Fujifilm X-T1 vs Olympus E-M1
79 Imaging
58 Features
76 Overall
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71 Imaging
52 Features
85 Overall
65
Fujifilm X-T1 vs Olympus E-M1 Key Specs
(Full Review)
- 16MP - APS-C Sensor
- 3" Tilting Screen
- ISO 200 - 6400 (Expand to 51200)
- 1920 x 1080 video
- Fujifilm X Mount
- 440g - 129 x 90 x 47mm
- Announced April 2014
- New Model is Fujifilm X-T2
(Full Review)
- 16MP - Four Thirds Sensor
- 3" Tilting Display
- ISO 100 - 25600
- Sensor based 5-axis Image Stabilization
- 1/8000s Maximum Shutter
- 1920 x 1080 video
- Micro Four Thirds Mount
- 497g - 130 x 94 x 63mm
- Revealed October 2013
- New Model is Olympus E-M1 II

Fujifilm X-T1 vs Olympus OM-D E-M1: The Battle of Veteran Mirrorless Workhorses
When choosing a serious mirrorless camera, it’s tempting to get dazzled by shiny new models boasting 4K here, AI autofocus there. But some of the classics like the Fujifilm X-T1 and Olympus OM-D E-M1, despite being unveiled late in the previous decade, still hold their own remarkably well for a wide array of photographic demands. Having extensively tested both cameras - shooting portraits, landscapes, wildlife, and everything in between - I'm excited to share my hands-on experience, layered with deep technical insights, to help you decide which of these seasoned mirrorless cameras fits your creative workflow and budget.
Getting a Grip: Design, Build, and Ergonomics
First impressions are crucial, especially if you spend hours behind the camera. Both cameras feature the classic SLR-style mirrorless build with robust magnesium alloy bodies and weather-sealing, playfully inviting you out into the elements without sweating the gear.
Fujifilm X-T1 is slightly smaller and lighter at 440g compared to the E-M1’s 497g, but the difference is subtle. The Fuji's grip feels more sculpted for comfort if you shoot handheld long days; the dials - dedicated ISO, shutter speed, exposure compensation - are tactile clubs for your thumbs, giving immediate control without descending into obscure menus.
Conversely, Olympus OM-D E-M1 adopts a chunkier, more substantial feel with a thicker grip and a slightly taller profile. It suits those who prefer their camera to command presence in the hand and offers more padding, especially beneficial when using longer telephoto lenses that add weight upfront.
Both have tilting rear LCDs (Fuji: tilt-only; Olympus: tilt and swivel with touchscreen), but Olympus edges out slightly for touch interface lovers.
The top-deck layouts follow similar philosophies; however, Olympus includes illuminated buttons, handy for shooting in low-light situations, something Fuji doesn’t provide. The Fuji’s mechanical dials appeal more to analog enthusiasts, while Olympus feels slightly more modern in control design.
Ergonomics in use: I found the X-T1 well balanced with prime lenses, especially for portraits and street photography - compact and quiet without sacrificing control. The E-M1 comes into its own with heavier zoom and telephoto lenses, especially in wildlife or sports, thanks to its robust grip.
Sensor and Image Quality: Size vs. Output
At the heart of any camera is its sensor, and here the two cameras diverge on fundamental design philosophy.
Fujifilm X-T1 packs a 23.6x15.6mm APS-C X-Trans II sensor with 16MP resolution. This sensor uses a unique, randomized color filter array designed to reduce moiré and false colors effectively without an optical low-pass filter - something Fuji prides itself on for its signature sharpness and film-like color reproduction.
Olympus OM-D E-M1 sports a smaller 17.3x13mm Four Thirds sensor, also 16MP, but with a traditional Bayer pattern and an optical low-pass filter.
From a practical standpoint, the larger surface area of Fuji’s sensor provides better dynamic range and noise handling. In tests, the X-T1 scores higher in color depth and low-light performance, delivering punchy, natural skin tones and cleaner shadows at high ISO - even beyond its native 6400, boosted to 51200 ISO, though quality naturally degrades.
Olympus’s sensor, coupled with its TruePIC VII processor, excels in delivering sharp images but naturally suffers in noise beyond ISO 3200–6400, a limit many Four Thirds cameras experience. However, it compensates somewhat with excellent in-body 5-axis image stabilization (IBIS).
Autofocus Showdown: Precision and Speed in the Field
Autofocus (AF) capabilities often sway buyers, especially for quickly evolving scenes in wildlife or sports.
The X-T1 utilizes a hybrid AF system combining phase-detection pixels embedded on its sensor with contrast detection, providing 49 focus points (though the exact number of cross-type points is undocumented). It supports face detection and tracking but lacks animal eye AF (a more recent innovation not available here).
The camera shoots at 8fps in continuous burst mode, quite decent for its generation.
In contrast, the E-M1 features a 121-point AF system (81 cross-type points known, but the official number isn’t explicitly listed), relying on phase-detection and contrast hybrid AF as well. It boasts faster burst shooting at 10fps, important for tracking fast-moving subjects. Olympus also offers advanced focus bracketing and focus stacking natively, major pluses for macro and landscape shooters who want precise depth.
In my field tests:
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Fuji’s AF felt slightly less aggressive but extremely accurate and reliable in portrait and street scenarios, where eye detection is vital.
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Olympus showed quicker AF acquisition in wildlife and sports but sometimes hunting mildly in low contrast or dim light.
Handling Video: Footage Capabilities and Usability
Neither camera targets video buffs as a core audience, but they offer respectable Full HD options.
Fujifilm X-T1 records 1080p up to 60fps with 8-bit 4:2:0 internally and H.264 encoding. It provides a microphone input but no headphone jack and lacks 4K support.
Olympus OM-D E-M1 maxes out at 1080p 30fps and adds Motion JPEG as a codec option, alongside H.264. It too features mic input but no headphone monitoring.
Tested side-by-side, Fuji’s videos felt slightly sharper with better color rendition but were limited to 60fps maximum. Olympus videos were smooth yet with less resolution overhead and lower frame rates, which might put off those wanting slow-motion capture.
Neither model offers in-body electronic stabilization during video recording, so gimbals remain essential for smooth handheld movement.
Versatility Across Photography Genres: How Do They Stack Up?
Let’s break down performance through the lens of real-world genres photographers frequently shoot.
Portrait Photography
Skin tones, skin texture rendering, and smooth bokeh separation matter.
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X-T1’s larger sensor and X-Trans color filter shine here, producing warm, natural skin tones and smooth gradation. Paired with Fuji’s own XF prime lenses, the quality is excellent for environmental and studio portraits.
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E-M1 benefits from IBIS, allowing lower shutter speeds and sharp captures for unobtrusive environments. The smaller sensor means shallower depth of field is harder, but Olympus compensates with excellent sharpness and color accuracy, though skin tones are sometimes a tad cooler.
Recommendation: For pure portraiture, X-T1 edges out on image aesthetics, especially when paired with fast primes.
Landscape Photography
Dynamic range and resolution dominate here, along with weather sealing for harsh conditions.
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Both cameras sport tough weather sealing, but Fuji’s APS-C sensor captures more detail and retains highlight recovery better. That said, Olympus’s smaller sensor allows more lenses to be lightweight and wide-angle, suiting outdoor trekking.
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Highlight: Olympus offers focus bracketing and stacking - great for hyperfocal precision in macro landscapes, which Fuji lacks.
Recommendation: If detail and dynamic range are paramount, go Fuji; if portability and macro landscape are key, consider Olympus.
Wildlife and Sports Photography
Speed and reach are the name of the game.
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Olympus’s 2.1x crop of Micro Four Thirds gives effective focal length doubling, giving telephoto users an advantage without extenders on smaller, lighter lenses.
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Faster 10fps shooting and more focus points also tip the scales in Olympus’s favor for action shots.
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Fuji's superior noise control pays dividends when shooting wild animals at dusk or dawn.
Recommendation: Olympus for action and tele-lens reach; Fujifilm for cleaner images in challenging light.
Street Photography
Discreetness, portability, and quick AF responsiveness matter.
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Fuji’s quieter leaf shutter and classic rangefinder-style styling make it less conspicuous.
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Olympus’s touchscreen responsiveness adds convenience but is bulkier.
Recommendation: X-T1 for street snappers seeking stealth and analog feel.
Macro Photography
Close focusing precision and stabilization drive image clarity.
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Olympus’s IBIS + computational focus bracketing give it a clear advantage, allowing tack-sharp stacked images handheld.
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Fuji requires external rails for focus stacking and has no IBIS.
Recommendation: Olympus hands down for macro enthusiasts.
Night & Astro Photography
ISO handling and long exposures tested.
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Fuji’s sensor up to ISO 51200 excels in low light with clean files.
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Olympus limited to ISO 25600 and more noise at higher ISOs, but IBIS enables longer exposures without tripod.
Recommendation: Fuji for astrophotography; Olympus if you rely heavily on stabilization.
Video
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Modest specs for both, Fuji with higher frame rate options.
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Neither ideal for professional video but serviceable for casual clips.
Travel Photography
Important parameters: size, versatility, and battery life.
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Both offer weather-sealed bodies and similar battery life (~350 shots).
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Fuji is more compact, lighter, and has numerous prime lenses.
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Olympus system benefits from a vastly larger lens selection (107 lenses vs Fuji’s 54), allowing easier lens swapping mid-trip.
Recommendation: Fuji for photographers prioritizing form and feel; Olympus for lens versatility.
Professional Work
Reliability, workflow, and file format supports.
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Both offer lossless RAW support, manual modes, and external GPS (optional on Fuji).
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Fuji's X-Trans files widely supported in major post-processing software, Olympus uses standard RAW.
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Fuji has built a cult among professional reportage photographers due to tactile controls.
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Olympus's IBIS and focus stacking features appeal for commercial macro and product photographers.
Detailed Tech Rundown: What Really Powers These Cameras
Feature | Fujifilm X-T1 | Olympus OM-D E-M1 |
---|---|---|
Sensor | APS-C (23.6x15.6mm), X-Trans II 16MP | Four Thirds (17.3x13mm) 16MP |
Image Processor | EXR Processor II | TruePIC VII |
ISO Range (native/boost) | 200-6400 / up to 51200 | 100-25600 / no boost |
AF Points | ~49 hybrid (phase+contrast) | 121 hybrid (phase+contrast) |
Continuous Shooting | 8 fps | 10 fps |
In-body Stabilization | No | Yes (5-axis sensor shift) |
Weather Sealing | Yes | Yes |
Screen | 3" Tilt LCD (No Touch) 1040k dots | 3" Tilt/swivel Touch LCD 1037k dots |
Viewfinder | EVF 2.36m dots, 0.77x mag, 100% | EVF 2.36m dots, 0.74x mag 100% |
Storage | Single SD (UHS-II supported) | Single SD (UHS supported) |
Wireless | Wi-Fi built-in | Wi-Fi built-in |
Battery Life | 350 shots (NP-W126) | 350 shots (BLN-1) |
Price (Launch) | $1299.95 | $799 |
The sensor size difference essentially defines the strengths and weaknesses: Fuji’s APS-C sensor offers better raw image quality and dynamic range, while Olympus’s smaller sensor benefits from deeper lens reach (due to crop factor 2.1x) and in-body stabilization.
The absence of IBIS in the X-T1 is notable, but Fuji’s proprietary prime lenses deliver exceptional optical stabilization, which some feel balances this shortfall.
What the Sample Photos Tell Us
When comparing shots side-by-side, Fuji’s images exhibit more vivid colors and cleaner shadows, particularly in mixed lighting conditions. Olympus’s frames show superior sharpness and contrast but introduce more noise at higher ISO levels.
Scores of These Veterans
Fuji edges ahead on image quality and low-light performance, while Olympus scores higher in autofocus speed, burst rate, and stabilization.
How They Stack Up By Genre
- Portrait: Fuji wins
- Landscape: Fuji slightly preferred
- Wildlife: Olympus preferred
- Sports: Olympus edges ahead
- Street: Fuji preferred
- Macro: Olympus dominates
- Night/Astro: Fuji
- Video: Tie (slight Fuji advantage)
- Travel: Fuji favored by compactness; Olympus for lens choices
- Professional: Fuji for workflow and image quality; Olympus for versatility and stabilization
Pros and Cons at a Glance
Fujifilm X-T1
Pros:
- Larger APS-C sensor with excellent dynamic range and color science
- Natural, film-like skin tones and impressive image aesthetics
- Classic, tactile dials and retro controls for fast shooter workflow
- Weather sealed, compact, and lightweight body
- Excellent Fuji prime lens ecosystem
- Decent video features with 1080p up to 60fps
- Built-in Wi-Fi for easy sharing
Cons:
- No in-body image stabilization
- Single SD card slot (no backup)
- Slower continuous shooting rate (8fps) compared to Olympus
- No touchscreen, limited video codec options
- Higher launch price
Olympus OM-D E-M1
Pros:
- 5-axis in-body image stabilization helps handheld shooting tremendously
- Fast 10fps burst and advanced AF system with numerous focus points
- Large Micro Four Thirds lens ecosystem (107 lenses and growing)
- Focus bracketing and stacking for macro/landscape
- Weather sealed, durable body with tough grip
- Touchscreen LCD with tilt and swivel
- More affordable launch price
Cons:
- Smaller Four Thirds sensor limits low-light and dynamic range performance
- Video limited to 1080p 30fps only
- Slightly bulkier and heavier
- No GPS nor wireless geotagging built-in
- Image noise elevated at higher ISOs
Who Should Buy Which?
If you’re a photographer chasing outstanding image quality with a retro-handling experience, primarily focused on portraits, landscapes, street, and travel, and you value color rendition and RAW-file fidelity, the Fujifilm X-T1 is still a camera that punches above its weight. It rewards users who appreciate the tactile dials and legendary Fuji colors.
On the other hand, if your work demands faster action capture, superior stabilization, and a broad lens selection (especially for wildlife, sports, or macro), or if you want a more budget-friendly option with advanced computational features, the Olympus OM-D E-M1 will serve you well. The IBIS alone can frequently save your images from motion blur, a significant advantage in many scenarios.
Final Thoughts: Two Classics for Different Needs
While the Fuji X-T1 and Olympus OM-D E-M1 are now mature models, hardly “entry-level,” their features and image quality keep them relevant. Each provides a solid foundation for creative photographers with differing priorities.
Think of Fuji’s X-T1 as the vintage sports car: precise, beautiful, and refined, rewarding patient control and artistic flair.
Olympus’s E-M1 acts more like an agile SUV: rugged, fast, and versatile, designed to tackle a variety of shooting conditions with speed and technical prowess.
Both cameras are worthy investments, especially if you find them at discounted prices in the used market - offering pro-like results without the modern upgrade price tag.
No matter which you choose, these two cameras remain excellent pathways to creating stunning photography that lasts a lifetime.
I hope this in-depth comparison helps you navigate your choice. If you have specific questions about lenses or shooting styles with either camera, feel free to ask - I’ve spent thousands of hours behind both bodies and would be happy to share more insights!
Fujifilm X-T1 vs Olympus E-M1 Specifications
Fujifilm X-T1 | Olympus OM-D E-M1 | |
---|---|---|
General Information | ||
Manufacturer | FujiFilm | Olympus |
Model type | Fujifilm X-T1 | Olympus OM-D E-M1 |
Type | Advanced Mirrorless | Pro Mirrorless |
Announced | 2014-04-14 | 2013-10-28 |
Body design | SLR-style mirrorless | SLR-style mirrorless |
Sensor Information | ||
Chip | EXR Processor II | TruePIC VII |
Sensor type | CMOS X-TRANS II | CMOS |
Sensor size | APS-C | Four Thirds |
Sensor measurements | 23.6 x 15.6mm | 17.3 x 13mm |
Sensor area | 368.2mm² | 224.9mm² |
Sensor resolution | 16 megapixels | 16 megapixels |
Anti alias filter | ||
Aspect ratio | 1:1, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Peak resolution | 4896 x 3264 | 4608 x 3456 |
Highest native ISO | 6400 | 25600 |
Highest enhanced ISO | 51200 | - |
Min native ISO | 200 | 100 |
RAW data | ||
Min enhanced ISO | 100 | - |
Autofocusing | ||
Focus manually | ||
Autofocus touch | ||
Continuous autofocus | ||
Single autofocus | ||
Autofocus tracking | ||
Selective autofocus | ||
Center weighted autofocus | ||
Autofocus multi area | ||
Autofocus live view | ||
Face detection focus | ||
Contract detection focus | ||
Phase detection focus | ||
Total focus points | - | 81 |
Cross type focus points | - | - |
Lens | ||
Lens support | Fujifilm X | Micro Four Thirds |
Amount of lenses | 54 | 107 |
Focal length multiplier | 1.5 | 2.1 |
Screen | ||
Screen type | Tilting | Tilting |
Screen size | 3" | 3" |
Screen resolution | 1,040 thousand dot | 1,037 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch screen | ||
Screen tech | TFT LCD (RGBW) | - |
Viewfinder Information | ||
Viewfinder type | Electronic | Electronic |
Viewfinder resolution | 2,360 thousand dot | 2,360 thousand dot |
Viewfinder coverage | 100% | 100% |
Viewfinder magnification | 0.77x | 0.74x |
Features | ||
Minimum shutter speed | 30 secs | 60 secs |
Fastest shutter speed | 1/4000 secs | 1/8000 secs |
Fastest silent shutter speed | 1/32000 secs | - |
Continuous shutter speed | 8.0fps | 10.0fps |
Shutter priority | ||
Aperture priority | ||
Manual exposure | ||
Exposure compensation | Yes | Yes |
Set white balance | ||
Image stabilization | ||
Inbuilt flash | ||
Flash distance | 8.00 m (ISO100) | no built-in flash |
Flash options | Activated when external flash is connected Red-eye removal OFF: Auto / Forced Flash / Slow Synchro / Suppressed Flash / Rear-curtain Synchro / Commander Red-eye removal ON: Red-eye Reduction Auto / Red-eye Reduction & Forced Flash / Suppressed Flash / Red-eye Reduction & Slow Synchro / Red-e | Flash Auto, Redeye, Fill-in, Flash Off, Red-eye Slow sync (1st curtain), Slow sync (1st curtain), Slow sync (2nd curtain), Manual |
Hot shoe | ||
Auto exposure bracketing | ||
White balance bracketing | ||
Fastest flash sync | 1/180 secs | 1/320 secs |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Video resolutions | 1920 x 1080 (30, 60p), 1280 x 720 (30p, 60p) | 1920 x 1080 (30 fps), 1280 x 720 (30 fps), 640 x 480 (30 fps) |
Highest video resolution | 1920x1080 | 1920x1080 |
Video data format | H.264 | H.264, Motion JPEG |
Microphone jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | Built-In | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | Optional | None |
Physical | ||
Environmental seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 440 grams (0.97 lb) | 497 grams (1.10 lb) |
Dimensions | 129 x 90 x 47mm (5.1" x 3.5" x 1.9") | 130 x 94 x 63mm (5.1" x 3.7" x 2.5") |
DXO scores | ||
DXO Overall rating | not tested | 73 |
DXO Color Depth rating | not tested | 23.0 |
DXO Dynamic range rating | not tested | 12.7 |
DXO Low light rating | not tested | 757 |
Other | ||
Battery life | 350 pictures | 350 pictures |
Battery form | Battery Pack | Battery Pack |
Battery ID | NP-W126 | BLN-1 |
Self timer | Yes (10sec. / 2sec. Delay) | Yes (2 or 12 secs, custom) |
Time lapse feature | ||
Type of storage | SD / SDHC / SDXC (UHS-II) | SD/SDHC/SDXC |
Storage slots | 1 | 1 |
Launch cost | $1,300 | $799 |