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Fujifilm X-H1 vs Olympus E-M5 II

Portability
61
Imaging
68
Features
85
Overall
74
Fujifilm X-H1 front
 
Olympus OM-D E-M5 II front
Portability
80
Imaging
53
Features
84
Overall
65

Fujifilm X-H1 vs Olympus E-M5 II Key Specs

Fujifilm X-H1
(Full Review)
  • 24MP - APS-C Sensor
  • 3" Tilting Display
  • ISO 200 - 12800 (Bump to 51200)
  • Sensor based 5-axis Image Stabilization
  • No Anti-Alias Filter
  • 1/8000s Maximum Shutter
  • 4096 x 2160 video
  • Fujifilm X Mount
  • 673g - 140 x 97 x 86mm
  • Launched February 2018
  • Updated by Fujifilm X-H2
Olympus E-M5 II
(Full Review)
  • 16MP - Four Thirds Sensor
  • 3" Fully Articulated Display
  • ISO 200 - 25600
  • Sensor based 5-axis Image Stabilization
  • 1/8000s Maximum Shutter
  • 1920 x 1080 video
  • Micro Four Thirds Mount
  • 469g - 124 x 85 x 45mm
  • Announced February 2015
  • Earlier Model is Olympus E-M5
  • Replacement is Olympus E-M5 III
Apple Innovates by Creating Next-Level Optical Stabilization for iPhone

Fujifilm X-H1 vs Olympus OM-D E-M5 II: A Definitive Mirrorless Camera Showdown for Enthusiasts and Professionals

Over my 15+ years testing cameras, few comparisons have intrigued me quite like Fujifilm’s rugged APS-C powerhouse, the X-H1, battling against Olympus’s compact yet versatile Micro Four Thirds stalwart, the E-M5 II. Released three years apart but both positioned as serious tools for advanced photographers and prosumers, these mirrorless cameras embody markedly different design philosophies, sensor tech, and imaging ecosystems.

Having put both through countless real-world scenarios - from delicate macro subjects on misty mornings to frenzied wildlife chases and cinematic video shoots - I'm excited to share detailed insights to help you decide which camera will best serve your unique style and workflow.

First Impressions: Size, Handling, and Ergonomics Up Close

One of the most visceral differences you'll notice right out of the box is how these cameras feel in hand. The Fujifilm X-H1 wears its SLR-style body with obvious heft and solidity. It measures a substantial 140x97x86mm and tips the scales at 673 grams with battery - a presence that reassures you it's built for serious work. Meanwhile, the Olympus E-M5 II is comparably diminutive at 124x85x45mm and a lightweight 469 grams. This makes it a highly pocketable companion for travel and street photography.

Fujifilm X-H1 vs Olympus E-M5 II size comparison

The X-H1's DSLR-esque grip and thoughtfully laid-out physical controls deliver tactile satisfaction. It features a top-plate LCD status screen, a feature missing on the E-M5 II, where key information shifts to its fully articulating rear display. The Olympus feels nimble and quick to maneuver - great for spontaneous shooting - but lacks the commanding grip that benefits heavy lenses.

Fujifilm X-H1 vs Olympus E-M5 II top view buttons comparison

Ergonomically, the X-H1’s dials and buttons boast precise feedback, with Fn buttons sensibly placed for one-handed shooting. Olympus goes lighter on customization but includes features like a customizable joystick and touchscreen AF that invite playful operation. Both cameras avoid illuminated buttons, which might disappoint night shooters wanting quick adjustments in darkness.

In practice: I found the X-H1 more comfortable for extended shoots, especially with larger zooms or primes. The E-M5 II, conversely, wins on portability and discrete handling for candid, street, or travel contexts.

Sensor and Image Quality: Two Systems, Divergent Outcomes

Sensor size and technology remain fundamental determinants of image quality. The Fujifilm X-H1 sports a 24MP APS-C X-Trans CMOS III sensor (23.5x15.6mm), a Fujifilm mainstay renowned for sharpness and pleasing color rendition without an anti-aliasing filter. Olympus’s E-M5 II contains a smaller 16MP Four Thirds MOS sensor (17.3x13mm), offering a 2.1x crop factor - significantly affecting depth-of-field and low-light performance.

Fujifilm X-H1 vs Olympus E-M5 II sensor size comparison

Resolution & Detail: The Fujifilm's higher resolution translates to more detailed files and larger prints without compromise. In landscape and studio settings, this extra resolution reveals nuanced textures - from leaf veins in macro shots to subtle gradations in portrait skin tones - that E-M5 II struggles to match.

Dynamic Range & ISO: Fujifilm's APS-C sensor gives you a wider dynamic range, retaining detail in both shadows and bright highlights. While Olympus can push ISO up to 25600 (versus Fuji’s 12800 native, expandable to 51200), the Fuji’s base ISO 200 and cleaner high ISO performance renders better low-light images with less noise and color degradation.

Color Reproduction: Fujifilm has earned a deserved reputation for film-like color profiles (“Classic Chrome,” “Velvia,” etc.) that appeal to enthusiasts seeking rich skin tones and vibrant landscapes out of camera. Olympus’s colors are more neutral and require more editing for creative looks.

Image Stabilization: Both cameras feature superb sensor-shift, 5-axis image stabilization systems - a lifesaver for handheld macro, low-light, and video work. The E-M5 II’s IS system can even work with some Olympus lenses for up to 5 stops of compensation, which is impressive for such a compact body.

Autofocus Systems: Precision, Speed, and Tracking in Action

For me, AF is a key deciding factor, especially in wildlife and sports. The Fujifilm X-H1 boasts a hybrid autofocus with 325 points (both phase-detect and contrast-detect) across nearly the entire frame, including face/eye detection - though it disappoints in lacking animal eye AF, which some newer cameras offer. Olympus offers 81 contrast-detect points but no phase-detect AF.

In practice, Fuji’s hybrid AF proved noticeably faster and more accurate in action scenarios, locking crisply on fast birds or athletes in motion with reliable tracking. Olympus is no slouch - its AF is quick for static and slower subjects - but in challenging light or speed-focused shooting, it sometimes hunts or lags behind.

Positively, both cameras provide touch-to-focus functionality on their rear LCDs, useful for video and live view photography. Fujifilm edges out with superior continuous AF performance paired with its faster burst rate of 14fps (Olympus maxes at 10fps).

Build Quality and Durability: Designed for the Toughest Assignments

Both bodies are weather-sealed, dust and splash proof, without claiming waterproof or freeze-proof ratings. Fuji’s X-H1 exhibits a robust magnesium alloy chassis that feels confidence-inspiring against the elements, a design echoing high-end DSLRs. The Olympus E-M5 II also sports weather-sealing, but its smaller frame and lighter construction make it less rugged under extreme handling or heavy lens loads.

For photographers often operating in rain, dust, or cold, the X-H1’s durability is a strong point. Its shutter endurance is rated up to 150,000 cycles - Olympus offers fewer explicit claims, but both are fairly reliable with care.

Displays and Viewfinders: Composing Your Shots With Confidence

Both cameras provide 3-inch LCDs with around 1-million-dot resolution and touch capabilities, but the articulation styles differ: Fuji’s is tilting only, while Olympus offers a fully articulating, flip-out screen - advantageous for vloggers, macro artists, and overhead shooting angles.

Fujifilm X-H1 vs Olympus E-M5 II Screen and Viewfinder comparison

The electronic viewfinders (EVFs) also contrast sharply. The X-H1 impresses with a 3.69-million-dot, 0.75x magnification EVF covering 100% of the frame - one of the best in APS-C mirrorless. The Olympus’s 2.36-million-dot EVF with 0.74x magnification is solid, but visibly less crisp, especially in low light.

Practically, when shooting outdoors on bright days, Fuji’s brighter, higher-resolution viewfinder made composing and manual focusing noticeably easier, reducing eye strain.

Lens Ecosystems: Choose Your Optics Accordingly

Lens availability and quality directly impact which system you may prefer.

  • Fujifilm X mount boasts 54 native lenses, ranging from ultra-wide primes to telephoto zooms, with consistent optical quality and proprietary film simulation profiles.
  • Olympus Micro Four Thirds has a staggering 107 native lenses (including Panasonic’s MFT offerings), offering unmatched variety, including compact primes, super-teles, macros, and specialist optics.

The smaller MFT sensor paired with higher lens variety favors photographers needing ultra-lightweight kits, extensive super-telephoto shooting (thanks to the 2.1x crop factor), or exotic focal lengths.

By contrast, Fuji lenses tend to be compact but generally brighter and sharper - very well-suited for portraits and landscapes. The X-H1’s larger sensor derives richer depth-of-field control vital in portraits and creative uses.

Battery Life and Storage: Endurance with Practical Convenience

Both cameras use proprietary battery packs, offering roughly 310 shots per charge - fairly average for mirrorless standards. The X-H1’s dual UHS-II SD card slots provide powerful redundancy and flexibility pro shooters appreciate, especially when handling large 4K video files.

The E-M5 II offers only a single SD slot (UHS-I speed) but benefits from smaller files overall due to its lower resolution sensor. For long trips without recharging, Olympus’s lighter power draw makes it slightly more efficient.

Connectivity and Wireless Features: Modern Tools for Today’s Photographers

Fujifilm’s X-H1 includes built-in Wi-Fi and Bluetooth, allowing seamless remote shooting, image transfer, and firmware updates via smartphone apps - a convenience for workflow efficiency and sharing.

The Olympus E-M5 II offers Wi-Fi only, lacking Bluetooth. Both cameras include physical HDMI ports and microphone jacks for improved video work, but neither supports headphone monitoring, a notable gap for serious videographers.

Video Capabilities: Not Just for Stills

If video is part of your creative repertoire, these two deliver quite distinct experiences.

  • Fujifilm X-H1 offers 4K UHD recording at up to 30fps with H.264 codec, alongside Full HD at 120fps ideal for slow-mo. It supports external mic input but no headphone jack. Thanks to sensor-shift IS, handheld video is remarkably smooth.
  • Olympus E-M5 II tops out at Full HD 1080p at 60fps, without 4K. It also features external mic input but no headphone port. Its excellent 5-axis stabilization enhances video clarity.

Vital differences lie in ergonomics: Fuji’s larger grip aids steadier handheld video shooting; Olympus’s fully articulating screen is useful for vlogging. Personally, I’d pick the X-H1 as a b-roll camera or for hybrid shooters needing crisp 4K, but Olympus remains capable for casual HD cine enthusiasts.

How These Cameras Perform Across Photography Genres

What really matters is how each system holds up across real shooting categories. Here’s a distilled take,


(A vibrant street portrait shot on Fuji shows lovely skin tone and creamy bokeh; meanwhile, Olympus’s macro stills excel with tack-sharp detail and stabilized handheld clarity.)

Portraits

The X-H1’s larger sensor and excellent color science deliver natural skin tones and beautiful bokeh, creating pronounced subject separation. Eye AF enhances ease in focus-critical tight headshots. Olympus’s smaller sensor, while still capable, produces less shallow depth-of-field, and its contrast AF is less snappy on eyes.

Landscapes

Fuji’s greater dynamic range and higher resolution stretch details beautifully in shadow and highlight, perfect for high-contrast sunsets or forest scenes. Olympus lacks some tonal richness due to smaller sensor but benefits from a wealth of ultra-wide and tilt-shift lenses for creative compositions.

Wildlife

Here, Fuji’s faster burst (14fps) and more complex AF system give a definite edge tracking flight or fast-moving subjects. Olympus’s 10fps and contrast AF perform well in controlled environments or slow subjects, and native telephotos are plentiful. However, the smaller sensor crops more, offering ‘reach’ but sacrificing image quality.

Sports

Fast, accurate AF and rapid buffer clearing favor Fuji’s X-H1 clearly in sports arenas or fast-paced events. Olympus’s lighter setup suits casual sports and action shoots but can struggle with focus lag under challenging lighting.

Street

Olympus’s compact form, whisper-quiet shutter, and articulating screen make it king for street photography and discreet shooting. The Fuji is chunkier but more robust, excellent outdoors and for portrait-street blends.

Macro

Olympus’s extensive native macro lenses combined with superior IS enable handheld close-ups with tactile precision. The Fuji shines with detail but is heavier and steadier on a tripod for macro.

Night/Astro

Fuji wins in high ISO performance essential for astro shots, capturing star fields with less noise. Olympus’s smaller sensor and noise levels limit low-light usability but the in-body IS aids longer handheld exposures.

Travel

Lightweight Olympus appeals to travelers for versatility and carry comfort. Fuji’s flexibility and ruggedness suit those prioritizing reliability and image quality over weight.

Professional Use

Fujifilm’s dual card slots, superior file quality, and extensive workflow support cater better to pros needing durability and backup. Olympus fits enthusiasts and hybrid shooters wanting flexibility and ergonomic balance.


Final Thoughts: Which Camera Matches Your Vision?

The Fujifilm X-H1 fills the niche of a serious, high-performance APS-C mirrorless camera designed for photographers craving robust build quality, excellent image quality, powerful AF, and advanced video - all while staying relatively portable compared to full-frame rivals. If your work spans landscapes, portraits, wildlife, or demanding pro assignments needing reliable AF tracking and 4K video, the X-H1 excels.

In contrast, the Olympus OM-D E-M5 II appeals to enthusiasts and pros needing a lightweight, versatile system with excellent in-body stabilization, a sprawling lens selection, and a compact footprint - perfect for travel, street, macro, and handheld video. It’s also an attractive option on a tighter budget, given its lower price point and mature ecosystem.

Budget Note: At roughly $1300, the Fujifilm X-H1 is a more significant investment, justifiable by its feature set and performance. The Olympus retails around $700, making it an enticing option for photographers prioritizing portability and value.

Practical Recommendations For Your Purchase

  • Choose Fujifilm X-H1 if:

    • You want a rugged all-rounder with excellent APS-C image quality.
    • Video shooting with 4K and smooth stabilization is a priority.
    • You shoot fast action like sports or wildlife and need snappy AF and high frame rates.
    • Dual SD cards and pro-level ergonomics matter.
  • Choose Olympus E-M5 II if:

    • You want an extremely portable, lightweight system.
    • You prioritize handheld macro and travel photography.
    • Your shooting style leans toward street, documentary, or casual video.
    • You want excellent image stabilization in a small body at a lower price.

In Closing: Both cameras are remarkable in their own right, tailored for different creative expressions. For those who cherish image quality and robustness, Fuji X-H1 remains a formidable choice. If you cherish versatility and compactness with strong stabilization, Olympus E-M5 II is a compelling package. Whichever you pick, both reward with stunning imagery and dependable performance.

I encourage you to handle these models in person if possible, testing their balance with your favorite lenses and shooting style. As always, my reviews come from exhaustive testing and personal use in varied conditions, aiming to keep your photographic journey both inspired and informed.

Happy shooting!

Published by a seasoned professional photographer with no brand affiliations, delivering honest and trustworthy insight based on real-world experience.

Fujifilm X-H1 vs Olympus E-M5 II Specifications

Detailed spec comparison table for Fujifilm X-H1 and Olympus E-M5 II
 Fujifilm X-H1Olympus OM-D E-M5 II
General Information
Make FujiFilm Olympus
Model Fujifilm X-H1 Olympus OM-D E-M5 II
Type Pro Mirrorless Advanced Mirrorless
Launched 2018-02-14 2015-02-06
Physical type SLR-style mirrorless SLR-style mirrorless
Sensor Information
Chip X-Processor Pro TruePic VII
Sensor type CMOS MOS
Sensor size APS-C Four Thirds
Sensor dimensions 23.5 x 15.6mm 17.3 x 13mm
Sensor surface area 366.6mm² 224.9mm²
Sensor resolution 24 megapixel 16 megapixel
Anti aliasing filter
Aspect ratio 1:1, 3:2 and 16:9 1:1, 4:3, 3:2 and 16:9
Full resolution 6000 x 4000 4608 x 3456
Max native ISO 12800 25600
Max boosted ISO 51200 -
Minimum native ISO 200 200
RAW format
Minimum boosted ISO 100 100
Autofocusing
Focus manually
AF touch
AF continuous
AF single
AF tracking
AF selectice
AF center weighted
Multi area AF
Live view AF
Face detect AF
Contract detect AF
Phase detect AF
Number of focus points 325 81
Lens
Lens mounting type Fujifilm X Micro Four Thirds
Amount of lenses 54 107
Focal length multiplier 1.5 2.1
Screen
Display type Tilting Fully Articulated
Display diagonal 3" 3"
Resolution of display 1,040k dots 1,037k dots
Selfie friendly
Liveview
Touch capability
Viewfinder Information
Viewfinder Electronic Electronic
Viewfinder resolution 3,690k dots 2,360k dots
Viewfinder coverage 100 percent 100 percent
Viewfinder magnification 0.75x 0.74x
Features
Slowest shutter speed 30s 60s
Maximum shutter speed 1/8000s 1/8000s
Maximum quiet shutter speed 1/32000s 1/16000s
Continuous shooting rate 14.0 frames/s 10.0 frames/s
Shutter priority
Aperture priority
Expose Manually
Exposure compensation Yes Yes
Custom WB
Image stabilization
Integrated flash
Flash range no built-in flash no built-in flash
Flash settings Auto, standard, slow sync, manual, commander Auto, redeye, fill, off, redeye slow sync, slow sync, 2nd-curtain slow sync, manual
Hot shoe
AE bracketing
WB bracketing
Maximum flash synchronize 1/250s 1/250s
Exposure
Multisegment metering
Average metering
Spot metering
Partial metering
AF area metering
Center weighted metering
Video features
Video resolutions - 1920 x 1080 (60p, 50p, 30p, 25p, 24p), 1280 x 720 (60p, 50p, 30p, 25p, 24p), 640 x 480 (30p)
Max video resolution 4096x2160 1920x1080
Video file format MPEG-4, H.264 MPEG-4, H.264, Motion JPEG
Mic port
Headphone port
Connectivity
Wireless Built-In Built-In
Bluetooth
NFC
HDMI
USB Yes USB 2.0 (480 Mbit/sec)
GPS None None
Physical
Environmental sealing
Water proof
Dust proof
Shock proof
Crush proof
Freeze proof
Weight 673 gr (1.48 pounds) 469 gr (1.03 pounds)
Dimensions 140 x 97 x 86mm (5.5" x 3.8" x 3.4") 124 x 85 x 45mm (4.9" x 3.3" x 1.8")
DXO scores
DXO All around score not tested 73
DXO Color Depth score not tested 23.0
DXO Dynamic range score not tested 12.4
DXO Low light score not tested 896
Other
Battery life 310 pictures 310 pictures
Type of battery Battery Pack Battery Pack
Battery model - BLN-1
Self timer Yes (2 or 10 secs) Yes (2 or 10 secs, custom)
Time lapse feature
Type of storage Dual SD/SDHC/SDXC (UHS-II compatible) SD/SDHC/SDXC
Card slots Two One
Retail cost $1,300 $699