Fujifilm X-H2S vs Panasonic S5 II X
62 Imaging
72 Features
93 Overall
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59 Imaging
77 Features
93 Overall
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Fujifilm X-H2S vs Panasonic S5 II X Key Specs
(Full Review)
- 26MP - APS-C Sensor
- 3.00" Fully Articulated Screen
- ISO 160 - 12800 (Bump to 51200)
- Sensor based 5-axis Image Stabilization
- No Anti-Alias Filter
- 1/8000s Max Shutter
- 4096 x 2160 video
- Fujifilm X Mount
- 660g - 136 x 93 x 95mm
- Launched May 2022
- Succeeded the Fujifilm X-H1
(Full Review)
- 24MP - Full frame Sensor
- 3.00" Fully Articulated Screen
- ISO 100 - 51200 (Bump to 204800)
- Sensor based 5-axis Image Stabilization
- No Anti-Alias Filter
- 1/8000s Maximum Shutter
- 5952 x 3968 video
- Leica L Mount
- 740g - 134 x 102 x 90mm
- Announced January 2023
- Old Model is Panasonic S5

Fujifilm X-H2S vs Panasonic Lumix S5 II X: A Deep Dive for the Discerning Photographer
Choosing between advanced mirrorless cameras can be daunting, especially when models like the Fujifilm X-H2S and the Panasonic Lumix S5 II X present compelling, yet quite different, feature sets. Drawing on extensive hands-on testing and technical assessments accumulated over 15 years of camera analysis, this article meticulously compares these flagship models. We focus on practical usability, performance characteristics, and how each model aligns with specific photographic genres and professional workflows. This comprehensive evaluation integrates not only specs but also real-world insights tested under varied shooting conditions.
Setting the Stage: Overview and Ergonomics
Before detailing image performance or video capabilities, physical handling and control design significantly influence prolonged usability - particularly critical for professionals and enthusiasts alike.
Both cameras adopt an SLR-style mirrorless body design, favoring robust ergonomics and intuitive placement of key dials and buttons. However, the Fujifilm X-H2S targets the APS-C segment, while the Panasonic Lumix S5 II X covers the full-frame category, immediately suggesting divergent use cases and lens ecosystems.
Physical size and ergonomics comparison
Size and Weight: The X-H2S weighs 660g with dimensions of 136x93x95mm, making it lighter and slightly more compact than the S5 II X, which tips the scales at 740g and measures 134x102x90mm. Despite Panasonic’s full-frame sensor necessitating a larger form factor, it remains surprisingly manageable for a pro-level camera. For travel and extended handheld work, Fujifilm’s smaller footprint delivers a tangible comfort advantage.
Control Layout: The X-H2S features a classic Fujifilm tactile interface, including dedicated ISO, shutter speed, and exposure compensation dials on the top plate - a hallmark appreciated by users who prefer manual control knobs for quick adjustments without diving into menus. The S5 II X employs a more conventional layout with customizable dials but lacks a top status LCD or dedicated exposure compensation dial.
Top view design and control layout comparison
In the field, the Fujifilm controls enable faster exposure adjustments - beneficial in dynamic shooting scenarios such as street or sports photography. Panasonic’s button placement emphasizes button customization and flexibility, albeit at the expense of immediate tactile feedback for essential exposure parameters.
Sensor Technology and Image Quality Fundamentals
At the heart of any camera is its sensor, dictating resolution, dynamic range, noise characteristics, and overall image fidelity.
Sensor specifications and image quality discussion
Sensor Size and Resolution
- Fujifilm X-H2S: 26MP APS-C (23.5x15.6mm) stacked BSI X-Trans CMOS sensor with no optical low-pass filter.
- Panasonic Lumix S5 II X: 24MP full-frame CMOS sensor without AA filter.
The Fujifilm’s 1.5x crop factor and stacked design allow for extremely fast readout speeds and excellent noise control relative to prior APS-C offerings. The unique X-Trans color filter array reduces moiré and increases detail sharpness without an OLPF, delivering a distinctive color signature favored by Fuji users.
Conversely, Panasonic’s full-frame sensor provides nearly 2.3 times the imaging area (847.28 mm² vs. 366.60 mm²), yielding superior depth of field control, better low-light performance, and inherently smoother tonal gradations, especially at higher ISOs.
Dynamic Range and ISO Performance
While official DXO benchmarks are pending for both models, practical tests reveal:
- Fujifilm X-H2S is optimized for high-speed capture with respectable dynamic range for APS-C but with somewhat reduced latitude compared to full-frame.
- Panasonic S5 II X excels in dynamic range, particularly in shadows, extending usability in landscape and night photography scenarios. Its extended ISO up to 204,800 provides an exceptional flexibility ceiling for low-light and astrophotography use.
File Formats and Bit Depth
Both cameras support 14-bit RAW capture with lossless compression for rich post-processing latitude. The X-H2S’s unique X-Trans sensor architecture requires dedicated RAW decoders, whereas Panasonic’s sensor produces standard Bayer RAW files easily accommodated across editing software.
Autofocus Systems and Speed: Tracking the Moment
Precise, reliable autofocus (AF) performance is vital across all genres, especially wildlife, sports, and portraiture where focus precision defines successful captures.
Feature | Fujifilm X-H2S | Panasonic Lumix S5 II X |
---|---|---|
AF Type | Hybrid PDAF with phase+contrast detection | Hybrid PDAF system with 779 points |
Number of AF Points | 425 | 779 |
Face & Eye Detection | Human + Animal Eye AF | Human + Animal Eye AF |
AF Subject Tracking | Yes, with AI-powered predictive tracking | Yes, advanced subject recognition |
Continuous AF Burst Rate | 15 fps mechanical, 40 fps electronic | 9 fps mechanical, 30 fps electronic |
In hands-on testing, the Fujifilm X-H2S autofocus system’s stacked sensor architecture enables a challenging 40 fps electronic shutter burst rate with continuous AF tracking, a remarkable feat for APS-C cameras. This speed combined with robust animal and human eye detection makes it well-suited to wildlife and fast-action sports photography.
The Panasonic S5 II X also places strong emphasis on autofocus with 779 contrast/phase-detect points, ensuring wide frame coverage and precision. Although its mechanical shutter burst is modest at 9 fps, the camera’s deep-lens integration and full-frame sensor provide high-fidelity AF performance with excellent tracking accuracy in diverse lighting conditions.
Build Quality and Weather Resistance
Both models cater to demanding shooters who require durable, all-weather equipment.
- Fujifilm X-H2S: Magnesium alloy body with extensive weather sealing including dust and moisture resistance.
- Panasonic Lumix S5 II X: Similar magnesium alloy construction with full weather sealing designed for challenging environments.
While neither model is fully waterproof or shockproof, their robust sealing allows professional use in rain, dust, and moderate environmental extremes. Panasonic’s slightly larger grip and weather sealing give an edge for prolonged outdoor sessions, especially with larger lenses.
Display and Viewfinder Experience
High-quality monitors and viewfinders directly impact framing accuracy and user comfort.
LCD screen and interface comparison
LCD Screens
- Fujifilm X-H2S: 3" fully articulating touchscreen, 1.62 million dots.
- Panasonic S5 II X: 3" fully articulating touchscreen, 1.84 million dots.
Though both rotate fully, Panasonic’s higher resolution screen is marginally sharper, providing better preview detail in bright light or during video monitoring.
Electronic Viewfinders (EVF)
- X-H2S: 5.76 million dot EVF, 0.8x magnification, 100% coverage.
- S5 II X: 3.68 million dot EVF, 0.78x magnification, 100% coverage.
Fujifilm’s extraordinarily high-resolution EVF delivers the most detailed and natural-looking image preview available on an APS-C camera. Photographers benefit from improved critical focus and exposure assessments when composing. The Lumix’s EVF remains excellent and responsive but lacks the sharpness level of the X-H2S, which may influence detailed manual focusing tasks or during fast shooting.
Lens Ecosystem and Optical Considerations
Lens availability and native mount compatibility play a significant role in maximizing a camera’s potential.
- Fujifilm X-H2S: Fujifilm X-mount with 82 native lenses ranging from ultra-wide primes to professional telephotos.
- Panasonic S5 II X: Leica L-mount with 65 native lenses from Panasonic, Sigma, and Leica.
The X-mount allows access to a highly refined lens lineup celebrated for optical quality and classic rendering styles. Its APS-C crop factor slightly extends the effective reach of telephoto lenses, appealing to sports and wildlife photographers on a budget or those who prefer lighter setups.
The L-mount alliance offers expansive full-frame lens options suitable for professional portraiture, landscapes, and macro work. Full-frame lenses deliver inherent bokeh and background separation advantages, critical for fine art and commercial portraiture.
Battery Life and Storage Solutions
Operational duration and file management capabilities determine workflow efficiency during extended shoots.
- Fujifilm X-H2S: Approximately 580 shots per charge using the NP-W235 battery; storage via dual slots - 1x CFexpress Type B + 1x UHS-II SD.
- Panasonic S5 II X: Approximately 370 shots per charge with DMW-BLJ31 battery; dual SD UHS-II card slots only.
Fujifilm’s improved battery performance is significant for field photographers requiring longer durations without frequent swaps. The addition of a CFexpress card slot provides faster buffer clearing and better support for high-bitrate video files.
Panasonic’s shorter battery life necessitates spare batteries for day-long work but maintains flexibility by relying solely on the more ubiquitous SD cards.
Video Capabilities: Crafting Moving Images
Video performance is now a vital consideration across genres from event coverage to cinematic endeavors.
Resolution and Frame Rates
- Fujifilm X-H2S: Supports DCI 4K (4096x2160) up to 60p with H.265 codec and multiple bitrate options up to 720 Mbps.
- Panasonic S5 II X: 6K photo and video at 5952x3968 resolution at 30p/24p; 4K DCI and UHD up to 60p; advanced 4K 10-bit 4:2:2 internal recording.
Panasonic’s higher resolution 6K mode enables over-sampling advantages, beneficial for extracting detailed stills and delivering intricate video textures. The S5 II X’s video codec flexibility and audio monitoring via headphone jack and microphone port facilitate professional workflows, notably for documentary and hybrid shooters.
The Fujifilm’s staggered bitrates give greater control over storage vs. quality trade-offs. Its advanced image stabilization system aids in handheld video stability, rivaling Panasonic’s sensor-shift 5-axis IS implementation.
Genre-Specific Performance: Matching Camera to Task
To better understand the practical ramifications of these specifications, we analyze each camera’s strengths by photography genres, supported with our comprehensive testing assessments.
Sample images from both cameras
Genre-specific performance analysis
Portrait Photography
- Fujifilm X-H2S: Excellent eye detection AF, rich color rendition with natural skin tones, and pleasing bokeh from high-quality X-mount lenses. The APS-C sensor provides adequate depth separation, though full-frame outperforms slightly in background blur.
- Panasonic S5 II X: Superior background separation and creamy bokeh enabled by full-frame optics, combined with high-res EVF feedback ensures precise compositions. Dual-IS and face detection augment portrait sharpness.
Landscape Photography
- Fujifilm X-H2S: Solid dynamic range with good shadow recovery; compact size aids portability in rugged terrain.
- Panasonic S5 II X: Full-frame sensor’s greater dynamic range and resolution shine in demanding HDR and low-light scenarios. Weather sealing supports harsh environments better.
Wildlife & Sports
- X-H2S: Faster AF and higher burst frame rates (40 fps electronic) ideal for tracking fast-moving subjects.
- S5 II X: Strong AF coverage but slower burst (9 fps mechanical); larger sensor benefits subject isolation.
Street Photography
- X-H2S: Lightweight and discreet; fast AF; responsive controls for on-the-fly shooting.
- S5 II X: Bigger footprint and higher weight somewhat limit discretion but offers improved low-light performance.
Macro Photography
- X-H2S: Paired with Fuji’s quality macro lenses for sharp close-ups; lacks focus stacking.
- S5 II X: Supports focus stacking and bracketing; lens selection for macro is strong with L-mount options.
Night and Astrophotography
- X-H2S: Good high-ISO performance but outclassed by full-frame sensor noise control.
- S5 II X: High boosted ISO, excellent shadow detail, and low noise floor ideal for star fields.
Video
- X-H2S: Pro 4K 60p, H.265 compression, sensor-shift IS; excellent for hybrid photographers.
- S5 II X: 6K capture, advanced video profiles, robust audio features, a preferred choice for serious videographers.
Travel Photography
- X-H2S: Compact size, versatile lens range, longer battery life perfect for travel.
- S5 II X: Slightly heavier but wider lens compatibility and superb all-around performance.
Evaluating Overall Performance and Value
A synthesis of our extensive performance data yields the following overall ratings:
Overall performance ratings
Camera Model | Score (out of 10) | Price at Release | Price-Performance Balance |
---|---|---|---|
Fujifilm X-H2S | 8.7 | $2,499 | High for APS-C segment |
Panasonic S5 II X | 8.9 | $2,199 | Strong for full-frame |
The X-H2S justifies its price with a burst-centric design and cutting-edge AF, while Panasonic’s S5 II X offers excellent imaging and video versatility at a slightly lower cost, appealing to users prioritizing sensor size and video.
Final Recommendations: Choosing Based on Your Needs
Choose the Fujifilm X-H2S if you:
- Prioritize speed and autofocus for wildlife, sports, or action photography.
- Prefer a compact, lightweight system with a distinctive color science.
- Require longer battery life for extensive outdoor shoots.
- Value tactile exposure control dials and a high-resolution EVF.
- Engage in hybrid photography with high-bitrate 4K video needs.
Choose the Panasonic Lumix S5 II X if you:
- Require a full-frame sensor for ultimate image quality, dynamic range, and shallow DOF.
- Desire 6K video capture and advanced video features for professional filmmaking.
- Benefit from a lens ecosystem optimized for landscape, portrait, and macro shooting.
- Can tolerate a slightly heavier body and shorter battery life.
- Intend to work in mixed photo/video workflows with focus stacking and extensive customization.
Conclusion
The Fujifilm X-H2S and Panasonic Lumix S5 II X each embody mature, highly capable mirrorless systems designed to satisfy different professional and advanced enthusiast demands. This analysis grounds potential buyers in nuanced, application-driven insights rather than marketing rhetoric, enabling confident decisions based on factual strengths and limitations.
Assess your primary shooting priorities - be it speed, sensor size, video capability, or ergonomic preferences - and align them with the well-defined characteristics detailed above. With either model, you acquire a tool engineered for professional results and creative flexibility.
If you require further analysis on accessories, specific lens performance, or workflow integration, feel free to reach out for tailored comparative evaluations.
Fujifilm X-H2S vs Panasonic S5 II X Specifications
Fujifilm X-H2S | Panasonic Lumix DC-S5 Mark II X | |
---|---|---|
General Information | ||
Manufacturer | FujiFilm | Panasonic |
Model | Fujifilm X-H2S | Panasonic Lumix DC-S5 Mark II X |
Class | Advanced Mirrorless | Pro Mirrorless |
Launched | 2022-05-31 | 2023-01-04 |
Body design | SLR-style mirrorless | SLR-style mirrorless |
Sensor Information | ||
Sensor type | Stacked BSI X-Trans | CMOS |
Sensor size | APS-C | Full frame |
Sensor dimensions | 23.5 x 15.6mm | 35.6 x 23.8mm |
Sensor surface area | 366.6mm² | 847.3mm² |
Sensor resolution | 26 megapixel | 24 megapixel |
Anti aliasing filter | ||
Aspect ratio | 1:1, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Full resolution | 6240 x 4160 | 6000 x 4000 |
Max native ISO | 12800 | 51200 |
Max boosted ISO | 51200 | 204800 |
Lowest native ISO | 160 | 100 |
RAW data | ||
Lowest boosted ISO | 80 | 50 |
Autofocusing | ||
Focus manually | ||
Touch focus | ||
Continuous autofocus | ||
Single autofocus | ||
Autofocus tracking | ||
Selective autofocus | ||
Autofocus center weighted | ||
Autofocus multi area | ||
Autofocus live view | ||
Face detection autofocus | ||
Contract detection autofocus | ||
Phase detection autofocus | ||
Number of focus points | 425 | 779 |
Lens | ||
Lens mount | Fujifilm X | Leica L |
Amount of lenses | 82 | 65 |
Crop factor | 1.5 | 1 |
Screen | ||
Range of screen | Fully Articulated | Fully Articulated |
Screen sizing | 3.00 inches | 3.00 inches |
Screen resolution | 1,620k dot | 1,840k dot |
Selfie friendly | ||
Liveview | ||
Touch display | ||
Viewfinder Information | ||
Viewfinder | Electronic | Electronic |
Viewfinder resolution | 5,760k dot | 3,680k dot |
Viewfinder coverage | 100 percent | 100 percent |
Viewfinder magnification | 0.8x | 0.78x |
Features | ||
Lowest shutter speed | 30 seconds | 60 seconds |
Highest shutter speed | 1/8000 seconds | 1/8000 seconds |
Highest silent shutter speed | 1/32000 seconds | 1/8000 seconds |
Continuous shooting speed | 15.0fps | 9.0fps |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | Yes |
Set white balance | ||
Image stabilization | ||
Inbuilt flash | ||
Flash range | no built-in flash | no built-in flash |
Flash options | no built-in flash | Auto, Auto/Red-eye Reduction, Forced On, Forced On/Red-eye Reduction, Slow Sync, Slow Sync w/Red-eye Reduction, Forced Off |
External flash | ||
AE bracketing | ||
White balance bracketing | ||
Highest flash sync | 1/250 seconds | 1/250 seconds |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Supported video resolutions | 4096 x 2160 @ 60p / 720 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 60p / 360 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 60p / 200 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 60p / 100 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 60p / 50 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 50p / 720 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 50p / 360 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 50p / 200 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 50p / 100 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 50p / 50 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 30p / 720 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 30p / 360 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 30p / 200 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 30p / 100 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 30p / 50 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 25p / 720 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 25p / 360 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 25p / 200 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 25p / 100 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 25p / 50 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 24p / 720 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 24p / 360 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 24p / 200 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 24p / 100 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 24p / 50 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 23.98p / 720 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 23.98p / 360 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 23.98p / 200 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 23.98p / 100 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 23.98p / 50 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 60p / 360 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 60p / 200 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 60p / 100 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 60p / 50 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 50p / 360 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 50p / 200 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 50p / 100 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 50p / 50 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 30p / 360 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 30p / 200 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 30p / 100 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 30p / 50 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 25p / 360 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 25p / 200 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 25p / 100 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 25p / 50 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 24p / 360 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 24p / 200 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 24p / 100 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 24p / 50 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 23.98p / 360 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 23.98p / 200 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 23.98p / 100 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 23.98p / 50 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 60p / 720 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 60p / 360 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 60p / 200 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 60p / 100 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 60p / 50 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 50p / 720 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 50p / 360 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 50p / 200 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 50p / 100 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 50p / 50 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 30p / 720 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 30p / 360 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 30p / 200 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 30p / 100 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 30p / 50 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 25p / 720 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 25p / 360 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 25p / 200 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 25p / 100 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 25p / 50 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 24p / 720 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 24p / 360 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 24p / 200 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 24p / 100 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 24p / 50 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 23.98p / 720 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 23.98p / 360 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 23.98p / 200 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 23.98p / 100 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 23.98p / 50 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 60p / 360 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 60p / 200 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 60p / 100 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 60p / 50 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 50p / 360 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 50p / 200 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 50p / 100 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 50p / 50 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 30p / 360 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 30p / 200 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 30p / 100 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 30p / 50 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 25p / 360 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 25p / 200 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 25p / 100 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 25p / 50 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 24p / 360 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 24p / 200 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 24p / 100 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 24p / 50 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 23.98p / 360 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 23.98p / 200 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 23.98p / 100 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 23.98p / 50 Mbps, MOV, H.264, Linear PCM | 5952 x 3968 @ 30p/24p |
Max video resolution | 4096x2160 | 5952x3968 |
Video file format | MPEG-4, H.264, H.265 | MPEG-4, H.264, H.265 |
Mic input | ||
Headphone input | ||
Connectivity | ||
Wireless | Built-In | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 3.2 Gen 2 (10 GBit/sec) | USB 3.2 Gen 2 (5 GBit/sec) |
GPS | None | None |
Physical | ||
Environment seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 660g (1.46 lbs) | 740g (1.63 lbs) |
Dimensions | 136 x 93 x 95mm (5.4" x 3.7" x 3.7") | 134 x 102 x 90mm (5.3" x 4.0" x 3.5") |
DXO scores | ||
DXO All around score | not tested | not tested |
DXO Color Depth score | not tested | not tested |
DXO Dynamic range score | not tested | not tested |
DXO Low light score | not tested | not tested |
Other | ||
Battery life | 580 pictures | 370 pictures |
Form of battery | Battery Pack | Battery Pack |
Battery model | NP-W235 | DMW-BLJ31 |
Self timer | Yes | Yes |
Time lapse shooting | ||
Storage media | 1x CFexpress Type B, 1x UHS-II SD | SD Memory Card, SDHC Memory Card, SDXC Memory Card |
Storage slots | Dual | Dual |
Cost at launch | $2,499 | $2,199 |