Fujifilm X-E2 vs. X-E2S: An Experienced Eye’s Detailed Comparison for Discerning Photographers

When Fujifilm announced the X-E2 in early 2014, it marked a significant step forward in its beloved X-series lineup - an enticing rangefinder-style mirrorless camera striking a balance between retro charm and modern digital craftsmanship. Fast forward two years, and Fuji unveiled the X-E2S - a subtle yet meaningful evolution intended to address some omissions and polish the formula.

As someone who’s handled both cameras extensively across diverse photographic disciplines - from the quiet streets of Tokyo at night to wildlife treks in the Rockies - I’ve gathered a nuanced perspective on their similarities and differences. These two cameras straddle the entry-level mirrorless market, yet wield a surprising degree of versatility, capable of satisfying enthusiasts and even demanding pros looking for a compact backup.

In this comprehensive head-to-head, I’ll walk you through everything from sensor tech and autofocus prowess to ergonomics and real-world performance in various shooting scenarios. And yes, we will also delve into value for money, which is often the ultimate dealmaker or breaker.

Let’s start with the fundamentals - because size and feel do matter.

Size and Handling: Comfort in a Compact Package

Both the Fujifilm X-E2 and X-E2S share a near-identical physical footprint, each weighing roughly 350 grams and measuring 129 x 75 x 37 mm. They sport the classic rangefinder-style mirrorless design beloved by street and travel photographers who value discretion and portability.

Handling feels comfortable and well-balanced in the hand, with a thoughtfully sculpted grip that’s neither overbearing nor too subtle to compromise stability. The EXR Processor II under the hood means quick response times without bulk.

Both cameras feature a 3-inch fixed TFT LCD with about 1 million dots resolution - not exactly mind-blowing but perfectly serviceable for composing and reviewing images. Interestingly, neither boasts touchscreen functionality, which might irk users accustomed to the tap-and-swipe convenience that's become standard, but I found the physical controls satisfyingly tactile, minimizing the need to poke at the screen mid-shoot.

The top plate layout deserves some credit for practical ergonomics, with dedicated dials for shutter speed and exposure compensation. However, it’s worth noting slight differences in flash modes and custom timer options - more on that later.

If you favor a camera that won’t steal your attention by bulk or weight while still feeling reassuring in your hands, both X-E2 and X-E2S check those boxes with aplomb.

Sensor and Image Quality: The Heart of the Battle

The X-E2 and X-E2S both sit on the same APS-C sized X-Trans II CMOS sensor platform, spanning approximately 23.6 x 15.6 mm with a resolution of 16 megapixels (4896 x 3264 pixels). This sensor size remains the sweet spot for achieving excellent image quality without the costs, size, or shallow depth-of-field challenges of full-frame.

However, an important subtlety arises: while the X-E2 employs a sensor with an anti-aliasing (AA) filter, the X-E2S interestingly forgoes this filter altogether, aligning with Fujifilm’s trend to increase fine detail rendering at the risk of moiré artifacts under certain situations.

What does this mean in practice?

• Sharpness and Detail: Thanks to the absence of the AA filter, the X-E2S produces a noticeably crisper and more detailed image straight out of the camera compared to the X-E2’s slightly softer output. I ran side-by-side landscape shots at base ISO and the difference was evident - the X-E2S edges just ahead in micro-contrast and texture rendering.

• Color Rendition: Both cameras leverage Fujifilm’s renowned color science, producing rich yet “filmic” skin tones and color gradations, with excellent tonal separation. This gave me confidence shooting portraits and nature alike, with minimal post-processing needed.

• Dynamic Range: While DxOMark has not officially tested these models, my practical experience and comparisons with peers suggest both deliver solid dynamic range for their era, holding detail well in shadows and highlights - especially if you shoot RAW, which both support fully.

• ISO Performance: The native ISO range starts at 200 and goes up to 6400 on both models, but with a notable difference: the X-E2S supports an extended “boosted” ISO up to 51200, useful for extreme low-light scenarios or creative effects - though expect noise to climb rapidly past ISO 6400. In practice, I found ISO 6400 usable with noise reduction software, but beyond that, you’re gambling.

In sum, for image quality purists chasing sharpness, the X-E2S's AA filter removal grants an advantage. Beginners and casual shooters probably won’t notice a massive gap, but enthusiasts aiming for crisp textures and printing large will appreciate the step up.

Autofocus System: Precision and Speed Under the Lens

The autofocus systems in both cameras adopt Fujifilm’s hybrid design (phase-detection and contrast-detection) with notable differences:

• X-E2: 49 autofocus points.
• X-E2S: 77 autofocus points.

More points mean broader and potentially more accurate autofocus coverage, especially beneficial for tracking moving subjects or composing off-center.

How does this pan out in real use?

• Accuracy: Both units lock focus with respectable speed under good light, but the X-E2S’s expanded AF points facilitate finer subject tracking, critical for wildlife and sports scenarios.

• Face Detection: Both models include face detection support, a game-changing feature for portraiture ensuring focus locks on eyes accurately. While neither supports animal eye detection - a newer, more sophisticated tech found in recent cameras - they reliably work for humans.

• Continuous AF and Tracking: Both feature continuous AF modes with tracking, which works decently given the processor generation - though don’t expect modern DSLR-level lightning reflexes. I tested action sequences like city cyclists; the X-E2S better maintained focus on shiftier targets.

• Manual Focus: Both cameras support manual focus with peaking assistance, which is essential for macro and creative focus control.

In my testing, the X-E2S edges out slightly in AF reliability, especially in slightly challenging lighting or erratic subjects, but the X-E2 remains a very capable performer for everyday shooting.

Build Quality and Weather Considerations

Both the X-E2 and X-E2S share a robust magnesium alloy body with classic retro styling, evoking the rangefinder charm without compromising durability.

Notably, neither model features weather sealing or dust resistance. If you frequently shoot in harsh, wet, or dusty environments, these cameras require caution or external protective gear. This is a frequent caveat for cameras in this price and generation - Fuji's weather-sealed options generally sit higher in the lineup.

The built-in flash pops up to a 7-meter range at ISO 200, handy for fill or casual use, and both accept external flashes via a hot shoe for more versatile lighting control.

Display and Viewfinder: The Composing Experience

A crucial interface part on any camera are the screens and viewfinders.

Both models sport a fixed 3-inch TFT LCD with 1,040k dots resolution - no touch capability here (a complaint for some users). The LCDs perform reliably in bright daylight but are not exceptionally bright or color-accurate compared to later Fuji models.

The electronic viewfinder (EVF) on both offers 2,360k dots resolution, 100% coverage, and about 0.62x magnification. This EVF is among the best in its class for clarity and refresh rate (noticeably better than many competitors from the same period).

For me, the EVF is where the X-E line truly shines - the crisp, high-res display with minimal lag fosters intuitive manual focusing and framing. By contrast, solely relying on the LCD feels a bit limited.

Burst Modes and Shutter Speeds: Capturing the Decisive Moment

Both cameras offer up to 7 frames per second continuous shooting - competitive for their era and segment.

• Shutter speeds range from 30 seconds to 1/4000 second on both models, with no electronic shutter options. This limits ultra-fast shutter needs but covers the majority of practical use cases efficiently.

• The X-E2S adds the useful option of custom self-timers (2 or 10 seconds, including custom intervals), offering more creativity in shooting, like self-portraits or extended exposure workflows.

Video Capabilities: Modest but Serviceable

While Fujifilm traditionally focuses more on still photography, both cameras handle video reasonably well.

• Maximum video resolution: Full HD (1920×1080) at 60p or 30p.
• Video codec: MPEG-4 H.264.
• No 4K, no slow-motion.
• External microphone input included - nice touch for vloggers or documentary shooters.
• No headphone jack, so monitoring audio on the fly is limited.

I used the X-E2S for some casual b-roll and found video quality steady with good color grading potential. However, the lack of 4K or advanced video features makes both better suited as still-centric hybrids rather than dedicated video rigs.

Lens Ecosystem and Compatibility: Your Creative Playground

Both cameras mount Fujifilm’s X-mount lenses, accessing the extensive lineup of 54 lenses (and counting) ranging from nimble primes to versatile zooms.

They benefit from Fuji’s superb optical engineering, famed for sharpness, beautiful bokeh, and vintage character lenses.

Compatibility is full between the two; if you own lenses for the X-E2, they work flawlessly on the X-E2S, and vice versa.

Connectivity and Storage: Modern-ish, Not Cutting Edge

• Built-in Wi-Fi on both enables remote control and image transfer - convenient when tethering or sharing quickly.
• USB 2.0 port for file transfer and charging - slow by today’s standards but fine for most uses.
• HDMI output for external displays or recording.
• Storage: single SD/SDHC/SDXC slot.

No Bluetooth, NFC, or GPS on either, limiting some connectivity conveniences - but again, considering their vintage, that’s not unexpected.

Battery Life and Handling: Shoots as Long as You Need

Both cameras use the same W126 (or NP-W126) battery pack, rated at approximately 350 shots per charge.

In practical use, this translates to a full day’s worth of shooting without panic, though power users might carry a spare for extended trips.

Neither offers USB charging, requiring dedicated chargers.

Real-World Photography Across Genres: Strengths and Weaknesses

At this point, you might be wondering: how do the X-E2 and X-E2S really perform in the varied and often unforgiving settings of portraiture, landscape, wildlife, and more?

I put both through extensive field tests at different times, alongside my trusty lenses. Here’s a breakdown across common photography types, with scores based on practical experience and image outcomes.

Fujifilm X E2 front Fujifilm X E2 screen back Fujifilm X E2S front Fujifilm X E2S screen back

Portrait Photography

Fujifilm’s rich color science really shines here, producing pleasing, realistic skin tones with a buttery bokeh when paired with fast primes. The X-E2S’s enhanced autofocus with more points means smoother eye detection and reliable locking - great for flattering close-ups.

Landscape Photography

The high-resolution 16MP sensor delivers plenty of detail for large prints and cropping flexibility. Dynamic range is solid - shadows hold up well for revealing detail in shaded woods or waterfront scenes. The AA filter on X-E2 slightly softens landscape shots compared to the sharper X-E2S - noticeable on large monitors or prints.

Neither camera guards well against weather, so caution is needed outdoors in tough climates.

Wildlife Photography

While neither camera is a dedicated wildlife shooter, the X-E2S’s expanded AF points and better continuous AF tracking translate to improved subject acquisition and maintenance, especially when using telephoto lenses. Burst speed is adequate for casual action shots, though lag and buffer depth limit sustained sequences.

Sports Photography

Similarly to wildlife, the 7fps burst and autofocus on the X-E2S edge out the X-E2 but keep both behind flagship models. Low-light focusing is tricky in dim stadiums, making these less suited for serious sports shooters.

Street Photography

Compact, discreet, and silent enough for candid shots, both cameras make excellent street photography companions. The X-E2S’s flexibility in flash modes and custom timers is a bonus, but the lack of touchscreen might slow quick setting tweaks.

Macro Photography

No built-in stabilization means while both cameras rely on lens IS or tripod support, focusing precision is facilitated by manual focus assist features. Video focus peaking and magnification find equal footing on both.

Night and Astro Photography

ISO extends higher on the X-E2S, allowing for greater sensitivity in starscapes or cityscapes at night. Noise climbs quickly at boosted ISOs, so exposure control and post-processing are essential. Bulb mode grants long exposure flexibility.

Video

As mentioned, video is basic but competent for casual shooting - not recommended for professional video work.

Travel Photography

Compact size, solid battery life, and weight make either a great travel companion. The X-E2S offers more versatile AF and exposure options for dynamic environments.

Professional Work

Both can serve as secondary cameras with RAW support and reliable exposure controls. For studio tethering and workflow, their ports and Wi-Fi assist but may feel dated today.

Pricing and Value: What’s the Real Cost?

When initially launched, the X-E2 was priced around $450, while the X-E2S arrived at about $600.

Today’s market prices fluctuate, but used or discounted units are commonly found near those points.

Personally, I consider the X-E2S the better investment for those valuing subtle autofocus and image sharpness gains. But if budget is critical and you prioritize solid Fuji color with very similar ergonomics, the X-E2 remains a compelling option.

Verdict: Which Fujifilm Mirrorless Is Right for You?

Here’s how I’d put it after deep hands-on experience and comparison:

Final Thoughts: Aging With Grace but Not Without Caveats

The Fujifilm X-E2 and X-E2S do more than hold their own years after release - they stay relevant for photographers who prize a combination of tactile control, excellent color science, and a lean setup sans bells and whistles.

They’re not perfect - the lack of touchscreen, limited video, and no weather sealing are glaring caveats in 2024’s market. But every camera is a trade-off, and in the rangefinder-style APS-C space, these remain delightful options that reward patient, skilled users.

So, are you going vintage Fuji with the X-E2 or dipping a toe into the more refined X-E2S waters? Either way, you’re in for a feel-good photography journey imbued with Fujifilm’s famously pleasing rendition of the world - one quiet click, bokeh, and burst at a time.

Happy shooting!