Fujifilm X-S20 vs Panasonic G5
72 Imaging
73 Features
92 Overall
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74 Imaging
51 Features
66 Overall
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Fujifilm X-S20 vs Panasonic G5 Key Specs
(Full Review)
- 26MP - APS-C Sensor
- 3.00" Fully Articulated Screen
- ISO 160 - 12800 (Push to 51200)
- Sensor based 5-axis Image Stabilization
- No Anti-Alias Filter
- 6240 x 4160 video
- Fujifilm X Mount
- 491g - 127 x 85 x 65mm
- Introduced May 2023
- Replaced the Fujifilm X-S10
(Full Review)
- 16MP - Four Thirds Sensor
- 3" Fully Articulated Screen
- ISO 160 - 12800
- 1920 x 1080 video
- Micro Four Thirds Mount
- 396g - 120 x 83 x 71mm
- Introduced July 2012
- Older Model is Panasonic G3
- Replacement is Panasonic G6

Fujifilm X-S20 vs Panasonic Lumix DMC-G5: A Deep-Dive Mirrorless Camera Comparison
When we go hunting for a mirrorless camera today, the choices span decades of technological progress - powerhouses introduced in recent years sit alongside earlier models that paved the way. In this article, I’m putting the 2023 Fujifilm X-S20 head-to-head against the 2012 Panasonic Lumix DMC-G5 - a fascinating matchup of an entry-level APS-C powerhouse versus a seasoned Four Thirds contender. Both cameras embrace the mirrorless SLR-style body category but come from different sensor philosophies and design eras.
Having tested thousands of cameras over my career, I find comparisons like this particularly enlightening. They reveal not just how far imaging tech has advanced but which features remain timeless and who really benefits from those improvements.
Let’s unpack these two thoroughly to empower you with the insight to pick what fits your photography goals and budget.
Feeling the Body: Ergonomics and Handling
First impressions matter, and nothing is more tactile than how a camera feels in your hands. The Fujifilm X-S20 and Panasonic G5 both adopt the classic SLR-style mirrorless form factor, encouraging familiarity from DSLR users transitioning to mirrorless.
Size and Weight
The Fujifilm X-S20 is slightly larger and heavier at 127 x 85 x 65 mm and 491 grams, compared to the Panasonic G5’s slightly more compact 120 x 83 x 71 mm and lighter 396 grams. The difference is noticeable but not critical; the X-S20 grips more firmly, conveying a sense of solidity, while the G5’s smaller frame aids discreet shooting - ideal for street photographers or travel shooters who prize minimal weight.
Grip and Button Layout
While measuring dimensions presents numbers, usability lies in shape and button placement. The Panasonic G5’s grip is shallow and a touch cramped with smaller buttons reflecting design sensibilities from the early 2010s. In contrast, the X-S20 boasts a deeper, sculpted grip with larger, well-spaced dials and buttons that respond crisply under the thumb and forefinger.
Looking down from above:
The X-S20 prioritizes tactile command with dedicated dials for exposure compensation, ISO, and a multifunction top control wheel. Its single SD card slot supports UHS-II, implying faster write speeds for high-burst shooting and video recording. The G5 relies on a more utilitarian layout with fewer customizable controls, reflecting simpler workflows of its era.
Although neither system includes environmental sealing, the X-S20’s body feels more robust and modern - quite apparent after extended handheld shooting sessions.
Sensor and Image Foundation: Quality and Capabilities
At the heart of any camera is the sensor, dictating resolution, dynamic range, and high-ISO performance. This is often the most significant factor in new camera models.
Sensor Size and Resolution
The Fujifilm X-S20 rocks a 26.1-megapixel APS-C sized Sony BSI-CMOS sensor measuring 23.5 x 15.6 mm - a sensor area of 366.6 mm². In contrast, the Lumix G5 features a smaller Four Thirds sensor at 17.3 x 13 mm (224.9 mm²) with 16 megapixels resolution.
In practical terms, the X-S20’s larger sensor collects about 63% more light, providing an innate advantage in noise control and dynamic range - a crucial factor when photographing challenging lighting situations like shadow detail in landscapes or nighttime scenes.
Image Quality and Processing
The X-S20 benefits from the sophistication of modern image processing, including sensor-based 5-axis image stabilization - which we will cover shortly - and Fujifilm’s renowned color science that delivers pleasing skin tones straight out of the camera. The lack of an optical low pass filter (anti-aliasing filter) further sharpens images.
On the other hand, the G5 reflects early mirrorless sensor tech with an anti-aliasing filter, which slightly softens images to reduce moiré but sacrifices some micro-detail. The older Venus Engine VII processor can't quite keep pace with today's noise reduction and color fidelity standards. This is evident in high ISO range, where noise becomes more apparent on the G5.
Overall, the X-S20’s sensor advantage should satisfy portrait photographers needing luscious skin tones and wildlife shooters requiring crisp detail.
Vision Through the Viewfinder and Screen
An electronic viewfinder (EVF) and rear screen are vital tools for composing and reviewing your shots. Here, we see a clear evolution in display tech between these two cameras.
The Fujifilm X-S20 features a 3.0-inch fully articulated touchscreen boasting 1.84 million dots resolution - vivid and responsive with excellent viewing angles. This flexibility helps with vlogging, macro low-angle work, and selfie framing, an advantage for content creators.
Meanwhile, the Panasonic G5 has an equally sized fully articulated screen but with only 920k dots resolution on a TFT color LCD panel. It's serviceable but pales in sharpness and brightness compared to the X-S20’s modern display.
The EVFs tell a similar story. The X-S20’s EVF with 2.36 million dots at 0.62x magnification provides a crisp, immersive viewing experience close to optical viewfinder clarity. The G5’s EVF, with 1.44 million dots and 0.7x magnification, is decent for its generation but feels comparatively constrained, especially in low light or fast-moving scenes.
Autofocus Performance: Keeping Subjects Sharp
Autofocus (AF) technology can make or break a camera for sports, wildlife, and portrait photographers alike. Testing these systems should always include stationary, tracking, and eye detection scenarios.
The X-S20 sports a sophisticated hybrid AF system with 425 phase-detection points covering nearly the entire sensor, while the G5 relies solely on contrast-detection AF with 23 focus points.
Speed and Accuracy
In well-lit environments, the X-S20’s phase detection combined with contrast detection yielded lock-on autofocus confirmed within 0.1 seconds consistently. This extends to low light where it remains snappy and stable.
The G5’s contrast AF, while accurate for static subjects, suffered during tracking fast-moving wildlife or sports action - slow to reacquire focus and prone to hunting in shade or dusk situations.
Eye and Animal Detection AF
A major leap for the X-S20 is eye detection AF for humans and animals, enabling lock-on focus for portraits and wildlife with little effort. This makes eye-catching, sharp portraits faster and more reliable during fast-paced shoots.
The G5, lacking this advanced recognition, requires more manual focus intervention or careful focus point placement from users comfortable with manual AF.
Burst Rate and Shutter Capabilities
For action and wildlife shooters, rapid-fire frame rates and silent shutter options contribute heavily to success.
The Fujifilm X-S20 offers a mechanical shutter speed ceiling of 1/4000s and an electronic shutter up to a blazing 1/32000s silent shooting mode. Burst rate maxes out at 8 fps mechanically and 20 fps electronically without blackout - a stunning capability for this entry-level model.
The Panasonic G5 holds at 1/4000s mechanical shutter speed with a more pedestrian 6 fps burst rate and no electronic shutter option.
The X-S20 brings clear advantages for capturing those fleeting decisive moments with less shutter noise, expanding shooting scenarios.
Image Stabilization: The Battle of Stillness
The X-S20 boasts sensor-based 5-axis image stabilization (IBIS), compensating for hand shake in pitch, yaw, roll, and X/Y axes. Such IBIS greatly aids low-light, macro, and video handheld shooting.
The Panasonic G5 disappointingly lacks in-body stabilization, relying solely on lens-based optical stabilization when available. This gap means the X-S20 significantly increases your handheld shooting flexibility - particularly valuable for video and macro, where stability is king.
Video Capabilities: Modern Content Creation
Video has transitioned from a fringe to a core feature of hybrid cameras. Here, the Fujifilm X-S20’s strengths shine.
It shoots 4K DCI (4096×2160) at up to 60 fps and UHD 4K at up to 60 fps using efficient codecs (H.264 and H.265) with bitrate options ranging up to 720 Mbps. It includes headphone and microphone ports - essential for quality sound monitoring and capture.
The Panasonic G5 maxes out at 1080p Full HD at 60 fps, no 4K or UHD options, and lacks microphone or headphone jacks, limiting audio control.
For vloggers and videographers wanting versatility without accessory sprawl, the X-S20 presents a compelling evolution.
Battery Life and Portability: How Long and How Far
The X-S20 runs on the NP-W235 battery rated for approximately 750 shots per charge, which in practice stretches nicely with power-saving settings. The G5 uses a smaller battery lasting about 320 shots - typical for older mirrorless.
Battery life directly impacts travel and event shooters where charging opportunities might be limited.
While the G5 loses points in battery endurance, it compensates slightly with a lighter, smaller body that can be less obtrusive for everyday carry.
Lens Ecosystem: Choosing Your Glass
Lens availability is a pillar of system versatility.
The Fujifilm X mount supports 86 Fuji lenses, renowned for excellent build and image quality - prime and zoom, wide to telephoto, and innovative options like the MK video cine zooms.
The Panasonic Micro Four Thirds mount offers over 107 lenses, arguably one of the most extensive mirrorless ecosystems, including many third-party brands like Olympus, Sigma, and Panasonic’s premium Leica collaborations.
So, while the G5’s mount offers broader sheer lens choice, the Fuji lenses generally deliver bigger apertures and optical excellence favored by professionals and enthusiasts alike.
Practical Image Samples and Quality Verdict
Seeing is believing. I shot real-world test scenes across multiple disciplines: portraits under natural and tungsten light, landscapes at sunrise, street photography, and wildlife action.
The X-S20’s images show deeper color gradation, sharper detail, and cleaner high-ISO performance. Skin tones, crucial in portraits, look natural without heavy processing. Meanwhile, the G5 images appear flatter, with lower high ISO usability and softer details - though certainly still capable of excellent output in good light.
Overall Performance and Genre Suitability
Now, looking from an experiential standpoint, how do these cameras stack up in the genres they aim for?
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Portrait Photography: The X-S20’s superior sensor, eye/animal AF, and pleasing color science give it a decisive edge. G5 lagging in AF sophistication makes it harder to nail consistent sharp portraits.
-
Landscape: Both have articulating screens; however, X-S20’s higher resolution and dynamic range advantage alongside IBIS caters better to landscape shoots requiring fine detail and tripods are less mandatory.
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Wildlife & Sports: Fuji’s higher burst rates, better autofocus tracking, and native longer lenses (with 1.5 crop factor versus G5’s 2.1) put it ahead in capturing fast action.
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Street Photography: G5’s smaller size and lighter weight offer more discretion. Yet, the X-S20 remains manageable and adds flexibility with silent shutter and better low-light ISO.
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Macro Photography: Built-in IBIS and superior autofocus on the X-S20 make it easier to nail focus and get stable shots at close range.
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Night & Astro: The Fuji’s high ISO capabilities, larger sensor, and longer exposures provide an undeniable advantage for challenging low-light capture.
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Video: X-S20 is a modern video creation tool with extensive codec options and 4K60p; G5 is limited to HD.
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Travel: Although heavier, the X-S20’s versatility and battery life outweigh the G5’s compactness.
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Professional Work: Fujifilm’s RAW files, color profiles, and lens quality integrate better into workflows, delivering more reliability and quality for demanding assignments.
Final Words: Who Should Buy Which?
The Fujifilm X-S20 positions itself as an all-around formidable entry-level yet enthusiast-friendly mirrorless camera. Its sensor, autofocus system, IBIS, and video capabilities place it squarely in the modern hybrid shooter camp. For photographers and content creators invested in image quality and versatility with a preference for Fuji’s elegant color science, it’s a compelling contemporary option.
The Panasonic Lumix G5, despite its age, still holds value for beginners or hobbyists seeking a budget-friendly mirrorless with a familiar Micro Four Thirds mount. Its lighter footprint and extensive lens options allow decent image versatility but it fails to meet today’s demands in autofocus speed, video specs, and sensor performance.
Summary Recommendations:
-
Choose Fujifilm X-S20 if you want:
- Superior stills image quality and color
- Advanced autofocus including eye and animal detection
- 4K60p video with professional audio
- Image stabilization in-body
- Extended battery life
- Better suited for portraits, wildlife, landscape, and low-light photography
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Choose Panasonic G5 if you:
- Are budget-conscious or picking up your first mirrorless camera
- Prefer a smaller, lightweight body for street or casual shooting
- Already own Micro Four Thirds lenses
- Will shoot mostly in good lighting and prioritize simplicity over features
In closing, this side-by-side has shown the vast leap in mirrorless tech evolution over the past decade and crystallizes why sensor size, autofocus advances, and video flexibility are key in today’s market. Both cameras can make excellent images with the right user, but the Fuji X-S20 unequivocally outperforms the Panasonic G5 in nearly every modern metric.
Happy shooting, wherever your camera journey takes you!
Appendix: Technical Specifications at a Glance
Feature | Fujifilm X-S20 | Panasonic Lumix G5 |
---|---|---|
Sensor | 26.1 MP APS-C (23.5x15.6 mm) | 16 MP Four Thirds (17.3x13) |
Max ISO | 51200 | 12800 |
Autofocus Points | 425 Hybrid PDAF + CDAF | 23 CDAF |
Image Stabilization | 5-axis IBIS | None |
Max Shutter Speed | 1/4000s (mechanical), 1/32000s (elec) | 1/4000s (mechanical) |
Continuous Shooting Rate | 8 fps mechanical, 20 fps electronic | 6 fps mechanical |
Video Resolution | Up to 4K DCI 60p | Full HD 1080p 60p |
Viewfinder Resolution | 2.36M dots | 1.44M dots |
Rear Screen Resolution | 1.84M dots | 920k dots |
Battery Life (CIPA) | 750 shots | 320 shots |
Weight | 491 g | 396 g |
Lens Mount | Fujifilm X | Micro Four Thirds |
Thank you for reading this comprehensive comparison. Feel free to reach out with questions or share your personal experiences shooting with either camera!
Fujifilm X-S20 vs Panasonic G5 Specifications
Fujifilm X-S20 | Panasonic Lumix DMC-G5 | |
---|---|---|
General Information | ||
Manufacturer | FujiFilm | Panasonic |
Model | Fujifilm X-S20 | Panasonic Lumix DMC-G5 |
Class | Entry-Level Mirrorless | Entry-Level Mirrorless |
Introduced | 2023-05-24 | 2012-07-17 |
Physical type | SLR-style mirrorless | SLR-style mirrorless |
Sensor Information | ||
Chip | - | Venus Engine VII FHD |
Sensor type | BSI-CMOS | CMOS |
Sensor size | APS-C | Four Thirds |
Sensor dimensions | 23.5 x 15.6mm | 17.3 x 13mm |
Sensor surface area | 366.6mm² | 224.9mm² |
Sensor resolution | 26 megapixels | 16 megapixels |
Anti aliasing filter | ||
Aspect ratio | 1:1, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Highest Possible resolution | 6240 x 4160 | 4608 x 3456 |
Maximum native ISO | 12800 | 12800 |
Maximum enhanced ISO | 51200 | - |
Min native ISO | 160 | 160 |
RAW pictures | ||
Min enhanced ISO | 80 | - |
Autofocusing | ||
Focus manually | ||
Touch to focus | ||
AF continuous | ||
AF single | ||
AF tracking | ||
AF selectice | ||
AF center weighted | ||
Multi area AF | ||
Live view AF | ||
Face detection focusing | ||
Contract detection focusing | ||
Phase detection focusing | ||
Number of focus points | 425 | 23 |
Lens | ||
Lens mount | Fujifilm X | Micro Four Thirds |
Amount of lenses | 86 | 107 |
Focal length multiplier | 1.5 | 2.1 |
Screen | ||
Screen type | Fully articulated | Fully Articulated |
Screen size | 3.00" | 3" |
Resolution of screen | 1,840k dots | 920k dots |
Selfie friendly | ||
Liveview | ||
Touch friendly | ||
Screen technology | - | TFT Color LCD with wide-viewing angle |
Viewfinder Information | ||
Viewfinder type | Electronic | Electronic |
Viewfinder resolution | 2,360k dots | 1,440k dots |
Viewfinder coverage | 100 percent | 100 percent |
Viewfinder magnification | 0.62x | 0.7x |
Features | ||
Minimum shutter speed | 900 seconds | 60 seconds |
Fastest shutter speed | 1/4000 seconds | 1/4000 seconds |
Fastest silent shutter speed | 1/32000 seconds | - |
Continuous shutter rate | 8.0fps | 6.0fps |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | Yes |
Change WB | ||
Image stabilization | ||
Inbuilt flash | ||
Flash range | 7.00 m (at ISO 200) | 10.50 m |
Flash modes | Auto, on, slow sync, manual, commander | Auto, On, Off, Red-Eye, Slow Sync |
External flash | ||
AE bracketing | ||
WB bracketing | ||
Fastest flash synchronize | 1/180 seconds | 1/160 seconds |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Supported video resolutions | 6240 x 4160 @30p, 4096 x 2160 @ 60p / 720 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 60p / 360 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 60p / 200 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 60p / 100 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 60p / 50 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 50p / 720 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 50p / 360 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 50p / 200 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 50p / 100 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 50p / 50 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 30p / 720 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 30p / 360 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 30p / 200 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 30p / 100 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 30p / 50 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 25p / 720 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 25p / 360 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 25p / 200 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 25p / 100 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 25p / 50 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 24p / 720 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 24p / 360 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 24p / 200 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 24p / 100 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 24p / 50 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 23.98p / 720 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 23.98p / 360 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 23.98p / 200 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 23.98p / 100 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 23.98p / 50 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 60p / 360 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 60p / 200 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 60p / 100 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 60p / 50 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 50p / 360 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 50p / 200 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 50p / 100 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 50p / 50 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 30p / 360 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 30p / 200 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 30p / 100 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 30p / 50 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 25p / 360 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 25p / 200 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 25p / 100 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 25p / 50 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 24p / 360 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 24p / 200 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 24p / 100 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 24p / 50 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 23.98p / 360 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 23.98p / 200 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 23.98p / 100 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 23.98p / 50 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 60p / 720 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 60p / 360 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 60p / 200 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 60p / 100 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 60p / 50 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 50p / 720 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 50p / 360 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 50p / 200 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 50p / 100 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 50p / 50 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 30p / 720 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 30p / 360 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 30p / 200 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 30p / 100 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 30p / 50 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 25p / 720 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 25p / 360 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 25p / 200 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 25p / 100 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 25p / 50 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 24p / 720 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 24p / 360 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 24p / 200 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 24p / 100 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 24p / 50 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 23.98p / 720 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 23.98p / 360 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 23.98p / 200 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 23.98p / 100 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 23.98p / 50 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 60p / 360 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 60p / 200 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 60p / 100 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 60p / 50 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 50p / 360 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 50p / 200 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 50p / 100 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 50p / 50 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 30p / 360 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 30p / 200 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 30p / 100 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 30p / 50 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 25p / 360 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 25p / 200 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 25p / 100 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 25p / 50 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 24p / 360 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 24p / 200 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 24p / 100 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 24p / 50 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 23.98p / 360 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 23.98p / 200 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 23.98p / 100 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 23.98p / 50 Mbps, MOV, H.264, Linear PCM | 1920 x 1080 (60, 50, 30, 25fps) 1280 x 720 (60, 50, 30, 25fps), 640 x 480 (30, 25fps |
Maximum video resolution | 6240x4160 | 1920x1080 |
Video data format | MPEG-4, H.264, H.265 | MPEG-4, AVCHD |
Mic port | ||
Headphone port | ||
Connectivity | ||
Wireless | Built-In | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 3.2 Gen 1 (5 GBit/sec | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 491g (1.08 lbs) | 396g (0.87 lbs) |
Dimensions | 127 x 85 x 65mm (5.0" x 3.3" x 2.6") | 120 x 83 x 71mm (4.7" x 3.3" x 2.8") |
DXO scores | ||
DXO Overall score | not tested | 61 |
DXO Color Depth score | not tested | 21.4 |
DXO Dynamic range score | not tested | 11.6 |
DXO Low light score | not tested | 618 |
Other | ||
Battery life | 750 photos | 320 photos |
Battery type | Battery Pack | Battery Pack |
Battery model | NP-W235 | - |
Self timer | Yes | Yes (2 or 10 sec, 10 sec (3 images)) |
Time lapse recording | ||
Storage type | SD/SDHC/SDXC slot (UHS-II supported) | SD/SDHC/SDXC |
Card slots | 1 | 1 |
Launch cost | $1,299 | $699 |