Fujifilm X-E2 vs Samsung ST100
85 Imaging
57 Features
73 Overall
63
95 Imaging
36 Features
34 Overall
35
Fujifilm X-E2 vs Samsung ST100 Key Specs
(Full Review)
- 16MP - APS-C Sensor
- 3" Fixed Display
- ISO 200 - 6400
- 1920 x 1080 video
- Fujifilm X Mount
- 350g - 129 x 75 x 37mm
- Launched March 2014
- Older Model is Fujifilm X-E1
- Replacement is Fujifilm X-E2S
(Full Review)
- 14MP - 1/2.3" Sensor
- 3.5" Fixed Display
- ISO 80 - 3200
- Optical Image Stabilization
- 1280 x 720 video
- 35-175mm (F3.6-4.8) lens
- 155g - 100 x 60 x 20mm
- Released January 2010
Pentax 17 Pre-Orders Outperform Expectations by a Landslide Fujifilm X-E2 vs Samsung ST100: An In-Depth Comparison for Enthusiasts and Pros
Choosing the right camera can be a daunting task given the dizzying array of options available - from compact point-and-shoots to advanced mirrorless systems. Today, I’ll walk you through a detailed, hands-on comparison between two very different models: the Fujifilm X-E2, a 2014-era APS-C rangefinder-style mirrorless camera designed for entry-level enthusiasts, and the Samsung ST100, a 2010 ultracompact point-and-shoot with a fixed zoom lens aimed at everyday consumers.
Despite their obvious differences in category and target audience, understanding how each performs across photography disciplines, their technical strengths, and real-world usability will help you pinpoint which camera is truly the better fit for your needs or simply give you more context on camera evolution over recent years. I’ve spent many hours testing both, and this article shares granular insights that can only come from hands-on experience combined with deep technical knowledge.
Let’s dig in.
Getting Hands-On: Size, Ergonomics, and Handling
Right off the bat, the Fuji X-E2 and the Samsung ST100 couldn’t be more different in their physical design and ergonomics, which has a huge impact on how they perform and feel in your hands.

The Fujifilm X-E2 - part of Fuji’s highly regarded X-series line - sports a solid rangefinder-style mirrorless body weighing 350 grams, measuring 129 x 75 x 37 mm. Its metal chassis feels chunky yet balanced, with physical dials for shutter speed, exposure compensation, and ISO that encourage direct tactile control. This analog-inspired interface appeals to photographers who like to “feel” their settings as much as see them, and for me, it translated into faster shooting in real-world scenarios. The grip is modest but comfortable, perfect for solo travel or street outings.
Contrast that with the Samsung ST100, which is a compact marvel at just 155 grams and dimensions of 100 x 60 x 20 mm. It fits in a coat pocket or tiny handbag easily. However, this ultracompact design means compromises: physical buttons are minimal, and controls are mostly touchscreen-driven on its 3.5-inch display. While portability is unparalleled, I found it less intuitive to adjust settings quickly, which could slow down shooting fast action or thoughtfully framed shots.
Both cameras have a fixed rear screen, but the difference in interface philosophy is stark. More on that next.
User Interface & Viewfinder: How You See Your Shots

The Fuji X-E2 features a thoughtfully arranged top plate with dedicated control dials and a physical shutter button (with threaded mount for mechanical cable releases). The absence of a touchscreen is a mild frustration by today’s standards but didn’t hamper my shooting pace after a little adjustment. What really sets the X-E2 apart for me is its built-in electronic viewfinder (EVF). The 2360k-dot OLED EVF offers 100% coverage and 0.62x magnification, delivering a bright, sharp live preview that’s invaluable in bright outdoor conditions or when you need precise manual focus.
Conversely, the Samsung ST100 lacks any viewfinder - optical or electronic - and depends entirely on its fixed 3.5-inch touchscreen for live framing and settings. The screen’s resolution is slightly higher at 1152k dots, which makes for decent image preview quality, but it can be a challenge to compose in direct sunlight, and fat finger taps on tiny virtual buttons made fine-tuning settings feel cumbersome.

This difference impacts usability drastically. If you shoot outdoors or in rapidly changing light, the Fuji X-E2’s EVF and control dials provide a much more responsive interface. The Samsung’s reliance on touchscreen works well for casual shooting indoors or social snaps but limits precision and speed, which matter once you get serious.
Sensor Technology & Image Quality: The Heart of the Camera

Under the hood, these cameras reflect their different design goals in sensor choices and imaging capabilities.
The Fujifilm X-E2 uses Fuji’s renowned 16MP APS-C X-Trans II CMOS sensor (23.6 x 15.6 mm, sensor area 368 mm²). This sensor employs a unique color filter array designed to reduce moiré without an optical low-pass filter, resulting in sharper images with better color fidelity. Its maximum native ISO sensitivity is 6400, expandable, and it captures 14-bit RAW files - a must-have for professionals and enthusiasts who want to push exposure latitude and dynamic range in post.
On the other hand, the Samsung ST100 relies on a smaller 1/2.3” CCD sensor (approx. 6.17 x 4.55 mm, 28 mm² area), common in point-and-shoot cameras of its era. It has a slightly higher resolution of 14MP but lacks RAW support and only offers JPEG output. Its maximum ISO is 3200, but higher ISOs introduce significant noise and color degradation.
In practical shooting tests, the X-E2’s larger sensor delivers noticeably better image quality, especially in mid to low light. Highlights and shadows retain detail with less grain, and colors feel more natural and nuanced - a critical factor for portrait and landscape photography.
Performance in Various Photography Disciplines
Let’s examine how these two fare across major photography genres, grounding my insights in hours of side-by-side testing.
Portrait Photography: Skin Tones and Eye Detection
For portraits, achieving natural skin tones and smooth bokeh effects are paramount.
The Fujifilm X-E2 shines here thanks to its APS-C sensor, quality X-mount lenses (I tested it with the 35mm f/1.4 and 56mm f/1.2 primes), and dedicated face/eye detection autofocus. The skin rendering is warm and pleasing, faithfully reproducing subtle tonal gradations without oversaturation or flattening. The fast lenses also deliver beautiful subject-background separation with creamy bokeh.
In contrast, the Samsung ST100’s smaller zoom lens (35-175mm equivalent, max f/3.6-4.8 aperture) struggles to produce meaningful background blur. Portraits are more “flat” with less subject isolation, and the limited autofocus system only supports center-point single-area AF with basic face detection, often hunting in low light. Skin tones are passable in bright conditions but tend to look synthetic or washed out when shadows deepen.
Landscape Photography: Dynamic Range and Weather Sealing
Landscape shooters crave wide dynamic range and durability in challenging environments.
The Fuji X-E2 performs well, its sensor capturing a wide tonal gamut and preserving highlight and shadow details, especially when shooting RAW. Exposure bracketing - available on the X-E2 - allows for HDR merges in tricky lighting. Though weather sealing is absent, its robust magnesium alloy body still tolerates light moisture and dust with due care.
The Samsung ST100 is no landscape workhorse; its small lens and sensor limits resolution detail and dynamic range. No RAW output or exposure controls curtail creative latitude, and the plastic body is vulnerable to adverse weather. It is fine for casual scenic snaps on vacation but not for serious landscape work.
Wildlife Photography: Autofocus Speed and Burst Rates
Wildlife demands fast, accurate autofocus and high burst speeds to capture fleeting moments.
The Fujifilm X-E2’s hybrid phase-detection AF system with 49 points (including contrast detection) delivers responsive, reliable focus tracking, albeit not quite at flagship level. Its continuous shooting tops out at 7 fps - a respectable real-world speed but with a modest buffer depth. Using telezoom lenses, I managed clean, crisp images even with active birds and mammals.
The Samsung ST100 does not support continuous autofocus or burst shooting - only single-shot AF with a slow shutter lag. Its maximum shutter speed is 1/1000s (slower than X-E2’s 1/4000s max), which limits freezing fast action. As an ultracompact with a slow lens, it’s ill-suited for serious wildlife work.
Sports Photography: Tracking & Low Light Performance
Sports photography combines autofocus speed with good low-light sensitivity.
The Fujifilm X-E2, while capable, is better suited for casual or amateur sports photography rather than intensive pro sports usage. Its AF is fairly quick at locking and tracking, but can stumble with erratic movement. Its ISO ceiling of 6400 is decent but noisy at high settings. A burst of 7 fps composes mid-level continuous shooting but won’t rival newer flagship cameras.
In contrast, Samsung ST100’s limited autofocus and slow max shutter speed make it impractical for anything resembling sports photography. The lack of manual exposure control or shutter priority mode also limits creativity in dynamic lighting.
Street Photography: Discreetness & Portability
Street photographers often prioritize compactness, quick responsiveness, and subtle appearance.
The Samsung ST100 scores high on portability; its small size and muted design help photographers stay incognito. The quiet operation and fast autofocus (within its constraints) work well for casual street snaps.
Still, the Fuji X-E2 isn’t overly bulky and offers quicker manual controls, plus the EVF allows for stable, eye-level composition that’s less conspicuous than holding the camera at waist level. It strikes a nice balance of discrete size and professional-level features, making it my preferred street shooter out of the two.
Macro Photography: Magnification & Focus Precision
Macro shooting demands precise manual or autofocus and often lens versatility.
Here, the Fuji X-E2’s compatibility with dedicated macro lenses (for example, the Fujinon XF 60mm f/2.4 Macro) provides excellent magnification and detail. Its high-resolution EVF aids meticulous critical focusing, and manual focus aids like focus peaking are invaluable for precision.
The Samsung ST100’s fixed lens has a minimum focusing distance of around 5 cm - not bad for a compact - but lacks fine focus control or magnification abilities. The autofocus is contrast-based and often imprecise at close range.
Night and Astro Photography: High ISO & Exposure Modes
Low-light performance and expanded exposure control are essential here.
The Fujifilm X-E2’s APS-C sensor excels at high ISO, with manageable noise levels up to ISO 3200 and usable images up to 6400. Long exposure mode and interval timer facilitate night and astrophotography techniques. RAW support ensures shadow recovery potential in postprocessing.
The Samsung ST100’s small sensor and CCD technology falter badly in low light, with ISO above 400 showing heavy noise and color shift. No manual exposure or bulb mode options stifle creative control for night scenes.
Video Capabilities: Recording Quality & Stabilization
While both cameras shoot video, their focus and performance differ.
Fuji X-E2 offers Full HD 1080p at 60p and 30p with H.264 codec, plus a microphone input for better audio capture - key for videographers. However, there is no in-body stabilization, so lens OIS or gimbals are needed for smooth handheld footage.
Samsung ST100 maxes out at 720p with Motion JPEG format - dated and less efficient codec. It has optical image stabilization (OIS) which helps soften handshake but lacks audio input and advanced features like continuous autofocus in video mode.
Travel Photography: Size, Versatility, and Battery Life
For travel, a camera needs to balance size, flexibility, and endurance.
The X-E2’s 350-gram weight combined with the extensive Fuji X-mount lens lineup (over 50 choices) offers versatility from landscapes to portraits, and its 350-shot battery life is adequate day-to-day. While larger than the Samsung, it packs professional-grade features in a durable body.
The ST100 is impressively portable and easy to carry everywhere, but limited zoom range, slower shooting, and poorer image quality restrict its travel photography potential to snapshots rather than serious documentation.
Build Quality and Weather Resistance
Neither camera offers weather sealing or ruggedness. The Fujifilm X-E2's metal body feels more resilient and premium, while the Samsung ST100’s plastic compact shell is more vulnerable to impact and elements. For outdoor or demanding conditions, the X-E2 is preferable, but neither is truly weatherproof.
Autofocus Technologies and Accuracy
Fujifilm X-E2 combines phase-detection AF (faster and better for tracking) with contrast-detection AF (accurate but slower). The 49-point system covers the frame well for flexible composition. Face and eye-detection are reliable.
Samsung ST100 relies solely on contrast-detection AF with limited focus areas. AF performance is basic and adequate for simple scenes but inadequate for rapid or precise focusing needs.
Lens Ecosystem and Compatibility
The X-E2 supports over 50 Fujinon X-mount lenses, including some of the finest primes and zooms for APS-C sensors - prime for portrait, macro, street, and telephoto use.
The ST100’s fixed lens (35-175 mm equivalent) covers a useful zoom range but the optical quality and max aperture limit creative possibilities.
Battery Life and Storage
X-E2: Approximately 350 shots per charge with a rechargeable W126 battery, storing images on SD, SDHC, or SDXC cards.
ST100: Battery life specs are not clearly stated but typically ultracompacts have shorter endurance; uses internal memory plus MicroSD/SDHC storage.
Connectivity and Wireless Features
X-E2 includes built-in Wi-Fi for image transfer and remote shooting via smartphone apps. HDMI and USB 2.0 ports are standard. No Bluetooth or NFC.
ST100 lacks wireless connectivity; only USB 2.0 and HDMI outputs.
Price-To-Performance Ratio: Which Makes Sense Today?
At launch price points ($449 for the Fujifilm X-E2 and $250 for the Samsung ST100), the Fuji offers superior image quality, versatility, and professional features, justifying the higher cost. The Samsung represents an affordable, ultra-portable option for casual users valuing simplicity and pocketability over advanced controls.
Overall Performance Ratings
Based on thorough practical and technical assessments:
Here, Fuji X-E2 confidently leads in image quality, autofocus, handling, and versatility, while Samsung ST100 suits strictly basic casual photography.
Genre-Specific Performance Analysis
To give clearer guidance, here is a breakdown of strengths and weaknesses per photography type:
- Portrait: Fujifilm strongly favored
- Landscape: Large sensor Fuji wins easily
- Wildlife: Moderate advantage to Fuji’s AF and buffer
- Sports: Fuji better though still entry-level
- Street: Fuji preferred but Samsung for ultra discreet carry
- Macro: Fuji only option for serious macro work
- Night/Astro: Fuji clearly superior
- Video: Fuji with better recording specs and audio input
- Travel: Fuji versatile, Samsung highly portable
- Professional use: Fuji suitable for semi-pro, Samsung for snapshots
Sample Images From Both Cameras
Finally, seeing is believing. Below are sample shots under varied conditions illustrating the practical differences in color rendition, detail, and dynamic range.
Notice how the X-E2 delivers punchier, more nuanced images with richer tonality. The ST100’s output is softer with less detail, especially in shadows and highlights.
Final Thoughts and Recommendations
If you are a photography enthusiast or professional looking for solid image quality, manual controls, and a versatile system to grow with, the Fujifilm X-E2 remains an excellent entry-level mirrorless camera despite its age. Its APS-C sensor, extensive lens lineup, and tried-and-true ergonomics provide real creative freedom. The X-E2 suits serious portraits, landscapes, travel, and video work with a balanced feature set.
In contrast, the Samsung ST100 is best as a lightweight, budget ultracompact for casual shooters who prioritize portability over advanced functionality or image quality. It fits well in your pocket for family vacations and social snapshots without fuss but does not support intensive creative work.
In conclusion:
- Choose Fujifilm X-E2 if you value image quality, manual control, and system extensibility (portrait, landscape, wildlife, macro, low light).
- Choose Samsung ST100 if pocket-sized convenience, ease of use, and casual daytime photography in good light are your top priorities.
I’ve personally tested and balanced these judgments over hours of practical shooting with consistent methodologies, ensuring reliable, actionable insights. Whether you want a competent enthusiast’s mirrorless or an everyday compact, understanding these differences helps you invest wisely.
Thank you for reading this thorough comparison. I hope it clarifies key distinctions and practical uses of the Fujifilm X-E2 and Samsung ST100. Should you have further questions or want hands-on advice for your shooting style, feel free to reach out.
Fujifilm X-E2 vs Samsung ST100 Specifications
| Fujifilm X-E2 | Samsung ST100 | |
|---|---|---|
| General Information | ||
| Brand Name | FujiFilm | Samsung |
| Model type | Fujifilm X-E2 | Samsung ST100 |
| Class | Entry-Level Mirrorless | Ultracompact |
| Launched | 2014-03-05 | 2010-01-06 |
| Physical type | Rangefinder-style mirrorless | Ultracompact |
| Sensor Information | ||
| Chip | EXR Processor II | - |
| Sensor type | CMOS X-TRANS II | CCD |
| Sensor size | APS-C | 1/2.3" |
| Sensor measurements | 23.6 x 15.6mm | 6.17 x 4.55mm |
| Sensor area | 368.2mm² | 28.1mm² |
| Sensor resolution | 16 megapixels | 14 megapixels |
| Anti alias filter | ||
| Aspect ratio | 1:1, 3:2 and 16:9 | 4:3, 3:2 and 16:9 |
| Max resolution | 4896 x 3264 | 4320 x 3240 |
| Max native ISO | 6400 | 3200 |
| Lowest native ISO | 200 | 80 |
| RAW format | ||
| Autofocusing | ||
| Focus manually | ||
| Autofocus touch | ||
| Autofocus continuous | ||
| Autofocus single | ||
| Tracking autofocus | ||
| Selective autofocus | ||
| Autofocus center weighted | ||
| Multi area autofocus | ||
| Autofocus live view | ||
| Face detect autofocus | ||
| Contract detect autofocus | ||
| Phase detect autofocus | ||
| Total focus points | 49 | - |
| Lens | ||
| Lens support | Fujifilm X | fixed lens |
| Lens zoom range | - | 35-175mm (5.0x) |
| Largest aperture | - | f/3.6-4.8 |
| Macro focusing distance | - | 5cm |
| Amount of lenses | 54 | - |
| Focal length multiplier | 1.5 | 5.8 |
| Screen | ||
| Display type | Fixed Type | Fixed Type |
| Display size | 3 inch | 3.5 inch |
| Display resolution | 1,040 thousand dots | 1,152 thousand dots |
| Selfie friendly | ||
| Liveview | ||
| Touch screen | ||
| Display tech | TFT color LCD monitor | - |
| Viewfinder Information | ||
| Viewfinder type | Electronic | None |
| Viewfinder resolution | 2,360 thousand dots | - |
| Viewfinder coverage | 100% | - |
| Viewfinder magnification | 0.62x | - |
| Features | ||
| Min shutter speed | 30 seconds | 8 seconds |
| Max shutter speed | 1/4000 seconds | 1/1000 seconds |
| Continuous shutter rate | 7.0 frames per second | - |
| Shutter priority | ||
| Aperture priority | ||
| Manually set exposure | ||
| Exposure compensation | Yes | - |
| Custom white balance | ||
| Image stabilization | ||
| Built-in flash | ||
| Flash distance | 7.00 m (@ ISO 200) | 3.10 m |
| Flash modes | Auto, On, Off, Red-Eye, Slow Sync, Rear-curtain | Auto, On, Off, Red-Eye, Fill-in, Slow Sync |
| Hot shoe | ||
| Auto exposure bracketing | ||
| WB bracketing | ||
| Max flash synchronize | 1/180 seconds | - |
| Exposure | ||
| Multisegment metering | ||
| Average metering | ||
| Spot metering | ||
| Partial metering | ||
| AF area metering | ||
| Center weighted metering | ||
| Video features | ||
| Video resolutions | 1920 x 1080 (60p, 30p), 1280 x 720 (60p, 30p) | 1280 x 720 (30, 15 fps), 640 x 480 (30, 15 fps), 320 x 240 (30, 15 fps) |
| Max video resolution | 1920x1080 | 1280x720 |
| Video file format | MPEG-4, H.264 | Motion JPEG |
| Microphone port | ||
| Headphone port | ||
| Connectivity | ||
| Wireless | Built-In | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environmental sealing | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 350 gr (0.77 lbs) | 155 gr (0.34 lbs) |
| Dimensions | 129 x 75 x 37mm (5.1" x 3.0" x 1.5") | 100 x 60 x 20mm (3.9" x 2.4" x 0.8") |
| DXO scores | ||
| DXO Overall rating | not tested | not tested |
| DXO Color Depth rating | not tested | not tested |
| DXO Dynamic range rating | not tested | not tested |
| DXO Low light rating | not tested | not tested |
| Other | ||
| Battery life | 350 photos | - |
| Style of battery | Battery Pack | - |
| Battery ID | W126 | - |
| Self timer | Yes (2 or 10 sec) | Yes (2 or 10 sec, Double) |
| Time lapse feature | ||
| Type of storage | SD/SDHC/SDXC | MicroSD/ MicroSDHC, Internal |
| Card slots | Single | Single |
| Retail price | $450 | $250 |