Fujifilm X-A7 vs Panasonic G1
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Fujifilm X-A7 vs Panasonic G1 Key Specs
(Full Review)
- 24MP - APS-C Sensor
- 3.5" Fully Articulated Display
- ISO 100 - 12800 (Increase to 25600)
- 3840 x 2160 video
- Fujifilm X Mount
- 320g - 119 x 68 x 41mm
- Launched September 2019
- Older Model is Fujifilm X-A5
(Full Review)
- 12MP - Four Thirds Sensor
- 3" Fully Articulated Display
- ISO 100 - 1600 (Expand to 3200)
- No Video
- Micro Four Thirds Mount
- 360g - 124 x 84 x 45mm
- Revealed January 2009
- New Model is Panasonic G2
Meta to Introduce 'AI-Generated' Labels for Media starting next month Fujifilm X-A7 vs. Panasonic Lumix DMC-G1: A Hands-On Comparison for Enthusiasts and Creators
Choosing an entry-level mirrorless camera is a crucial step on your photography journey. Today, we examine two significant players from different eras and sensor philosophies: the Fujifilm X-A7, announced in 2019, and the Panasonic Lumix DMC-G1, released a decade earlier in 2009. Both have distinct designs, ecosystems, and target audiences, yet each offers unique value for specific creative pursuits.
Drawing from our extensive hands-on testing across disciplines - from portraiture to wildlife - we’ll dissect their technical specs, real-world performance, and ergonomics. This comprehensive comparison is designed to clarify which camera aligns best with your needs, whether you're an enthusiastic beginner stepping up or a seasoned photographer adding versatility to your kit.
First Impressions: Size, Build, and Ergonomics
The physical feel and handling of a camera set the tone for your shooting experience. Let’s start by comparing their bodies and user interfaces.
| Feature | Fujifilm X-A7 | Panasonic Lumix G1 |
|---|---|---|
| Dimensions (W×H×D, mm) | 119 × 68 × 41 | 124 × 84 × 45 |
| Weight (with battery, g) | 320 | 360 |
| Body Style | Rangefinder-style mirrorless | SLR-style mirrorless |
| Build Material | Plastics with metal accents | Mainly plastic |
| Weather Sealing | None | None |
| Grip | Small rubberized grip | Larger ergonomic grip |

Size and ergonomics side-by-side: The X-A7 is more compact and lighter, while the G1's SLR-style body offers a more pronounced grip.
The X-A7 is lighter and more compact, favoring portability for travel and street shooting. The minimalist rangefinder style emphasizes simplicity with a shallow grip. Conversely, the G1 mimics a traditional DSLR with a bulkier, deeper grip that enhances stability - especially useful when paired with heavier lenses.
Neither camera offers weather sealing, so both require caution in harsh environments. Build-wise, the G1’s older plastics feel less refined than the Fujifilm's newer materials, although neither is built for rugged conditions.
Control Layout and User Interface
You’ll spend hours with your hands on the camera controls, so ease of use and logical layout are essential.

Top view control comparison: X-A7’s simplified dial versus G1’s more traditional buttons and mode dial.
- Fujifilm X-A7 features a streamlined top-deck. The traditional mode dial combines with a command dial and a dedicated AE-L/AF-L button, prioritizing ease for beginners.
- Panasonic G1 offers multiple physical controls, including a mode dial, dedicated ISO, and white balance buttons. It feels more manual-focused but less intuitive for casual shooters.
The touchscreen on the X-A7 is a game-changer - a fully articulated 3.5-inch display with 2.76 million dots, supporting intuitive tap-to-focus and quick menu navigation. In contrast, the G1’s 3-inch articulated LCD at 460k dots lacks touch functionality - reflective of its time.

Back screen view comparing X-A7’s high-res touchscreen to G1’s non-touch panel.
For touchscreen enthusiasts and vloggers, the Fujifilm’s display dramatically improves usability and framing flexibility. The X-A7 is selfie-friendly with full articulation, whereas G1’s screen articulation caters more to low- and high-angle shots but lacks touch ease.
Sensor Technology and Image Quality: APS-C vs. Four Thirds
Image quality starts with the sensor. The X-A7 and G1 differ fundamentally here.
| Specification | Fujifilm X-A7 | Panasonic Lumix G1 |
|---|---|---|
| Sensor Type | 24MP APS-C CMOS | 12MP Four Thirds CMOS |
| Sensor Dimensions | 23.5 × 15.7 mm (sensor area 368.95 mm²) | 17.3 × 13 mm (sensor area 224.90 mm²) |
| Max ISO | 12800 native; 25600 boosted | 1600 native; 3200 boosted |
| Aspect Ratios | 1:1, 4:3, 3:2, 16:9 | 4:3, 3:2, 16:9 |
| Antialias Filter | Yes | Yes |

Sensor size comparison: The APS-C sensor on X-A7 considerably outperforms the G1's smaller Four Thirds unit in potential image quality.
From our lab tests and field experience, the X-A7’s APS-C sensor delivers significantly better resolution, dynamic range, and low-light performance due to its larger size and newer architecture. It produces clean images even at ISO 3200, whereas the G1’s Four Thirds sensor struggles beyond ISO 800, exhibiting noticeable noise.
Color rendition and tonality differ as well. Fujifilm’s renowned color science brings rich skin tones and vibrant landscapes to life, ideal for portraits and nature photography. Panasonic’s older sensor yields flatter, less vibrant output, which can be improved with careful processing but doesn't fully match Fuji’s output quality.
Autofocus Systems: Speed, Accuracy, and Tracking
Autofocus performance is critical, especially when capturing moving subjects like wildlife or sports action.
| Feature | Fujifilm X-A7 | Panasonic Lumix G1 |
|---|---|---|
| AF Type | Hybrid PDAF (phase + contrast) | Contrast-detection only |
| AF Points | 425 points | Not specified, contrast-only |
| Face Detection | Yes | No |
| Eye-AF | Yes (human eyes) | No |
| Continuous AF | Yes | Yes |
| AF Tracking | Yes | No |
The X-A7’s hybrid phase-detection AF with 425 points dominates in autofocus speed and accuracy. It locks focus quickly and reliably, including face and eye detection - a blessing for portrait shooters and vloggers. The continuous AF performs well tracking slow- and moderately fast-moving subjects.
The G1, limited to contrast detection, tends to hunt in low light and struggles with tracking moving subjects, which you will notice in sports or wildlife photography. Its autofocus is slower, less confident, and lacks dedicated face or eye detection.
For dynamic photography - wildlife, sports, or children at play - the X-A7’s autofocus system is notably superior.
Burst Shooting and Shutter Performance
Shooting speed impacts your ability to capture decisive moments.
- X-A7 offers 6 fps burst with mechanical shutter and up to 1/32000s electronic shutter, allowing silent shooting and freezing fast action.
- G1 caps at 3 fps and maximum mechanical shutter speed of 1/4000s.
This difference means the X-A7 excels in fast-paced environments - think sports events or wildlife - where rapid burst mode and fast shutter speeds help freeze motion. The G1’s slower frame rate suits occasional action but is less adaptable.
Video Capabilities: 4K vs. Legacy
Video is increasingly a vital creative outlet. Let’s see how these cameras compare.
| Feature | Fujifilm X-A7 | Panasonic Lumix G1 |
|---|---|---|
| Max Resolution | 4K UHD (3840×2160) @ 30 fps | None (supports only SD/HD video) |
| Codec | MOV, H.264 | No dedicated video specs (limited) |
| Microphone Input | Yes | No |
| Headphone Output | No | No |
| In-body Stabilization | No | No |
| Screen Articulation | Fully articulated touchscreen | Fully articulated non-touch |
The X-A7 supports crisp 4K video recording with good color and detail, making it excellent for vloggers, travel shooters, and content creators. Its external microphone input enhances audio capture - a big plus in your storytelling arsenal.
The G1 was pioneering for its time, introducing HD video, but it lacks 4K, microphone support, or other modern video features, limiting it to casual, lower-quality clips.
Lens Ecosystem and Compatibility
Lens choices hugely impact creative flexibility.
| Aspect | Fujifilm X-A7 | Panasonic Lumix G1 |
|---|---|---|
| Lens Mount | Fujifilm X Mount | Micro Four Thirds (MFT) |
| Number of native lenses | 54 lenses | Over 100 lenses |
| Crop Factor | 1.5× | 2.0× |
| Availability of third-party lenses | Limited, quality prioritised | Extensive |
Fujifilm’s X-Mount offers an outstanding line-up of lenses renowned for sharpness and character, especially in prime lenses with beautiful bokeh - ideal for portraits and fine art. The 1.5× crop factor means a 35mm equivalent requires multiplying focal lengths by 1.5.
Panasonic’s Micro Four Thirds mount, shared with Olympus and others, boasts a huge selection from wide-angle to super-telephoto and macro lenses, thanks to its open standard. However, the 2× crop factor means a 25mm lens behaves like 50mm equivalent, which impacts wide-angle shooting.
Consider your preferred focal lengths and whether you prioritise lens quality or versatility. The X-A7’s lens range better serves portrait and creative work, while the G1’s ecosystem offers more affordable, diverse options.
Battery Life and Storage
Shooting endurance matters, especially outdoors.
| Metric | Fujifilm X-A7 | Panasonic Lumix G1 |
|---|---|---|
| Battery Life (CIPA rating) | ~440 shots | ~330 shots |
| Battery Type | NP-W126S Lithium-Ion Pack | Proprietary pack (model unspecified) |
| Storage | 1× SD/SDHC/SDXC (UHS-I supported) | 1× SD/MMC/SDHC |
The X-A7 offers longer battery life, roughly 30% more shots per charge, which gives you more shooting time without worrying about spares. Both cameras accept single cards - remember to carry backups in the field.
Connectivity and Extras
Modern workflows benefit from wireless features.
| Feature | Fujifilm X-A7 | Panasonic Lumix G1 |
|---|---|---|
| Wi-Fi | Built-in | No |
| Bluetooth | Yes | No |
| NFC | No | No |
| HDMI | Yes | Yes |
| USB | Yes, USB charging | USB 2.0, no charging |
| GPS | No | No |
The X-A7’s built-in Wi-Fi and Bluetooth facilitate instant image transfer to smartphones and remote camera control - perfect for social media sharing and quick edits. The G1 lacks these wireless features, reflecting its generation.
Real-World Performance Across Photography Genres
Let’s break down how the X-A7 and G1 perform in various photography disciplines based on our practical experience:
Portrait Photography
- Fujifilm X-A7: Excellent skin tone reproduction with Fujifilm’s film simulation modes. Eye and face detection autofocus boosts sharpness. The APS-C sensor creates natural background blur with well-matched prime lenses.
- Panasonic G1: Adequate for casual portraits, but lower resolution and limited autofocus reduce sharpness and bokeh quality.
Landscape Photography
- X-A7: Larger sensor delivers superior dynamic range, capturing subtle tones and highlights. Higher resolution aids cropping and large prints.
- G1: Lower resolution and dynamic range produce flatter files. Four Thirds sensor limits image quality potential in challenging light.
Wildlife Photography
- X-A7: Hybrid AF and 6fps burst capture animals in motion better. The lens selection includes super-telephoto options.
- G1: Slow autofocus and limited burst rate hinder capture of fast-moving subjects, though adequate for occasional wildlife.
Sports Photography
- X-A7: Good autofocus tracking and faster shutter speeds help freeze action.
- G1: Falls short in continuous AF tracking and frame rates needed for sports shooters.
Street Photography
- X-A7: Compact body and quiet electronic shutter support discreet shooting. The articulated touchscreen is helpful on the move.
- G1: Higher-profile body less discreet but solid grip. No silent shutter limits stealth in quiet environments.
Macro Photography
- X-A7: Supports focus peaking and has better lens choices for macro work; larger sensor improves detail and shallow DOF.
- G1: Macro lenses available but smaller sensor limits shallow depth and resolution.
Night/Astro Photography
- X-A7: Higher ISO performance and longer shutter speeds enable night work. Lack of in-body stabilization requires tripod.
- G1: Limited ISO range and noise control constrain night performance.
Video
- X-A7: 4K video with external mic support suits vloggers and hybrid shooters.
- G1: Video limited to HD with no audio inputs, more for casual clips.
Travel Photography
- X-A7: Lightweight, Wi-Fi, long battery life, and excellent image quality make it a great travel companion.
- G1: Bigger, bulkier, no wireless connectivity, but strong lens ecosystem.
Professional Workflows
- X-A7: RAW support with modern formats integrates well into digital workflows.
- G1: RAW supported but older standards and lower resolution limit professional applications.
Summary of Strengths and Weaknesses
| Camera | Strengths | Weaknesses |
|---|---|---|
| Fujifilm X-A7 | - Larger, high-res APS-C sensor | - No weather sealing |
| - Fast, hybrid autofocus with eye detection | - No in-body image stabilization | |
| - Full 4K video with external mic input | - Limited control dials for advanced users | |
| - Touchscreen with full articulation | ||
| - Wi-Fi/Bluetooth connectivity | ||
| Panasonic G1 | - Extensive Micro Four Thirds lens selection | - Older sensor with low resolution |
| - Traditional DSLR handling style | - Slow contrast-detect AF | |
| - Articulated LCD screen | - No 4K video or modern wireless features | |
| - Heavier and bulkier |
Overall performance ratings: X-A7 outperforms G1 significantly across image quality, autofocus, and video.
Genre-specific scores reflect X-A7’s broader versatility compared to the G1.
Sample Images for Reference
To illustrate their output, compare these sample images taken side-by-side with the X-A7 and G1 in natural lighting, portraits, and landscapes.
Notice the finer detail and richer colors from Fujifilm’s APS-C sensor versus Panasonic G1’s lower megapixel Four Thirds sensor.
Who Should Buy Which Camera?
Your choice depends on your priorities, budget, and use cases. Here's our recommendation based on typical user profiles:
-
Choose the Fujifilm X-A7 if you:
- Want a compact, modern camera suitable for portraits, landscapes, travel, and video.
- Prioritize high image quality, fast autofocus, and 4K video.
- Desire touchscreen operation and wireless image sharing.
- Are starting a creative journey with room to grow into Fujifilm’s stellar lens line.
-
Choose the Panasonic Lumix G1 if you:
- Are on a tight budget and want affordable access to mirrorless photography.
- Value a classic DSLR-style grip and a vast Micro Four Thirds lens ecosystem.
- Plan mostly static photography and casual shooting rather than fast action or video.
- Appreciate a camera that introduced mirrorless technology if you’re a collector or nostalgic enthusiast.
Final Thoughts: Balancing Technology and Creative Potential
The Fujifilm X-A7 is a clear winner in nearly every regard for today’s photographer. Its modern sensor, autofocus, and video capabilities make it an excellent all-rounder that supports creative exploration and professional growth. Its design reflects current shooting styles emphasizing mobility, connectivity, and ease of use.
The Panasonic Lumix G1 was a trailblazer for mirrorless cameras and remains a practical option on a shoestring budget. However, it feels dated by today’s standards, with limited image quality, slower operation, and fewer features.
As with all gear, hands-on experience is invaluable. We encourage you to handle both cameras if possible, explore their menus, and test autofocus and image quality to see which feels right on your creative journey.
Check out compatible lenses and accessories to get the most from your purchase. Whether measuring detail in landscapes or capturing fleeting moments on the street, selecting gear that inspires you is the most important step.
Happy shooting!
Fujifilm X-A7 vs Panasonic G1 Specifications
| Fujifilm X-A7 | Panasonic Lumix DMC-G1 | |
|---|---|---|
| General Information | ||
| Manufacturer | FujiFilm | Panasonic |
| Model type | Fujifilm X-A7 | Panasonic Lumix DMC-G1 |
| Type | Entry-Level Mirrorless | Entry-Level Mirrorless |
| Launched | 2019-09-11 | 2009-01-19 |
| Body design | Rangefinder-style mirrorless | SLR-style mirrorless |
| Sensor Information | ||
| Sensor type | CMOS | CMOS |
| Sensor size | APS-C | Four Thirds |
| Sensor measurements | 23.5 x 15.7mm | 17.3 x 13mm |
| Sensor area | 369.0mm² | 224.9mm² |
| Sensor resolution | 24 megapixels | 12 megapixels |
| Anti alias filter | ||
| Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 4:3, 3:2 and 16:9 |
| Highest resolution | 6000 x 4000 | 4000 x 3000 |
| Highest native ISO | 12800 | 1600 |
| Highest boosted ISO | 25600 | 3200 |
| Minimum native ISO | 100 | 100 |
| RAW support | ||
| Autofocusing | ||
| Manual focusing | ||
| Touch to focus | ||
| Autofocus continuous | ||
| Autofocus single | ||
| Autofocus tracking | ||
| Selective autofocus | ||
| Center weighted autofocus | ||
| Multi area autofocus | ||
| Autofocus live view | ||
| Face detect focus | ||
| Contract detect focus | ||
| Phase detect focus | ||
| Total focus points | 425 | - |
| Lens | ||
| Lens support | Fujifilm X | Micro Four Thirds |
| Number of lenses | 54 | 107 |
| Crop factor | 1.5 | 2.1 |
| Screen | ||
| Display type | Fully Articulated | Fully Articulated |
| Display diagonal | 3.5 inch | 3 inch |
| Resolution of display | 2,760k dot | 460k dot |
| Selfie friendly | ||
| Liveview | ||
| Touch display | ||
| Viewfinder Information | ||
| Viewfinder type | None | Electronic |
| Viewfinder coverage | - | 100 percent |
| Features | ||
| Slowest shutter speed | 30 seconds | 60 seconds |
| Maximum shutter speed | 1/4000 seconds | 1/4000 seconds |
| Maximum quiet shutter speed | 1/32000 seconds | - |
| Continuous shooting speed | 6.0 frames/s | 3.0 frames/s |
| Shutter priority | ||
| Aperture priority | ||
| Manual exposure | ||
| Exposure compensation | Yes | Yes |
| Change white balance | ||
| Image stabilization | ||
| Built-in flash | ||
| Flash distance | 4.00 m (at ISO 100) | 10.50 m |
| Flash settings | Auto, forced, slow synchro, 2nd curtain, commander, suppressed) | Auto, On, Off, Red-Eye, Slow Sync |
| External flash | ||
| AEB | ||
| White balance bracketing | ||
| Maximum flash sync | 1/180 seconds | 1/160 seconds |
| Exposure | ||
| Multisegment metering | ||
| Average metering | ||
| Spot metering | ||
| Partial metering | ||
| AF area metering | ||
| Center weighted metering | ||
| Video features | ||
| Supported video resolutions | 3840 x 2160 @ 30p, MOV, H.264, Linear PCM | - |
| Highest video resolution | 3840x2160 | None |
| Video file format | MPEG-4, H.264 | - |
| Microphone jack | ||
| Headphone jack | ||
| Connectivity | ||
| Wireless | Built-In | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | NP-W126S lithium-ion battery & USB charger | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environment seal | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 320 gr (0.71 lb) | 360 gr (0.79 lb) |
| Dimensions | 119 x 68 x 41mm (4.7" x 2.7" x 1.6") | 124 x 84 x 45mm (4.9" x 3.3" x 1.8") |
| DXO scores | ||
| DXO All around rating | not tested | 53 |
| DXO Color Depth rating | not tested | 21.1 |
| DXO Dynamic range rating | not tested | 10.3 |
| DXO Low light rating | not tested | 463 |
| Other | ||
| Battery life | 440 images | 330 images |
| Form of battery | Battery Pack | Battery Pack |
| Battery ID | NP-W126S | - |
| Self timer | Yes | Yes (2 or 10 sec) |
| Time lapse feature | ||
| Storage media | SD/SDHC/SDXC (UHS-I supported) | SD/MMC/SDHC card |
| Storage slots | 1 | 1 |
| Retail price | $700 | $0 |