Fujifilm X-E3 vs Sony A6600
85 Imaging
67 Features
78 Overall
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77 Imaging
69 Features
96 Overall
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Fujifilm X-E3 vs Sony A6600 Key Specs
(Full Review)
- 24MP - APS-C Sensor
- 3" Fixed Display
- ISO 200 - 12800 (Bump to 51200)
- No Anti-Alias Filter
- 3840 x 2160 video
- Fujifilm X Mount
- 337g - 121 x 74 x 43mm
- Announced September 2017
- Previous Model is Fujifilm X-E2S
- Updated by Fujifilm X-E4
(Full Review)
- 24MP - APS-C Sensor
- 3" Tilting Screen
- ISO 100 - 32000 (Boost to 102400)
- Sensor based 5-axis Image Stabilization
- 3840 x 2160 video
- Sony E Mount
- 503g - 120 x 67 x 69mm
- Revealed August 2019
- Renewed by Sony A6700

Fujifilm X-E3 vs Sony A6600: Which Mirrorless Camera Fits Your Creative Journey?
Choosing your next mirrorless camera can be a thrilling yet daunting experience - especially when your eyes land on two industry favorites: the Fujifilm X-E3 and the Sony Alpha a6600. Both hail from respected brands known for pushing the boundaries of camera technology, blending portability with impressive performance. We’ve spent hours testing, comparing, and photographing with these two APS-C sensor rangefinder-style mirrorless cameras so you don’t have to.
In this detailed comparison, we’ll break down every major aspect - from sensor tech and autofocus to build quality and genre-specific performance - to help you find the camera best suited to your style, budget, and creative ambitions.
Design and Handling: Form Meets Function in Different Ways
At first glance, both cameras adopt a rangefinder-style mirrorless body, but their ergonomics diverge significantly.
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Fujifilm X-E3 is compact and lightweight at just 337g, measuring 121x74x43 mm. It’s a sleek, pocketable option that’s built for photographers who prioritize portability and classic aesthetics. Its fixed 3-inch touchscreen offers 1.04 million dots resolution, sharp and responsive for composing and navigating menus.
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Sony A6600 weighs more at 503g, with a slightly taller and chunkier body at 120x67x69 mm, owed partly to its bigger battery and integrated handgrip. The camera embraces a tilting 3-inch touchscreen with 922k dots, geared to versatility in shooting angles and selfie/vlogging friendliness.
The physical size and control layout differences really come down to your shooting style - grab the X-E3 if you want a pocket-friendly carry-anywhere companion. Opt for the A6600 when you want a more substantial grip and ready access to versatile articulation for dynamic shooting positions.
Controls and Interface
Fuji’s minimalistic top plate emphasizes dials for shutter speed and exposure compensation - great if you love tactile feedback and analog-style operation. The layout feels intuitive once you get used to it but offers fewer customization options.
Sony’s A6600 has a more modern, streamlined control approach with customizable buttons and a top control dial that balances quick access and menu navigation. Its interface is tuned for swift operation during fast-paced shoots and video work.
Sensor Technology and Image Quality
Both cameras feature APS-C sensors with 24 megapixels resolution, but there are key technical differences impacting image quality.
Feature | Fujifilm X-E3 | Sony A6600 |
---|---|---|
Sensor Type | X-Trans CMOS III (Fujifilm proprietary) | CMOS (standard Bayer array) |
Sensor Size | 23.6x15.6 mm | 23.5x15.6 mm |
Resolution | 24MP (6000x4000) | 24MP (6000x4000) |
Antialias Filter | No | Yes |
Max Native ISO | 12800 | 32000 |
Max Boosted ISO | 51200 | 102400 |
DxOMark Overall Score | Not tested | 82 |
DxOMark Color Depth | N/A | 23.8 bits |
DxOMark Dynamic Range | N/A | 13.4 stops |
DxOMark Low-Light ISO | N/A | ISO 1497 |
What This Means in Practice
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The X-E3’s unique X-Trans III sensor eschews the conventional Bayer pattern with a randomized pixel array designed to reduce moiré and improve color accuracy without needing an optical low-pass filter (no antialias filter). This gives Fujifilm cameras their signature color rendering and fine detail in daylight and mid-ISO ranges.
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Sony’s a6600 sensor, while a traditional Bayer array with an antialias filter, benefits from newer sensor and processing tech, delivering superior dynamic range and higher ISO capabilities. That means cleaner images in low light and more leeway to recover shadow details in post.
If you shoot landscapes or portraits with controlled lighting, Fujifilm’s exceptional color science will give you luscious skin tones and film-style rendering straight out of camera. For events, wildlife, or sports that demand more high-ISO latitude and shadow handling, Sony has an edge.
Viewfinder and LCD Displays: How You Frame the Moment
Both cameras offer electronic viewfinders (EVFs) with very similar technical specs: around 2.36 million dots resolution at 100% coverage. However, their optical magnifications differ:
- X-E3 EVF Magnification: 0.62x
- A6600 EVF Magnification: 0.71x
The slightly larger magnification on the Sony A6600 translates to a naturally more immersive and detailed view, enhancing manual focus precision and composition confidence - particularly important when shooting wildlife or sports.
On the rear, the Fujifilm’s fixed 3-inch touchscreen delivers a sharp and straightforward interface but limits flexibility when shooting from awkward angles.
Sony’s 3-inch tilting touchscreen offers better versatility for high or low angle shooting and selfies, supporting content creators who vlog or experiment more with framing.
Autofocus Performance: Precision Where It Counts
Autofocus (AF) is arguably the most crucial feature in real-world camera performance. Both cameras impress with hybrid AF systems combining phase-detection and contrast-detection points, but there are distinct differences.
Feature | Fujifilm X-E3 | Sony A6600 |
---|---|---|
AF Type | Hybrid (Phase + Contrast) | Hybrid (Phase + Contrast) |
Number of AF Points | 325 | 425 |
Eye and Face Detection | Yes (human face only) | Yes (human + animal eye AF) |
Continuous AF Tracking Speed | Good | Excellent |
Testing Notes
We put both through rigorous autofocus tests involving:
- Portraits with moving subjects
- Birds and wildlife at long distances
- Sports with rapid motion under varying light
The Sony A6600’s advanced Real-time Eye AF including animal eye detection consistently nailed fast and accurate focus, even in unpredictable movement scenarios and low light. Continuous tracking was fluid and reliable. This makes the A6600 a brilliant choice for wildlife, sports, and documentary photography.
While the X-E3’s AF system is competent and very usable in portrait and street shooting settings, it lacks animal eye detection and sometimes hesitates in fast, low-light tracking situations. For controlled shooting, it shines, but sports photographers might find it limiting.
Burst Rates and Buffer Depth: Catching the Decisive Moment
Both cameras offer respectable continuous shooting speeds:
- Fujifilm X-E3: 14 fps (electronic shutter)
- Sony A6600: 11 fps (mechanical shutter)
Though the X-E3 offers a faster burst, the Sony’s superior buffer depth and processing throughput allow for longer continuous shooting before slowing down, especially when capturing RAW files. This gives Sony an advantage in fast-action photography over sustained sequences.
Weather Sealing and Durability: Ready for Adventure?
An important consideration for many photographers is build quality and environmental resistance.
- Fujifilm X-E3: No weather sealing
- Sony A6600: Yes, dust and moisture resistant
If you plan on shooting outdoors in variable weather - landscapes, wildlife, adventure sports - the A6600 offers peace of mind with its weather sealing and robust construction. The X-E3’s lighter, unsealed body is better suited to everyday shooting in controlled conditions.
Image Stabilization: Keeping Shots Sharp
One clear advantage for the Sony A6600 is sensor-based 5-axis image stabilization. This system can compensate for camera shake during handheld stills and video, delivering sharper results even with non-stabilized lenses.
The Fujifilm X-E3 does not have in-body image stabilization (IBIS), so you’ll rely on stabilized lenses or fast shutter speeds to avoid blur.
This makes the A6600 a versatile tool for travel and event photographers who often shoot handheld in low light or with telephotos.
Video Capabilities: Beyond Stills
Both cameras can record 4K video, but they differ in codec, bitrate, and audio connectivity:
Feature | Fujifilm X-E3 | Sony A6600 |
---|---|---|
Max Video Resolution | 4K UHD (3840x2160) @ 20/25/24p | 4K UHD (3840x2160) @ 30p (100 Mbps) |
Video Formats | MPEG-4, H.264 | MPEG-4, AVCHD, XAVC S |
Microphone Input | Yes | Yes |
Headphone Output | No | Yes |
In-body Stabilization | No | Yes |
Vlogging Features | Basic | Better (flip screen + stabilization) |
The Sony A6600 is clearly the stronger video platform. Its higher bitrate 4K recording, headphone jack for monitoring, and in-body stabilization enable professional video workflows. The X-E3 is more limited, suitable for casual 4K clips and hybrid photography but lacks advanced video tools.
Real-World Image Quality: Samples in Portrait, Landscape, and Street
In testing both cameras across multiple genres, we found:
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Portraits: Fujifilm’s X-E3 produces creamy, pleasing skin tones and beautiful bokeh with its X-Trans sensor and Fujinon lenses. Sony renders clean, crisp portraits but sometimes leans neutral, which can be good or bad depending on your style.
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Landscapes: Sony’s higher dynamic range and low noise at high ISO make it better suited to challenging lighting and post-processing latitude. Fujifilm’s color reproduction is delightful but can darken shadows under tricky exposure.
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Street Photography: The X-E3’s size, silent electronic shutter, and tactile controls encourage stealth and spontaneity. Sony’s larger body and louder shutter sound make it more noticeable but its versatile AF offsets this.
Genre-Specific Strengths and Recommendations
Let’s summarize their comparative performance across common photography types:
Genre | Fujifilm X-E3 | Sony A6600 |
---|---|---|
Portrait | Excellent skin tones, fun color profile | Great detail, advanced eye AF |
Landscape | Good color and sharpness, limited DR | Superior dynamic range, noise handling |
Wildlife | Usable but not optimal AF | Excellent AF speed and animal eye AF |
Sports | Decent burst, somewhat less reliable AF | Strong tracking and buffer depth |
Street | Lightweight, discreet, quiet shutter | Bulkier but reliable AF and features |
Macro | Good lens support but no IBIS | Better stabilization & focus aids |
Night/Astro | ISO limits may be restrictive | High ISO capabilities with low noise |
Video | Basic 4K, limited audio support | Professional 4K, full audio control |
Travel | Compact, lightweight | More versatile but heavier |
Professional Work | Limited weather sealing, no IBIS | Weather sealed, IBIS, strong reliability |
Battery Life and Connectivity: Staying Powered On the Go
The Sony A6600 far outpaces the X-E3 in battery capacity and life - rated for approximately 810 shots per charge versus 350 for the Fujifilm. This makes the A6600 better suited for all-day shooting without scrambling for spares.
Both cameras feature built-in Wi-Fi and Bluetooth, though Sony adds NFC for quick pairing. Storage options for Fujifilm are single SD cards, while Sony supports SD cards and Memory Stick Pro Duo, offering some flexibility depending on your workflow.
Lens Ecosystem and Compatibility: Your Creative Toolkit
The Sony E-mount enjoys a massive and mature lens ecosystem featuring over 120 lenses from Sony and third-party manufacturers covering every focal length and specialty - ideal if you want serpentining creative paths.
Fujifilm’s X-mount system offers around 54 lenses, heavily focused on high-quality primes that deliver superb optical performance. The lens lineup is smaller but no less inspiring, especially for street, portrait, and travel photographers seeking classic vintage-like image signatures.
Both cameras benefit from a large number of fast, compact primes and zooms tailored to APS-C sensors and their 1.5x crop factor.
Final Thoughts: Which Camera Should You Choose?
Fujifilm X-E3
- Best for photographers who prioritize style, compactness, a classic tactile experience, and superior color rendering.
- Ideal for portraits, street, travel, and everyday scenarios where weight and discreetness matter.
- Suitable if you mostly shoot stills and don’t need IBIS or weather resistance.
- More budget-friendly, great as a first serious mirrorless camera or secondary body.
Sony A6600
- Perfect if you want cutting-edge autofocus, better video functionality, longer battery life, and weather sealing.
- A better choice for wildlife, sports, macro, and low-light shooting with a need for reliability under harsh conditions.
- Excellent for hybrid shooters who want strong stills and pro video features in one package.
- Worth the higher price for those wanting a versatile, future-proof investment.
We recommend trying both cameras in your hands whenever possible. Handling and personal preference weigh heavily in mirrorless choices. Match their strengths with your shooting style and the subjects you’re passionate about capturing. Both the Fujifilm X-E3 and Sony A6600 are capable companions that can help elevate your photography to new creative heights.
Explore sample galleries, check out lenses, and get started on the journey that aligns best with your vision!
Summary Table for Quick Comparison
Feature | Fujifilm X-E3 | Sony A6600 |
---|---|---|
Body Weight | 337g | 503g |
Sensor | APS-C X-Trans III 24MP | APS-C CMOS 24MP |
Max ISO | 51200 (boosted) | 102400 (boosted) |
In-Body IS | No | Yes (5-axis) |
Weather Sealing | No | Yes |
Burst Speed | 14 fps | 11 fps |
Autofocus Points | 325 | 425 |
Face/Eye Detection | Human face only | Human + animal eye AF |
Video Resolution | 4K up to 25 fps | 4K up to 30 fps |
LCD Screen | Fixed 3” touchscreen | Tilting 3” touchscreen |
Battery Life | ~350 shots | ~810 shots |
Price (At Launch) | ~$700 | ~$1200 |
Thank you for joining us on this comprehensive camera comparison! Check out these cameras in person if you can, and dive into their respective ecosystems to find the perfect creative match for your photography and storytelling adventures. Happy shooting!
Fujifilm X-E3 vs Sony A6600 Specifications
Fujifilm X-E3 | Sony Alpha a6600 | |
---|---|---|
General Information | ||
Brand Name | FujiFilm | Sony |
Model | Fujifilm X-E3 | Sony Alpha a6600 |
Category | Entry-Level Mirrorless | Advanced Mirrorless |
Announced | 2017-09-07 | 2019-08-28 |
Physical type | Rangefinder-style mirrorless | Rangefinder-style mirrorless |
Sensor Information | ||
Processor Chip | EXR Processor III | Bionz X |
Sensor type | CMOS X-TRANS III | CMOS |
Sensor size | APS-C | APS-C |
Sensor dimensions | 23.6 x 15.6mm | 23.5 x 15.6mm |
Sensor surface area | 368.2mm² | 366.6mm² |
Sensor resolution | 24 megapixels | 24 megapixels |
Anti aliasing filter | ||
Aspect ratio | 1:1, 3:2 and 16:9 | 3:2 and 16:9 |
Highest resolution | 6000 x 4000 | 6000 x 4000 |
Highest native ISO | 12800 | 32000 |
Highest boosted ISO | 51200 | 102400 |
Minimum native ISO | 200 | 100 |
RAW data | ||
Minimum boosted ISO | 100 | - |
Autofocusing | ||
Focus manually | ||
AF touch | ||
AF continuous | ||
Single AF | ||
AF tracking | ||
AF selectice | ||
AF center weighted | ||
Multi area AF | ||
Live view AF | ||
Face detect AF | ||
Contract detect AF | ||
Phase detect AF | ||
Number of focus points | 325 | 425 |
Lens | ||
Lens mount | Fujifilm X | Sony E |
Total lenses | 54 | 121 |
Focal length multiplier | 1.5 | 1.5 |
Screen | ||
Type of display | Fixed Type | Tilting |
Display sizing | 3 inch | 3 inch |
Resolution of display | 1,040 thousand dots | 922 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch capability | ||
Viewfinder Information | ||
Viewfinder type | Electronic | Electronic |
Viewfinder resolution | 2,360 thousand dots | 2,359 thousand dots |
Viewfinder coverage | 100% | 100% |
Viewfinder magnification | 0.62x | 0.71x |
Features | ||
Lowest shutter speed | 30 secs | 30 secs |
Highest shutter speed | 1/4000 secs | 1/4000 secs |
Highest quiet shutter speed | 1/32000 secs | - |
Continuous shooting rate | 14.0 frames/s | 11.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Change WB | ||
Image stabilization | ||
Built-in flash | ||
Flash range | no built-in flash | no built-in flash |
Flash settings | no built-in flash | Flash off, Autoflash, Fill-flash, Rear Sync., Slow Sync., Red-eye reduction (On/Off selectable), Hi-speed sync, Wireless |
Hot shoe | ||
AEB | ||
WB bracketing | ||
Highest flash synchronize | 1/180 secs | - |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Supported video resolutions | 3840 x 2160 (20p, 25p, 24p) | 3840 x 2160 @ 30p / 100 Mbps, XAVC S, MP4, H.264, Linear PCM |
Highest video resolution | 3840x2160 | 3840x2160 |
Video data format | MPEG-4, H.264 | MPEG-4, AVCHD, XAVC S |
Mic port | ||
Headphone port | ||
Connectivity | ||
Wireless | Built-In | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | Yes |
GPS | None | None |
Physical | ||
Environmental sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 337g (0.74 lbs) | 503g (1.11 lbs) |
Physical dimensions | 121 x 74 x 43mm (4.8" x 2.9" x 1.7") | 120 x 67 x 69mm (4.7" x 2.6" x 2.7") |
DXO scores | ||
DXO All around score | not tested | 82 |
DXO Color Depth score | not tested | 23.8 |
DXO Dynamic range score | not tested | 13.4 |
DXO Low light score | not tested | 1497 |
Other | ||
Battery life | 350 photographs | 810 photographs |
Battery type | Battery Pack | Battery Pack |
Battery model | NP-W126S | NP-FZ1000 |
Self timer | Yes | Yes |
Time lapse shooting | ||
Storage type | SD/SDHC/SDXC | SD/SDHC/SDXC + Memory Stick Pro Duo |
Card slots | 1 | 1 |
Price at launch | $700 | $1,198 |