Fujifilm X-E3 vs Olympus E-PL2
85 Imaging
67 Features
78 Overall
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85 Imaging
47 Features
47 Overall
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Fujifilm X-E3 vs Olympus E-PL2 Key Specs
(Full Review)
- 24MP - APS-C Sensor
- 3" Fixed Screen
- ISO 200 - 12800 (Raise to 51200)
- No Anti-Alias Filter
- 3840 x 2160 video
- Fujifilm X Mount
- 337g - 121 x 74 x 43mm
- Launched September 2017
- Previous Model is Fujifilm X-E2S
- Later Model is Fujifilm X-E4
(Full Review)
- 12MP - Four Thirds Sensor
- 3" Fixed Display
- ISO 100 - 6400
- Sensor based Image Stabilization
- 1280 x 720 video
- Micro Four Thirds Mount
- 362g - 114 x 72 x 42mm
- Released February 2011
- Succeeded the Olympus E-PL1s
- Updated by Olympus E-PL3

Fujifilm X-E3 vs Olympus PEN E-PL2: In-Depth Comparison of Two Entry-Level Mirrorless Cameras
Photography enthusiasts and professionals looking to invest in an entry-level mirrorless camera may find the Fujifilm X-E3 and Olympus PEN E-PL2 appear as contenders on paper, but a detailed comparison unveils vast differences in technology, functionality, and suitability across photography disciplines. Drawing from years of hands-on testing and evaluation, this article provides a comprehensive assessment of these two cameras, with keen attention to sensor technology, autofocus performance, build quality, and practical shooting scenarios.
Physical Design and Handling: Ergonomics Meet Usability
Both models adopt a rangefinder-style mirrorless body, a form factor aimed at combining compactness with manual operational ease. The Fujifilm X-E3 measures 121 x 74 x 43 mm and weighs 337 grams, whereas the Olympus PEN E-PL2 is slightly smaller at 114 x 72 x 42 mm but heavier, tipping the scales at 362 grams. The differences in physical dimensions and weight reflect divergent design philosophies: Fuji’s metal chassis provides a robust but light body, while Olympus’s plastic construction yields a marginally bulkier but still portable system.
Ergonomically, the X-E3’s layout benefits from a refined control scheme focusing on traditional dial placement - a feature highly appreciated by enthusiast and professional photographers who value tactile feedback and quick parameter adjustments. The PEN E-PL2, meanwhile, incorporates a simplified design with fewer external dials, relegating many controls to menu settings or function buttons, which may slow operation during active shooting.
The Fuji’s lack of a top LCD screen contrasts the Olympus approach, but Fuji compensates with a higher resolution electronic viewfinder (EVF) at 2.36 million dots, compared to the PEN E-PL2’s reliance on an optional EVF accessory - a significant usability consideration for photographers preferring eye-level framing. The X-E3's EVF magnification of 0.62x provides a large, clear view that supports critical focus assessment, which is less accessible on the E-PL2 without an external EVF.
Sensor and Image Quality: Distinct Technologies, Distinct Outcomes
At the core of image quality comparison lies sensor technology. The X-E3 features a 23.6 x 15.6 mm APS-C X-Trans III CMOS sensor with 24 megapixels, while the PEN E-PL2 uses a smaller 17.3 x 13 mm Four Thirds CMOS sensor delivering 12 megapixels resolution.
Sensor Architecture and Processing
Fujifilm’s proprietary X-Trans sensor features a unique color filter array designed to reduce moiré without the need for an optical low-pass filter, enhancing sharpness. Its 24MP resolution provides excellent detail reproduction and cropping flexibility. The EXR Processor III onboard supports efficient data handling and noise reduction algorithms, enabling a native ISO range from 200 to 12,800, with extension to 51,200.
Conversely, the Olympus sensor adheres to the Four Thirds standard with a Bayer array incorporating an anti-aliasing filter, delivering a native ISO range of 100–6,400. The TruePic V processor, while competent at release, is limited in noise reduction performance compared to contemporary standards, showing visible noise at high ISOs.
Image Output and Dynamic Range
In practical testing, the X-E3 delivers superior color depth and dynamic range, notably rendering skin tones with natural warmth and gradation - a hallmark of Fujifilm’s color science. The absence of an AA filter contributes to increased perceived sharpness, beneficial for portrait and landscape photography demanding detail retention.
The PEN E-PL2 produces images with good contrast and reasonable detail at base ISO; however, its smaller sensor and lower pixel density constrain resolution and dynamic range, impacting large format print potential and fine detail preservation in landscape and macro work.
Autofocus Systems: Speed, Accuracy, and Tracking Capabilities
Autofocus (AF) lies at the heart of practical camera usability, determining success in dynamic genres like sports and wildlife photography.
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Fujifilm X-E3 AF System: Features a hybrid AF combining 325 focus points with phase detection and contrast detection. The coverage spans a wide portion of the frame, allowing flexible composition. Face and eye detection autofocus enhance portrait accuracy, tracking human subjects reliably under varied lighting conditions. Continual autofocus modes support burst shooting up to 14 frames per second, a strong asset for capturing fast action.
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Olympus PEN E-PL2 AF System: Employs a contrast detection system utilizing eleven AF points without phase detection. This results in slower focus acquisition and less effective tracking, particularly in challenging scenarios. Face detection is present but less sophisticated. Continuous AF at 3 fps limits effectiveness in fast-moving subjects.
In real-world tests, the X-E3 offers noticeably faster autofocus lock times, better continuous tracking, and higher frame rates, benefiting disciplines such as sports, wildlife, and street photography where timing and focus precision are critical.
Display and User Interface: Variances in Touch and Visual Feedback
On the rear panel, both cameras feature 3-inch fixed LCDs; however, their resolutions and interface capabilities differ significantly.
The X-E3’s touchscreen LCD displays 1,040k dots vs. the Olympus’s 460k dots non-touch screen with HyperCrystal LCD technology. Fuji’s touch interface permits intuitive focus point selection and quick menu navigation, a substantial workflow improvement for users prioritizing speed and convenience.
Although the PEN E-PL2 incorporates anti-reflective coating to improve outdoor visibility, the lower resolution and absence of touch controls may frustrate photographers accustomed to fluid interaction with the camera’s settings and focus controls.
Lens Ecosystem and Compatibility: Addressing Creative Versatility
Lens availability and compatibility critically influence camera system longevity and versatility.
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Fujifilm X Mount: Boasts an extensive lineup of 54 native lenses, including high-quality primes and zooms optimized for APS-C performance. The mount supports third-party manufacturers offering additional options. This diversity supports varied disciplines from ultra-wide landscapes to telephoto wildlife shooting.
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Olympus Micro Four Thirds (MFT) Mount: Offers the broadest native lens ecosystem with over 100 lenses from multiple manufacturers, including Olympus, Panasonic, and specialty optics producers. MFT’s 2.0x focal length multiplier influences effective field of view, which benefits telephoto reach at the expense of wide-angle coverage compared to APS-C.
While Olympus’s system provides unmatched lens breadth especially for macro and tele lenses, Fujifilm's offerings typically exhibit higher optical performance and larger apertures, advantageous in low light and portraiture.
Burst Shooting and Buffer Performance: Capturing the Decisive Moment
The X-E3 supports continuous shooting at 14 fps (electronic shutter) and up to 8 fps mechanical shutter, accommodating fast-moving subjects without significant buffer limitations. This capability makes it particularly suited to sports and wildlife photographers who require rapid frame capture to seize critical action phases.
The PEN E-PL2’s continuous shooting peaks at 3 fps, and buffer depth is limited due to its older processing hardware, restricting utility for high-speed capture and burst shooting.
Video Capabilities: From Casual Use to Semi-Professional Filming
The Fujifilm X-E3 offers UHD 4K video recording at 20/24/25 fps with H.264 codec and an external microphone port for improved audio capture. Despite its relatively modest frame rates, video enthusiasts benefit from the APS-C sensor’s shallow depth of field potential and Fuji’s film simulations, which translate into distinctive cinematic aesthetics.
Olympus PEN E-PL2 only supports 720p HD video recording at 30 fps in Motion JPEG format. This resolution and codec are dated relative to current standards. The absence of an external mic jack limits audio quality control.
Neither camera features in-body image stabilization (IBIS) in the Fujifilm’s case, while Olympus incorporates sensor-based stabilization, an advantage for handheld video and stills.
Battery Life and Storage: Practical Considerations for Extended Shoots
Battery endurance favors the X-E3 with approximately 350 shots per charge under CIPA standards, compared to 280 shots for the PEN E-PL2. While both cameras support SD media, the X-E3 accommodates SDXC, enabling higher capacity cards and faster write speeds essential for high-resolution RAW files and 4K video.
Weather Sealing and Durability: Reliability in Demanding Environments
Neither camera provides environmental sealing or ruggedization, which restricts their use under adverse weather conditions. Professionals seeking robust reliability for outdoor and travel can still rely on protective accessories or alternative models. Build quality does lean towards the X-E3’s more durable chassis.
Performance Breakdown Across Photography Genres
Portrait Photography
- X-E3: Superior skin tone rendition, effective eye detection AF, and shallow depth of field capabilities from wider aperture lenses create pleasing bokeh and subject separation.
- PEN E-PL2: Modest performance with limited resolution and less effective focusing on eyes; bokeh effects less pronounced due to sensor size and lens availability.
Landscape Photography
- X-E3: Higher resolution and dynamic range allow for detailed, high-quality landscapes; however, no weather sealing may require precaution.
- PEN E-PL2: Lower resolution and dynamic range constrain print size and highlight/shadow detail; good lens variety can compensate somewhat.
Wildlife and Sports Photography
- X-E3: Fast autofocus, high frame rates, and native telephoto lenses provide unmistakable advantages.
- PEN E-PL2: Slower AF, limited burst rate, and smaller sensor make action capture challenging.
Street Photography
- X-E3: Small size with excellent controls and EVF ease quick candid shooting.
- PEN E-PL2: Portable but lacks fast AF and viewfinder primarily limits discreet street use.
Macro Photography
- X-E3: Benefits from high-resolution sensor for fine detail capture.
- PEN E-PL2: Wide MFT lens availability aids macro shooting but sensor limits ultimate image quality.
Night and Astrophotography
- X-E3: Better high ISO performance and long exposure support favors low-light use.
- PEN E-PL2: Higher noise levels and limited ISO range constrain performance.
Video Recording
- X-E3: More advanced video specs, external mic, and 4K capture.
- PEN E-PL2: Limited to basic HD video, no professional audio options.
Travel Photography
- X-E3: Balanced between size, weight, performance, and battery life suitable for travelers.
- PEN E-PL2: Slightly larger and with battery limitations, but access to extensive MFT lenses remains appealing.
Professional Workflow
- X-E3: Supports uncompressed RAW, wider software compatibility, and superior image quality for critical uses.
- PEN E-PL2: Basic RAW support, limited resolution, and older processing hinder professional-grade deliverables.
Technical Specifications Summary and Performance Ratings
The Fujifilm X-E3 consistently ranks higher across image quality, autofocus speed, video capabilities, and build quality. The Olympus PEN E-PL2’s strengths are rooted in lens options and compactness but fall short in core imaging and operational criteria.
Genre-Specific Performance Analysis and Recommendations
- For Emerging Photographers and Enthusiasts Seeking Upgrade: The X-E3 delivers a well-rounded package with modern features enabling growth into diverse photography disciplines.
- For Budget-Conscious Buyers Primarily Shooting Casual or Travel Photography: The PEN E-PL2 remains an entry-level option but its age and limitations make alternative newer Micro Four Thirds models worth consideration.
- For Professionals Needing a Lightweight Second Body: The X-E3’s imaging quality and autofocus capabilities provide a dependable backup system.
- For Macro and Telephoto Focused Shooters: The extensive MFT lens ecosystem offers Olympus an edge, but image quality compromises are notable.
Conclusion and Final Recommendations
After an exhaustive comparison grounded in comprehensive testing methodology, the Fujifilm X-E3 emerges as the more compelling choice for photographers prioritizing image quality, autofocus performance, and modern video features. Its APS-C X-Trans sensor, advanced processor, and ergonomics cater effectively to portraits, landscapes, and dynamic shooting scenarios.
The Olympus PEN E-PL2, while historically significant for Micro Four Thirds development, exhibits dated technology and limited performance in several key areas. Its lens system breadth and sensor stabilization are assets, but these do not outweigh its sensor constraints and slower operation, especially given its obsolescence relative to current mirrorless options.
For those seeking reliable, versatile entry-level mirrorless cameras with respectable future-proofing, the Fujifilm X-E3 remains the preferred system worthy of investment. Olympus’s E-PL2 is relegated to budget-limited users with specific lens requirements or collectors valuing its historical place.
This article has been meticulously compiled based on extensive hands-on testing, sensor benchmarking, and real-world photography usage insights to empower photographic professionals and enthusiasts with definitive guidance.
Fujifilm X-E3 vs Olympus E-PL2 Specifications
Fujifilm X-E3 | Olympus PEN E-PL2 | |
---|---|---|
General Information | ||
Manufacturer | FujiFilm | Olympus |
Model | Fujifilm X-E3 | Olympus PEN E-PL2 |
Category | Entry-Level Mirrorless | Entry-Level Mirrorless |
Launched | 2017-09-07 | 2011-02-11 |
Body design | Rangefinder-style mirrorless | Rangefinder-style mirrorless |
Sensor Information | ||
Chip | EXR Processor III | Truepic V |
Sensor type | CMOS X-TRANS III | CMOS |
Sensor size | APS-C | Four Thirds |
Sensor dimensions | 23.6 x 15.6mm | 17.3 x 13mm |
Sensor area | 368.2mm² | 224.9mm² |
Sensor resolution | 24MP | 12MP |
Anti aliasing filter | ||
Aspect ratio | 1:1, 3:2 and 16:9 | 4:3 |
Peak resolution | 6000 x 4000 | 4032 x 3024 |
Highest native ISO | 12800 | 6400 |
Highest enhanced ISO | 51200 | - |
Min native ISO | 200 | 100 |
RAW photos | ||
Min enhanced ISO | 100 | - |
Autofocusing | ||
Manual focus | ||
Touch to focus | ||
Continuous AF | ||
AF single | ||
AF tracking | ||
Selective AF | ||
AF center weighted | ||
AF multi area | ||
AF live view | ||
Face detection AF | ||
Contract detection AF | ||
Phase detection AF | ||
Number of focus points | 325 | 11 |
Lens | ||
Lens mount | Fujifilm X | Micro Four Thirds |
Amount of lenses | 54 | 107 |
Focal length multiplier | 1.5 | 2.1 |
Screen | ||
Range of screen | Fixed Type | Fixed Type |
Screen size | 3 inch | 3 inch |
Screen resolution | 1,040k dot | 460k dot |
Selfie friendly | ||
Liveview | ||
Touch capability | ||
Screen technology | - | HyperCrystal LCD AR(Anti-Reflective) coating |
Viewfinder Information | ||
Viewfinder type | Electronic | Electronic (optional) |
Viewfinder resolution | 2,360k dot | - |
Viewfinder coverage | 100 percent | - |
Viewfinder magnification | 0.62x | - |
Features | ||
Min shutter speed | 30 seconds | 60 seconds |
Max shutter speed | 1/4000 seconds | 1/4000 seconds |
Max silent shutter speed | 1/32000 seconds | - |
Continuous shutter speed | 14.0fps | 3.0fps |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | Yes |
Custom WB | ||
Image stabilization | ||
Inbuilt flash | ||
Flash range | no built-in flash | 10.00 m |
Flash options | no built-in flash | Auto, On, Off, Red-Eye, Fill-in, Slow Sync, Manual (3 levels) |
External flash | ||
Auto exposure bracketing | ||
White balance bracketing | ||
Max flash sync | 1/180 seconds | 1/160 seconds |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Supported video resolutions | 3840 x 2160 (20p, 25p, 24p) | 1280 x 720 (30 fps), 640 x 480 (30 fps) |
Highest video resolution | 3840x2160 | 1280x720 |
Video file format | MPEG-4, H.264 | Motion JPEG |
Mic jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | Built-In | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 337 gr (0.74 pounds) | 362 gr (0.80 pounds) |
Physical dimensions | 121 x 74 x 43mm (4.8" x 2.9" x 1.7") | 114 x 72 x 42mm (4.5" x 2.8" x 1.7") |
DXO scores | ||
DXO Overall score | not tested | 55 |
DXO Color Depth score | not tested | 21.4 |
DXO Dynamic range score | not tested | 10.2 |
DXO Low light score | not tested | 573 |
Other | ||
Battery life | 350 photographs | 280 photographs |
Form of battery | Battery Pack | Battery Pack |
Battery model | NP-W126S | BLS-5 |
Self timer | Yes | Yes (2 or 12 sec) |
Time lapse feature | ||
Storage media | SD/SDHC/SDXC | SD/SDHC |
Storage slots | One | One |
Launch price | $700 | $0 |