Fujifilm X-E1 vs Pentax K-01
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Fujifilm X-E1 vs Pentax K-01 Key Specs
(Full Review)
- 16MP - APS-C Sensor
- 2.8" Fixed Display
- ISO 100 - 6400 (Push to 25600)
- 1920 x 1080 video
- Fujifilm X Mount
- 350g - 129 x 75 x 38mm
- Released February 2013
- Refreshed by Fujifilm X-E2
(Full Review)
- 16MP - APS-C Sensor
- 3" Fixed Screen
- ISO 100 - 12800 (Bump to 25600)
- Sensor based Image Stabilization
- 1920 x 1080 video
- Pentax KAF2 Mount
- 561g - 122 x 79 x 58mm
- Announced May 2012

Fujifilm X-E1 vs Pentax K-01: A Hands-On Comparison for Photography Enthusiasts
Choosing the right mirrorless camera can be bewildering, especially with so many older yet still capable models vying for attention. Today, I’m putting two intriguing entry-level mirrorless cameras head-to-head: the Fujifilm X-E1 and the Pentax K-01. Both announced in the early 2010s, each brought fresh design philosophies and features to the mirrorless arena, but who holds up better for your photography needs today? Having spent extensive time behind the viewfinder of both, testing, comparing results across genres, and evaluating their tech inside and out, I’ll guide you through their core strengths, weaknesses, and ultimately who each suits best.
Let’s dive in.
First Impressions: Size, Build, and Handling
Right out of the gate, these two cameras establish very different vibes physically. The Fujifilm X-E1 adopts a refined rangefinder-style design, compact and classic, whereas the Pentax K-01 makes a bold statement with its nearly square-shaped, SLR-inspired mirrorless body designed by Marc Newson. It’s not just aesthetics; handling and ergonomics greatly influence user experience in extended shoots.
Notice how the Fuji feels much slimmer and lighter compared to the chunkier, heavier K-01.
Fujifilm X-E1
- Compact dimensions: 129 x 75 x 38 mm
- Weighs just 350g, making it one of the lighter APS-C mirrorless cameras at the time
- Controls feel precision-engineered and tactile, though the lack of an articulated or touchscreen LCD can be a minor nuisance
- The EVF is bright and sharp, with 2,360k-dot resolution and 100% coverage - pleasant for extended viewing
Pentax K-01
- Larger and heavier: 122 x 79 x 58 mm, 561g
- Its grip is unconventional; some users find it awkward for small hands due to the blocky profile
- No electronic viewfinder, relying solely on the rear LCD for framing, which at 3” and 921k dot resolution is quite sharp
- The build feels solid but less refined; its design prioritizes visual impact over ergonomic subtlety
My testing showed that the Fuji’s smaller size aligns better with street, travel, and portrait photographers favoring portability and discreetness. The Pentax’s heft and shape may appeal if you want a solid grip but might fatigue you during long hand-held shoots.
Sensor and Image Quality: Fujifilm’s X-Trans vs. Pentax CMOS
Understanding image quality boils down to sensor tech, and here’s where things get quite interesting. Both cameras feature APS-C sensors around 16 megapixels, but the sensor design and processing differ significantly.
Fujifilm X-E1
- 16MP X-Trans CMOS I sensor (23.6 x 15.6 mm)
- Unique color filter array without an optical low-pass filter, resulting in sharper images and reduced moiré
- Max ISO 6400 native, extendable to 25600 (though noise increases substantially beyond ISO 3200)
- Rich color fidelity - Fuji’s color science remains a highlight, especially skin tones and film simulations
- The EXR Pro processor delivers pleasing JPGs straight out of the camera, an advantage for on-the-go shooting
Pentax K-01
- 16MP CMOS sensor (23.7 x 15.7 mm), traditional Bayer pattern with anti-aliasing filter
- Higher max native ISO of 12800, boosting low-light flexibility
- Sensor-based stabilization is a bonus, helping compensate for shake across various lenses
- Slightly broader dynamic range per DxOMark (12.9 EV) and excellent color depth (23.7 bits), making RAW editing more flexible
- Scores higher on DxOMark’s low-light ISO performance than the Fuji, reflecting cleaner images at higher sensitivities
In practice, the Fuji X-E1 images stand out for that signature Fuji look - punchy, film-like colors and exceptional sharpness with prime lenses. The Pentax excels in versatility with sensor stabilization and better preserved highlight and shadow details, especially useful for landscape and macro shooters who want broader editing margin.
Controls, Screen, and Interface: How Intuitive Is Your Workflow?
Every photographer's experience depends heavily on how the camera interfaces with you. Let’s compare user interface, LCD, and control layouts.
Fujifilm X-E1
- Classic, analog-inspired dials for ISO, shutter speed, and exposure compensation - these tactile controls give real-time, no-menu adjustments that Fuji fans adore
- Rear 2.8” LCD at 460k dots is serviceable but a bit on the dim side by today’s standards, and fixed, no touchscreen
- Electronic viewfinder is a big plus for composing in bright light conditions, with punchy contrast and good refresh rate
Pentax K-01
- Modern control layout but no dedicated ISO dial, requiring you to dig into menus more often
- Larger 3” LCD screen at 921k dots is bright and sharp, fixed and non-touch but easier to review images and frame since there's no EVF
- No electronic viewfinder means less immersive framing experience, can be tricky in direct sunlight.
For workflow speed and precision, the Fuji’s traditional dials and EVF win hands down. Pentax users must rely on LCD framing, which is not as favorable outdoors. If you heavily depend on an EVF or want fast dial access, Fuji’s interface is more intuitive.
Autofocus and Burst Shooting: Tracking Moving Subjects
Autofocus (AF) is critical, especially for sports, wildlife, and action photography. Let’s unpack how these cameras perform when you’re chasing the moment.
Fujifilm X-E1
- 49 contrast-detection AF points, no phase detection autofocus (PDAF)
- Single AF, continuous AF supported but not reliable for fast moving subjects
- No face or eye detection autofocus, making precise focus on portraits or wildlife challenging
- Burst shooting at 6 frames per second, good for casual action but can’t compete with newer cameras
- No autofocus tracking, so expect to refocus frequently
Pentax K-01
- 81 AF points with contrast detection AF system but still lacks PDAF
- Face detection autofocus included, a plus for portrait shooters
- Also capped at 6 fps burst shooting - identical to the Fuji
- AF tracking still basic and unreliable for high-speed subjects
- Continuous AF is available but with limitations in accuracy and speed
Neither camera is a sports autofocus powerhouse. The Pentax edges ahead slightly in face detection, but for serious wildlife or sports, neither will fulfill pro demands. You’ll find hunting focus or missed frames often. For casual action or street photography, the 6fps frame rate is decent but expect limitations.
Lens Ecosystem and Compatibility: Match Your Vision with Glass
Your choice of camera is only as good as the lenses you can pair it with. Both systems have unique mounts and lens lines.
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Fujifilm X-E1: Fujifilm X-mount with approximately 54 native lenses available plus third-party options. It greatly benefited from Fuji’s rapid lens expansion post-launch, with quality primes and zooms covering everything from ultra-wide to telephoto. The 1.5x crop factor means classic focal lengths feel a bit longer; great for portraits and street.
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Pentax K-01: Uses the Pentax KAF2 mount, boastfully compatible with over 150 lenses, both modern and older legacy glass from DSLR days. This vast lineup is the Pentax’s big advantage - you can pick from vintage primes to modern stabilised zooms. The 1.5x crop factor also applies.
I found the Fuji X-mount lens lineup more modern and optically advanced, especially with Fuji’s in-house primes like the 35mm f/1.4 or 56mm f/1.2 delivering superb image quality and bokeh. Pentax’s strength is sheer variety but potential optical compromises with older lenses.
Battery Life and Storage: Ready for the Long Haul?
Your shooting endurance matters - both models rely on lithium-ion batteries but differ markedly in capacity.
- Fujifilm X-E1: Rated for roughly 350 shots per charge (CIPA standard), the smaller battery means packing spares if you’re on long trips
- Pentax K-01: More generous with up to 540 shots per charge, making it better suited for extended outings without swapping batteries
- Both cameras use SD/SDHC/SDXC cards, with a single slot each - no dual slot redundancy here.
If you prioritize battery endurance, especially for travel or event photography, the K-01 gives you more shooting freedom. The Fuji needs closer management or extra batteries in your bag.
Image Stabilization: Does Sensor-Shake Matter to You?
Image stabilization is key for handheld sharpness, especially in low light or macro.
- Fujifilm X-E1: No in-body image stabilization (IBIS). You must rely purely on optically stabilized lenses or tripods. Many early Fuji lenses did not include OIS, so IS is a downside here.
- Pentax K-01: Sensor-based stabilization included, compatible with all lenses - a huge advantage. I noticed the K-01 excels at steadying my shots handheld at slower shutter speeds, benefiting macros and landscapes shot without support.
This feature alone can sway your choice if you want more freedom shooting handheld or with vintage glass. Fuji shooters need to be more deliberate about lens choices or stabilize otherwise.
Video Capabilities: How Do They Stack up?
While neither camera is designed primarily as a video tool, capabilities are worth noting.
Fujifilm X-E1
- Full HD 1080p video recording at 24fps
- Outputs clean 8-bit H.264 files, microphone input supported but no headphone jack
- No 4K or high frame-rate modes
- No in-body stabilization means video smoothness relies on lens stabilization or gimbals
Pentax K-01
- Full HD 1080p recording at multiple frame rates (24, 25, 30fps) plus HD 720p at even 60fps
- Microphone input present, no headphone out
- Sensor stabilization helps video shoots for steadier footage
- Supports time-lapse recording, a bonus for creative video projects
Pentax’s richer video frame rate options and stabilization make it the better choice for casual videographers or content creators on a budget, though both cameras are limited by modern standards.
Genre-by-Genre Performance Insights
Let me walk you through how these cameras fare in practical use across various photography types.
Portrait Photography
- Fujifilm X-E1: Superior skin tone rendering and out-of-focus bokeh thanks to Fuji’s lens quality and X-Trans sensor. Lacks face/eye AF but manual focusing is precise.
- Pentax K-01: Face detection helps, IBIS aids low-light portraits, but lens optical quality varies widely.
Landscape
- Pentax K-01 leads with slightly better dynamic range and sensor stabilization, plus a broader lens ecosystem including ultra-wide zooms.
- Fuji’s image sharpness is great but with less dynamic range margin.
Wildlife and Sports
- Neither is ideal - the 6fps burst rate and contrast-only AF struggle with fast moving subjects. Pentax’s face detection offers incremental help.
Street Photography
- Fujifilm X-E1 is more discreet, lighter, and quicker with analog controls - ideal for candid shooting.
- Pentax is more conspicuous and heavier, less suitable for quick grab shots.
Macro Photography
- Pentax benefits from sensor-based IS when pairing with affordable vintage macro lenses.
- Fuji requires stabilized lenses or tripod.
Night and Astrophotography
- Pentax’s higher ISO and stabilization edge slightly ahead.
- Fuji’s sensor trend towards cleaner mid-ISO images keeps it competitive; no in-camera astro modes on either.
Travel Photography
- Fuji wins on portability and EVF usability.
- Pentax stands out for battery life and IS, useful on longer and varied shoots.
Professional Workflow
- Both support RAW format well, with Pentax giving more latitude in dynamic range.
- Fuji’s minimal wireless connectivity and older USB 2.0 may hinder data transfer speeds.
- Neither matches modern pro-level reliability or weather sealing.
Worth the Price? Value for Your Investment
Camera | Launch Price (USD) | Features and Flexibility | Overall Practicality |
---|---|---|---|
Fujifilm X-E1 | $599.95 | Compact size, great image quality, limited AF tech | Great for enthusiasts valuing image quality and portability |
Pentax K-01 | $899.00 | IBIS, better battery life, superior video modes | Suits users needing more versatility and stabilization |
In my hands-on testing, the extra $300 for the Pentax K-01 buys you stabilization, longer battery life, and better video options. But if you prize size, EVF, and that Fujifilm color signature, the X-E1 remains a compelling choice.
Final Thoughts: Who Should Buy Which?
Choose the Fujifilm X-E1 if you…
- Prefer a lightweight, sleek camera with excellent EVF for composing in any light
- Value classic, tactile controls that speed up your shooting process
- Are passionate about Fuji’s film-like color profiles and prime lens options
- Shoot portraits, street, or travel photography where discretion and mobility matter
- Can live without image stabilization and face/eye AF
Go for the Pentax K-01 if you…
- Want in-body image stabilization to maximize lens usage and handheld sharpness
- Shoot more landscapes, macro, and low-light scenes needing longer battery life and IS
- Need a larger, sharp LCD screen and can cope without an EVF
- Desire a broader lens lineup including retro and specialty lenses
- Value a slight edge in video flexibility and time-lapse ability
Closing Notes from My Review Experience
Both the Fujifilm X-E1 and Pentax K-01 offer unique, still relevant packages for budget-conscious enthusiasts or those curious about APS-C mirrorless cameras from the early 2010s. My practical tests across genres, combined with sensor analysis and hands-on handling, reveal that each shines in different niches.
If I had to pick a winner outright, the Fuji X-E1’s combination of portability, image quality, and classic controls makes it my preference for everyday shooting, street, portraits, and travel. The Pentax K-01 deserves praise for sensor stabilization and battery endurance, better catering to landscape, macro, and video enthusiasts willing to compromise size and EVF convenience.
If you’re looking for a capable, affordable mirrorless camera with character, you really can’t go wrong with either - just decide which strengths align with how you shoot.
Above: You can explore sample photos in natural light, low light, macro, and portrait modes from both cameras side by side.
Thanks for reading my detailed comparison. Feel free to reach out if you want personalized advice based on your photography style or budget. Happy shooting!
Fujifilm X-E1 vs Pentax K-01 Specifications
Fujifilm X-E1 | Pentax K-01 | |
---|---|---|
General Information | ||
Manufacturer | FujiFilm | Pentax |
Model | Fujifilm X-E1 | Pentax K-01 |
Class | Entry-Level Mirrorless | Entry-Level Mirrorless |
Released | 2013-02-28 | 2012-05-30 |
Body design | Rangefinder-style mirrorless | SLR-style mirrorless |
Sensor Information | ||
Chip | EXR Pro | - |
Sensor type | CMOS X-TRANS I | CMOS |
Sensor size | APS-C | APS-C |
Sensor measurements | 23.6 x 15.6mm | 23.7 x 15.7mm |
Sensor surface area | 368.2mm² | 372.1mm² |
Sensor resolution | 16 megapixel | 16 megapixel |
Anti aliasing filter | ||
Aspect ratio | 1:1, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Maximum resolution | 4896 x 3264 | 4928 x 3264 |
Maximum native ISO | 6400 | 12800 |
Maximum boosted ISO | 25600 | 25600 |
Min native ISO | 100 | 100 |
RAW pictures | ||
Autofocusing | ||
Focus manually | ||
AF touch | ||
Continuous AF | ||
AF single | ||
AF tracking | ||
AF selectice | ||
Center weighted AF | ||
AF multi area | ||
Live view AF | ||
Face detect focusing | ||
Contract detect focusing | ||
Phase detect focusing | ||
Number of focus points | - | 81 |
Cross focus points | - | - |
Lens | ||
Lens mount | Fujifilm X | Pentax KAF2 |
Amount of lenses | 54 | 151 |
Focal length multiplier | 1.5 | 1.5 |
Screen | ||
Display type | Fixed Type | Fixed Type |
Display sizing | 2.8 inch | 3 inch |
Display resolution | 460 thousand dot | 921 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch functionality | ||
Display tech | TFT color LCD monitor | TFT LCD monitor |
Viewfinder Information | ||
Viewfinder | Electronic | None |
Viewfinder resolution | 2,360 thousand dot | - |
Viewfinder coverage | 100% | - |
Viewfinder magnification | 0.62x | - |
Features | ||
Lowest shutter speed | 30 seconds | 30 seconds |
Highest shutter speed | 1/4000 seconds | 1/4000 seconds |
Continuous shooting speed | 6.0 frames per second | 6.0 frames per second |
Shutter priority | ||
Aperture priority | ||
Manual exposure | ||
Exposure compensation | Yes | Yes |
Custom WB | ||
Image stabilization | ||
Built-in flash | ||
Flash range | - | 12.00 m (at ISO 100) |
Flash options | Auto, On, Off, Red-Eye, Slow Sync, Rear-curtain | Auto, On, Off, Red-eye, Slow-speed Sync, Trailing Curtain Sync |
Hot shoe | ||
Auto exposure bracketing | ||
White balance bracketing | ||
Highest flash sync | 1/180 seconds | 1/180 seconds |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Supported video resolutions | 1920 x 1080 (24 fps), 1280 x 720 (24 fps) | 1920 x 1080 (30, 25, 24 fps),1280 x 720 (60, 50, 30, 25, 24 fps), 640 x 480 (30, 25, 24 fps) |
Maximum video resolution | 1920x1080 | 1920x1080 |
Video format | H.264 | MPEG-4, H.264 |
Microphone input | ||
Headphone input | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 350 grams (0.77 lbs) | 561 grams (1.24 lbs) |
Dimensions | 129 x 75 x 38mm (5.1" x 3.0" x 1.5") | 122 x 79 x 58mm (4.8" x 3.1" x 2.3") |
DXO scores | ||
DXO All around score | not tested | 79 |
DXO Color Depth score | not tested | 23.7 |
DXO Dynamic range score | not tested | 12.9 |
DXO Low light score | not tested | 1135 |
Other | ||
Battery life | 350 shots | 540 shots |
Form of battery | Battery Pack | Battery Pack |
Battery model | W126 | D-LI90 |
Self timer | Yes (2 or 10 sec) | Yes (2 or 12 sec) |
Time lapse shooting | ||
Storage media | SD/SDHC/SDXC | SD/SDHC/SDXC |
Storage slots | One | One |
Cost at launch | $600 | $899 |