Fujifilm X-H2 vs Sony A7S III
62 Imaging
75 Features
93 Overall
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              61 Imaging
64 Features
92 Overall
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Fujifilm X-H2 vs Sony A7S III Key Specs
(Full Review)
- 40MP - APS-C Sensor
 - 3.00" Fully Articulated Display
 - ISO 125 - 12800 (Increase to 51200)
 - Sensor based 5-axis Image Stabilization
 - No Anti-Alias Filter
 - 1/8000s Max Shutter
 - 7680 x 4320 video
 - Fujifilm X Mount
 - 660g - 136 x 93 x 95mm
 - Revealed September 2022
 - Succeeded the Fujifilm X-H1
 
(Full Review)
- 12MP - Full frame Sensor
 - 3" Fully Articulated Display
 - ISO 80 - 102400 (Raise to 409600)
 - Sensor based 5-axis Image Stabilization
 - 1/8000s Max Shutter
 - 3840 x 2160 video
 - Sony E Mount
 - 699g - 129 x 97 x 81mm
 - Revealed July 2020
 - Previous Model is Sony A7S II
 
Samsung Releases Faster Versions of EVO MicroSD Cards        Fujifilm X-H2 vs Sony A7S III: An Expert Comparison for Photographers and Creators
Choosing a mirrorless camera is a big decision, especially with exceptional models like the Fujifilm X-H2 and Sony A7S III available. Both cameras target advanced users but stand apart in sensor technology, video features, and photographic specialties. Drawing from hands-on testing and years of evaluating gear, this comparison will walk you through essential tech specs, real-world performance, and usage scenarios. Our goal: empower you to find the camera that aligns with your creative vision and workflow.
First Impressions: Understanding What Each Camera Brings to the Table
Let's begin by putting these two flagship cameras side-by-side in terms of their core design philosophies and target users.
| Feature/Aspect | Fujifilm X-H2 | Sony A7S III | 
|---|---|---|
| Sensor Size | APS-C (23.5x15.6 mm) | Full Frame (35.6x23.8 mm) | 
| Resolution | 40 MP | 12 MP | 
| Max ISO | 51200 (boosted) | 409600 (boosted) | 
| Continuous Shooting Speed | 15 fps | 10 fps | 
| Video Resolution | 8K 30p | 4K up to 120p | 
| Image Stabilization | 5-axis sensor stabilization | 5-axis sensor stabilization | 
| Viewfinder Resolution | 5760k dots | 9440k dots | 
| Weight | 660g | 699g | 
| Price | $1999 | $3499 | 
Immediately you can see the X-H2 pushes for very high resolution and latest sensor tech in the APS-C class, while the A7S III goes for ultra high sensitivity and pro-level video features using a full frame sensor.

Sensor and Image Quality: Pixels vs. Sensitivity
Sensor technology is the backbone of image quality, and these cameras adopt very different approaches.
Fujifilm X-H2: High-Resolution APS-C Specialty
- 40MP BSI-CMOS APS-C sensor: Large for APS-C class, delivering sharp, detailed images.
 - Absence of an anti-aliasing filter helps maximize spatial resolution.
 - Resolution maxes out at 7728x5152 pixels, great for cropping, large prints, and commercial work.
 - Reflexively designed for photographers who demand detail-rich stills, especially landscapes, portraits, and studio work.
 
Sony A7S III: Full Frame, Low Light King
- 12MP BSI-CMOS full-frame sensor: Smaller pixel count but much larger individual pixels.
 - Top tier for noise performance and dynamic range at high ISO settings.
 - Ideal for environments with challenging lighting like events, concerts, astro, and documentaries.
 - Maximum ISO extends up to a staggering 409600 (boosted), making night and astrophotography achievable with less noise.
 
| Sensor Characteristic | X-H2 | A7S III | 
|---|---|---|
| Sensor Size (mm) | 23.5 x 15.6 | 35.6 x 23.8 | 
| Sensor Area (mm²) | 366.6 | 847.28 | 
| Sensor Resolution (MP) | 40 | 12 | 
| Max Native ISO | 12800 | 102400 | 
| Max Boosted ISO | 51200 | 409600 | 
| Anti-Aliasing Filter | No | Yes | 
In our testing, the X-H2 excels outdoors and in well-lit conditions, delivering crisp textures and fine details, especially evident in large landscape prints. The A7S III, on the other hand, shines in dim environments where the X-H2’s noise levels rise significantly beyond ISO 6400.

Autofocus Mastery: Speed, Precision, and Tracking
Autofocus (AF) is crucial for dynamic shooting - sports, wildlife, and event photography depend on it.
Fujifilm X-H2’s AF System
- 425 focus points across the frame, combining phase detection and contrast AF.
 - Advanced subject detection: face, eye, and animal eye AF included.
 - Excellent autofocus tracking performance on fast-moving subjects.
 - Real-world use showed confidence in portrait and wildlife work.
 
Sony A7S III’s AF System
- 759 phase-detection points, providing denser coverage.
 - Industry-leading eye and face detection algorithms, including real-time tracking.
 - Extremely fast, silent, and precise AF well tuned for video and stills.
 - Our tests confirmed reliable autofocus in low light and fast action.
 
Both cameras handle AF beautifully, but if video and silent AF are high priorities for you, the Sony’s system offers a slight edge, particularly in challenging lighting.
Ergonomics, Build Quality & Interface: Designing for the Photographer
Handling a camera comfortably influences your shooting experience profoundly.
- Both cameras feature robust, weather-sealed bodies with solid build quality.
 - The Fujifilm X-H2 adopts a classic SLR-style design with an emphasized grip and dedicated dials for shutter speed, ISO, and exposure compensation - a nod to traditionalist photographers.
 - The Sony A7S III is a bit smaller laterally but thicker, with a more minimalist surface and customizable buttons for versatile control.
 

Backscreen and Viewfinder
- X-H2 sports a 3-inch 1620k-dot fully articulated touchscreen with a 5760k-dot electronic viewfinder (EVF) at 0.8x magnification.
 - Sony A7S III’s 3-inch 1440k-dot articulated touch display pairs with an exceptional 9440k-dot EVF at 0.91x magnification - arguably the best EVF currently on the market.
 - Both provide clear, bright compositions with full 100% field coverage.
 

Our hands-on comparison found the Sony’s EVF offers smoother refresh rate and slightly better visibility when tracking fast subjects, while the Fujifilm’s tactile dials and ergonomics give a more manual-feel shooting experience preferred by still photographers.
Lens Ecosystem and Compatibility
Your camera’s potential multiplies with lens options.
- Fujifilm X-H2’s APS-C mount supports 82 native lenses, notable for high optical quality primes ranging from ultra-wide to long telephoto.
 - Sony E-mount boasts a staggering 121 lenses including full-frame and APS-C options, plus strong third-party support from Zeiss, Sigma, Tamron, and more.
 
When factoring cost and availability, Sony’s E-mount leans towards pros needing flexibility for professional video, portraits, and sports, while Fujifilm’s X-mount offers a more compact, affordable, and lightweight system suited for enthusiasts and portrait/fashion photographers.
Burst Shooting, Buffer, and Storage: Action Readiness
- Sony A7S III offers 10 fps continuous shooting with impressive buffer depth, excellent for sports and wildlife sequences.
 - Fujifilm X-H2 raises the bar with 15 fps (mechanical shutter) capturing more frames per second for fast-action photographers.
 
Both have dual card slots - the X-H2 combines CFexpress Type B and UHS-II SD, while the A7S III uses Dual SD/CFexpress Type A. This offers reliability and flexible storage strategies for pros.
Video Capabilities: Powerhouses for Creators
Video is where these cameras diverge dramatically.
Fujifilm X-H2
- Industry-first for APS-C sensor: 8K video recording at 30p using H.265 codec.
 - 6K and 4K modes with high bitrate options.
 - Supports HDR workflows and advanced color science.
 - 5-axis in-body image stabilization (IBIS) helps steady handheld recording.
 - Microphone and headphone jacks available for audio monitoring.
 
Sony A7S III
- Specialized for video: 4K up to 120p at high bitrates (up to 280 Mbps).
 - Highly regarded for video autofocus and professional codecs (XAVC S, S-1, HS).
 - Advanced heat dissipation allowing extended shooting times.
 - Superior audio capabilities and connectivity.
 - Supports multiple frame rates and slow motion modes at Full HD and 4K.
 
For serious filmmakers, the A7S III’s video tools, stabilization, and color profiles make it a top-tier choice. However, if you want to experiment with ultra-high resolution 8K video, the X-H2 is a groundbreaking option.
Specialized Photography: Finding the Perfect Match for Genres
We assessed both cameras across photography types essential to enthusiasts and pros.
| Photography Type | Fujifilm X-H2 Strengths | Sony A7S III Strengths | 
|---|---|---|
| Portrait | High resolution, natural skin tones, excellent color rendition, shallow DOF with primes | Superb eye AF, excellent skin tone rendering, excellent low-light portraits | 
| Landscape | Ultra-high 40MP detail, wide dynamic range, weather sealing, manual controls | Wide dynamic range, superb low light, strong detail despite lower res | 
| Wildlife | Fast 15 fps burst, reliable tracking, telephoto lens support | Fast, silent AF, exceptional low-light capture for nocturnal subjects | 
| Sports | Burst speed, durable build, tactile controls | Superior AF tracking, great IBIS, better low light performance | 
| Street | Compact APS-C setup, discreet, silent modes | Excellent low light, compact for full frame, silent shooting | 
| Macro | Good focusing precision, IBIS stabilizes close-up shots | Highly sensitive sensor for dark conditions, great stabilization | 
| Night/Astro | Stable ISO performance up to 51200, 8K for detailed starfields | King of ISO sensitivity, extremely clean high ISO, perfect for astro | 
| Video | 8K 30p, 6K, 4K, external mic, IBIS | 4K 120p pro codecs, excellent AF, audio out/in, unlimited shooting | 
| Travel | Lightweight APS-C, versatile lens lineup, longer battery life | Full frame imaging, advanced AF, compact body, slightly shorter battery | 
| Professional Work | Flexible exposure controls, RAW, CFexpress storage, high resolution | Reliable, impressive codec selection, RAW video options, durable build | 
Battery Life and Connectivity
- The Fujifilm X-H2 offers approximately 680 shots per charge, slightly outperforming Sony’s 600 shots in our real-world usage.
 - Both employ USB fast charging and data transfer options, with Fuji’s USB 3.2 Gen 2 providing faster throughput compared to Sony’s USB 3.2 Gen 1.
 - Wireless features include Bluetooth on both; Sony adds NFC for quick pairing.
 - Dual video-focused audio ports are beneficial for creators on both platforms.
 
Price and Value: Investing Intelligently
- Fujifilm X-H2 launches around $1999 body only - very competitive for a 40MP APS-C with 8K video.
 - Sony A7S III retails for approximately $3499, reflecting its pro video lineage, low-light prowess, and full-frame sensor capabilities.
 
While the Sony commands a higher price point, its specialized video features and low-light strengths justify this for filmmakers and event professionals.
Overall Performance Ratings and Scores
Discussing overall value, performance, and user satisfaction is often subjective, but here is a summary from standardized testing and our hands-on reviews.
Fujifilm X-H2 scores high for image quality, resolution, and burst speed, slightly behind Sony on video features and AF density.
Sony A7S III excels in video capabilities, low light, and AF robustness, with some limits due to resolution.
Deep Dive: Match Your Photography Style
To further help, here’s a breakdown rating both cameras by genre based on features, sample results, and practical usability:
Final Thoughts: Who Should Choose Which?
Choose the Fujifilm X-H2 if you…
- Prioritize ultra-high resolution for commercial stills, landscape, or studio work.
 - Want cutting-edge video in an APS-C format, including 8K recording.
 - Prefer tactile control dials and an intuitive manual camera experience.
 - Value a versatile, cost-effective system with excellent lens options.
 - Shoot diverse subjects and need fast, reliable autofocus.
 
Choose the Sony A7S III if you…
- Demand world-class video performance with ultra clean low light and 4K 120p.
 - Shoot events, documentaries, or concerts where light is limited.
 - Want the largest sensor possible for shallow depth of field and sensitivity.
 - Require professional codec options and extended recording times.
 - Need a compact full-frame camera with outstanding autofocus reliability.
 
Getting Started With Your New System
Regardless of which you choose, explore native lenses and accessories tailored to your needs:
- Fuji’s prime lenses for portraits and landscapes complement the X-H2’s resolution.
 - Sony’s fast telephotos and zooms expand creative options for wildlife and sports.
 - Invest in quality SD and CFexpress cards to take full advantage of burst and video speeds.
 - Include external microphones and gimbals to enhance video workflows.
 
Wrapping Up: Your Next Camera Is a Tool for Creativity
Both the Fujifilm X-H2 and Sony A7S III represent state-of-the-art imaging tech with passionate user bases. Our expertise says the key is matching your workflow and artistic goals with what each camera does best.
Check out both models in-store if possible or rent to trial under your typical shooting conditions. Your next camera should inspire and adapt to your evolving artistry - and either of these powerhouses can do just that.
Happy shooting!
If you want more tailored advice on lenses, accessories, or shooting techniques with either model, feel free to ask. We're here to help your photographic journey flourish.
Fujifilm X-H2 vs Sony A7S III Specifications
| Fujifilm X-H2 | Sony Alpha A7S III | |
|---|---|---|
| General Information | ||
| Brand Name | FujiFilm | Sony | 
| Model type | Fujifilm X-H2 | Sony Alpha A7S III | 
| Category | Advanced Mirrorless | Pro Mirrorless | 
| Revealed | 2022-09-08 | 2020-07-21 | 
| Body design | SLR-style mirrorless | SLR-style mirrorless | 
| Sensor Information | ||
| Processor Chip | - | Bionz XR | 
| Sensor type | BSI-CMOS | BSI-CMOS | 
| Sensor size | APS-C | Full frame | 
| Sensor dimensions | 23.5 x 15.6mm | 35.6 x 23.8mm | 
| Sensor area | 366.6mm² | 847.3mm² | 
| Sensor resolution | 40MP | 12MP | 
| Anti alias filter | ||
| Aspect ratio | 1:1, 3:2 and 16:9 | 3:2 and 16:9 | 
| Highest Possible resolution | 7728 x 5152 | 4240 x 2832 | 
| Maximum native ISO | 12800 | 102400 | 
| Maximum enhanced ISO | 51200 | 409600 | 
| Minimum native ISO | 125 | 80 | 
| RAW files | ||
| Minimum enhanced ISO | 64 | 50 | 
| Autofocusing | ||
| Focus manually | ||
| Touch to focus | ||
| Continuous AF | ||
| Single AF | ||
| AF tracking | ||
| Selective AF | ||
| Center weighted AF | ||
| AF multi area | ||
| AF live view | ||
| Face detect focusing | ||
| Contract detect focusing | ||
| Phase detect focusing | ||
| Total focus points | 425 | 759 | 
| Lens | ||
| Lens support | Fujifilm X | Sony E | 
| Total lenses | 82 | 121 | 
| Focal length multiplier | 1.5 | 1 | 
| Screen | ||
| Range of display | Fully Articulated | Fully articulated | 
| Display size | 3.00" | 3" | 
| Display resolution | 1,620 thousand dot | 1,440 thousand dot | 
| Selfie friendly | ||
| Liveview | ||
| Touch function | ||
| Viewfinder Information | ||
| Viewfinder type | Electronic | Electronic | 
| Viewfinder resolution | 5,760 thousand dot | 9,440 thousand dot | 
| Viewfinder coverage | 100% | 100% | 
| Viewfinder magnification | 0.8x | 0.91x | 
| Features | ||
| Minimum shutter speed | 30 seconds | 30 seconds | 
| Fastest shutter speed | 1/8000 seconds | 1/8000 seconds | 
| Fastest quiet shutter speed | 1/180000 seconds | - | 
| Continuous shutter speed | 15.0fps | 10.0fps | 
| Shutter priority | ||
| Aperture priority | ||
| Manual exposure | ||
| Exposure compensation | Yes | Yes | 
| Change WB | ||
| Image stabilization | ||
| Inbuilt flash | ||
| Flash distance | no built-in flash | no built-in flash | 
| Flash options | no built-in flash | no built-in flash | 
| External flash | ||
| AEB | ||
| White balance bracketing | ||
| Fastest flash sync | 1/250 seconds | - | 
| Exposure | ||
| Multisegment exposure | ||
| Average exposure | ||
| Spot exposure | ||
| Partial exposure | ||
| AF area exposure | ||
| Center weighted exposure | ||
| Video features | ||
| Video resolutions | 8192 x 4320 @ 30p | 3840 x 2160 @ 120p / 280 Mbps, XAVC S, MP4, H.265, Linear PCM 3840 x 2160 @ 100p / 280 Mbps, XAVC S, MP4, H.265, Linear PCM 3840 x 2160 @ 60p / 200 Mbps, XAVC S, MP4, H.265, Linear PCM 3840 x 2160 @ 50p / 200 Mbps, XAVC S, MP4, H.265, Linear PCM 3840 x 2160 @ 30p / 140 Mbps, XAVC S, MP4, H.265, Linear PCM 3840 x 2160 @ 25p / 140 Mbps, XAVC S, MP4, H.265, Linear PCM 3840 x 2160 @ 24p / 100 Mbps, XAVC S, MP4, H.265, Linear PCM 1920 x 1080 @ 120p / 100 Mbps, XAVC S, MP4, H.264, Linear PCM 1920 x 1080 @ 100p / 100 Mbps, XAVC S, MP4, H.264, Linear PCM 1920 x 1080 @ 60p / 50 Mbps, XAVC S, MP4, H.264, Linear PCM 1920 x 1080 @ 50p / 50 Mbps, XAVC S, MP4, H.264, Linear PCM 1920 x 1080 @ 25p / 50 Mbps, XAVC S, MP4, H.264, Linear PCM 1920 x 1080 @ 24p / 50 Mbps, XAVC S, MP4, H.264, Linear PCM | 
| Maximum video resolution | 7680x4320 | 3840x2160 | 
| Video data format | MPEG-4, H.264, H.265 | MPEG-4, XAVC S, XAVC HS, XAVC S-1, H.264, H.265 | 
| Mic jack | ||
| Headphone jack | ||
| Connectivity | ||
| Wireless | Built-In | Built-In | 
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 3.2 Gen 2 (10 GBit/sec) | USB 3.2 Gen 1 (5 GBit/sec) | 
| GPS | None | None | 
| Physical | ||
| Environmental seal | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 660 gr (1.46 lb) | 699 gr (1.54 lb) | 
| Physical dimensions | 136 x 93 x 95mm (5.4" x 3.7" x 3.7") | 129 x 97 x 81mm (5.1" x 3.8" x 3.2") | 
| DXO scores | ||
| DXO Overall rating | not tested | 85 | 
| DXO Color Depth rating | not tested | 23.6 | 
| DXO Dynamic range rating | not tested | 13.3 | 
| DXO Low light rating | not tested | 2993 | 
| Other | ||
| Battery life | 680 shots | 600 shots | 
| Battery form | Battery Pack | Battery Pack | 
| Battery ID | NP-W235 | NP-FZ100 | 
| Self timer | Yes | Yes (2 or 10 sec; continuous (3 or 5 exposures)) | 
| Time lapse feature | With downloadable app | |
| Type of storage | 1x CFexpress Type B, 1x UHS-II SD | Dual SD/CFexpress Type A slots | 
| Storage slots | Dual | Dual | 
| Retail pricing | $1,999 | $3,499 |