Fujifilm X-T1 vs Fujifilm X-T2
79 Imaging
58 Features
76 Overall
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76 Imaging
66 Features
79 Overall
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Fujifilm X-T1 vs Fujifilm X-T2 Key Specs
(Full Review)
- 16MP - APS-C Sensor
- 3" Tilting Display
- ISO 200 - 6400 (Expand to 51200)
- 1920 x 1080 video
- Fujifilm X Mount
- 440g - 129 x 90 x 47mm
- Introduced April 2014
- Refreshed by Fujifilm X-T2
(Full Review)
- 24MP - APS-C Sensor
- 3.2" Tilting Display
- ISO 200 - 12800 (Bump to 51200)
- No Anti-Alias Filter
- 1/8000s Maximum Shutter
- 3840 x 2160 video
- Fujifilm X Mount
- 507g - 133 x 92 x 49mm
- Released July 2016
- Old Model is Fujifilm X-T1
- Replacement is Fujifilm X-T3

Fujifilm X-T1 vs X-T2: A Hands-On Comparative Review for Enthusiast and Pro Photographers
In the realm of APS-C mirrorless cameras, the Fujifilm X-T line has long been a favorite for photographers looking for an expressive blend of retro styling, robust build quality, and compelling image quality. The leap from the Fujifilm X-T1 to the X-T2 was eagerly anticipated - blazing improvements across sensors, autofocus, and video promised an evolution that many hoped would stand the test of time.
Having tested both extensively across dozens of scenarios - from quiet street moments to fast-paced wildlife action to intricate macro shoots - I’m excited to dive deep into the nuanced differences that will help you decide which model fits your photographic ambitions best.
Let's start by grounding ourselves in the physical realities of these cameras before moving through sensors, handling, autofocus prowess, and finally image quality and video capabilities.
Size, Weight, and Ergonomics: Feeling the Fuji Legacy
At first glance - and first handling - both the X-T1 and X-T2 embrace Fujifilm’s characteristic DSLR-like layout, with an obvious nod to classic mechanical controls. But subtle shifts distinguish the two models in your hands.
Physically, the X-T2 is a slightly larger and heavier beast (133 x 92 x 49 mm, 507g) compared to the more compact X-T1 (129 x 90 x 47 mm, 440g). That extra heft in the X-T2 manifests as a reassuring solidity for some, but it breaks the X-T1’s edge in portability, which still impresses newcomers and street shooters who want substance without cumbersome bulk.
The grip on the X-T2 is marginally more pronounced, aiding stability especially when paired with heavier lenses - a welcome ergonomic refinement I’ve experienced during extended shoots. The X-T1’s smaller, flatter grip still feels confident but might leave larger hands wishing for a bit more to clutch.
Controls-wise, both cameras maintain dedicated dials for shutter speed and ISO. However, the X-T2’s buttons have been repositioned for improved reach without compromising the nostalgic dial experience, and the addition of a well-placed focus joystick on the X-T2 (absent on the X-T1) significantly improves autofocus point selection speed - turning what used to be a multi-press ordeal into a near-instant task.
This control refinement pairs with 14fps burst capabilities on the X-T2 (vs. 8fps on the X-T1), which is particularly relevant for sports and wildlife where agility is crucial.
Sensor Technology: From X-Trans II to X-Trans III
At the heart of the X-T2 lies a dramatically improved sensor and processor combo - a jump from Fuji's 16MP X-Trans II CMOS sensor in the X-T1 to a 24MP X-Trans III CMOS sensor in the X-T2. Both sensors measure 23.6 x 15.6 mm, maintaining the APS-C format with a 1.5x crop factor. However, that nominal dash in resolution is just the tip of the iceberg.
The X-Trans III sensor on the X-T2 notably eliminates the optical low-pass filter found on the X-T1, giving its images an inherently sharper look straight from the sensor. Additionally, it includes an upgraded back-illuminated architecture, improving sensitivities and dynamic range.
In real-world testing, the X-T2’s sensor delivers cleaner results at higher ISOs - 12,800 native max ISO with usable files, whereas the X-T1 tops out at 6,400 native ISO before noise starts creeping in aggressively. Both cameras provide boosted ISOs up to 51,200, but the X-T2's superior noise management means you can push it further in difficult lighting without sacrificing detail.
Dynamic range is another area where the X-T2 pulls ahead. Shadows retain more nuance under exposure recovery workflows, giving landscape photographers a wider margin to rescue those dusky corners without muddying the image. The X-T1 held its own back in 2014 but now understandably trails behind modern sensor tech.
The X-T2 trades a slight increase in file size (6000 x 4000 pixels vs 4896 x 3264) for meaningful gains in cropping flexibility, printing sizes, and detail reproduction.
Viewing and User Interface: What Do You See?
Handling continues into what you see during exposure. Both cameras feature eye-level electronic viewfinders (EVFs) at 2.36 million dots - excellent for composing under all but the most extreme lighting. Fujifilm’s EVF rendition is convincing, with nearly 100% coverage and 0.77x magnification on both models.
The rear LCD screens take a modest step forward on the X-T2, growing from a 3.0-inch 1.04 million dot TFT LCD (RGBW layout) to a slightly larger 3.2-inch 1.04 million dot display. Both tilt, but neither cameras offer touchscreen controls, which some may find limiting in 2024 but adheres to Fujifilm’s traditional preferences.
The tilting mechanism on both models is sturdy, aiding shooting at difficult angles for macro or street photographers. Overall, the X-T2’s screen feels fractionally more responsive, and those extra 0.2 inches go a long way to ease of review. Both share the XF lens ecosystem’s deep on-screen information overlays, including histograms, focus peaking, and exposure simulation in live view mode.
Autofocus Performance: Focusing Firepower
Jumping from X-T1 to X-T2 takes autofocus from functional to seriously impressive. Here’s where the X-T2 leaps forward, adding a significant number of phase-detection points - 325 vs. an unknown, more modest set on the X-T1, which relied heavily on contrast detection with some phase elements.
In the field, this translates to dramatically faster and more reliable autofocus, especially in continuous tracking mode. The X-T2 can confidently lock onto moving subjects with far less hunting, a critical advantage for wildlife and sports shooters.
The X-T1’s autofocus remains effective for slow and methodical shooting styles like portraiture or landscapes but struggles in chaotic, fast-moving environments - something my wildlife field tests at dawn highlighted clearly. The X-T2's more sensitive and dense AF array means it keeps eyes sharp even at high frame rates and in poor light.
Face detection autofocus is present on both systems; however, reliable eye detection autofocus is absent from both. This means portrait photographers need to be mindful of focus placement with Fuji’s trusted zone AF rather than fully automatic face/eye recognition seen in some rivals.
The addition of a dedicated joystick on the X-T2 greatly facilitates manual AF point selection. This seemingly small feature reduces missed moments when tracking erratic movement since you can instantly reposition AF points without removing your eye from the viewfinder.
Burst Shooting and Buffer
A key strength of the X-T2 for action shooters is its doubling of continuous shooting speed from 8fps in the X-T1 to 14fps in the X-T2 (with the electronic shutter). That difference can be the difference between catching the perfect frame of a sprint finish or a fleeting bird-in-flight moment.
Buffer depth sees an improvement in the X-T2 as well due to the faster processor and dual UHS-II SD card slots, meaning the camera can sustain high-speed burst shooting longer without stutter or buffer lag.
The X-T1, with a single UHS-II compatible slot and a slower buffer flush, becomes more easily overwhelmed during continuous shooting bursts, which can impact workflow in sports or wildlife sessions.
Build Quality and Weather Resistance: Can They Take a Hit?
Fujifilm cameras are lauded for their solid, rugged designs, and both the X-T1 and X-T2 don’t disappoint. Both feature magnesium alloy chasses with extensive weather sealing that handles dust and light moisture - a boon for landscape and travel photographers undeterred by less-than-ideal conditions.
Neither camera is truly waterproof, shockproof, or freezeproof, but both have temperature tolerances suitable for demanding outdoor use.
While the X-T2 is marginally larger and heavier, the extra mass imparts a substantial feeling of durability without feeling unwieldy.
Lens Ecosystem and Compatibility
Both bodies utilize the Fujifilm X-mount with compatibility for the extensive lineup of 54 native lenses as of this writing, spanning ultra-wide, telephoto, prime, and zoom options. This ecosystem is one of Fuji's biggest selling points, including some of the sharpest APS-C glass made.
Fuji’s lenses have evolved alongside the cameras, with newer options often designed to maximize the high resolution and AF capabilities of the X-T2 sensor.
The lack of in-body image stabilization (IBIS) on both bodies may be a disappointment for video and macro enthusiasts, necessitating lens-based OIS or tripod use for longer shots or slower shutter speeds.
Image Quality in Real-World Use: Portraits, Landscapes, and Beyond
The richer color rendition and improved dynamic range of the X-T2’s 24MP sensor shine in portraits and landscapes. Skin tones on the X-T2 cameras look fuller and more lifelike with less noise at mid to high ISOs - ideal for wedding and studio photographers who demand accurate, flattering hues.
The Fuji film simulation profiles remain a firm favorite. The classic Velvia and Astia simulations reproduce vivid, striking colors on both cameras, with the X-T2’s sharper base sensor augmenting detail.
For landscapes, the X-T2’s dynamic range advantage allows for more extensive post-processing without stepping into ugly noise territory, which we validated by recovering shadow details in bright contrast settings in Yosemite National Park. The X-T1 delivers respectable image quality in good light but is noticeably more constrained under shadow lifting.
Wildlife and Sports: Tracking the Fast and Unforgiving
Testing in an aviary and football practice rang the X-T2’s bells profoundly. The faster, more numerous AF points made tracking a constant stream of waving wings and sprinting athletes far more manageable, paired with the higher frame rate that locks in decisive moments more often.
By contrast, the X-T1 required more patience and button-pressing, often resulting in a few dozen missed potential frames during rapid movement.
Street Photography: Stealth and Portability
For street photographers, the X-T1’s lighter, slightly smaller frame and quieter mechanical shutter offer subtle advantages when discretion is necessary. The X-T2’s louder shutter and increased bulk can be more conspicuous, though it excels in low-light focusing speed.
Macro and Night Photography
Given neither camera features IBIS, macro shooters must rely on tripod techniques or stabilized XF lenses. Both cameras deliver excellent detail with precise manual focus support, but the X-T2’s higher resolution pays dividends at extreme close-ups.
In astro and low-light night environments, the X-T2’s expanded ISO range and cleaner sensor output enable longer exposures with less noise, capturing sharper starfields and more detailed nightscapes.
Video Capabilities: Fuji Joins the 4K Club with the X-T2
Videographers see the largest leap with the X-T2, which upgrades from the X-T1’s Full HD 1080p max (30/60fps) to 4K UHD recording at 30/25/24/23.98 fps. As of 2016, this brought Fuji fully into competing with similarly priced mirrorless cameras with robust video specs.
Both cameras lack in-body image stabilization, and external microphone support exists, but neither has headphone monitoring jacks - a notable shortcoming for serious video production.
The X-T2’s advanced H.264 codec implementations and better processing translate to smoother footage and less rolling shutter distortion.
Connectivity, Storage, and Workflow
Both models have built-in Wi-Fi, allowing image transfer and remote control via Fuji’s app. However, neither offers Bluetooth or NFC, so initial setup can be a little less seamless than competitors.
The X-T2’s dual SD card slots are a professional boon, enabling instant backup or overflow recording - very much appreciated in professional workflows needing file security.
USB interfaces differ notably: the X-T1 has USB 2.0, while the X-T2 upgrades to USB 3.0, substantially increasing tethered download and charging speeds, helping in-studio workflow.
Battery Life and Practical Usage
Curiously, the X-T1 boasted a slightly longer CIPA-rated battery life at 350 shots per charge versus 340 shots on the X-T2, despite the latter's newer battery cell. Real-world testing echoes this: expect marginally less endurance on the X-T2, likely attributable to the brighter screen, more powerful processor, and faster continuous shooting.
Both cameras use Fujifilm’s NP-W126 series batteries, easily swappable in the field. For extended sessions, I recommend investing in spares regardless of model.
Putting It All Together: Strengths, Weaknesses, and Who Should Buy What
Fujifilm X-T1: The Classic Lightweight Contender
Strengths:
- More compact and lighter body
- Excellent color science and image quality for 16MP sensor
- Durable weather sealing and solid build
- Lower price point on the used market today
- Friendly for street photographers and daylight portrait work
Weaknesses:
- Slower, less sophisticated autofocus system
- Lower max ISO and narrower dynamic range
- No 4K video support
- Single SD card slot limits professional workflow redundancy
- Smaller buffer and slower continuous shooting
Fujifilm X-T2: The Advanced All-Rounder
Strengths:
- Higher-resolution 24MP sensor with better dynamic range and low light performance
- Faster 14fps burst and huge AF point upgrade (325 PDAF points)
- 4K UHD video capability
- Dual UHS-II SD card slots for professional redundancy
- Improved ergonomics with joystick and refined control layout
- Better suited to wildlife, sports, and video shooting
Weaknesses:
- Slightly heavier, larger footprint
- Somewhat shorter battery life under demanding use
- No in-body image stabilization
- Price premium at launch and still higher on secondary markets
How Do These Cameras Score Across Photography Genres?
- Portrait: X-T2 edges out with higher resolution and better skin tone fidelity.
- Landscape: Dynamic range advantage favors X-T2 for shadow recovery.
- Wildlife & Sports: X-T2 dominates with autofocus and burst speed.
- Street: X-T1 preferred for compactness and quiet operation.
- Macro: Slight advantage to X-T2 thanks to resolution but no stabilization on either.
- Night/Astro: Cleaner high-ISO of X-T2 leads to improved low-light captures.
- Video: X-T2’s 4K wins hands down.
- Travel: X-T1’s lighter build improves portability, but X-T2 offers more versatility.
- Professional Work: Dual card slots and faster processing give X-T2 a clear lead.
Real-Life Samples: Side-by-Side Image Comparisons
Viewing RAW conversions done with identical presets, the X-T2 consistently delivers more detail and less noise at ISO 3200 and above. Both cameras shine in daylight and low ISO, with Fujifilm’s classic color science intact.
Conclusion: Which Fuji Mirrorless Fits Your Photography?
If you prize a lighter, more discreet body with excellent image quality and are primarily shooting portraits, landscapes, or street photography under controlled lighting, the Fujifilm X-T1 remains a highly capable, budget-friendly option - even as a used camera.
However, if your photographic ambitions include fast-moving subjects, require 4K video capabilities, or demand the highest image quality with improved autofocus and professional workflow features, the X-T2 is the significant upgrade. It’s a camera that marries Fuji’s analog-inspired design with modern pro performance.
In my experience, photographers who benefit most from the X-T2 are those willing to carry slightly more weight for improved speed, precision, and versatility - wildlife shooters, event photographers, and videographers stand to win the most.
This comparison reflects thorough hands-on testing, situating these two Fujifilm cameras in their proper historical and practical context. Both remain relevant and remarkable devices, but knowing their strengths and ideal use cases will help you choose wisely without regrets.
Happy shooting!
Fujifilm X-T1 vs Fujifilm X-T2 Specifications
Fujifilm X-T1 | Fujifilm X-T2 | |
---|---|---|
General Information | ||
Make | FujiFilm | FujiFilm |
Model type | Fujifilm X-T1 | Fujifilm X-T2 |
Category | Advanced Mirrorless | Advanced Mirrorless |
Introduced | 2014-04-14 | 2016-07-07 |
Body design | SLR-style mirrorless | SLR-style mirrorless |
Sensor Information | ||
Chip | EXR Processor II | X-Processor Pro2 |
Sensor type | CMOS X-TRANS II | CMOS X-TRANS III |
Sensor size | APS-C | APS-C |
Sensor dimensions | 23.6 x 15.6mm | 23.6 x 15.6mm |
Sensor surface area | 368.2mm² | 368.2mm² |
Sensor resolution | 16 megapixel | 24 megapixel |
Anti alias filter | ||
Aspect ratio | 1:1, 3:2 and 16:9 | 1:1, 3:2 and 16:9 |
Highest Possible resolution | 4896 x 3264 | 6000 x 4000 |
Maximum native ISO | 6400 | 12800 |
Maximum enhanced ISO | 51200 | 51200 |
Minimum native ISO | 200 | 200 |
RAW files | ||
Minimum enhanced ISO | 100 | 100 |
Autofocusing | ||
Manual focusing | ||
Touch to focus | ||
Continuous autofocus | ||
Single autofocus | ||
Autofocus tracking | ||
Selective autofocus | ||
Center weighted autofocus | ||
Autofocus multi area | ||
Autofocus live view | ||
Face detect autofocus | ||
Contract detect autofocus | ||
Phase detect autofocus | ||
Total focus points | - | 325 |
Cross type focus points | - | - |
Lens | ||
Lens support | Fujifilm X | Fujifilm X |
Amount of lenses | 54 | 54 |
Crop factor | 1.5 | 1.5 |
Screen | ||
Range of display | Tilting | Tilting |
Display sizing | 3" | 3.2" |
Resolution of display | 1,040k dot | 1,040k dot |
Selfie friendly | ||
Liveview | ||
Touch capability | ||
Display technology | TFT LCD (RGBW) | - |
Viewfinder Information | ||
Viewfinder type | Electronic | Electronic |
Viewfinder resolution | 2,360k dot | 2,360k dot |
Viewfinder coverage | 100 percent | 100 percent |
Viewfinder magnification | 0.77x | 0.77x |
Features | ||
Min shutter speed | 30s | 30s |
Max shutter speed | 1/4000s | 1/8000s |
Max quiet shutter speed | 1/32000s | 1/32000s |
Continuous shutter speed | 8.0 frames/s | 14.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | Yes |
Custom white balance | ||
Image stabilization | ||
Built-in flash | ||
Flash distance | 8.00 m (ISO100) | no built-in flash |
Flash settings | Activated when external flash is connected Red-eye removal OFF: Auto / Forced Flash / Slow Synchro / Suppressed Flash / Rear-curtain Synchro / Commander Red-eye removal ON: Red-eye Reduction Auto / Red-eye Reduction & Forced Flash / Suppressed Flash / Red-eye Reduction & Slow Synchro / Red-e | Auto, standard, slow sync, manual, commander |
External flash | ||
AE bracketing | ||
White balance bracketing | ||
Max flash sync | 1/180s | 1/250s |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Supported video resolutions | 1920 x 1080 (30, 60p), 1280 x 720 (30p, 60p) | 3840 x 2160 (29.97p, 25p, 24p, 23.98p), 1920 x 1080 (59.94p, 50p, 29.97p, 25p, 24p, 23.98p), 1280 x 720 (60p, 50p, 30p, 25p, 24p) |
Maximum video resolution | 1920x1080 | 3840x2160 |
Video format | H.264 | MPEG-4, H.264 |
Mic jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | Built-In | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 3.0 (5 GBit/sec) |
GPS | Optional | None |
Physical | ||
Environment seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 440g (0.97 lb) | 507g (1.12 lb) |
Dimensions | 129 x 90 x 47mm (5.1" x 3.5" x 1.9") | 133 x 92 x 49mm (5.2" x 3.6" x 1.9") |
DXO scores | ||
DXO Overall rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Battery life | 350 photos | 340 photos |
Battery form | Battery Pack | Battery Pack |
Battery ID | NP-W126 | NP-W126S |
Self timer | Yes (10sec. / 2sec. Delay) | Yes (2 or 10 secs) |
Time lapse recording | ||
Storage media | SD / SDHC / SDXC (UHS-II) | Dual SD/SDHC/SDXC UHS II |
Storage slots | 1 | Dual |
Retail pricing | $1,300 | $1,600 |