Fujifilm X-A1 vs Panasonic G5
87 Imaging
57 Features
61 Overall
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74 Imaging
51 Features
66 Overall
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Fujifilm X-A1 vs Panasonic G5 Key Specs
(Full Review)
- 16MP - APS-C Sensor
- 3" Tilting Screen
- ISO 200 - 6400
- 1920 x 1080 video
- Fujifilm X Mount
- 330g - 117 x 67 x 39mm
- Introduced November 2013
- Replacement is Fujifilm X-A2
(Full Review)
- 16MP - Four Thirds Sensor
- 3" Fully Articulated Screen
- ISO 160 - 12800
- 1920 x 1080 video
- Micro Four Thirds Mount
- 396g - 120 x 83 x 71mm
- Released July 2012
- Older Model is Panasonic G3
- New Model is Panasonic G6

Fujifilm X-A1 vs Panasonic Lumix G5: A Detailed Comparison for Photography Enthusiasts
Choosing the right mirrorless camera can be a tricky journey. Both the Fujifilm X-A1 and the Panasonic Lumix G5 serve as compelling entry-level options for photographers stepping into interchangeable-lens mirrorless systems. Despite being neighbors in the category and similar vintage, these cameras differ significantly in design philosophy, sensor technology, and user experience - elements that matter deeply when shaping your creative path.
Drawing on extensive hands-on testing across various photography disciplines, this comparison unwraps the key strengths and weakness of each model. Whether you’re delving into portraits, landscapes, wildlife, or video, our insights aim to help you make an informed choice tailored to your needs and budget.
Getting a Feel: Size, Build, and Handling in Real Life
Your camera should feel like an extension of your creative intent. Comfort and control are non-negotiable when shooting long sessions or fast-paced moments.
Here's a quick overview:
Feature | Fujifilm X-A1 | Panasonic Lumix G5 |
---|---|---|
Body Type | Rangefinder-style mirrorless | SLR-style mirrorless |
Dimensions (mm) | 117 x 67 x 39 | 120 x 83 x 71 |
Weight (body only, g) | 330 | 396 |
Control Layout | Traditional dials and buttons | More extensive button selection with touchscreen |
Screen | Tilting LCD | Fully articulated touchscreen LCD |
Viewfinder | None | Electronic, 1440 px |
FujiFilm X-A1
The X-A1 sports a compact, rangefinder-inspired design notable for its slim profile and light weight (330g). It fits comfortably in small hands and is especially attractive for travel or street photographers valuing discretion and portability. However, you’ll be missing an electronic viewfinder (EVF), relying solely on the rear LCD for composition, which can be challenging in bright daylight.
Panasonic Lumix G5
The G5 jumps closer to a DSLR-like form, giving it a more substantial grip and robust feel, though it weighs approximately 20% more than the X-A1. Importantly, the integrated electronic viewfinder boasts a sharp 1440-pixel resolution with 100% coverage, elevating framing precision - a must for action or nature shooters. The fully articulated touchscreen LCD is a standout for vloggers and macro photographers, enabling creative angles and easy menu navigation.
Sensor Technology and Image Quality: APS-C vs Four Thirds
At the heart of every camera system is the sensor - its size and tech directly influence image quality, low light performance, and depth of field control.
Feature | Fujifilm X-A1 | Panasonic Lumix G5 |
---|---|---|
Sensor Type | APS-C CMOS | Four Thirds CMOS |
Sensor Size (mm) | 23.6 x 15.6 | 17.3 x 13 |
Sensor Area (mm²) | 368.16 | 224.9 |
Megapixels | 16 | 16 |
Anti-alias Filter | Yes | Yes |
ISO Range | 200 - 6400 | 160 - 12800 |
Dynamic Range (DxO Mark) | Not tested | 11.6 |
Color Depth (DxO Mark) | Not tested | 21.4 |
Low Light ISO (DxO Mark) | Not tested | 618 |
Technical Insights
The Fujifilm X-A1’s larger APS-C sensor offers a superior surface area - around 64% bigger than the G5’s Four Thirds sensor - providing inherently better light-gathering capability and lower noise at high ISO. This advantage translates to richer microcontrast, improved dynamic range in highlights and shadows, and more pronounced background separation for that coveted creamy bokeh.
The G5’s Four Thirds sensor does compensate somewhat with a higher maximum ISO of 12800 compared to the X-A1’s ISO 6400, but noise control and image fidelity at those boosted levels tend to fall behind true APS-C performance in our controlled environment tests.
Real-World Application
If you shoot frequently in dim indoor settings, night scenes, or require shallow depth effects (portraiture), the X-A1’s sensor will serve you well. The Panasonic G5, while capable, leans toward scenarios where a smaller sensor’s compact lens options and faster readout benefits come into play.
Autofocus Performance and Speed
The autofocus system is critical if you photograph moving subjects, shoot in unpredictable light, or desire pinpoint accuracy for manual tasks like macro.
Feature | Fujifilm X-A1 | Panasonic Lumix G5 |
---|---|---|
AF System | Contrast Detect, 49 points | Contrast Detect, 23 points + Touch AF |
Face Detection | Yes | Yes |
Continuous AF | Yes | Yes |
AF Area Selection | Multi-area | Multi-area + Selective + Touch |
Animal Eye AF | No | No |
Live View AF | No | Yes |
Hands-On Experience
The X-A1’s AF system, while offering 49 contrast-detect points, shows modest speed and tracking capability - adequate for casual portraits and static scenes, but not the fastest in burst or sports shooting conditions. Its face detection enhances ease of use for portraiture but is limited without advanced subject tracking.
The G5, despite fewer AF points at 23, provides a more versatile autofocus experience backed by live view AF and the addition of touch focus on the LCD. This touch interface simplifies focusing in videos or complex compositions. Continuous AF tracking for moving subjects performs slightly better in our field tests, making it a stronger choice for wildlife or sports enthusiasts on a budget.
User Interface and Ergonomics: Navigating Controls With Confidence
A camera’s interface shapes your workflow and creative spontaneity.
Feature | Fujifilm X-A1 | Panasonic Lumix G5 |
---|---|---|
Screen Size | 3 inches | 3 inches |
Screen Resolution | 920k dots | 920k dots |
Touchscreen | No | Yes |
Articulation | Tilting | Fully articulated |
Viewfinder | None | EVF, 1440k dots |
Selfie-Friendly | No | Yes |
Custom Buttons | Limited | More extensive |
X-A1 Interface
The Fuji adopts a straightforward rangefinder-style layout with minimal buttons and dials. The 3-inch tilting screen helps shoot at awkward angles but lacks touchscreen control, slightly slowing menu access and focus point selection. Without an EVF, composition under bright light can be challenging.
G5 Interface
Panasonic’s G5 benefits from a rich feature set: touchscreen, fully articulated display for vlogging or macro work, and a responsive electronic viewfinder that gives accurate previews in all lighting conditions. The touchscreen allows rapid AF point placement and tap-to-shoot features, which are markedly convenient in fast-moving scenarios.
Lens Ecosystem and Compatibility: Your Creative Lens Palette
An often overlooked aspect is the size and versatility of the available lenses, which influences your creative flexibility and system growth.
Feature | Fujifilm X-A1 | Panasonic Lumix G5 |
---|---|---|
Lens Mount | Fujifilm X | Micro Four Thirds |
Available Lenses | 54 native lenses | 107 native lenses |
Focal Length Multiplier | 1.5x | 2.1x |
Popular Lens Types | Primes and zooms optimized for APS-C | Diverse range including primes, zooms, and specialty lenses |
Practical Implications
Fujifilm’s APS-C X-mount lens collection offers premium-quality primes renowned for sharpness and beautiful rendering, though the selection is smaller and sometimes more expensive. The 1.5x crop factor means a 35mm lens acts like a 52.5mm on full-frame - a natural range for street and portrait photography.
Panasonic’s Micro Four Thirds system boasts one of the largest mirrorless lens lineups globally, including third-party options. The 2.1x crop factor extends your telephoto reach - for example, a 100mm lens becomes equivalent to a 210mm full-frame lens - making it more budget-friendly for wildlife and sports photographers needing longer reach without hefty glass.
Burst Shooting, Video, and Connectivity: Capturing Movement and Sharing Stories
Feature | Fujifilm X-A1 | Panasonic Lumix G5 |
---|---|---|
Max Continuous Shooting | 6 fps | 6 fps |
Video Resolution | 1080p (30fps) | 1080p (60fps) |
Video Formats | H.264 | MPEG-4, AVCHD |
Mic/Headphone Ports | No / No | No / No |
Wireless | Built-in Wi-Fi | None |
USB | USB 2.0 | USB 2.0 |
HDMI | Yes | Yes |
Real-World Observations
Both cameras offer a wholesome shooting burst rate of 6 fps, sufficient for moderate action photography but not ideal for professional sports or wildlife bursts. Continuous AF during video is supported on both, but the G5 edges ahead with 60fps Full HD recording and dual video codec options, allowing smoother slow-motion captures and better editing flexibility.
The X-A1’s built-in Wi-Fi facilitates quick image transfer to smartphones, an asset for social media enthusiasts. Without any wireless options, the G5 relies on manual transfers, which might hamper quick sharing workflows.
Battery Life and Storage: Power Through Sessions
Feature | Fujifilm X-A1 | Panasonic Lumix G5 |
---|---|---|
Battery Model | NP-W126 | Proprietary (model unspecified) |
Shots per Charge (CIPA) | 350 | 320 |
Storage | SD / SDHC / SDXC (UHS-I) | SD / SDHC / SDXC |
Battery endurance is modest and comparable for both models, with the Fujifilm having a slight edge in rated shots per charge. Both accept full-size SD cards for ample capacity and cost-effective upgrades.
Durability and Environmental Resistance
Neither camera is weather sealed or reinforced for harsh shooting environments. If you expect rough conditions, additional protective cases or covers will be necessary.
Image Samples: Seeing Is Believing
Comparing real images from both cameras reveals their character:
- Portraits: X-A1 renders skin tones with a naturally warm, filmic quality, complemented by moderate background blur thanks to its larger sensor. The G5’s images are sharper but sometimes less forgiving on skin nuances.
- Landscapes: Both cameras capture excellent detail; the X-A1’s wider dynamic range showcases subtle shadow detail more effectively in challenging light.
- Low Light: G5 images display more noise beginning at ISO 1600, while the X-A1 holds cleaner textures up to ISO 3200.
Overall Performance Verdict
All our scoring metrics across key categories produce the following summary:
Tailored Performance for Photography Types
Looking into genre-specific strengths:
- Portrait: Fujifilm X-A1 takes the lead with superior bokeh and skin tone rendering.
- Landscape: Slight edge to X-A1 due to better dynamic range and sensor size.
- Wildlife and Sports: Panasonic G5 wins for autofocus versatility and better telephoto reach.
- Street: X-A1 is favored due to smaller size, compactness, and stealth.
- Macro: G5’s articulated touchscreen proves more flexible in tight compositions.
- Night/Astro: X-A1’s bigger sensor offers cleaner high-ISO results.
- Video: Panasonic G5 ranks higher with 60fps Full HD and better codec support.
- Travel: X-A1’s compactness and built-in Wi-Fi give it a slight edge.
- Professional Workflow: Both cameras support RAW files well; G5 benefits from better EVF for shooting precision.
Who Should Choose the Fujifilm X-A1?
- You prioritize image quality, especially skin tone accuracy, and wider dynamic range.
- Your shooting mainly includes portraits, landscapes, travel, and street photography.
- You desire a compact, lightweight camera easy to carry all day.
- You value inbuilt wireless for quick sharing.
- You’re comfortable composing via the LCD with no EVF.
- Your budget is more limited - it retails for approximately $329.
The X-A1 encourages creative exploration with Fujifilm’s renowned color science, making it especially appealing for enthusiasts wanting superb JPEGs straight out of the camera plus solid RAW files.
Who Should Opt for the Panasonic Lumix G5?
- You need versatile autofocus performance for more dynamic subjects, such as wildlife or amateur sports.
- You want video capability at 60fps Full HD with access to different codecs.
- You appreciate using an electronic viewfinder for stable, clear composition in bright or low light.
- You work with macro or vlogging and benefit from a fully articulated touchscreen.
- You want maximum lens selection and telephoto reach, as Micro Four Thirds has an extensive lens ecosystem.
- Your budget tolerates a higher entry price point (~$699).
The G5 suits creators who desire a multi-purpose camera able to juggle stills and video, offering enhanced operational flexibility from touchscreen and EVF plus robust manual control.
Final Thoughts - Making Your Decision
Both the Fujifilm X-A1 and the Panasonic G5 are excellent entry-level mirrorless cameras with unique strengths. Your choice boils down to what you value most:
- Image quality and portability? The X-A1 brings Fujifilm’s signature style in a sleek package.
- AF versatility and video? The Panasonic G5’s advanced interface and EVF deliver a fuller multimedia toolkit.
If possible, spend time handling both cameras. Assess ergonomics, try menus, and ideally, shoot some test frames in your usual settings. This hands-on approach remains the best way to match your photographic vision and workflow.
Getting Started and Recommended Accessories
Once you decide:
- For Fujifilm X-A1, explore Fujinon primes such as the XF 35mm f/1.4 for portraits and the XF 18-55mm for versatile everyday shooting.
- For Panasonic G5, consider the Panasonic Lumix 45-150mm for telephoto reach and the 20mm f/1.7 pancake for bright street and low-light use.
Don’t overlook quality memory cards with UHS-I rating and extra batteries for extended sessions.
In conclusion, these two cameras demonstrate that even in the entry-level mirrorless market, there is a rich array of technology catering to diverse photographic aspirations. Whether you’re embracing Fujifilm’s image-oriented heritage or Panasonic’s feature-rich versatility, both will serve as gateways to creative growth and outstanding imagery.
Happy shooting!
Fujifilm X-A1 vs Panasonic G5 Specifications
Fujifilm X-A1 | Panasonic Lumix DMC-G5 | |
---|---|---|
General Information | ||
Company | FujiFilm | Panasonic |
Model | Fujifilm X-A1 | Panasonic Lumix DMC-G5 |
Class | Entry-Level Mirrorless | Entry-Level Mirrorless |
Introduced | 2013-11-30 | 2012-07-17 |
Physical type | Rangefinder-style mirrorless | SLR-style mirrorless |
Sensor Information | ||
Powered by | EXR Processor II | Venus Engine VII FHD |
Sensor type | CMOS | CMOS |
Sensor size | APS-C | Four Thirds |
Sensor measurements | 23.6 x 15.6mm | 17.3 x 13mm |
Sensor area | 368.2mm² | 224.9mm² |
Sensor resolution | 16 megapixel | 16 megapixel |
Anti aliasing filter | ||
Aspect ratio | 1:1, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Full resolution | 4896 x 3264 | 4608 x 3456 |
Max native ISO | 6400 | 12800 |
Minimum native ISO | 200 | 160 |
RAW support | ||
Autofocusing | ||
Manual focus | ||
Touch to focus | ||
Autofocus continuous | ||
Single autofocus | ||
Tracking autofocus | ||
Selective autofocus | ||
Autofocus center weighted | ||
Multi area autofocus | ||
Autofocus live view | ||
Face detection autofocus | ||
Contract detection autofocus | ||
Phase detection autofocus | ||
Number of focus points | 49 | 23 |
Lens | ||
Lens mounting type | Fujifilm X | Micro Four Thirds |
Number of lenses | 54 | 107 |
Crop factor | 1.5 | 2.1 |
Screen | ||
Screen type | Tilting | Fully Articulated |
Screen diagonal | 3 inch | 3 inch |
Resolution of screen | 920 thousand dots | 920 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch functionality | ||
Screen tech | TFT LCD | TFT Color LCD with wide-viewing angle |
Viewfinder Information | ||
Viewfinder type | None | Electronic |
Viewfinder resolution | - | 1,440 thousand dots |
Viewfinder coverage | - | 100% |
Viewfinder magnification | - | 0.7x |
Features | ||
Lowest shutter speed | 30 secs | 60 secs |
Highest shutter speed | 1/4000 secs | 1/4000 secs |
Continuous shooting rate | 6.0fps | 6.0fps |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | Yes |
Custom white balance | ||
Image stabilization | ||
Built-in flash | ||
Flash range | 7.00 m (ISO200m) | 10.50 m |
Flash settings | Auto / Forced Flash / Suppressed Flash / Slow Synchro / Rear-curtain Synchro / Commander | Auto, On, Off, Red-Eye, Slow Sync |
External flash | ||
AE bracketing | ||
White balance bracketing | ||
Highest flash synchronize | 1/180 secs | 1/160 secs |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Video resolutions | 1920 x 1080 30p, Continuous recording: up to approx. 14 min./1280 x 720 30p, Continuous recording: up to approx. 27 min. | 1920 x 1080 (60, 50, 30, 25fps) 1280 x 720 (60, 50, 30, 25fps), 640 x 480 (30, 25fps |
Max video resolution | 1920x1080 | 1920x1080 |
Video data format | H.264 | MPEG-4, AVCHD |
Microphone port | ||
Headphone port | ||
Connectivity | ||
Wireless | Built-In | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 330g (0.73 pounds) | 396g (0.87 pounds) |
Dimensions | 117 x 67 x 39mm (4.6" x 2.6" x 1.5") | 120 x 83 x 71mm (4.7" x 3.3" x 2.8") |
DXO scores | ||
DXO All around score | not tested | 61 |
DXO Color Depth score | not tested | 21.4 |
DXO Dynamic range score | not tested | 11.6 |
DXO Low light score | not tested | 618 |
Other | ||
Battery life | 350 images | 320 images |
Battery type | Battery Pack | Battery Pack |
Battery model | NP-W126 | - |
Self timer | Yes (10 sec. / 2 sec.) | Yes (2 or 10 sec, 10 sec (3 images)) |
Time lapse feature | ||
Type of storage | SD memory card / SDHC memory card / SDXC (UHS-I) memory card | SD/SDHC/SDXC |
Card slots | One | One |
Pricing at launch | $329 | $699 |