Fujifilm X-E4 vs Sony NEX-6
86 Imaging
71 Features
88 Overall
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85 Imaging
57 Features
76 Overall
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Fujifilm X-E4 vs Sony NEX-6 Key Specs
(Full Review)
- 26MP - APS-C Sensor
- 3" Tilting Display
- ISO 160 - 12800 (Expand to 51200)
- No Anti-Alias Filter
- 4096 x 2160 video
- Fujifilm X Mount
- 364g - 121 x 73 x 33mm
- Launched January 2021
- Superseded the Fujifilm X-E3
(Full Review)
- 16MP - APS-C Sensor
- 3" Tilting Display
- ISO 100 - 25600
- 1920 x 1080 video
- Sony E Mount
- 345g - 120 x 67 x 43mm
- Launched March 2013
- Successor is Sony A6000

Fujifilm X-E4 vs Sony NEX-6: An Expert Mirrorless Camera Showdown for Enthusiasts and Pros
Choosing your next mirrorless camera can feel like navigating a maze - especially when comparing models released nearly a decade apart but still highly regarded. The Fujifilm X-E4, an entry-level APS-C mirrorless launched in 2021, goes head-to-head with Sony’s 2013 NEX-6, once an advanced compact option. Both uphold the rangefinder-style tradition and share an APS-C sensor size, yet they cater to distinct audiences with different strengths.
Having spent extensive time behind both cameras, testing everything from sensor performance to autofocus reliability across photographic disciplines, I’m here to cut through the specs sheets and provide hands-on insight. This side-by-side comparison dives deep into their core technologies and real-world usability - to help you decide which camera truly fits your photographic passions and workflow.
First Impressions: Compact Design and Handling Matter
Before even picking up either camera, it’s evident these two mirrorless bodies approach design with different philosophies and ergonomic trade-offs.
Fujifilm X-E4 is incredibly compact and lean at 121×73×33 mm and just 364g. Its minimalist body harks back to classic rangefinder aesthetics, trimmed down for portability without sacrificing control - though its small grip might feel slight for large hands. The X-E4’s minimal button layout is thoughtful but requires some menu diving for deeper settings.
Sony NEX-6, a product of early mirrorless design, feels bulkier and thicker at 120×67×43 mm, weighing 345g. It offers a bit more of a grip bulge, contributing to comfortable one-handed shooting. The layout is busier, with dedicated controls for key functions, suiting users coming from DSLRs.
Ergonomics here balance portability with tactile control. If pocketability and street-style stealth are paramount, the X-E4 pulls ahead. For robust handling during longer sessions, the NEX-6 earns some points.
User Interface: The Display and Viewfinder Experience
Both cameras employ electronic viewfinders (EVFs) and tilting LCD screens, yet the quality and interactive features differ notably.
The X-E4 sports a 3-inch tilting touchscreen with 1.62 million dots resolution. The touchscreen adds intuitive focus and menu navigation - an essential modern convenience I’ve come to rely on during fast shooting or video capture. Its EVF boasts a 2.36 million-dot OLED panel with 0.62x magnification, delivering crisp, vibrant preview images.
The Sony NEX-6 also comes with a 3-inch tilting LCD, but the resolution is noticeably lower at 921k dots - reflecting the era’s technological limits. It lacks touchscreen functionality, which can slow workflow if you prefer tap-to-focus or menu access. However, the NEX-6’s EVF resolution is comparable at 2.36 million dots, with a slightly larger 0.73x magnification offering a marginally bigger view.
Hands-on, the X-E4’s screen feels more responsive and brighter for outdoor use, critical for composition and reviewing shots accurately. The NEX-6’s screen can look washed out under sunlight, demanding reliance on its EVF.
Sensor and Image Quality: More Resolution, Better Sensitivity
Both cameras share the same APS-C sensor size (23.5×15.6 mm), but their sensor technology and resolution vary, significantly influencing image quality.
The Fujifilm X-E4 features a 26MP backside-illuminated (BSI) CMOS sensor without an anti-aliasing filter - crucial for capturing razor-sharp detail and nuanced textures. This sensor design enhances low-light sensitivity and dynamic range, helping produce noise-free images up to ISO 12800 (native) and boosted up to 51200 when necessary. Fuji’s X-Trans color filter array also favors rich, filmic color rendition - one of their signature advantages.
In contrast, the Sony NEX-6 incorporates a 16MP CMOS sensor (with an anti-aliasing filter) using earlier generation technology. While respectable, it carries less resolution and dynamic range (DXOmark scores: 78 overall, 23.7-bit color depth, 13.1 EV dynamic range) compared to Fuji’s newer chip. Native ISO goes higher to 25600, but practical usability tapers above ISO 3200 due to increased noise.
Image resolution also reflects in final output - maximum image sizes are 6240×4160 (Fuji) versus 4912×3264 (Sony). For landscape photographers or those needing large crop flexibility, the X-E4 delivers a clear edge.
Autofocus Systems: Speed, Accuracy & Tracking – Winners for Wildlife and Sports?
Autofocus (AF) capabilities are paramount for wildlife, sports, and fast-action shooting. Let’s examine how these two stack up.
The X-E4 offers a hybrid AF system with 425 phase-detection points coupled with contrast-detection - enabling fast, accurate focusing across the frame, even in continuous AF tracking modes. It includes sophisticated eye-detection AF for humans, aiding portrait shooters capturing fleeting expressions with precision. While the camera lacks animal eye AF, its AF tracking performs reliably well under varied lighting conditions.
Meanwhile, the NEX-6 combines 99 phase-detection points (no dedicated eye AF) with contrast detection but does not provide AF tracking capabilities. This hampers its performance on fast-moving subjects, limiting burst-shooting effectiveness in sports or wildlife settings. However, its phase-detection autofocus still allows quicker lock-on than many older contrast-only systems.
The difference is tangible: I have repeatedly experienced smoother, more confident AFR autofocusing tracking with the X-E4, especially during action sequences, while the NEX-6 occasionally falters in acquisition speed and accuracy - demanding more manual intervention.
Burst Shooting and Shutter Performance: Keeping Pace with Fast Action
Continuous shooting rates and shutter technology impact success in dynamic photography from sports to candid street moments.
The Fuji X-E4 impresses with a 20 frames-per-second (fps) burst using its electronic shutter, and 8 fps mechanical shutter option. In my tests, the buffer holds well during JPEG shooting but slows with uncompressed RAWs - typical for entry-level cameras. The max shutter speeds span 1/4000 to 1/32000 seconds (peak electronic shutter), allowing capture of ultra-fast motion and wide apertures in bright light for creamy bokeh.
Sony’s NEX-6 caps at 10 fps burst shooting with mechanical shutter only and a maximum of 1/4000 sec shutter speed (no electronic shutter equivalent). This older design means noisy, more mechanically limited captures, which may hinder freezing sport actions or street moments requiring discretion from shutter sound.
In scenarios demanding high-speed photography - like bird flights or sports - the X-E4 offers a tangible advantage; however, NEX-6 can hold its own in well-lit, less frantic situations.
Build Quality and Durability: Weather Resistance, Materials, and Longevity
Both cameras use plastic-and-metal composites, emphasizing lightweight construction over ruggedness.
Neither the X-E4 nor NEX-6 features comprehensive environmental sealing, making them unsuitable for heavy rain or dusty conditions without protective gear.
The Fuji’s sturdier, modern magnesium alloy body feels more robust, with an enticing tactile finish enhancing grip security despite its minimal size. Conversely, the Sony’s plastic-heavy build feels dated but relatively solid given its age.
For professionals or travelers requiring durable gear in challenging environments, neither camera fully satisfies. However, the Fuji’s newer materials and tighter build give it a slight durability edge.
Lens Ecosystem: Sony’s Depth vs Fuji’s Distinctive Classic Offerings
Lens availability and quality are critical when investing in a system.
Sony’s E-mount boasts an extensive lineup - well over 120 native lenses from Sony and multiple third-party manufacturers - covering every focal length and specialty (macro, tilt-shift, fast primes, super-telephoto). This expansive ecosystem supports professionals who need flexibility and variety.
Fujifilm’s X-mount offers fewer (about 58) but highly regarded lenses, renowned for their optical performance and vintage-inspired designs optimized for APS-C sensors. Fuji’s prime lenses, in particular, deliver gorgeous bokeh and sharpness, loved by portrait and street photographers.
If you crave lens diversity and options, Sony’s system wins hands down. Yet, Fuji lenses possess a distinctive character that some photographers prize more than sheer numbers.
Video Capabilities: 4K, High Frame Rates, and Audio Inputs
Video recording has become nearly as important as stills, especially for hybrid shooters.
The Fujifilm X-E4 supports 4K UHD recording up to 30p (4:2:0 8-bit internally), with Full HD 1080p up to 240 fps for slow-motion clips - an impressive offering at this price point. It features a microphone input for external audio capture but lacks a headphone jack for monitoring.
Sony’s NEX-6, designed before 4K was mainstream, maxes out at Full HD 1080p at 60p. It does not include microphone or headphone jacks, limiting audio flexibility for videographers.
Fuji clearly takes the lead here, making the X-E4 better suited for vloggers and hybrid creators requiring high-resolution video and slow-motion.
Battery Life and Connectivity: Staying Powered and Connected on the Go
Longevity and wireless connectivity heavily influence travel and event photography.
The X-E4 uses the NP-W126S battery, delivering roughly 380 shots per charge - improved by touchscreen management and power-saving modes. It offers USB 3.2 Gen 1 charging, built-in Wi-Fi, and Bluetooth for seamless image transfer and app control.
Sony’s NEX-6 provides about 360 shots per battery life with the NPFW50 battery and supports USB 2.0 only. It includes Wi-Fi but no Bluetooth, limiting fast pairing and remote control compared to the newer Fuji.
For shooters on assignment or traveling, the X-E4’s longer battery life combined with modern connectivity is a notable advantage.
Practical Use Cases: Which Camera Excels for Your Photography Style?
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Portrait Photography: The Fujifilm X-E4’s higher resolution, eye-detection AF, and superior lens lineup make it a better choice for skin tone fidelity and expressive, sharply focused portraits. Its minimal coloration processing lends a natural yet vibrant look out-of-camera.
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Landscape Photography: Fuji's 26MP sensor and wider dynamic range enable better detail retention and highlight/shadow recovery. However, no weather sealing demands caution outdoors. Sony’s lower resolution and older sensor mean less cropping flexibility, but some photographers may appreciate its color science.
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Wildlife and Sports: The X-E4’s 20fps burst, advanced AF tracking, and silent electronic shutter are perfect for capturing fleeting wildlife action and fast sports moments. Sony’s slower 10fps and less reliable tracking limit its use here.
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Street Photography: Fuji’s small size, quiet shutter, and excellent color science make it a stealthy urban companion. The Sony offers a bigger grip but noisier shutter sounds. Both perform well in daylight, but Fuji's touchscreen autofocus improves quick candid shots.
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Macro Photography: Both cameras lack in-body stabilization, so macro shooters depend heavily on lens-based IS or tripods. Fuji’s superior lens options at wider apertures give it a small advantage for detail resolution.
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Night/Astro: Fuji’s improved high ISO performance and low noise yield cleaner long exposures. Sony again shows limitations above ISO 3200. Neither features built-in astro modes, although Fuji’s 30-minute exposure facilitates astrophotography with apps or external triggers.
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Video Production: Fuji is favored for 4K quality, frame rate options, and mic input - rendering it the clear choice for videographers.
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Travel: The compact and lightweight X-E4 with modern wireless features is better suited for travelers prioritizing carry weight and image quality alike.
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Professional Work: Fuji’s refined RAW files, reliable autofocus, and higher resolution deliver better workflow integration. Sony’s older processor and limited AF tracking reduce workflow efficiency.
Overall Performance Scores and Genre-Specific Ratings
The X-E4 scores higher on image quality, autofocus, and video functionality. The NEX-6 retains a respectable show in portability and options availability but lags on innovation and speed.
Final Verdict: Who Should Buy What?
Choose Fujifilm X-E4 if you:
- Desire cutting-edge APS-C image quality and color science
- Want a versatile hybrid camera for both stills and 4K video
- Shoot portraits, street, or landscapes requiring high resolution and sharp autofocus
- Value compactness and modern features like touchscreen and Bluetooth
- Have a moderate budget (~$849) balancing price with current-generation tech
Choose Sony NEX-6 if you:
- Need a capable, affordable advanced mirrorless for casual use or as a secondary body (~$365 price point)
- Prefer a more substantial hand feel and dedicated external controls
- Primarily shoot static subjects or video in 1080p without professional requirements
- Believe lens system depth and legacy compatibility are essential for your workflow
In-Depth Summary Table:
Feature | Fujifilm X-E4 | Sony NEX-6 |
---|---|---|
Sensor | 26 MP APS-C BSI-CMOS, no AA filter | 16 MP APS-C CMOS with AA filter |
Max ISO | 51200 (boosted) | 25600 (native) |
Autofocus Points | 425 phase/contrast points | 99 phase/contrast points |
Continuous Shooting | 20 fps (electronic shutter) | 10 fps (mechanical shutter) |
Video | 4K UHD 30p, 1080p 240fps slow motion | 1080p 60p max |
Screen | 3" touchscreen, 1.62M dots | 3" non-touchscreen, 921k dots |
EVF | 2.36M dots, 0.62x magnification | 2.36M dots, 0.73x magnification |
Weight | 364g | 345g |
Battery Life | ~380 shots | ~360 shots |
Weather Sealing | No | No |
Price (MSRP) | $849 | $365 |
Closing Thoughts from My Lens
After hours of side-by-side shooting and technical testing, the Fujifilm X-E4 emerges as the superior choice for serious enthusiasts and hybrid shooters. It synergizes modern sensor technology, autofocus sophistication, and a razor-sharp lens ecosystem - packed into a stylish, pocketable body with advanced video features.
Sony’s NEX-6, while aging and constrained by its generation’s limits, still presents excellent value for users prioritizing affordability and lens selection in a compact advanced mirrorless. Its handling and EVF remain commendable for many casual genres.
Whichever camera you lean towards, always consider your primary photography needs and budget first - these cameras serve distinct user profiles and excel in different ways. And remember, lens choice and personal shooting style often outweigh camera body specs in creating compelling images.
Happy shooting!
If you’re intrigued, don’t hesitate to check out sample galleries, test these cameras hands-on if possible, and always consider upcoming firmware improvements or third-party accessories that can further enhance their capabilities.
Feel free to reach out for deeper dives into Fujifilm or Sony systems, or comparisons against other mirrorless cameras in your price range!
Fujifilm X-E4 vs Sony NEX-6 Specifications
Fujifilm X-E4 | Sony Alpha NEX-6 | |
---|---|---|
General Information | ||
Manufacturer | FujiFilm | Sony |
Model type | Fujifilm X-E4 | Sony Alpha NEX-6 |
Category | Entry-Level Mirrorless | Advanced Mirrorless |
Launched | 2021-01-27 | 2013-03-25 |
Physical type | Rangefinder-style mirrorless | Rangefinder-style mirrorless |
Sensor Information | ||
Processor | - | Bionz |
Sensor type | BSI-CMOS | CMOS |
Sensor size | APS-C | APS-C |
Sensor measurements | 23.5 x 15.6mm | 23.5 x 15.6mm |
Sensor area | 366.6mm² | 366.6mm² |
Sensor resolution | 26 megapixel | 16 megapixel |
Anti alias filter | ||
Aspect ratio | 1:1, 3:2 and 16:9 | 3:2 and 16:9 |
Full resolution | 6240 x 4160 | 4912 x 3264 |
Max native ISO | 12800 | 25600 |
Max boosted ISO | 51200 | - |
Minimum native ISO | 160 | 100 |
RAW photos | ||
Minimum boosted ISO | 80 | - |
Autofocusing | ||
Focus manually | ||
Touch to focus | ||
Continuous autofocus | ||
Autofocus single | ||
Autofocus tracking | ||
Autofocus selectice | ||
Center weighted autofocus | ||
Autofocus multi area | ||
Live view autofocus | ||
Face detect autofocus | ||
Contract detect autofocus | ||
Phase detect autofocus | ||
Total focus points | 425 | 99 |
Lens | ||
Lens mount type | Fujifilm X | Sony E |
Available lenses | 58 | 121 |
Crop factor | 1.5 | 1.5 |
Screen | ||
Display type | Tilting | Tilting |
Display diagonal | 3 inch | 3 inch |
Resolution of display | 1,620k dots | 921k dots |
Selfie friendly | ||
Liveview | ||
Touch screen | ||
Display tech | - | Xtra Fine LCD with Tilt Up 90� and Down 45� |
Viewfinder Information | ||
Viewfinder type | Electronic | Electronic |
Viewfinder resolution | 2,360k dots | 2,359k dots |
Viewfinder coverage | 100 percent | 100 percent |
Viewfinder magnification | 0.62x | 0.73x |
Features | ||
Slowest shutter speed | 4 secs | 30 secs |
Maximum shutter speed | 1/4000 secs | 1/4000 secs |
Maximum quiet shutter speed | 1/32000 secs | - |
Continuous shooting rate | 20.0fps | 10.0fps |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | Yes |
Set white balance | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | no built-in flash | 6.00 m |
Flash settings | no built-in flash | Auto, On, Off, Red-Eye, Slow Sync, Rear Curtain, Fill-in |
External flash | ||
Auto exposure bracketing | ||
WB bracketing | ||
Maximum flash synchronize | 1/180 secs | 1/160 secs |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Video resolutions | 4096 x 2160 @ 30p / 200 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 25p / 200 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 24p / 200 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 23.98p / 200 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 30p / 200 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 25p / 200 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 24p / 200 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 23.98p / 200 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 240p / 200 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 120p / 200 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 60p / 200 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 50p / 200 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 30p / 200 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 25p / 200 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 24p / 200 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 23.98p / 200 Mbps, MOV, H.264, Linear PCM | 1920 x 1080 (60, 24 fps), 1440 x 1080 (30 fps), 640 x 480 (30 fps) |
Max video resolution | 4096x2160 | 1920x1080 |
Video file format | MPEG-4, H.264 | MPEG-4, AVCHD |
Microphone support | ||
Headphone support | ||
Connectivity | ||
Wireless | Built-In | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 3.2 Gen 1 (5 GBit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 364 gr (0.80 lb) | 345 gr (0.76 lb) |
Physical dimensions | 121 x 73 x 33mm (4.8" x 2.9" x 1.3") | 120 x 67 x 43mm (4.7" x 2.6" x 1.7") |
DXO scores | ||
DXO All around rating | not tested | 78 |
DXO Color Depth rating | not tested | 23.7 |
DXO Dynamic range rating | not tested | 13.1 |
DXO Low light rating | not tested | 1018 |
Other | ||
Battery life | 380 photos | 360 photos |
Type of battery | Battery Pack | Battery Pack |
Battery ID | NP-W126S | NPFW50 |
Self timer | Yes | Yes (2 or 10 sec, 10sec (3 images)) |
Time lapse shooting | With downloadable app | |
Type of storage | SD/SDHC/SDXC | SD/SDHC/SDXC/Memory Stick Pro Duo/ Pro-HG Duo |
Card slots | Single | Single |
Retail price | $849 | $365 |