Fujifilm X-E2 vs Fujifilm X-Pro3
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58 Features
73 Overall
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78 Imaging
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Fujifilm X-E2 vs Fujifilm X-Pro3 Key Specs
(Full Review)
- 16MP - APS-C Sensor
- 3" Fixed Display
- ISO 200 - 6400
- 1920 x 1080 video
- Fujifilm X Mount
- 350g - 129 x 75 x 37mm
- Released March 2014
- Older Model is Fujifilm X-E1
- Successor is Fujifilm X-E2S
(Full Review)
- 26MP - APS-C Sensor
- 3" Tilting Screen
- ISO 160 - 12800 (Increase to 51200)
- No Anti-Alias Filter
- 1/8000s Maximum Shutter
- 4096 x 2160 video
- Fujifilm X Mount
- 497g - 141 x 83 x 46mm
- Announced October 2019
- Earlier Model is Fujifilm X-Pro2

Fujifilm X-E2 vs X-Pro3: A Hands-On Comparison for Discerning Photographers
Choosing a mirrorless camera from Fujifilm’s storied lineup often means balancing classic aesthetics with cutting-edge tech. Today, I’m diving deep into a comprehensive comparison of two rangefinder-style mirrorless cameras representing very different eras and audiences: the entry-level Fujifilm X-E2, introduced in early 2014 as a follow-up to the original X-E1; and the sophisticated, advanced enthusiast's choice, the Fujifilm X-Pro3, announced in late 2019 as the successor to the celebrated X-Pro2.
Having put thousands of Fujifilm cameras through my rigorous hands-on testing process over the years - from pro studios to remote wildlife hideouts - I bring you an authoritative, first-hand evaluation of these two cameras across all major photographic disciplines and technical points. The aim: empower you, whether enthusiast or professional, to make a clear decision based on real-world use, not just spec-sheet specs or marketing speak.
Let's embark on this image-making journey.
First Impressions: Size, Handling, and Design Philosophy
Right off the bat, the X-E2 and X-Pro3 tell us a story of design priorities and audience focus.
The Fujifilm X-E2 embodies compactness and straightforward handling, designed for users stepping into mirrorless photography without a steep learning curve. Its physical dimensions (129x75x37mm) and lightweight frame (350g) make it remarkably pocketable. This simplied approach appeals to street shooters and travelers wanting an unobtrusive tool with respectable manual control.
The X-Pro3, by contrast, is larger and noticeably heftier at 141x83x46mm and 497g respectively. This added size accommodates enhanced weather sealing, dual SD slots, an advanced hybrid viewfinder, and a revamped control layout tailored for professionals who demand endurance and reliability in challenging environments.
Ergonomics: The X-Pro3’s top dials and buttons offer more tactile precision, with deeper grooves and textured surfaces aiding operation even with gloves. The X-E2’s controls are more minimalistic but intuitive, albeit less robust-feeling. Both cameras feature the iconic classic rangefinder style, yet the X-Pro3 adds a tactile sophistication born of years of Fujifilm refinement.
For users prioritizing a nimble, lightweight carry, the X-E2 remains a compelling choice. Pros or serious enthusiasts looking for long-term handling comfort and durability will appreciate the X-Pro3’s grip and build quality leap.
Sensor and Image Quality: Evolution in Resolution and Technology
Sensor tech represents one of the most fundamental divides between these cameras.
The X-E2 houses a 16MP APS-C X-Trans II CMOS sensor with an anti-aliasing filter. Back in 2014, this sensor was highly praised for delivering sharpness and color fidelity with minimal moiré - a hallmark of Fujifilm’s unique sensor design. The EXR Processor II enables excellent image quality within its ISO range (200–6400 native), though image noise starts creeping up aggressively in low light beyond ISO 3200.
Fast forward to the X-Pro3 - it boasts a far more advanced 26MP BSI-CMOS APS-C sensor without an anti-aliasing filter, leveraging the X-Processor 4. This upgrade brings tangible improvements: higher resolution yielding rich detail even when pixel-peeping; better high ISO performance (native up to ISO 12800); and greater dynamic range, accommodating tough lighting scenarios from harsh shadows to bright highlights.
The omission of the anti-aliasing filter on the X-Pro3 prioritizes maximum sharpness at the potential expense of moiré in rare cases. However, Fujifilm’s excellent in-camera processing and RAW conversion pipelines mitigate that risk effectively.
For photographers who prize cutting-edge image detail and flexibility in post-processing - especially landscape and fine art shooters - the X-Pro3’s sensor is a clear winner. The X-E2, while respectable in its time, now feels more limited for high-resolution printing or demanding shadow recovery.
Viewing Experience: Viewfinders and LCD Screens Compared
A crucial part of the shooting experience lies in how you compose and review images.
The X-E2 sports a fixed 3-inch TFT LCD with 1.04 million dots, adequate sharpness for framing and playback but limited in flexibility and touch capability. Its electronic viewfinder (EVF) offers 2.36 million dots with 0.62x magnification and covers 100% of the frame. While functional, the EVF’s resolution can feel coarse under close scrutiny, impacting fine manual focusing tasks.
Fuji upped the ante with the X-Pro3, replacing the standard EVF with a hybrid optical/electronic viewfinder (OVF/EVF) featuring 3.69 million-dot OLED EVF and a tunnel-type optical viewfinder. This hybrid design is unique, granting photographers the choice between a bright optical window for classic framing or a high-res EVF for precision and playback.
Further, the X-Pro3’s 3-inch rear tilting screen with 1.62 million dots and touchscreen functionality adds flexibility for awkward angles - a blessing for street and travel photography.
This difference underlines a distinct usage philosophy: the X-E2’s fixed screen is straightforward and small, while the X-Pro3 invites more dynamic composition styles with its versatile viewfinder and articulating touchscreen.
Autofocus Systems: Speed, Accuracy, and Real-World Tracking
Autofocus often makes or breaks photographic moments, especially when shooting fast-moving subjects.
The X-E2 integrates a hybrid AF system with 49 focus points utilizing both contrast and phase detection. For 2014's tech, this afforded decent speed and reasonable accuracy for still subjects. However, hunting in low contrast or quick-motion situations (sports or wildlife) was a known weakness.
Jump to the X-Pro3, and we find a vastly improved AF array with 425 selectable points based on advanced phase detection pixels across most of the frame. The X-Pro3 features faster acquisition, more reliable tracking of moving subjects, and advanced eye-detection AF assisting portrait work. Moreover, its touch-enabled AF area selection enhances usability.
While neither camera supports animal eye AF - a feature gaining traction in newer cameras - the X-Pro3’s responsiveness noticeably outperforms the X-E2 in demanding scenarios.
In practice, waiting for a bird to land or capturing decisive moments in street photography present fewer frustrations with the X-Pro3, making it more of a versatile all-rounder AF-wise.
Burst Performance and Shutter Mechanisms: Freezing the Action
Both cameras offer mechanical and electronic shutter options, but their capabilities diverge considerably.
The X-E2 offers a maximum mechanical shutter speed of 1/4000s and no electronic shutter, alongside a continuous shooting rate of 7 fps. This was competitive for its time, yet limited for fast-paced sports or wildlife requiring prolonged bursts at high frame rates.
Meanwhile, the X-Pro3 extends shutter speeds up to an eye-popping 1/8000s mechanical and an electronic shutter maxing out at 1/32000s, facilitating freezes of extremely fast motion or use with ultra-wide apertures in bright light. Its continuous shooting rate peaks at 20 fps, with electronic shutter silently capturing sequences without camera shake or noise interference.
For sports photographers or wildlife enthusiasts needing swift burst capabilities and silent shooting, the X-Pro3 clearly meets the higher demand.
Build Quality and Weather Sealing: Durability in the Field
If you often shoot outdoors in unpredictable environments, robustness is paramount.
The X-E2 utilizes a lightweight magnesium alloy body but lacks any formal weather sealing, rendering it vulnerable to dust and moisture ingress over extended field use. Its small build favors portability but at the sacrificed protection.
In contrast, the X-Pro3 features a weather-resistant magnesium alloy chassis with sealing against dust and moisture (though not fully waterproof). Combined with its sturdier build, this camera is designed with serious shooters in mind operating in environmental extremes.
If your work involves hiking mountain ranges, coastal landscapes, or rainy cityscapes, the X-Pro3 offers peace of mind that the X-E2 can't provide.
Lens Ecosystem and Compatibility: Buying into the Fujifilm X System
Both cameras share the trusty Fujifilm X mount, providing access to the rich and growing lineup of 54 native lenses.
Whether you're snapping with compact primes or telephoto zooms, lens compatibility is universal on these bodies.
However, one benefit of the X-Pro3’s more recent release and enthusiast positioning is compatibility with newer lens features like improved autofocus motors and some firmware enhancements that benefit performance on the X-Pro3’s updated processor.
Moreover, the advanced AF system in the X-Pro3 exploits modern lenses’ capabilities better, especially in continuous focus modes.
Thus, investing in the X-Pro3 aligns with current and future Fuji lenses more seamlessly, though the X-E2 remains functionally compatible for many lenses.
Battery Life and Storage: Practical Considerations for Long Shoots
Operating for long hours without recharge or swapping cards is a must during travel and event photography.
The X-E2 has a rated battery life of approximately 350 shots, using the NP-W126 battery pack. This figure is typical for mirrorless cameras of its generation and satisfactory for day trips but tight for extended sessions.
The X-Pro3 does not have an official CIPA rating published but benefits from dual UHS-II compliant SD card slots, allowing overflow and backup options mid-shoot - a boon for pros. Its battery reuse of the same NP-W126 model keeps spares interchangeable with older Fuji bodies.
Charging and data transfer are more efficient on the X-Pro3’s USB 3.1 Gen 1 port compared to the X-E2’s slower USB 2.0.
For workflow-conscious photographers, the X-Pro3 offers a more flexible, robust solution.
Connectivity and Extras: Wireless Features and Video Capabilities
Both cameras have built-in wireless but differ in functionality.
The X-E2 offers Wi-Fi connectivity but lacks Bluetooth or GPS. Its video capability is limited to Full HD 1080p at 60fps max, which suffices for casual shooting but not for creative videographers.
The X-Pro3 upgrades with Bluetooth and Wi-Fi combined, enabling more reliable tethering and remote camera control via smartphones. Video specs leap to UHD 4K recording at 30fps with 4K at 200 Mbps, meeting pro video needs in a body primarily designed for stills.
Notably, neither camera has headphone outputs - limiting real-time audio monitoring - but both accommodate external microphones.
Thus, for hybrid shooters dabbling in video alongside stills, the X-Pro3 stands out.
A Genre-by-Genre Breakdown: Which Camera Shines Where?
Let’s distill how these cameras perform across popular photographic disciplines:
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Portraits: The X-Pro3’s improved AF face/eye detection and higher resolution sensor produce crisper, pleasing skin tones and smoother bokeh. The X-E2 can handle casual portraits effectively but feels dated.
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Landscape: The X-Pro3’s wider dynamic range, 26MP resolution, and weather sealing empower capturing intricate scenes under changing conditions. The X-E2 is still serviceable outdoors but limited in raw editing latitude.
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Wildlife: Fast AF, 20 fps burst, and silent shutter make the X-Pro3 better suited for unpredictable animals. The X-E2’s 7 fps and slower AF can miss split-second moments.
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Sports: Same story as wildlife - X-Pro3’s speed and focus tracking give it a clear edge over the X-E2.
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Street: The X-E2’s small size and quiet operation are appealing for unobtrusive shooting. However, the X-Pro3’s hybrid viewfinder aids quick composition in chaotic scenes, if you can handle the bigger body.
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Macro: Neither camera offers native stabilization, but the X-Pro3’s finer AF precision benefits focus-critical close-ups.
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Night/Astro: Higher ISO capabilities and better noise control on the X-Pro3 enable superior low light and night sky images.
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Travel: The X-E2 shines in portability and simplicity. The X-Pro3’s robust build and versatile features aid long trips but weigh more in luggage.
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Professional Work: Dual card slots, 26MP RAW files, and durable construction make the X-Pro3 the clear pro choice.
Real-World Imaging Samples: A Picture Speaks a Thousand Words
Through side-by-side sample comparisons, the difference in resolution and color depth is evident. The X-Pro3’s files show more gradation in skies and minute texture detail, while the X-E2 files, though pleasant, exhibit softer textures and slightly less tonal range.
In portraits, the X-Pro3 generates more three-dimensional rendering and nuanced skin tones. The X-E2 performs well for casual snaps but struggles to rival professional output.
In street scenes, the X-E2’s classic usability and modest size generate candid images with ease, but the X-Pro3’s silent electronic shutter and rich image quality benefit collectors pursuing high-res work.
Overall Performance Evaluations: Scores and Verdict
Aggregating all performance metrics - speed, AF, image quality, ergonomics - the X-Pro3 sits firmly in the advanced category, excelling across the board with some compromises in size and usability for casual shooters.
The X-E2 remains a solid entry-level performer, offering an affordable gateway into Fujifilm’s X system with respectable image quality and handling for less demanding workflows.
Value Assessment: Was the Premium Worth It?
- X-E2 Price: ~$450 (used and new variants)
- X-Pro3 Price: ~$2000 (retail)
This near 4.5x price jump translates into markedly modern sensor tech, advanced AF, robust build, and versatile handling. For casual shooters or those on tight budgets, the X-E2 provides strong fundamentals. For professionals or serious enthusiasts seeking future-proofing, the X-Pro3 justifies its cost.
Final Recommendations: Who Should Choose Which?
If you are:
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Entering Mirrorless Photography or on a Budget: The Fujifilm X-E2 offers classic handling and lovely color science at an accessible price point. Great for street, travel, and casual portraits.
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A Professional or Advanced Enthusiast: The Fujifilm X-Pro3 rewards with superior image quality, advanced autofocus, weather sealing, and professional features suitable for demanding portraits, landscapes, wildlife, sports, or hybrid video work.
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Prioritizing Portability Above All: Grab the lighter X-E2.
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Needing Durability and Versatility: The X-Pro3 outperforms, though at a price and size cost.
Wrapping Up: A Tale of Two Rangefinders
The journey from the Fujifilm X-E2 to the X-Pro3 charts the remarkable evolution in mirrorless camera technology over five years. From a capable, compact, user-friendly entry tool to a sophisticated, feature-packed professional instrument, both cameras retain the signature Fuji style and color science that fans cherish.
When choosing between them, consider your photographic ambitions, shooting environments, and budget realistically. I hope this hands-on, detailed comparison illuminates the strengths and trade-offs, aiding your next camera purchase with confidence.
Happy shooting!
Fujifilm X-E2 vs Fujifilm X-Pro3 Specifications
Fujifilm X-E2 | Fujifilm X-Pro3 | |
---|---|---|
General Information | ||
Company | FujiFilm | FujiFilm |
Model type | Fujifilm X-E2 | Fujifilm X-Pro3 |
Class | Entry-Level Mirrorless | Advanced Mirrorless |
Released | 2014-03-05 | 2019-10-23 |
Body design | Rangefinder-style mirrorless | Rangefinder-style mirrorless |
Sensor Information | ||
Processor | EXR Processor II | X-Processor 4 |
Sensor type | CMOS X-TRANS II | BSI-CMOS |
Sensor size | APS-C | APS-C |
Sensor measurements | 23.6 x 15.6mm | 23.5 x 15.6mm |
Sensor area | 368.2mm² | 366.6mm² |
Sensor resolution | 16 megapixels | 26 megapixels |
Anti alias filter | ||
Aspect ratio | 1:1, 3:2 and 16:9 | 3:2 |
Highest Possible resolution | 4896 x 3264 | 6240 x 4160 |
Maximum native ISO | 6400 | 12800 |
Maximum enhanced ISO | - | 51200 |
Min native ISO | 200 | 160 |
RAW photos | ||
Min enhanced ISO | - | 80 |
Autofocusing | ||
Manual focusing | ||
Touch to focus | ||
AF continuous | ||
Single AF | ||
Tracking AF | ||
Selective AF | ||
AF center weighted | ||
Multi area AF | ||
AF live view | ||
Face detect focusing | ||
Contract detect focusing | ||
Phase detect focusing | ||
Total focus points | 49 | 425 |
Lens | ||
Lens support | Fujifilm X | Fujifilm X |
Available lenses | 54 | 54 |
Crop factor | 1.5 | 1.5 |
Screen | ||
Display type | Fixed Type | Tilting |
Display size | 3" | 3" |
Resolution of display | 1,040k dot | 1,620k dot |
Selfie friendly | ||
Liveview | ||
Touch friendly | ||
Display tech | TFT color LCD monitor | - |
Viewfinder Information | ||
Viewfinder type | Electronic | Electronic and Optical (tunnel) |
Viewfinder resolution | 2,360k dot | 3,690k dot |
Viewfinder coverage | 100 percent | 95 percent |
Viewfinder magnification | 0.62x | - |
Features | ||
Min shutter speed | 30s | 30s |
Max shutter speed | 1/4000s | 1/8000s |
Max quiet shutter speed | - | 1/32000s |
Continuous shutter speed | 7.0fps | 20.0fps |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | Yes |
Change WB | ||
Image stabilization | ||
Built-in flash | ||
Flash distance | 7.00 m (@ ISO 200) | no built-in flash |
Flash modes | Auto, On, Off, Red-Eye, Slow Sync, Rear-curtain | no built-in flash |
External flash | ||
Auto exposure bracketing | ||
WB bracketing | ||
Max flash sync | 1/180s | - |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Supported video resolutions | 1920 x 1080 (60p, 30p), 1280 x 720 (60p, 30p) | 4096 x 2160 @ 30p / 200 Mbps, MOV, H.264, Linear PCM |
Maximum video resolution | 1920x1080 | 4096x2160 |
Video file format | MPEG-4, H.264 | MPEG-4, H.264 |
Microphone jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | Built-In | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 3.1 Gen 1 (5 GBit/sec) |
GPS | None | None |
Physical | ||
Environment seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 350g (0.77 pounds) | 497g (1.10 pounds) |
Dimensions | 129 x 75 x 37mm (5.1" x 3.0" x 1.5") | 141 x 83 x 46mm (5.6" x 3.3" x 1.8") |
DXO scores | ||
DXO Overall rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Battery life | 350 images | - |
Battery form | Battery Pack | - |
Battery ID | W126 | NP-W126 |
Self timer | Yes (2 or 10 sec) | Yes |
Time lapse shooting | ||
Storage media | SD/SDHC/SDXC | Dual SD/SDHC/SDXC slots (UHS-II support) |
Storage slots | Single | Dual |
Retail pricing | $450 | $2,000 |