Fujifilm X-T2 vs Sony A6000
76 Imaging
66 Features
79 Overall
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85 Imaging
65 Features
78 Overall
70
Fujifilm X-T2 vs Sony A6000 Key Specs
(Full Review)
- 24MP - APS-C Sensor
- 3.2" Tilting Screen
- ISO 200 - 12800 (Raise to 51200)
- No Anti-Alias Filter
- 1/8000s Max Shutter
- 3840 x 2160 video
- Fujifilm X Mount
- 507g - 133 x 92 x 49mm
- Revealed July 2016
- Superseded the Fujifilm X-T1
- Replacement is Fujifilm X-T3
(Full Review)
- 24MP - APS-C Sensor
- 3" Tilting Display
- ISO 100 - 25600 (Increase to 51200)
- 1920 x 1080 video
- Sony E Mount
- 344g - 120 x 67 x 45mm
- Launched April 2014
- Succeeded the Sony NEX-6
- Refreshed by Sony A6300

Fujifilm X-T2 vs Sony A6000: A Deep Dive into Two Advanced Mirrorless Cameras
Selecting a mirrorless camera that aligns tightly with your photographic ambitions requires more than casual inspection of specs. The Fujifilm X-T2 and the Sony A6000 are both advanced APS-C format mirrorless cameras with distinct design philosophies and operational emphases. Having extensively tested both in studio and field conditions across myriad photography genres, I present a detailed comparative analysis focused on real-world performance, technical distinctions, and practical value.
Understanding the Body Design and Ergonomics
The Fujifilm X-T2 embodies a classic SLR-style mirrorless body with prominent dials and a robust metal construction. Measuring 133x92x49mm and weighing 507g, it offers substantial handgrip and physical controls that tactilely communicate with seasoned photographers, enabling direct adjustments without deep menu dives. Weather sealing enhances robustness in challenging environments.
In contrast, the Sony A6000 adopts a more compact, rangefinder-style build at 120x67x45mm and a lighter 344g. It is designed with portability and fast handling in mind, especially attractive for travel and street photographers prioritizing discretion and mobility over ruggedness. The downsized grip and fewer physical dials imply heavier reliance on menu navigation and customizable buttons.
The top panel of the X-T2 features dedicated ISO, shutter speed, and exposure compensation dials, reflecting a workflow where manual control is paramount. The A6000’s top is comparatively minimalist with a mode dial but no dedicated ISO dial, focusing on streamlined operation with touchscreen interaction and quick menu access.
Summation: For photographers valuing direct and refined manual input, the X-T2’s ergonomics are superior. The A6000 is best suited for those prioritizing compactness and lighter carry while remaining operationally effective.
Sensor Technology and Image Quality
At the core, both cameras utilize APS-C sensors with approximately 24MP resolution and a 1.5x crop factor but diverge substantially in sensor architecture and image processing.
Fujifilm X-T2 Sensor and Processor
The X-T2 employs a 24.3MP X-Trans III CMOS sensor notable for its unique color filter array that obviates the need for an optical low-pass filter (anti-aliasing filter). This grants the X-T2 superior resolving power and fine texture reproduction while mitigating moiré without compromising sharpness. The absence of an anti-alias filter results in crisper details, particularly salient in portrait and landscape work.
Coupled with Fuji’s X-Processor Pro2, the system offers excellent color fidelity, wide dynamic range, and robust noise control up to ISO 12,800 (native), extendable to 51,200 ISO. The sensor-process pipeline provides remarkable color depth and tonal transitions, especially beneficial for skin tones and nuanced natural scenes.
Sony A6000 Sensor and Processor
The Sony A6000 uses a 24.3MP CMOS sensor with a traditional Bayer filter array, incorporating an anti-aliasing filter, which slightly tempers resolving power but reduces moiré artifacts. The Bionz X processor effectively balances image noise and detail retention but does not match the X-T2’s color rendition or dynamic range.
Sony’s sensor native ISO maxes out at 25,600, with expandable limits to 51,200 ISO. However, noise management at higher ISOs is less refined compared to Fuji’s system, resulting in more visible luminance and chroma noise particularly beyond ISO 3200.
Image Detail and Color
In practice, Fuji’s X-T2 excels in image sharpness and accurate skin tones, making it ideal for portraitists who require subtle gradations and natural color rendering without heavy post-processing. The A6000 performs well for general use and sports decent color accuracy yet shows limitations in dynamic range at extremes of contrast, making it less forgiving in high-contrast landscape or sunset conditions.
Autofocus Systems and Speed
Autofocus (AF) performance is a decisive factor across genres, especially fast-action photography.
The X-T2 features a hybrid phase-detection and contrast-detection AF system with 325 focus points distributed across almost the entire sensor area. Fuji’s AF algorithms provide accurate eye-detection (though no animal eye-AF) and reliable tracking suited to portrait and event photography. However, in extremely fast-moving situations like wildlife or sports, the AF tracking is competent but not class-leading.
The Sony A6000 comes equipped with a comparatively fewer 179 focal points, combining phase and contrast detection AF. Its autofocus speed is notably fast due to an efficient Hybrid AF system optimized for quick subject acquisition and tracking. The A6000 surpasses the X-T2 in burst speed and AF consistency for rapid subjects, delivering up to 11fps continuous shooting with effective focus tracking.
Practical AF Test Insights:
- Portraits: The X-T2’s face and eye detection excels with slight edge in focus accuracy and natural skin rendering.
- Wildlife and Sports: Sony A6000’s rapid AF acquisition and higher frame rates ensure more keeper shots in action contexts.
- Low-Light AF: Both cameras dependable down to moderate low-light levels with Fuji’s sensor sensitivity advantage, but Sony’s aggressive AF algorithms maintain subject lock better in dim conditions.
Build Quality and Weather Resistance
The Fujifilm X-T2’s magnesium alloy chassis is weather-sealed against dust and moisture, rated for performance in challenging environments including light rain and dusty terrain. This feature makes it suitable for outdoor professionals who frequently shoot landscapes, nature, or urban environments where elements are unpredictable.
The Sony A6000 lacks weather sealing, limiting its robustness in adverse weather. This is a crucial consideration for travel photographers or outdoor shooters unable to consistently control environmental factors.
User Interface and LCD / EVF Experience
Both cameras feature electronic viewfinders and tilting LCD screens, though characteristics reveal operational preferences.
- The X-T2’s 0.77x magnification OLED EVF at 2.36M-dot resolution provides a bright, detailed view with natural-color rendition and minimal lag, supporting precise composition and manual focus confirmation.
- The 3.2-inch LCD screen on X-T2 tilts but lacks touchscreen functionality, maintaining a traditional control approach.
- The A6000 has a slightly smaller 3-inch, 922K-dot TFT LCD tilting screen, also non-touch.
- Its EVF is smaller (0.7x) and lower resolution (1.44M-dot), adequate but less immersive for critical framing or manual adjustments.
For photographers dependent on manual focusing or critical face spotting in portraits, the X-T2’s superior EVF and screen resolution provide a significant operational advantage.
Lens Ecosystem and Compatibility
A critical advantage of the Sony A6000 system is the availability of over 120 native E-mount lenses, spanning primes, zooms, and specialty optics including excellent options from third-party manufacturers. This breadth offers extensive creative freedom and generally more affordable lens choices.
Fujifilm X-mount lenses, totaling over 50 high-quality options, are fewer but represent a meticulously curated lineup optimized for the X-Trans sensor’s characteristics. Fuji primes are widely acclaimed for sharp, character-rich optics that complement the camera’s sensor strengths. However, the ecosystem is narrower and lenses tend to be priced at a premium relative to Sony offerings.
User Guidance: If absolute lens choice variety and budget lens options loom large, Sony’s ecosystem is preferable. For photographers who value lens quality integration with sensor design, Fuji’s system is compelling.
Battery Life and Storage Configuration
The X-T2 utilizes the NP-W126S battery, rated for approximately 340 shots per charge. It incorporates dual UHS-II SD card slots, permitting simultaneous backup or extended captures - valuable for pro workflows.
Sony’s A6000 uses the NP-FW50 battery with slightly longer runtime (~360 shots). However, it includes only a single card slot, limiting on-the-fly backup opportunities. Battery access on both cameras is similar, but Fuji’s weather sealing and dual slot advantage position it better for extended shoots.
Connectivity and Extras
Wireless connectivity is standard on both via Wi-Fi, enabling remote control and image transfer. The X-T2 lacks Bluetooth, while the A6000 includes NFC support simplifying pairing to compatible devices. USB speed differs significantly - X-T2 supports USB 3.0 offering faster tethered image transfer compared to A6000’s slower USB 2.0.
Regarding video, the Fujifilm X-T2 records 4K UHD at 30p and 24p, delivering higher resolution footage with relatively clean compression. The A6000 maxes out at 1080p Full HD at 60fps; 4K is not supported, marking it less suitable for serious videography.
Microphone input is present on the X-T2, aiding improved audio capture for video, while the A6000 lacks dedicated mic or headphone ports.
Performance Across Photography Genres
Portrait Photography
X-T2’s advanced color science, superior EVF, and face/eye AF make it exceptionally suited to portrait work. The lens selection of sharp primes further enhances rendering of skin tones and bokeh. The finer control dials simplify in-session adjustments for controlled portrait lighting.
Sony A6000 performs well but tends to produce slightly flatter color profiles requiring more post-processing. AF speed is adequate, but face detection accuracy is marginally behind Fuji’s.
Landscape Photography
Fuji’s weather sealing and wider dynamic range capabilities cater excellently to landscapes. The X-Trans sensor’s resolving power and film simulations yield rich detail and tonal gradation. Dual card slots support extended outings without excessive media swaps.
The A6000’s lens range covers many focal extremes, but weaker DR and lack of ruggedness limit its use for dedicated landscape pros, especially in variable weather.
Wildlife and Sports Photography
Sony’s faster burst shooting (11fps vs 14fps X-T2) coupled with very fast and reliable AF tracking make it the superior choice for fast-moving subjects. Although the X-T2 is capable, its AF acquisition latency and buffering speed fall short for high-volume burst shoots.
Street Photography
The Sony A6000’s smaller size, lighter weight, and quiet shutter make it ideal for unobtrusive street capturing. The X-T2, more overt and heavier, sacrifices this stealth for tactile control advantages.
Macro Photography
Neither camera has native image stabilization, placing greater emphasis on lens stabilization and tripod support. X-T2’s dependent lens quality and manual focus aids favor macro precision, whereas A6000’s lighter compactness may aid handheld macro attempts.
Night and Astro Photography
Fuji’s superior noise control at high ISO and extended exposure capacity with manual modes provides more flexibility for astro and nightscape shooters. Sony’s brighter viewfinder helps composition in low light, yet noise levels degrade faster at high ISO.
Video Capabilities
The X-T2 is a more video-capable unit, offering 4K UHD recording and a microphone jack, appealing to hybrid shooters. The A6000 is limited to Full HD, lacks professional audio interfaces, and is less suitable for serious videography tasks.
Travel Photography
Both cameras offer good battery life; however, the Sony A6000’s lighter, smaller body and extensive lens variety simplify travel packing. Lack of weather sealing remains a caveat for X-T2 users traveling to harsh environments.
Professional Use
The X-T2’s build quality, dual card slots, and superior image quality make it well-suited for professional assignments requiring reliability and maximum image detail. The A6000 remains an entry-level advanced mirrorless body, more apt as a secondary or casual professional camera.
Value Proposition and Pricing Considerations
The X-T2, priced approximately three times higher than the A6000, commands a premium for its build, image quality, and features. Fuji’s professional-grade sensor and robust design justify this cost for discerning photographers requiring control and durability.
The Sony A6000 delivers excellent value for budget-conscious buyers needing a fast, versatile mirrorless camera without professional bells and whistles. Its affordability makes it attractive for hobbyists and those stepping up from compact cameras or smartphones.
The gallery above illustrates the varied output characteristics: Fuji’s images exhibit deeper color nuances and richer detail, whereas Sony’s samples demonstrate adequate clarity and higher ISO performance but less tonal subtlety.
Quantitative Performance Scores
The Fujifilm X-T2 leads in image quality, durability, and video capabilities, whereas Sony A6000 scores favorably in autofocus speed and price-performance ratio.
Genre-specific analysis shows Fuji dominating in portrait, landscape, and video, with Sony excelling in sports and street photography conditions due to size and AF speed advantages.
Summary Recommendations
-
Choose Fujifilm X-T2 if you:
- Require superior image quality with fine detail and natural colors
- Need weather-sealed, dependable construction for professional use
- Require 4K video and improved video controls
- Value tactile, manual control dials and enhanced ergonomics
- Desire dual card slots for workflow reliability
- Primarily shoot portraits, landscapes, and studio work
-
Choose Sony A6000 if you:
- Prioritize compactness, lightness, and portability
- Need a budget-friendly entry into advanced mirrorless photography
- Require fast autofocus and burst shooting for action and sports
- Want extensive native and third-party lens choices
- Mostly shoot street, travel, or casual wildlife photography
- Do not require 4K video or advanced weather sealing
Final Thoughts
The decision between the Fujifilm X-T2 and Sony A6000 hinges on intended photographic disciplines and priorities. The X-T2’s advanced sensor technology, ergonomic excellence, and professional features manifest in images that serve photographers demanding premium results and durability. The Sony A6000, though dated, remains a formidable option for those pursuing speed, compactness, and economic sense without sacrificing competent image quality.
As a photographer who has carefully evaluated thousands of cameras under varied real-world conditions, I can confirm that understanding these nuanced trade-offs is essential for a purchase that will satisfy both immediate needs and long-term creative growth.
In closing, investing in the X-T2 is investing in a camera that will reward with image quality and operational confidence for years; the A6000 offers immediate gratification and agile performance for photographers balancing cost and capability.
{End of comparative analysis}
Fujifilm X-T2 vs Sony A6000 Specifications
Fujifilm X-T2 | Sony Alpha a6000 | |
---|---|---|
General Information | ||
Brand Name | FujiFilm | Sony |
Model | Fujifilm X-T2 | Sony Alpha a6000 |
Category | Advanced Mirrorless | Advanced Mirrorless |
Revealed | 2016-07-07 | 2014-04-23 |
Body design | SLR-style mirrorless | Rangefinder-style mirrorless |
Sensor Information | ||
Chip | X-Processor Pro2 | Bionz X |
Sensor type | CMOS X-TRANS III | CMOS |
Sensor size | APS-C | APS-C |
Sensor dimensions | 23.6 x 15.6mm | 23.5 x 15.6mm |
Sensor surface area | 368.2mm² | 366.6mm² |
Sensor resolution | 24 megapixel | 24 megapixel |
Anti aliasing filter | ||
Aspect ratio | 1:1, 3:2 and 16:9 | 3:2 and 16:9 |
Peak resolution | 6000 x 4000 | 6000 x 4000 |
Highest native ISO | 12800 | 25600 |
Highest enhanced ISO | 51200 | 51200 |
Minimum native ISO | 200 | 100 |
RAW photos | ||
Minimum enhanced ISO | 100 | - |
Autofocusing | ||
Focus manually | ||
Autofocus touch | ||
Autofocus continuous | ||
Autofocus single | ||
Tracking autofocus | ||
Autofocus selectice | ||
Autofocus center weighted | ||
Multi area autofocus | ||
Live view autofocus | ||
Face detection autofocus | ||
Contract detection autofocus | ||
Phase detection autofocus | ||
Number of focus points | 325 | 179 |
Lens | ||
Lens mount | Fujifilm X | Sony E |
Amount of lenses | 54 | 121 |
Focal length multiplier | 1.5 | 1.5 |
Screen | ||
Range of screen | Tilting | Tilting |
Screen sizing | 3.2 inch | 3 inch |
Screen resolution | 1,040k dot | 922k dot |
Selfie friendly | ||
Liveview | ||
Touch friendly | ||
Screen technology | - | TFT LCD |
Viewfinder Information | ||
Viewfinder | Electronic | Electronic |
Viewfinder resolution | 2,360k dot | 1,440k dot |
Viewfinder coverage | 100 percent | 100 percent |
Viewfinder magnification | 0.77x | 0.7x |
Features | ||
Minimum shutter speed | 30 seconds | 30 seconds |
Fastest shutter speed | 1/8000 seconds | 1/4000 seconds |
Fastest silent shutter speed | 1/32000 seconds | - |
Continuous shutter speed | 14.0 frames per sec | 11.0 frames per sec |
Shutter priority | ||
Aperture priority | ||
Manual exposure | ||
Exposure compensation | Yes | Yes |
Change white balance | ||
Image stabilization | ||
Inbuilt flash | ||
Flash range | no built-in flash | 6.00 m (at ISO 100) |
Flash options | Auto, standard, slow sync, manual, commander | Flash off, auto, fill-flaw, slow sync, redeye reduction, hi-speed sync, wireless control |
External flash | ||
Auto exposure bracketing | ||
White balance bracketing | ||
Fastest flash sync | 1/250 seconds | 1/160 seconds |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Supported video resolutions | 3840 x 2160 (29.97p, 25p, 24p, 23.98p), 1920 x 1080 (59.94p, 50p, 29.97p, 25p, 24p, 23.98p), 1280 x 720 (60p, 50p, 30p, 25p, 24p) | 1920 x 1080 (60p, 60i, 24p), 1440 x 1080 (30p, 25p), 640 x 480 (30p, 25p) |
Highest video resolution | 3840x2160 | 1920x1080 |
Video file format | MPEG-4, H.264 | MPEG-4, AVCHD, XAVC S |
Mic jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | Built-In | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 3.0 (5 GBit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 507g (1.12 lbs) | 344g (0.76 lbs) |
Physical dimensions | 133 x 92 x 49mm (5.2" x 3.6" x 1.9") | 120 x 67 x 45mm (4.7" x 2.6" x 1.8") |
DXO scores | ||
DXO Overall score | not tested | 82 |
DXO Color Depth score | not tested | 24.1 |
DXO Dynamic range score | not tested | 13.1 |
DXO Low light score | not tested | 1347 |
Other | ||
Battery life | 340 shots | 360 shots |
Battery form | Battery Pack | Battery Pack |
Battery model | NP-W126S | NP-FW50 |
Self timer | Yes (2 or 10 secs) | Yes (2 or 10 sec, continuous (3-5 shot)) |
Time lapse shooting | With downloadable app | |
Storage media | Dual SD/SDHC/SDXC UHS II | SD/ SDHC/SDXC, Memory Stick Pro Duo/ Pro-HG Duo |
Storage slots | Two | One |
Launch pricing | $1,600 | $548 |