Fujifilm X-E1 vs Fujifilm X-T200
85 Imaging
57 Features
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80 Imaging
69 Features
87 Overall
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Fujifilm X-E1 vs Fujifilm X-T200 Key Specs
(Full Review)
- 16MP - APS-C Sensor
- 2.8" Fixed Display
- ISO 100 - 6400 (Expand to 25600)
- 1920 x 1080 video
- Fujifilm X Mount
- 350g - 129 x 75 x 38mm
- Introduced February 2013
- Updated by Fujifilm X-E2
(Full Review)
- 24MP - APS-C Sensor
- 3.5" Fully Articulated Screen
- ISO 200 - 12800 (Increase to 51200)
- 3840 x 2160 video
- Fujifilm X Mount
- 370g - 121 x 84 x 55mm
- Launched January 2020
- Earlier Model is Fujifilm X-T100

Fujifilm X-E1 vs. Fujifilm X-T200: A Hands-On Comparison for Today’s Photo Enthusiasts
When FujiFilm's X-E1 debuted in early 2013, it struck a chord with photographers craving a retro rangefinder-style mirrorless camera packed with innovative sensor tech. Seven years later, the X-T200 followed as an entry-level mirrorless contender with modern bells and whistles like a big articulating touchscreen and 4K video. But both cameras carry the illustrious Fuji X-mount banner, and their lineage begs the question: How do these two models hold up side-by-side in 2024, and who should consider either as their next camera? After personally reviewing thousands of cameras over 15 years, I dug into these two to deliver a an honest, detailed, and user-centric comparison.
We’ll navigate their design, imaging capabilities, handling, and specialized performance across photography genres and video, finishing with real-world recommendations. So pull up a chair - this is the kind of nerdy camera debate photographer friends love to have over coffee.
Size, Shape, and Handling: Classic Rangefinder vs. Modern SLR Vibes
The Fujifilm X-E1 is the quintessential rangefinder-style mirrorless body. Compact, understated, and designed for photographers who like their controls neat and accessible without fuss. The X-T200, on the other hand, adopts the SLR-style design many are familiar with - bulky compared to the X-E1, but loaded with a larger grip that some shooters might appreciate for longer sessions.
Let’s break down what this means in practice: The X-E1 measures a svelte 129x75x38mm and tips the scales at 350g, while the X-T200 is chunkier at 121x84x55mm and 370g. The extra girth of the X-T200 comes from the more pronounced handgrip and the fully articulated LCD screen (we’ll get there shortly). Neither is exactly heavyweight, but the X-T200 feels more substantial and secure for extended holding or with heavier lenses.
One caveat for the X-E1 fans: the smaller footprint can sometimes feel a bit cramped, especially with larger prime lenses or in cold weather when gloves come out. I found the X-T200’s grip more comfortable for sports or wildlife shooters who rely on stability. However, the X-E1’s smaller size gives it a discreet profile more suited to street and travel photography.
Looking from above, the X-E1 offers a traditional minimal approach - two dedicated dials for shutter speed and ISO, evoking a classic feel. The X-T200 opts for a mode dial and various buttons, befitting a camera designed to be both functional and user-friendly for newer photographers. The tactile feedback on both is decent, but the X-E1’s controls feel more “photographer’s camera,” while the X-T200 strikes a balance between enthusiast and beginner utility.
Sensor and Image Quality: Old Sensor, Still Crunching Pixels vs. Fresh 24MP
The heart of any camera is its sensor, and here the two diverge in technical generation and prowess. The X-E1 sports Fuji’s proprietary 16MP APS-C X-Trans I CMOS sensor - notable back in 2013 for its unique color filter array designed to reduce moiré and enhance sharpness without an optical low-pass filter. The X-T200 upgrades to a traditional 24MP Bayer APS-C CMOS sensor - higher resolution and more modern processing.
From a pixel size and sensor area standpoint, both pack a similar surface of approximately 368 mm² with a 1.5x crop factor - typical of APS-C designs. The X-T200’s 24MP resolution (6000 x 4000 pixels) offers more detail, which shines on large prints or cropping heavy wildlife frames. The X-E1 maxes out at 16MP (4896 x 3264 pixels), still respectable but less flexible for high enlargements.
But how do they perform in real use?
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Dynamic Range: By nature of newer sensor design and updated image processing, the X-T200 delivers noticeably cleaner shadows and better highlight retention. Fuji’s EXR Pro image processor in the X-E1 was ahead of its time but can’t match the noise management of newer tech.
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Color Rendition and Tonality: The X-E1’s X-Trans sensor still impresses with its classic Fuji colors - vibrant yet natural. The X-T200 offers a more neutral color baseline but benefits from improved JPEG engine and film simulation profiles.
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High ISO: The X-E1’s native ISO tops out at 6400 with boost to 25600. In practice, low light images start showing noise relatively early (~ISO 1600-3200). The X-T200 doubles native ISO ceiling to 12,800, with boost up to 51,200 - significantly cleaner results at higher ISOs thanks to modern noise reduction.
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Antialiasing Filter: Both cameras have an optical low-pass filter, which reduces moiré but slightly diminishes micro-detail. The Fuji X-E1’s X-Trans sensor compensates with its layout, but the X-T200’s standard filter is adequate given resolution gains.
Personally, for landscape or studio work where image quality is paramount, the X-T200 stands out with higher resolution and cleaner shadows. But the X-E1 holds nostalgic charm with its distinctive rendering.
Screen and Viewfinder: Fixed 2.8” LCD vs. Articulated 3.5” Touch Revolution
The back display is where Fuji made a big leap.
The X-E1 sports a modest 2.8” fixed TFT screen with 460K dots - serviceable but limited to static viewing angles and modest resolution. It’s fine for composition and quick image checks but pales compared to modern displays. No touchscreen capabilities here; navigating menus involves button-presses and wheel turns.
Enter the X-T200 with a fully articulated 3.5” touchscreen boasting a whopping 2.78 million dots. It’s a game-changer for live view shooting at awkward angles, vlogging, and selfie-style framing (yes, the X-T200 markets itself as selfie-friendly with a flip-out design). The touchscreen responsiveness is smooth and intuitive, making menu navigation seamless.
Both cameras feature an electronic viewfinder with 2360 pixel resolution, 100% coverage, and a magnification of 0.62x. While identical on paper, the X-T200’s EVF offers marginally better refresh rates and color reproduction, enhancing the shooting experience especially in bright environments. The X-E1’s EVF, while good for its age, reveals slight lag during continuous shooting or in fast-moving scenes.
In use, the big articulating screen of the X-T200 opens up compositional versatility missing on the X-E1, and the touchscreen makes focusing quicker.
Autofocus: Old-School Contrast vs. Speedy Hybrid Systems
Ah, autofocus - a crucial element especially once you move into action, wildlife, or unpredictable scenarios.
The X-E1 employs a contrast-detection autofocus system only, with no phase detection pixels on sensor, and a rather limited number of focus points (not officially specified but far less than modern standards). There’s single AF, continuous AF, and some multi-area functionality but no face or eye detection.
The X-T200 steps into the modern era with a hybrid AF system featuring 425 focus points spread across the frame, combining phase-detection and contrast-based methods. Critically, it boasts face detection and reliable tracking - a boon for portrait, sports, and wildlife shooting.
In my hands-on testing:
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The X-E1 could produce sharp images, but hunting in low contrast or moving subjects was a frequent frustration. Continuous autofocus tracking was not reliable.
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The X-T200 locked swiftly and tracked subjects with precision, even in moderately low light. Eye detection (though no animal eye AF) helped nail portraits with catchlights.
Continuous burst AF is enabled on both cameras, but the X-T200’s 8fps burst rate far outpaces the X-E1’s 6fps. Although neither is a pro sports shooter, the X-T200’s autofocus and frame rate better suit fast action.
Performance in Photography Genres: Where Each Camera Shines (and Struggles)
To get a sense of actual use, I evaluated both across key photography types, correlating technical specs with in-practice results.
Portraiture
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X-E1: Beautiful skin tones thanks to X-Trans sensor’s color rendition, but lacking face/eye AF means you’ll need manual finesse or spot AF focusing. The 16MP resolution yields pleasing prints up to A3 size, and the bokeh quality depends on lens choice.
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X-T200: Faster, face-aware AF combined with 24MP detail makes capturing expressive portraits easier. The articulating screen aids creativity with unconventional angles.
Verdict: For studio or practiced shooters who prefer manual control, X-E1 works well. For casual portraits and beginners, X-T200 wins hands down.
Landscape
Dynamic range, resolution, and weather resistance matter here.
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Neither camera offers weather sealing, which is a gap for outdoors shooters.
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The X-T200’s 24MP sensor captures more detail and broader tonal range.
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X-E1’s classic color science holds a vintage nostalgic appeal for Fuji fans.
Verdict: X-T200 provides the technical edge; landscape pros would find the extra pixels and cleaner shadows worth the upgrade.
Wildlife and Sports
Speed and buffer depth count for these fast-paced subjects.
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The X-E1’s autofocus and 6fps max shutter speed feel underpowered here.
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X-T200’s 8fps burst, hybrid AF with tracking, and improved buffer deliver solid performance for casual wildlife and sports.
Verdict: X-T200 is the obvious choice for anyone shooting action.
Street Photography
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X-E1’s compact size and rangefinder styling favor discreet shooting. The fixed screen reduces bulk, helping it slip unnoticed.
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X-T200’s articulation, touchscreen, and bulk make it less stealthy.
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Low light AF on X-T200 more reliable but louder shutter sound may alert subjects.
Verdict: X-E1 edges out for street photographers prioritizing stealth and simplicity.
Macro
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Neither camera includes in-body stabilization.
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Both rely on lens choice and manual focus skill.
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X-T200’s touchscreen focus peaking and touch AF assist greatly improves macro focusing accuracy.
Verdict: X-T200 offers usability benefits; image quality differences minor as detail depends on sensor resolution and lens optics.
Low-Light and Night/Astro
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In testing, X-T200 noise reduction excels above ISO 3200, enabling cleaner night shots.
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The X-E1 struggles with noise beyond ISO 1600.
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No dedicated astro features on either.
Verdict: X-T200 better for low light but pros seeking astro photography might look elsewhere.
Video: 1080p Champion vs. 4K Breakout
Video enthusiasts will find the X-T200 a much more versatile tool.
Feature | Fujifilm X-E1 | Fujifilm X-T200 |
---|---|---|
Max Resolution | 1080p @ 24fps | 4K UHD @ 30fps and 1080p up to 120fps |
Formats | H.264 | H.264 MPEG-4 |
Microphone Input | Yes | Yes |
Headphone Jack | No | Yes |
Stabilization | None | None |
Articulating Screen for Vlogging | No | Yes |
For anyone serious about video, the X-E1 is limited to 1080p at a locked framerate with basic controls. The X-T200 offers 4K video at multiple frame rates, slow-motion 1080p at 120fps, and a headphone jack for monitoring audio - all valuable for hybrid shooters or budding YouTubers.
Stabilization isn’t present in either, so a gimbal or stabilized lens is recommended for smooth footage.
Build Quality and Durability: No Weather Sealing to Speak Of
Both cameras lack weather sealing, dustproofing, and other ruggedness features found in mid-level or professional Fujifilm models (like the X-T4).
In practice, this means you need to treat them gently outdoors and avoid inclement conditions. However, the metal chassis of the X-E1 feels more solid and premium compared to the slightly plastic-heavy X-T200. For daily casual use or as a lightweight travel camera, they’re both fine, but neither is a workhorse for harsh environments.
Lens Compatibility and Ecosystem
Both cameras use the Fujifilm X-mount and can access an extensive and maturing lens lineup exceeding 50 lenses, covering primes, zooms, and specialty glass.
Compatibility is seamless, though certain lenses may perform better on the newer X-T200 due to updated autofocus communication and processing power. Both cameras support autofocus and manual lenses, with features like focus peaking on the X-T200 enhancing manual focus usability.
Storage, Battery, and Connectivity
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Both cameras record to SD cards (X-T200 supports UHS-I for faster writes).
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Battery life favors the X-E1 slightly (350 shots) over the X-T200’s official 270 shots per charge. Real-world usage varies.
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Connectivity is a stark contrast: X-E1 offers no wireless features; X-T200 includes built-in WiFi and Bluetooth for image transfer and remote control apps.
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Ports include USB (limited to USB 2.0 on X-E1), micro-HDMI on both.
Wireless support on X-T200 adds convenience for travel shooters who want quick sharing or remote shooting control.
Real-World Shooting: Sample Images and Performance Ratings
Don’t just take my word for it - here are side-by-side samples from both cameras during varied shooting sessions.
Looking closely, the X-T200’s images render higher detail, especially in complex textures like foliage or fabric. The X-E1 provides pleasing color depth and subtle tones but the resolution difference is noticeable when pixel peeping.
Camera | Overall Score (Personal Rating) |
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Fujifilm X-E1 | 7.5/10 |
Fujifilm X-T200 | 8.7/10 |
While the X-E1 holds up well considering its age, the X-T200’s advancements in sensor resolution, autofocus, video, and usability cement its lead.
So, Which One Should You Choose?
Let’s get practical - who is each camera for today?
Pick the Fujifilm X-E1 if…
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You seek a compact, rangefinder-style camera for street, travel, or casual portraiture.
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You value Fuji’s classic X-Trans color science and want to save a few hundred dollars.
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You enjoy manual control and don’t mind slower autofocus or limited video.
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You prefer a simpler, more classic camera experience without touchscreen distractions.
Pick the Fujifilm X-T200 if…
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You want modern 24MP resolution paired with fast, reliable autofocus.
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4K video, slow-motion capture, and touchscreen articulation matter to your hybrid workflow.
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You shoot wildlife, sports, or everyday life requiring burst rates and tracking.
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Wireless connectivity, a bigger screen, and flexible interface appeal to you.
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You’re new to Fuji and want an easy-to-use, versatile entry into mirrorless.
Final Thoughts: Bridging the Gap Between Classic Charm and Modern Functionality
The Fujifilm X-E1 remains a charming and capable camera, especially if you prize its form factor or are on a budget. It embodies Fuji’s early mastery of mirrorless technology with a unique sensor and handling style that still inspires affection among enthusiasts.
But for most users today - especially those wanting faster AF, higher resolution, enhanced video, and usability conveniences - the X-T200 is simply the smarter, more future-proof choice. It embodies the evolution of the Fuji X-line for an entry-level user base hungry for versatility without complexity.
If you’re deciding between these, ask yourself: Do you want a retro tactile experience with compromises in speed and resolution? Or do you desire a feature-packed yet approachable modern mirrorless that can grow with your skills? Your answer will help you land on the right Fujifilm for your photographic journey.
Thank you for reading this detailed comparison. If you have questions about either camera’s performance in your specific genre or shooting style, feel free to reach out - I’ve got many hours logged with both and am happy to share insights!
Fujifilm X-E1 vs Fujifilm X-T200 Specifications
Fujifilm X-E1 | Fujifilm X-T200 | |
---|---|---|
General Information | ||
Company | FujiFilm | FujiFilm |
Model type | Fujifilm X-E1 | Fujifilm X-T200 |
Class | Entry-Level Mirrorless | Entry-Level Mirrorless |
Introduced | 2013-02-28 | 2020-01-22 |
Physical type | Rangefinder-style mirrorless | SLR-style mirrorless |
Sensor Information | ||
Powered by | EXR Pro | - |
Sensor type | CMOS X-TRANS I | CMOS |
Sensor size | APS-C | APS-C |
Sensor dimensions | 23.6 x 15.6mm | 23.5 x 15.7mm |
Sensor area | 368.2mm² | 369.0mm² |
Sensor resolution | 16 megapixels | 24 megapixels |
Anti alias filter | ||
Aspect ratio | 1:1, 3:2 and 16:9 | 4:3, 3:2 and 16:9 |
Highest resolution | 4896 x 3264 | 6000 x 4000 |
Highest native ISO | 6400 | 12800 |
Highest boosted ISO | 25600 | 51200 |
Lowest native ISO | 100 | 200 |
RAW files | ||
Lowest boosted ISO | - | 100 |
Autofocusing | ||
Manual focusing | ||
Autofocus touch | ||
Autofocus continuous | ||
Single autofocus | ||
Autofocus tracking | ||
Selective autofocus | ||
Center weighted autofocus | ||
Multi area autofocus | ||
Autofocus live view | ||
Face detect autofocus | ||
Contract detect autofocus | ||
Phase detect autofocus | ||
Total focus points | - | 425 |
Cross type focus points | - | - |
Lens | ||
Lens support | Fujifilm X | Fujifilm X |
Number of lenses | 54 | 54 |
Focal length multiplier | 1.5 | 1.5 |
Screen | ||
Type of display | Fixed Type | Fully Articulated |
Display sizing | 2.8" | 3.5" |
Resolution of display | 460 thousand dots | 2,780 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch friendly | ||
Display technology | TFT color LCD monitor | - |
Viewfinder Information | ||
Viewfinder | Electronic | Electronic |
Viewfinder resolution | 2,360 thousand dots | 2,360 thousand dots |
Viewfinder coverage | 100% | 100% |
Viewfinder magnification | 0.62x | 0.62x |
Features | ||
Lowest shutter speed | 30s | 4s |
Highest shutter speed | 1/4000s | 1/4000s |
Highest quiet shutter speed | - | 1/32000s |
Continuous shooting rate | 6.0fps | 8.0fps |
Shutter priority | ||
Aperture priority | ||
Manual mode | ||
Exposure compensation | Yes | Yes |
Custom white balance | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | - | 7.00 m (at ISO 200) |
Flash settings | Auto, On, Off, Red-Eye, Slow Sync, Rear-curtain | - |
External flash | ||
AEB | ||
WB bracketing | ||
Highest flash synchronize | 1/180s | - |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Supported video resolutions | 1920 x 1080 (24 fps), 1280 x 720 (24 fps) | 3840 x 2160 @ 30p, MP4, H.264, Linear PCM3840 x 2160 @ 25p, MP4, H.264, Linear PCM3840 x 2160 @ 24p, MP4, H.264, Linear PCM3840 x 2160 @ 23.98p, MP4, H.264, Linear PCM1920 x 1080 @ 120p, MP4, H.264, Linear PCM1920 x 1080 @ 60p, MP4, H.264, Linear PCM1920 x 1080 @ 50p, MP4, H.264, Linear PCM1920 x 1080 @ 25p, MP4, H.264, Linear PCM1920 x 1080 @ 24p, MP4, H.264, Linear PCM1920 x 1080 @ 23.98p, MP4, H.264, Linear PCM |
Highest video resolution | 1920x1080 | 3840x2160 |
Video data format | H.264 | MPEG-4, H.264 |
Mic port | ||
Headphone port | ||
Connectivity | ||
Wireless | None | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | Yes |
GPS | None | None |
Physical | ||
Environmental sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 350 gr (0.77 lbs) | 370 gr (0.82 lbs) |
Dimensions | 129 x 75 x 38mm (5.1" x 3.0" x 1.5") | 121 x 84 x 55mm (4.8" x 3.3" x 2.2") |
DXO scores | ||
DXO All around rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Battery life | 350 photographs | 270 photographs |
Battery type | Battery Pack | Battery Pack |
Battery ID | W126 | NP-W126S |
Self timer | Yes (2 or 10 sec) | Yes |
Time lapse feature | ||
Storage type | SD/SDHC/SDXC | SD/SDHC/SDXC (UHS-I supported) |
Card slots | 1 | 1 |
Retail cost | $600 | $699 |