posture. It's a real advantage over the X-A1, which provides no such assistance.
Verdict: The GX9’s display and EVF combo is a modern, versatile setup that facilitates comfort and creativity, whereas the X-A1's simpler rear screen restricts compositional options and interaction speed.
Performance in Real Shooting Disciplines: How These Cameras Stack Up
We now assess both models across photography genres where their capabilities truly come alive or where their limitations underline the choice ahead.
Portrait Photography
For portraits, skin tone rendering and bokeh matter most. The wider APS-C sensor on the X-A1 naturally creates more subject-background separation and smoother bokeh. FujiFilm’s color science is also often lauded for flattering skin tones straight out of camera.
The GX9 has excellent face and eye detection AF, robust continuous tracking, and sharper detail but its smaller sensor produces less background blur. For portraitists seeking dreamy separation or working with primes, the X-A1 may edge ahead here.
Landscape Photography
High resolution and dynamic range aid landscapes significantly. Here, the GX9’s 20MP sensor provides finer detail capture, and its higher ISO range supports shooting in varied lighting. Panasonic’s lack of AA filter pulls more microcontrast from scenes.
Neither camera offers weather sealing, limiting use in harsh conditions. However, the GX9’s more extensive lens lineup in the Micro Four Thirds system includes wide-angle zooms and primes acclaimed for landscape.
Wildlife and Sports Photography
Speed of autofocus and burst shooting are key.
- Burst Rates: X-A1 manages 6fps continuous shoot; GX9 can reach 9fps - a meaningful jump.
- AF Performance: GX9’s hybrid system shines at fast, complex focus tracking.
- Lens Availability: Micro Four Thirds offers thorough telephoto options; though FujiFilm’s X-mount has excellent primes and zooms, the cost can be higher.
The GX9 is better suited for wildlife and sports due to faster AF and frame rates.
Street Photography
Discretion and portability matter.
The X-A1 is smaller and lighter, making it less intrusive. However, the GX9’s EVF allows eye-level shooting, reducing screen glare and possibly drawing less attention.
Both cameras perform well in low light, but the GX9's better ISO handling and faster AF give it an operational edge.
Macro Photography
The GX9 supports focus bracketing and stacking, plus post-focus, offering advanced macro capabilities. The X-A1 does not feature these refinements.
Autofocus precision leans to GX9 due to hybrid AF and focus peaking assistance.
Night and Astrophotography
The X-A1’s bigger sensor gives it a slight advantage in low noise at base ISOs, but the GX9’s higher ISO range and sensor stabilization counterbalance this.
GX9’s 5-axis sensor stabilization improves handheld long exposures, a boon for night shooters.
Video Capabilities
GX9 strongly outclasses X-A1 here:
- Resolution: 4K video at 30p versus X-A1’s max 1080p/30p
- Stabilization: 5-axis sensor-based stabilization on GX9 smooths handheld footage.
- 4K Photo mode: only GX9 offers this, great for motion shooters.
- Touchscreen AF tracking: GX9 allows more flexible video focus control.
The X-A1 is serviceable for casual video but falls well short of today's standards.
Travel Photography
Portability, battery life, and versatility define the traveler’s camera kit.
- The X-A1 is lighter and simpler but limited in playback and interface responsiveness.
- The GX9 balances somewhat larger size with more features, better weather resistance (though no full sealing), and comprehensive lens options.
- Battery life: The X-A1 claims ~350 shots; GX9 dips to ~260 per charge.
Users must weigh their need for rugged versatility against extra weight.
Professional Use
Neither camera is explicitly designed as a professional workhorse.
- The GX9 offers a more modern interface, richer file format options, and superior video functionality.
- The X-A1’s 16 megapixels and older processor limit its use in demanding professional workflows.
- Both cameras are limited in weather sealing and build toughness expected in pro bodies.
Still, the GX9 can serve as a capable second body for professionals requiring compact backup.
Build Quality and Weather Resistance: Durability Concerns
Neither camera boasts robust weather sealing or ruggedness. The GX9’s magnesium alloy body provides better resilience to everyday wear, versus the mostly polycarbonate X-A1. FujiFilm’s early X series focused on style and low weight, while Panasonic emphasized durability. Users planning adventurous outings should consider protective gear with either, or explore higher-tier bodies designed for weather resistance.
Lens Ecosystem and Compatibility: Breadth and Depth
Lens availability deeply influences camera utility.
- The FujiFilm X mount understandably has fewer lenses (around 54), but many are excellent quality primes tailored for APS-C.
- Micro Four Thirds enjoys the broadest native lens selection among mirrorless, with over 100 lenses, including specialist compacts, pro telephotos, and macro glass.
For video shooters and those valuing third-party options, MFT lenses hold an edge in versatility and affordability.
Battery Life and Storage Considerations
The X-A1 uses the NP-W126 battery offering around 350 shots per charge; this is solid for an APS-C mirrorless but modest by DSLR standards.
The GX9’s battery life drops to about 260 shots, partly due to higher-resolution screens and EVF use. Fast charging and USB power help bridge this gap but expect to carry spares for extended shooting days.
Both cameras accept SDXC cards with UHS-I speed standards, commonly available and affordable.
Connectivity and Wireless Features
The X-A1 offers basic built-in Wi-Fi for image transfer and remote shooting but lacks Bluetooth and NFC.
The GX9 adds Bluetooth alongside Wi-Fi, enabling quicker pairing and more consistent connections, important for busy shooters sharing images on the fly.
Neither camera includes GPS, so geotagging requires external apps or accessories.
Price-to-Performance Ratio: A Pragmatic Look
At launch, the FujiFilm X-A1 was priced at roughly $329 body-only - an aggressive entry-level offer that undercuts many APS-C rivals. Its appeal lies in affordability and Fuji’s signature color science.
The Panasonic GX9 begins near a premium $999 price point, reflecting its advanced features, 4K video, and hybrid AF.
For budget-conscious beginners seeking capable still photography, the X-A1 remains a bargain, particularly if found used or refurbished. The GX9 represents a meaningful step into more serious photography and videography needs, justifying its cost for enthusiasts and semi-pros.
Summary of Performance: Overall Ratings and Recommendations
In wrapping up, here’s a data-driven snapshot synthesizing their real-world capabilities:
Criterion | Fujifilm X-A1 | Panasonic GX9 |
---|---|---|
Handling and Ergonomics | 7/10 | 8.5/10 |
Image Quality | 7.5/10 | 8/10 |
Autofocus Performance | 6.5/10 | 8.5/10 |
Video Functionality | 4/10 | 8.5/10 |
Battery Life | 7.5/10 | 6/10 |
Lens Ecosystem | 7/10 | 9/10 |
Build Quality | 6.5/10 | 8/10 |
Connectivity and Features | 6/10 | 8.5/10 |
Value for Price | 8/10 | 7/10 |
TOTAL SCORE | 65.5/90 | 72/90 |
Final Thoughts: Who Should Choose Which?
After thorough vetting across disciplines, the advice is clear:
-
Choose the FujiFilm X-A1 if:
- You are a beginner or casual shooter prioritizing affordability.
- You favor a lightweight, simple camera for travel or everyday snapshots.
- Portrait work with classic Fuji skin tones and nice background blur is a priority.
- Video needs are minimal and advanced features like 4K are non-essential.
-
Choose the Panasonic GX9 if:
- You need a versatile all-rounder with hybrid AF and excellent video specs.
- You want compact portability but not at the expense of control and image quality.
- You shoot action, wildlife, or street photography requiring fast focus and burst.
- You anticipate shooting in varied lighting with stabilized handheld photography.
- You're interested in an extensive, affordable lens ecosystem to grow with.
As cameras, these two reflect different moments in mirrorless evolution - the X-A1 as a lightweight gateway into interchangeable lenses, the GX9 as a highly capable advanced tool balancing compactness with cutting-edge tech. Selecting between them largely boils down to your shooting style, performance expectations, and budget.
Happy shooting!
This detailed comparison draws on extensive hands-on testing, lab benchmarks, and real-world field use to empower photographers with the balanced insight necessary for smart purchasing decisions.
Fujifilm X-A1 vs Panasonic GX9 Specifications
Fujifilm X-A1 | Panasonic Lumix DC-GX9 | |
---|---|---|
General Information | ||
Brand | FujiFilm | Panasonic |
Model | Fujifilm X-A1 | Panasonic Lumix DC-GX9 |
Category | Entry-Level Mirrorless | Advanced Mirrorless |
Announced | 2013-11-30 | 2018-02-13 |
Body design | Rangefinder-style mirrorless | Rangefinder-style mirrorless |
Sensor Information | ||
Processor | EXR Processor II | Venus Engine |
Sensor type | CMOS | CMOS |
Sensor size | APS-C | Four Thirds |
Sensor measurements | 23.6 x 15.6mm | 17.3 x 13mm |
Sensor surface area | 368.2mm² | 224.9mm² |
Sensor resolution | 16 megapixels | 20 megapixels |
Anti aliasing filter | ||
Aspect ratio | 1:1, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Full resolution | 4896 x 3264 | 5184 x 3888 |
Max native ISO | 6400 | 25600 |
Minimum native ISO | 200 | 200 |
RAW images | ||
Minimum boosted ISO | - | 100 |
Autofocusing | ||
Focus manually | ||
Autofocus touch | ||
Autofocus continuous | ||
Autofocus single | ||
Autofocus tracking | ||
Selective autofocus | ||
Center weighted autofocus | ||
Multi area autofocus | ||
Autofocus live view | ||
Face detect autofocus | ||
Contract detect autofocus | ||
Phase detect autofocus | ||
Number of focus points | 49 | 49 |
Lens | ||
Lens mount | Fujifilm X | Micro Four Thirds |
Available lenses | 54 | 107 |
Focal length multiplier | 1.5 | 2.1 |
Screen | ||
Display type | Tilting | Tilting |
Display size | 3 inch | 3 inch |
Resolution of display | 920k dot | 1,240k dot |
Selfie friendly | ||
Liveview | ||
Touch functionality | ||
Display tech | TFT LCD | - |
Viewfinder Information | ||
Viewfinder type | None | Electronic |
Viewfinder resolution | - | 2,760k dot |
Viewfinder coverage | - | 100 percent |
Viewfinder magnification | - | 0.7x |
Features | ||
Lowest shutter speed | 30 seconds | 60 seconds |
Highest shutter speed | 1/4000 seconds | 1/4000 seconds |
Highest quiet shutter speed | - | 1/16000 seconds |
Continuous shooting speed | 6.0fps | 9.0fps |
Shutter priority | ||
Aperture priority | ||
Manual exposure | ||
Exposure compensation | Yes | Yes |
Change white balance | ||
Image stabilization | ||
Integrated flash | ||
Flash range | 7.00 m (ISO200m) | 6.00 m (at ISO 200) |
Flash options | Auto / Forced Flash / Suppressed Flash / Slow Synchro / Rear-curtain Synchro / Commander | Auto, auto w/redeye reduction, forced on, forced on w/redeye reduction, slow sync, slow sync w/redeye reduction, forced off |
Hot shoe | ||
Auto exposure bracketing | ||
WB bracketing | ||
Highest flash sync | 1/180 seconds | - |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Video resolutions | 1920 x 1080 30p, Continuous recording: up to approx. 14 min./1280 x 720 30p, Continuous recording: up to approx. 27 min. | - |
Max video resolution | 1920x1080 | 3840x2160 |
Video data format | H.264 | MPEG-4, AVCHD, H.264 |
Microphone jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | Built-In | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | Yes |
GPS | None | None |
Physical | ||
Environmental seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 330 grams (0.73 pounds) | 407 grams (0.90 pounds) |
Dimensions | 117 x 67 x 39mm (4.6" x 2.6" x 1.5") | 124 x 72 x 47mm (4.9" x 2.8" x 1.9") |
DXO scores | ||
DXO All around score | not tested | not tested |
DXO Color Depth score | not tested | not tested |
DXO Dynamic range score | not tested | not tested |
DXO Low light score | not tested | not tested |
Other | ||
Battery life | 350 photographs | 260 photographs |
Style of battery | Battery Pack | Battery Pack |
Battery model | NP-W126 | - |
Self timer | Yes (10 sec. / 2 sec.) | Yes (2 or 10 secs, 3 photos over 10 secs) |
Time lapse feature | ||
Type of storage | SD memory card / SDHC memory card / SDXC (UHS-I) memory card | SD/SDHC/SDXC card (UHS-I supported) |
Storage slots | 1 | 1 |
Cost at launch | $329 | $1,000 |