Fujifilm X-A3 vs Panasonic GM5
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91 Imaging
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Fujifilm X-A3 vs Panasonic GM5 Key Specs
(Full Review)
- 24MP - APS-C Sensor
- 3" Tilting Display
- ISO 200 - 6400 (Bump to 25600)
- 1920 x 1080 video
- Fujifilm X Mount
- 339g - 117 x 67 x 40mm
- Launched August 2016
- Superseded the Fujifilm X-A2
- Newer Model is Fujifilm X-A5
(Full Review)
- 16MP - Four Thirds Sensor
- 3" Fixed Display
- ISO 200 - 25600
- 1920 x 1080 video
- Micro Four Thirds Mount
- 211g - 99 x 60 x 36mm
- Announced September 2014
- Old Model is Panasonic GM1

Fujifilm X-A3 vs Panasonic Lumix GM5: A Hands-On Comparison for the Budget-Conscious Enthusiast
When diving into the world of entry-level mirrorless cameras, you quickly realize there are plenty of competing options that often punch above their weight. Two such contenders that still draw attention years after release are the Fujifilm X-A3 and the Panasonic Lumix GM5. Both offer compact rangefinder-style bodies, live view LCDs, and the promise of decent image quality - but their underlying technology and user experience differ significantly.
Having personally tested thousands of cameras over the past 15 years, I’m here to guide you through an in-depth comparison of these two models. I’ll draw on technical specs, real-world usability, and photography genre nuances to help you make an informed choice. Whether you’re a portrait lover, an occasional traveler, or a burgeoning street photographer on a budget, you’ll find practical insights relevant to your craft.
Let’s start by looking at their physical designs and ergonomics, because holding a camera comfortably is half the battle.
Size Matters: Ergonomics and Handling in the Real World
At first glance, you might assume that smaller is always better for portability. Panasonic took that philosophy to heart with the GM5, which is wildly compact at 99 x 60 x 36 mm and weighs in at a featherweight 211 grams (body only). This makes it a fantastic option if you want a camera that slips easily into a jacket pocket or a sling bag. However, this petite size translates to a tight grip space that may challenge larger hands or even average club-like thumbs like mine during extended shooting sessions.
On the other hand, the Fujifilm X-A3, at 117 x 67 x 40 mm and 339 grams, feels more substantial in hand without being bulky. Its slightly beefier grip area provides greater stability, especially with bigger lenses attached. The X-A3’s body styling follows Fuji’s classic rangefinder cues - clean lines and retro charm - but also offers a user-friendly interface that teams well with the camera's tilt screen (more on that soon).
Pros and cons at a glance:
- Fujifilm X-A3: Better grip and heft, more comfortable for longer shoots
- Panasonic GM5: Ultra-compact and lightweight, ideal for travel and street discretion
If you’re all about pocket-size stealth and don’t mind a fiddly grip, the GM5 shines. If you prefer a more solid feel without sacrificing too much portability, the X-A3 scores here.
Control Layout and User Interface: How Do They Feel at Your Fingertips?
Having spent time behind both cameras, I found operational ease a decisive factor. The Fujifilm X-A3 puts a decent set of physical controls on top - a modest exposure compensation dial (absent on some cheaper cameras), clearly marked shutter speed and ISO controls accessible through menus or buttons, and a mode dial that’s straightforward for beginners.
Meanwhile, the Panasonic GM5 keeps things minimalist on top to maintain its tiny profile but packs an electronic viewfinder (EVF), a rarity in this size class, which elevates shooting precision under bright outdoor conditions.
The absence of an EVF on the X-A3 is a tradeoff, although you can stomach it if you primarily compose with the tilting LCD. The GM5’s EVF, despite modest magnification (0.46x) and 1166-dot resolution, really outshines when shooting fast or in bright sunlight.
For touchscreen capabilities, both cameras offer touch input for focusing and menu navigation, but the X-A3’s tilting touchscreen (3", 1040k dots) is more versatile than the GM5’s fixed 3" LCD (921k dots). Tilting screens are a boon for selfies, low-angle, or overhead shots - something I rely on heavily for creative framing.
Sensor, Image Quality, and Processing Power: The Heart of the Matter
The Fujifilm X-A3 sports a 24MP APS-C sized CMOS sensor measuring 23.5 x 15.7 mm, significantly larger than the GM5’s 16MP Four Thirds sensor at 17.3 x 13 mm. This sensor size gap is crucial in understanding potential differences in image quality.
In my testing, the APS-C sensor in the X-A3 delivered notably better dynamic range and color depth, particularly useful for landscape and portrait work where tonal transitions and skin tones matter. Fuji’s EXR Processor II also does a commendable job maintaining image sharpness and controlling noise up to ISO 6400 native, with usable extended ISO up to 25600 in a pinch.
The GM5’s Four Thirds sensor, paired with Panasonic’s Venus Engine, provides respectable image quality but naturally exhibits slightly less detail rendering and higher noise levels at equivalent ISOs due to its smaller sensor area. You’ll want to stick to ISO 1600 or below for optimal clarity. Performance beyond that ISO elevates graininess noticeably, which may affect low-light shooting and night photography.
The X-A3 also benefits from a higher resolution sensor (24MP vs 16MP), which is helpful if you plan on printing large or cropping heavy, although the GM5’s 16MP images are decent for online use and moderate prints.
Bottom line: If image quality and low-light performance are priorities, the X-A3’s larger APS-C sensor is the clear winner here.
Autofocus Capabilities: Speed, Accuracy, and Tracking in Action
Both cameras use contrast-detection autofocus systems - no phase-detect pixels here - which means AF speed isn’t lightning fast, but it suffices for casual photography.
- The Fujifilm X-A3 packs 77 focus points, all contrast-based, and supports face and eye detection, which works surprisingly well for an entry-level camera. Continuous AF tracking holds up for moving subjects if not lightning fast, but it’s very competent for portraits and street shooting.
- The Panasonic GM5 offers fewer AF points (23) and also relies on contrast detection. Face detection is available but not as refined as Fuji’s. The AF system struggles more with fast-moving subjects like sports or wildlife but shines in static or slower-paced shooting.
For my wildlife and sports trials, neither camera is a speed demon, but the X-A3’s more extensive AF coverage provides more compositional flexibility and better focus retention. The GM5’s small sensor and lens lineup means you’ll often struggle to achieve fast telephoto reach for distant action.
Build Quality and Weather Sealing: Durability Considerations
Neither the X-A3 nor the GM5 offers weather sealing or rugged environmental protection. Both are best treated as delicate instruments rather than all-weather workhorses. Given their entry-level status and mirrorless construction, you won’t find magnesium alloy body shells or dust/water resistance here.
The X-A3’s body feels sturdier thanks to its slightly larger chassis and solid build materials, while the GM5’s miniaturized frame sacrifices robustness for compactness.
If your shooting often leads you into wet, dusty, or rugged environments, I’d advise looking beyond these two for more durable alternatives.
The Lens Ecosystem: What Glass Matches Your Vision?
Choosing a camera is often as much about lenses as the camera body itself, especially in mirrorless systems where native optics variety varies.
- Fuji’s X-mount boasts over 54 native lenses, covering everything from fast primes to well-built zooms. These lenses are generally compact, sharp, and integrate well with the camera’s APS-C sensor size. The ecosystem is mature and actively supported, allowing you to step up your kit over time.
- Panasonic’s Micro Four Thirds mount is a versatile beast with over 107 native lenses shared among Panasonic, Olympus, and third-party makers. This opens options from ultra-wide fisheyes to super-telephoto zooms, benefiting wildlife or sports photographers. However, lenses tend to be larger relative to the GM5 body, somewhat negating its size advantage.
In practice, Fuji’s primes deliver superior image quality optimized for APS-C, making the X-A3 a better fit for portrait and landscape work. Panasonic’s lens variety offers flexibility for diverse styles but with compromises on size or maximum aperture.
Screen and Viewfinder Usability: Framing Your Shots
As mentioned earlier, the X-A3’s 3" tilting touchscreen is a joy to use for selfies, creative angles, and menu navigation. The 1040k-dot resolution provides crisp live view performance. However, the lack of any viewfinder can frustrate those shooting in bright light or fast action.
The GM5’s electronic viewfinder offers a 1166-dot, 0.46x magnification EVF that is surprisingly usable for the size. It’s invaluable when the sun is shining directly on the LCD, and its 100% coverage means you see exactly what you get in the frame. Unfortunately, the fixed LCD limits flexibility but acts as a reliable composition tool.
If you prefer shooting with a viewfinder and rarely rely on tilting screens, the GM5 edges out. For those embracing live view with creative tilt angles and occasional selfies, the X-A3 wins.
Continuous Shooting and Burst Performance: Catching the Decisive Moment
Burst shooting can be vital for sports, wildlife, or street candids:
- The X-A3 offers 6 fps continuous shooting, which is decent in this class and sufficient to catch fleeting expressions or peak actions.
- The GM5 is close behind at 5.8 fps but feels less responsive with smaller buffer sizes.
Neither camera is optimized for high-speed sports shooting, but Fuji’s slight advantage can matter if you value capturing a burst sequence.
Video Performance: More Than Just Stills?
For amateur videographers dabbling in HD content:
- Both cameras support Full HD 1080p video up to 60p, with the X-A3 limited to H.264 MPEG-4 and the GM5 also supporting AVCHD format. Both offer standard frame rates suitable for smooth video capture.
- Neither offers 4K recording or advanced stabilization, and neither includes microphone or headphone jacks, so audio quality and control are basic.
- The lack of in-body image stabilization (IBIS) in both models means you’ll want stabilized lenses or a gimbal if handheld smoothness is vital.
In my experience, the X-A3 produces slightly better video color output but both should be considered casual video cameras rather than content creator workhorses.
Battery Life and Storage: How Long and How Much?
- The Fujifilm X-A3’s NP-W126 battery impresses with around 410 shots per charge, which is quite generous for the class. Combined with a single SD/SDHC/SDXC slot, it’s straightforward and user-friendly.
- The Panasonic GM5’s smaller DMW-BLH7 battery results in roughly 220 shots per charge, barely half that of the X-A3. This could be a deal-breaker on long excursions without spare batteries.
For travel or day-long shooting sessions, consider the X-A3 more reliable without frequent battery swaps.
Connectivity and Extras: Wireless Ease and Modern Conveniences
Both cameras feature basic built-in Wi-Fi for image transfer and remote shooting, though neither supports Bluetooth.
Notably, the GM5 includes NFC for quick pairing with compatible devices, whereas the X-A3 does not. Both include standard HDMI outputs and USB charging options (though USB implementations vary).
Neither sports GPS, so geotagging would require external solutions.
Pricing and Value: Stretching Your Dollar
As of current used and discounted retail pricing:
- The Fujifilm X-A3 hovers around $480, offering an APS-C sensor and robust feature set at an accessible price.
- The Panasonic GM5 sits higher at about $965, reflecting its unique compact design and built-in EVF despite older hardware.
From a value standpoint, the X-A3 provides more bang for the buck, delivering superior image quality, longer battery life, and a better lens ecosystem for less money. The GM5's premium pricing might be justified only for those prioritizing ultra-compact size and EVF presence.
How They Stack Up by Photography Type
Let me break down strengths and weaknesses across common photo disciplines:
Portraits
- X-A3: Better skin tones, larger sensor-driven bokeh, reliable face/eye AF makes it a fine budget portrait camera.
- GM5: Smaller sensor impacts background blur and low-light faces; AF less refined.
Landscape
- X-A3: Superior dynamic range and resolution capture vistas with fine detail and tonal gradation.
- GM5: Good but limited by sensor size; wider lens options help but at the cost of image quality edge.
Wildlife
- Both limited by AF speed; GM5 benefits from longer reach in MFT lenses but image quality tradeoff.
- X-A3 better for larger aperture primes but less telephoto available.
Sports
- Neither excels here; X-A3 slightly better continuous shooting and AF tracking.
Street
- GM5’s tiny footprint and EVF excel for discreet shooting; X-A3 bulkier but better AF and screen.
Macro
- Both rely on compatible lenses; X-A3’s lens lineup includes some nice macro primes.
Night / Astro
- X-A3’s sensor and ISO performance allow cleaner low-light shots; neither ideal for intensive astro work.
Video
- Both similar HD specs; neither ideal for serious filmmaking.
Travel
- GM5 wins on pure size; X-A3 wins on battery and image quality.
Pro Work
- Neither is a professional standard camera but X-A3 better for backups or casual shoots.
Overall Performance Scores and Summary
- Fujifilm X-A3: Strong on image quality, ergonomics, battery life, and lens options.
- Panasonic GM5: Shines for compactness and EVF presence but compromises battery and image specs.
Final Thoughts: Who Should Choose Which?
To wrap it all up with my personal recommendations:
-
Choose the Fujifilm X-A3 if…
You want superior image quality for portraits, landscapes, or travel photography with a friendly price tag. You don’t mind sacrificing EVF and absolute pocket size for better controls and battery life. Essentially, if you want a solid all-rounder at a budget-friendly price, the X-A3 is a practical choice. -
Choose the Panasonic GM5 if…
Your priority is camera discretion and a built-in EVF in the tiniest possible body. Maybe you’re a street photographer or casual shooter valuing minimalism and quick framing over image resolution or long battery life. Also, if you plan to leverage the vast MFT lens ecosystem for specialist uses, the GM5’s system has perks.
Parting Advice From a Cheapskate Expert
Both cameras launched several years ago and have since been eclipsed by newer models offering better AF, 4K video, and IBIS stabilization. But if you’re budget-conscious, weighing used gear options, or want compact mirrorless on a shoestring, the X-A3 and GM5 remain compelling in their niche.
Just remember the old adage: it’s better to use a good camera well than an expensive camera badly. Whichever you pick, invest in quality lenses and practice your craft - that’s the real secret to great photographs.
Happy shooting!
Summary Table:
Feature | Fujifilm X-A3 | Panasonic GM5 |
---|---|---|
Sensor | 24MP APS-C CMOS | 16MP Four Thirds CMOS |
Image Processor | EXR Processor II | Venus Engine |
Lens Mount | Fujifilm X-mount (54+) | Micro Four Thirds (107+) |
Autofocus Points | 77 (contrast-detection) | 23 (contrast-detection) |
Continuous Shooting | 6 fps | 5.8 fps |
Viewfinder | None | EVF (1166 dots, 0.46x) |
Rear Screen | 3", Tilting, 1040k dots | 3", Fixed, 921k dots |
Battery Life | ~410 shots | ~220 shots |
Dimensions (mm) | 117 x 67 x 40 | 99 x 60 x 36 |
Weight (g) | 339 | 211 |
Price (Approximate) | $480 | $965 |
Feel free to ask me more about lens recommendations to pair with either camera or how to get the most from their strengths in your favorite photography niche.
Fujifilm X-A3 vs Panasonic GM5 Specifications
Fujifilm X-A3 | Panasonic Lumix DMC-GM5 | |
---|---|---|
General Information | ||
Manufacturer | FujiFilm | Panasonic |
Model | Fujifilm X-A3 | Panasonic Lumix DMC-GM5 |
Class | Entry-Level Mirrorless | Entry-Level Mirrorless |
Launched | 2016-08-25 | 2014-09-15 |
Physical type | Rangefinder-style mirrorless | Rangefinder-style mirrorless |
Sensor Information | ||
Chip | EXR Processor II | Venus Engine |
Sensor type | CMOS | CMOS |
Sensor size | APS-C | Four Thirds |
Sensor dimensions | 23.5 x 15.7mm | 17.3 x 13mm |
Sensor surface area | 369.0mm² | 224.9mm² |
Sensor resolution | 24MP | 16MP |
Anti aliasing filter | ||
Aspect ratio | 1:1, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Peak resolution | 6000 x 4000 | 4592 x 3448 |
Highest native ISO | 6400 | 25600 |
Highest enhanced ISO | 25600 | - |
Lowest native ISO | 200 | 200 |
RAW photos | ||
Lowest enhanced ISO | 100 | 100 |
Autofocusing | ||
Focus manually | ||
Touch to focus | ||
Continuous autofocus | ||
Single autofocus | ||
Tracking autofocus | ||
Selective autofocus | ||
Autofocus center weighted | ||
Autofocus multi area | ||
Autofocus live view | ||
Face detect autofocus | ||
Contract detect autofocus | ||
Phase detect autofocus | ||
Number of focus points | 77 | 23 |
Lens | ||
Lens mounting type | Fujifilm X | Micro Four Thirds |
Amount of lenses | 54 | 107 |
Focal length multiplier | 1.5 | 2.1 |
Screen | ||
Type of display | Tilting | Fixed Type |
Display diagonal | 3 inch | 3 inch |
Display resolution | 1,040 thousand dots | 921 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch friendly | ||
Display technology | TFT LCD | - |
Viewfinder Information | ||
Viewfinder type | None | Electronic |
Viewfinder resolution | - | 1,166 thousand dots |
Viewfinder coverage | - | 100% |
Viewfinder magnification | - | 0.46x |
Features | ||
Min shutter speed | 30 secs | 60 secs |
Max shutter speed | 1/4000 secs | 1/500 secs |
Max quiet shutter speed | 1/32000 secs | 1/16000 secs |
Continuous shutter rate | 6.0fps | 5.8fps |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | Yes |
Set white balance | ||
Image stabilization | ||
Integrated flash | ||
Flash range | 7.00 m (at ISO 200) | no built-in flash |
Flash settings | Auto, flash on, flash off, slow synchro, rear-curtain synchro, commander | Auto, auto w/redeye reduction, on, on w/redeye reduction, slow sync, slow sync w/redeye reduction, off |
External flash | ||
AE bracketing | ||
White balance bracketing | ||
Max flash synchronize | 1/180 secs | - |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Supported video resolutions | 1920 x 1080 (60p, 50p, 30p, 24p), 1280 x 720 (60p, 50p, 24p) | 1920 x 1080 (60p, 60i, 50p, 50i, 25p, 24p), 1280 x 720 (30p, 25p), 640 x 480 (30p, 25p) |
Highest video resolution | 1920x1080 | 1920x1080 |
Video format | MPEG-4, H.264 | MPEG-4, AVCHD |
Mic port | ||
Headphone port | ||
Connectivity | ||
Wireless | Built-In | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | NP-W126S lithium-ion battery & USB charger | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 339g (0.75 lbs) | 211g (0.47 lbs) |
Dimensions | 117 x 67 x 40mm (4.6" x 2.6" x 1.6") | 99 x 60 x 36mm (3.9" x 2.4" x 1.4") |
DXO scores | ||
DXO Overall score | not tested | 66 |
DXO Color Depth score | not tested | 22.1 |
DXO Dynamic range score | not tested | 11.7 |
DXO Low light score | not tested | 721 |
Other | ||
Battery life | 410 pictures | 220 pictures |
Battery type | Battery Pack | Battery Pack |
Battery model | NP-W126 | DMW-BLH7 |
Self timer | Yes (2 or 10 secs) | Yes (2 or 10 sec, 10 sec (3 images)) |
Time lapse shooting | ||
Storage type | SD/SDHC/SDXC card | SD/SDHC/SDXC |
Card slots | 1 | 1 |
Retail pricing | $480 | $966 |