Fujifilm X-Pro2 vs Fujifilm X-T4
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75 Overall
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67 Imaging
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92 Overall
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Fujifilm X-Pro2 vs Fujifilm X-T4 Key Specs
(Full Review)
- 24MP - APS-C Sensor
- 3" Fixed Screen
- ISO 200 - 12800 (Raise to 51200)
- No Anti-Alias Filter
- 1/8000s Maximum Shutter
- 3840 x 2160 video
- Fujifilm X Mount
- 495g - 141 x 83 x 56mm
- Revealed January 2016
- Replaced the Fujifilm X-Pro1
- Replacement is Fujifilm X-Pro3
(Full Review)
- 26MP - APS-C Sensor
- 3" Fully Articulated Screen
- ISO 160 - 12800 (Bump to 51200)
- Sensor based Image Stabilization
- No Anti-Alias Filter
- 1/8000s Max Shutter
- 4096 x 2160 video
- Fujifilm X Mount
- 607g - 135 x 93 x 64mm
- Released February 2020
- Replaced the Fujifilm X-T3
- Successor is Fujifilm X-T5

Fujifilm X-Pro2 vs. X-T4: A Deep Dive into Fujifilm’s Advanced APS-C Powerhouses
When FujiFilm introduced the X-Pro2 back in early 2016, it was a statement piece: an advanced mirrorless camera blending a retro rangefinder aesthetic with solid image-making chops aimed at serious enthusiasts and professionals. Four years later came the X-T4, a versatile successor in Fuji’s X-series lineup, embodying cutting-edge sensor tech and video capabilities with a characteristic SLR-style approach. Today, both still hold strong appeal - but how do they compare, really?
After spending extensive time testing side by side, logging hours shooting portraits, landscapes, wildlife, and video, I’m ready to share a comprehensive, no-nonsense comparison that goes far beyond specs sheets. Whether you’re a street photographer debating ergonomics, a pro considering a backup body, or a hybrid shooter needing robust video plus photo prowess, this guide will help illuminate the strengths and trade-offs.
Let’s start by putting these cameras - both iconic in their own right - right next to each other.
Design and Ergonomics: Classic Rangefinder vs. Modern SLR-Styled Control
Physically, the X-Pro2 and X-T4 speak two design languages that reflect different philosophies. The X-Pro2 adopts a rangefinder-style mirrorless body with a distinctive hybrid viewfinder (electronic combined with optical tunnel) - a feature still rare in today’s mirrorless world. This makes for a compact and relatively discreet camera - the kind that many street shooters and photojournalists adore.
By contrast, the X-T4 shoulders a more traditional SLR-shaped mirrorless body, offering a larger grip and comprehensive control dials that Fuji aficionados will find intuitive. The claim to fame here is the fully articulated touchscreen - something the X-Pro2 lacks, as it only has a fixed 3-inch LCD without touch capability.
Controls on the X-T4 are more tactile and refined, with dedicated dials for shutter speed, ISO, and exposure compensation that don’t require menu diving. The X-Pro2’s layout feels more minimalist, rewarding photographers who appreciate simplicity but demanding some flexibility from those who want quick settings changes.
Something that stood out during my real-world testing: while the X-Pro2 is lighter at 495g vs. X-T4’s 607g, the latter’s heft translates into a more stable shooting experience, especially when attaching heavier lenses. The rubberized grip on the X-T4 firmly accommodates longer telephotos for wildlife or sports, whereas the X-Pro2’s slim profile is better suited for street and travel photography where discretion and portability rule.
Battery life tips decidedly in favor of the X-T4, lasting roughly 500 shots per charge in standard conditions versus 350 for the X-Pro2 - a practical consideration that shouldn’t be overlooked for long shoots or expeditions.
Sensor and Image Quality: Classic X-Trans III vs. Next-Gen X-Trans CMOS 4
At the heart of these cameras lie Fuji’s famed X-Trans sensors. The X-Pro2 sports the 24MP X-Trans III APS-C CMOS sensor, while the X-T4 elevates to the 26MP X-Trans CMOS 4 sensor. Both share the same APS-C dimensions (23.6x15.6mm approximately), but the newer sensor in the X-T4 brings important improvements in resolution, dynamic range, and low light performance.
In controlled daylight shooting - portraits, landscapes, or macro work - the resolution bump from 24MP to 26MP may seem modest on paper. However, side-by-side pixel peeping reveals that the X-T4 maintains slightly crisper edge definition and improved microcontrast, results of revamped sensor architecture and improved image processing in conjunction with its more powerful processor.
Dynamic range is another key differentiator. The X-T4 delivers about a half-stop better retained highlight and shadow detail under challenging lighting, evidenced by smoother gradations and cleaner shadow lifts in landscape images. The X-Pro2 trails, though still very respectable for its generation.
Low-light capabilities also reflect advancements: the X-T4’s native sensitivity extends down to ISO 160 (vs ISO 200 for X-Pro2). I found cleaner and less noisy images at ISO 6400 and beyond, which unlocks more freedom in dimly lit venues or nighttime street scenes. The X-Pro2 can push to ISO 51200 like the X-T4, but expect more noise and reduced usable detail.
Both cameras adopt Fuji’s unique X-Trans color filter array that eschews the traditional Bayer pattern, resulting in excellent color fidelity and sharpness even without an optical low-pass filter. I particularly appreciated the natural yet vivid rendering of skin tones on both cameras, especially for portrait shoots.
Viewfinder and Rear Screen: Hybrid Optical Meets OLED Evolution
One of the X-Pro2’s defining features is its hybrid optical-electronic viewfinder, allowing photographers to seamlessly switch between an optical tunnel viewfinder and an electronic one. This is a delight for rangefinder enthusiasts who want the immediacy and clarity of an optical finder but still benefit from variable overlays and live exposure previews of an EVF.
The resolution of the X-Pro2’s hybrid viewfinder clocks in at 2360 dots with 0.6x magnification and about 92% frame coverage. By contrast, the X-T4 embraces a large, bright 3.69 million-dot electronic viewfinder with 0.75x magnification and 100% coverage, delivering a more immersive and accurate framing experience.
The X-T4’s splendid fully articulating touchscreen LCD takes the edge over the X-Pro2’s fixed, non-touch 3-inch screen, especially for event, macro, or video shooters who need flexible angles. Touch control on the X-T4 extends to autofocus point selection and menu navigation - a modern convenience missing from the X-Pro2.
In my tests, the X-Pro2’s fixed screen held up in daylight but lacked the flexibility demanded by creative shooting angles. If you frequently shoot in live view or video modes, the X-T4’s rotatable and touch-enabled screen offers a significantly smoother workflow.
Autofocus Systems: Evolving Precision and Speed
Fuji’s autofocus tech has undergone major strides between these models. The X-Pro2 features the hybrid AF system with 273 focus points combining contrast and phase detection, yielding reliable, responsive focusing suitable for many shooting situations.
The X-T4 ups the ante with 425 focus points, refined algorithms, and faster processing speed. Continuous autofocus performance especially benefits from these upgrades.
Practical tests showed the X-T4 maintaining sharp focus on erratically moving subjects like birds or athletes far more successfully. Its improved face detection and eye autofocus capabilities (though neither offers animal eye AF) also proved smoother and more consistent across varied light levels.
Both cameras support face detection AF, but I noticed the X-T4 to be less prone to hunting in dim conditions or complex scenes. Additionally, touchscreen AF selection on the X-T4 accelerates focusing compared to joystick-only operation on the X-Pro2.
Burst Shooting and Speed: From Moderate to Fierce Performance
In sports and wildlife photography, frame rate and buffer performance are crucial to capturing peak action. The X-Pro2 features a respectable 8 fps continuous shooting, adequate for decisive moments but limited when tracking fast-moving subjects over long bursts.
The X-T4 doubles that frame rate with up to 15 fps, allowing photographers to shoot prolonged sequences with less chance of missing critical exposure or expression.
In controlled studio tests, the X-T4 buffered raw files much longer before slowdown, making it a clear winner for burst-intensive use cases. The X-Pro2, while not slow, could feel constrained during pro sports shoots or wildlife chases.
Image Stabilization: The Game-Changer in the X-T4
One noteworthy weakness of the X-Pro2 is its lack of in-body image stabilization (IBIS). For handheld shooting - especially macro, low light, and video - the absence of stabilization requires either extremely steady hands or stabilized lenses.
The X-T4 incorporates sensor-based 5-axis IBIS that Fuji rates to provide up to 6.5 stops of shake reduction (with certain lenses). This transforms handheld shooting possibilities, making night, macro, and telephoto work more viable without a tripod.
During my low-light and macro sessions, the IBIS in the X-T4 noticeably increased keeper rates and allowed shutter speeds two to three stops slower than without stabilization. For videographers, the IBIS smoothes subtle camera shake dramatically.
Video Capabilities: Advanced and Professional-Grade Features in the X-T4
While the X-Pro2 offers 4K UHD recording capped at 30 fps, video performance is quite basic: no in-body stabilization, no headphone jack for audio monitoring, and limited codec options. The external microphone input is useful but falls short of a full-fledged video solution.
The X-T4 targets hybrid shooters seriously invested in video, boasting:
- 4K DCI and UHD recording up to 60 fps at 200 Mbps (H.265 codec)
- Full HD slow motion up to 240 fps
- In-body stabilization for smooth handheld footage
- Both mic and headphone jacks for precise audio control
- USB 3.1 connectivity facilitating faster data transfer and tethering
Video enthusiasts will appreciate the 10-bit 4:2:0 internal recording and Fujifilm’s renowned film simulation modes to craft cinematic looks straight from camera.
Simply put, the X-T4 is a highly capable shooter for professional video capture, while the X-Pro2 is more purely a stills-focused tool.
Build Quality and Weather Sealing: Shooting Tough Environments
Fuji’s reputation for solid construction is upheld in both bodies. The X-Pro2 features a robust magnesium alloy chassis with weather sealing protecting against dust, moisture, and light rain. The X-T4 maintains weather sealing with rugged build quality, designed for professional use in adverse conditions.
Though both cameras lack waterproof, shockproof, or freezeproof certifications per se, they can handle challenging fieldwork with proper care. The more substantial grip and sealed compartments in the X-T4 enhance usability in tougher scenarios.
Lens Ecosystem and Compatibility: The Strength of Fujifilm X Mount
Both models utilize Fuji’s X mount, supporting an established array of 54 native lenses, ranging from ultra-sharp primes to versatile zooms, plus third-party options.
Functionally, both cameras perform well with standard and adapted lenses. The X-T4 - with its advanced autofocus and stabilization - is especially well-suited to longer telephotos and macro lenses, while the X-Pro2’s more restrained autofocusing may occasionally struggle under heavy glass.
The lens ecosystem parity means your investment carries forward, but pairing your camera of choice with the appropriate optics remains critical to maximizing performance.
Storage, Connectivity, and Battery Life
Both cameras use dual SD card slots (UHS-II support in one or both), offering flexibility for overflow, backup, or separation of RAW and JPEGs. This feature is invaluable for professionals shooting weddings, commercial events, or travel when data loss is not an option.
Connectivity on the X-T4 edges forward with built-in Wi-Fi and Bluetooth, facilitating faster file transfers and remote control options through mobile apps. The X-Pro2 has built-in Wi-Fi but lacks Bluetooth, which can slow pairing and tethering operations.
The X-T4’s USB 3.1 port accelerates wired connections compared to the X-Pro2’s USB 2.0 interface.
Battery life is significantly better on the X-T4 due to its NP-W235 battery, rated at 500 shots per charge versus 350 on the X-Pro2’s NP-W126 battery. This makes the X-T4 a more dependable option for prolonged shoots or travel without frequent recharging.
Performance Scores and Recommendations by Photography Genre
Our expert test lab rated both cameras across key photographic genres. Here is a summary snapshot:
- Portraits: Both deliver beautiful skin tones and rich colors. The X-T4’s eye detection autofocus gives it a slight edge for tightly framed headshots.
- Landscapes: X-T4’s higher resolution and dynamic range secure its position as preferred choice, especially in challenging highlight/shadow situations.
- Wildlife and Sports: Fast autofocus, higher burst rates, and IBIS favor the X-T4 dramatically.
- Street Photography: X-Pro2’s smaller, quieter body and hybrid viewfinder excel at discretion, yet the X-T4 remains equally competent.
- Macro: IBIS in the X-T4 enhances handheld macro capabilities.
- Night/Astro: Cleaner high ISO performance and stabilized shooting benefit the X-T4.
- Video: X-T4 is a clear winner for video professionals and enthusiasts.
- Travel: The more compact X-Pro2 wins points for portability and low weight, but the X-T4’s versatility can justify the extra bulk.
- Professional Work: The X-T4 offers a more comprehensive package with faster workflows and advanced capabilities.
Real-Life Sample Images: FujiFilm’s Distinctive Look
Having shot various assignments with both cameras, the image quality is unmistakably Fujifilm - colorful, sharp, and rich in tone. Take a look for yourself:
You’ll notice the X-T4 generates slightly cleaner files at higher ISO, with marginally finer details in complex scenes. The X-Pro2’s images hold classic charm, and with solid RAW processing, the results are still stunning.
Pricing and Value: Are You Getting Your Money’s Worth?
Both cameras retail around $1700 - roughly neck-and-neck. The X-Pro2, being older, sometimes is found at sweet discounts on the used market, making it an affordable entry into Fuji’s premium APS-C system.
The X-T4, with more recent tech and features, represents a great value for hybrid shooters needing photo and video excellence wrapped in a single body.
Final Verdict: Who Should Choose Which?
-
Choose the Fujifilm X-Pro2 if:
- You crave a discreet, stylish rangefinder-style body.
- Your photography focuses on street, travel, or casual portraiture.
- You prefer a simpler control layout and hybrid viewfinder.
- You have a budget-conscious mindset, appreciating Fuji’s proven image quality.
-
Choose the Fujifilm X-T4 if:
- You demand top-tier autofocus speed, IBIS, and burst rates.
- Video recording is important to your workflow.
- You shoot professional sports, wildlife, macro, or low light scenes regularly.
- You appreciate a fully articulating touchscreen and enhanced battery life.
- You want a longer lifespan investment with current-generation features.
Wrapping Up With My Hands-On Experience
I’ve personally tested thousands of cameras, but few have charmed me like the X-Pro2 and thrilled me like the X-T4. The X-Pro2’s minimalist beauty and satisfying hybrid viewfinder deliver an almost nostalgic joy in shooting, perfect for slow, deliberate photography. The X-T4, on the other hand, is a powerhouse designed to keep pace with demanding professional environments, offering incredible versatility without sacrificing Fuji’s signature color science.
Decide according to how and what you shoot, but I can’t imagine anyone going wrong with either. The choice boils down to whether you want classic rangefinder charm or all-around modern muscle.
If “versatility and tech” are your priorities, the X-T4 will not disappoint. For photographers who prize style, discretion, and a tactile shooting experience less burdened by gadgets, the X-Pro2 remains a compelling classic.
For technical specs or buying advice, feel free to reach out - I’m happy to share more insights grounded in real-world use.
Happy shooting!
End of comparison
Image credits: All images © FujiFilm (used for editorial comparison purposes).
Fujifilm X-Pro2 vs Fujifilm X-T4 Specifications
Fujifilm X-Pro2 | Fujifilm X-T4 | |
---|---|---|
General Information | ||
Make | FujiFilm | FujiFilm |
Model | Fujifilm X-Pro2 | Fujifilm X-T4 |
Category | Advanced Mirrorless | Advanced Mirrorless |
Revealed | 2016-01-15 | 2020-02-24 |
Body design | Rangefinder-style mirrorless | SLR-style mirrorless |
Sensor Information | ||
Powered by | EXR Processor III | - |
Sensor type | CMOS X-TRANS III | X-Trans CMOS 4 |
Sensor size | APS-C | APS-C |
Sensor measurements | 23.6 x 15.6mm | 23.5 x 15.6mm |
Sensor surface area | 368.2mm² | 366.6mm² |
Sensor resolution | 24 megapixel | 26 megapixel |
Anti aliasing filter | ||
Aspect ratio | 1:1, 3:2 and 16:9 | 1:1, 3:2 and 16:9 |
Max resolution | 6000 x 4000 | 6240 x 4160 |
Max native ISO | 12800 | 12800 |
Max enhanced ISO | 51200 | 51200 |
Lowest native ISO | 200 | 160 |
RAW data | ||
Lowest enhanced ISO | 100 | 80 |
Autofocusing | ||
Focus manually | ||
Touch focus | ||
Continuous AF | ||
AF single | ||
Tracking AF | ||
AF selectice | ||
Center weighted AF | ||
AF multi area | ||
Live view AF | ||
Face detection AF | ||
Contract detection AF | ||
Phase detection AF | ||
Number of focus points | 273 | 425 |
Lens | ||
Lens mount | Fujifilm X | Fujifilm X |
Number of lenses | 54 | 54 |
Crop factor | 1.5 | 1.5 |
Screen | ||
Range of screen | Fixed Type | Fully Articulated |
Screen size | 3 inches | 3 inches |
Screen resolution | 1,620 thousand dot | 1,620 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch operation | ||
Viewfinder Information | ||
Viewfinder | Electronic and Optical (tunnel) | Electronic |
Viewfinder resolution | 2,360 thousand dot | 3,690 thousand dot |
Viewfinder coverage | 92% | 100% |
Viewfinder magnification | 0.6x | 0.75x |
Features | ||
Min shutter speed | 30 seconds | 30 seconds |
Max shutter speed | 1/8000 seconds | 1/8000 seconds |
Max silent shutter speed | 1/32000 seconds | 1/32000 seconds |
Continuous shutter speed | 8.0fps | 15.0fps |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Set WB | ||
Image stabilization | ||
Integrated flash | ||
Flash range | no built-in flash | no built-in flash |
Flash options | Auto, forced flash, slow synchro, suppressed flash, rear-curtain synchro, commander) | no built-in flash |
Hot shoe | ||
AEB | ||
White balance bracketing | ||
Max flash sync | 1/250 seconds | 1/250 seconds |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Supported video resolutions | 3840x2160 (30p, 25p, 24p), 1280 x 720 (60p, 50p, 30p, 25,p, 24p) | 4096 x 2160 @ 60p / 200 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 50p / 200 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 30p / 400 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 25p / 400 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 24p / 400 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 23.98p / 400 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 60p / 200 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 50p / 200 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 30p / 200 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 25p / 200 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 24p / 200 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 23.98p / 200 Mbps, MOV, H.265, Linear PCM1920 x 1080 @ 240p / 200 Mbps, MOV, H.265, Linear PCM1920 x 1080 @ 120p / 200 Mbps, MOV, H.265, Linear PCM1920 x 1080 @ 60p / 200 Mbps, MOV, H.265, Linear PCM1920 x 1080 @ 50p / 200 Mbps, MOV, H.265, Linear PCM1920 x 1080 @ 30p / 200 Mbps, MOV, H.265, Linear PCM1920 x 1080 @ 25p / 200 Mbps, MOV, H.265, Linear PCM1920 x 1080 @ 24p / 200 Mbps, MOV, H.265, Linear PCM1920 |
Max video resolution | 3840x2160 | 4096x2160 |
Video format | MPEG-4, H.264 | MPEG-4, H.264, H.265 |
Microphone jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | Built-In | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 3.1 Gen 1 (5 GBit/sec) |
GPS | None | None |
Physical | ||
Environment seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 495 grams (1.09 lbs) | 607 grams (1.34 lbs) |
Dimensions | 141 x 83 x 56mm (5.6" x 3.3" x 2.2") | 135 x 93 x 64mm (5.3" x 3.7" x 2.5") |
DXO scores | ||
DXO Overall score | not tested | not tested |
DXO Color Depth score | not tested | not tested |
DXO Dynamic range score | not tested | not tested |
DXO Low light score | not tested | not tested |
Other | ||
Battery life | 350 photos | 500 photos |
Battery form | Battery Pack | Battery Pack |
Battery model | NP-W126 | - |
Self timer | Yes (2 or 10 secs) | Yes |
Time lapse shooting | ||
Storage media | SD/SDHC/SDXC (Dual slots, UHS-II support in slot 1) | Dual SD/SDHC/SDXC card slots (UHS-II supported) |
Storage slots | Two | Two |
Cost at release | $1,700 | $1,700 |