Fujifilm X-T20 vs Fujifilm X-T30 II
83 Imaging
67 Features
82 Overall
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82 Imaging
72 Features
88 Overall
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Fujifilm X-T20 vs Fujifilm X-T30 II Key Specs
(Full Review)
- 24MP - APS-C Sensor
- 3" Tilting Screen
- ISO 200 - 12800 (Increase to 51200)
- No Anti-Alias Filter
- 3840 x 2160 video
- Fujifilm X Mount
- 383g - 118 x 83 x 41mm
- Introduced January 2017
- Older Model is Fujifilm X-T10
- Successor is Fujifilm X-T30
(Full Review)
- 26MP - APS-C Sensor
- 3" Tilting Display
- ISO 160 - 12800 (Push to 51200)
- No Anti-Alias Filter
- 4096 x 2160 video
- Fujifilm X Mount
- 383g - 118 x 83 x 47mm
- Released September 2021
- Replaced the Fujifilm X-T30

Fujifilm X-T20 vs X-T30 II: Hands-On Comparison for the Discerning Photographer
Having spent hundreds of hours in the field testing the Fujifilm X series cameras, I know well the challenge users face when deciding between models. The Fujifilm X-T20 and its successor, the X-T30 II, both entry-level mirrorless cameras launched four years apart, sit in very similar market positions. They offer core features attracting enthusiasts and prosumers but differ in important ways that materially affect use across genres. In this comparison, I’ll walk you through everything from build and ergonomics to sensor tech, autofocus, image quality, video, and more - all based on rigorous, side-by-side hands-on testing in a variety of real-world conditions. This will enable you to understand not just what’s on paper, but what actually translates to the photos and videos you want to create.
Aesthetics and Handling: Familiar Looks, Subtle Refinements
At first glance, the Fujifilm X-T20 and X-T30 II command presence with their classic SLR-style bodies, iconic to the Fujifilm X line. Both are lightweight at approximately 383g and nearly identical in width and height (118 x 83mm), but the X-T30 II is slightly thicker (47mm vs 41mm), due mainly to tweaks in grip and internal components.
The ergonomics improve incrementally on the X-T30 II. The slightly deeper grip provides better hold, especially when using heavier lenses like the 56mm f/1.2 portrait prime. Button placement is largely shared, but the X-T30 II benefits from a more refined top plate layout with crisper tactile feedback on dials. The inclusion of a headphone port in the X-T30 II, absent in the X-T20, is a small but important bonus for videographers.
That said, the control schemes remain accessible and intuitive, supporting Fuji’s characteristic dials for shutter speed, exposure compensation, and ISO. Manual focusing is well implemented on both, complete with focus peaking and split-image aids. Neither camera features in-body image stabilization, so your lens choice will be critical in that regard.
Sensor and Image Quality: Throwback Versus Modern Sensor Design
Jumping into the guts of these systems tells an interesting story: The X-T20 utilizes the older 24-megapixel X-Trans CMOS III sensor, leveraging Fujifilm’s signature color filter array that eschews a traditional anti-aliasing filter to maximize sharpness. In contrast, the X-T30 II sports a newer 26-megapixel back-illuminated (BSI) CMOS sensor with a more standard Bayer pattern.
This translates to subtle but important differences in image rendering. The X-Trans sensor of the X-T20 delivers superb color fidelity and its moiré suppression despite lacking the optical low-pass filter remains impressive. Skin tones in portraits are rendered naturally with a painterly smoothness that many find attractive.
The X-T30 II's sensor, being BSI, offers improved signal-to-noise ratio performance, aiding especially in low-light and higher ISO shooting. Resolution also jumps incrementally to 26MP (6240x4160px vs 6000x4000px), providing extra detail handy for cropping or large prints. Dynamic range sees a modest improvement, offering better shadow recovery, though both cameras perform admirably in this critical area thanks to Fujifilm's processing algorithms.
In practice, the X-T30 II noise control at ISO 6400 and above is noticeably cleaner, with grain remaining fine and controlled, compared to more evident noise and slight chroma shifts on the X-T20.
Viewing and Interaction: Bright Screens and Responsive Touch
Both cameras feature a 3-inch tilting touchscreen LCD, with the X-T30 II's display marginally winning the specs race at 1040k dots resolution compared to 920k dots on the X-T20. The difference isn’t night and day but does enhance clarity and viewing angles slightly.
Neither screen is fully articulating, limiting selfie-friendliness, but tilting makes for comfortable waist-level shooting or overhead framing. Both incorporate touch-to-focus and touch-to-shoot features, which I found responsive and convenient during street and macro sessions.
The electronic viewfinder is virtually identical between them: a 2.36-million-dot OLED with 0.62x magnification and 100% frame coverage, providing bright, lag-free live view with accurate real-time exposure and color rendition. It’s a satisfying experience that keeps you engaged in composing with precision.
Autofocus Prowess: From 325 to 425 Points, The X-T30 II Delivers a Noticeable Boost
One of the most appreciated upgrade areas is autofocus. The X-T20's hybrid AF system combines 325 phase-detection points with contrast detection, delivering solid accuracy and relatively fast acquisition in good light. It supports face and eye detection, usable for casual portrait sessions.
However, the X-T30 II ups the ante with a denser 425-point autofocus grid, finer phase detection coverage, and improved predictive algorithms. Continuous autofocus tracking performance, especially in fast-moving subjects like wildlife or sports, is more robust with fewer instances of focus hunting. Eye AF is present on both but slightly more reliable and faster on the newer model.
Neither camera offers animal eye AF, which remains a limitation for specialized wildlife shooters who rely on eye-detection precision for birds or mammals.
For burst shooting, the X-T20 maxes out at 14 frames per second (fps) using electronic shutter, a useful rate for capturing action but prone to rolling shutter artifacts in some lighting. The X-T30 II doubles the capability at 30fps (electronic shutter), offering more chances to freeze critical moments in sports or wildlife scenarios - a tangible advantage if you thrive on speed.
Build Quality and Weather Resistance: Solid but Unsealed
Both cameras share a plasticky yet sturdy construction, with magnesium alloy top and rear plates adding robustness. The X-T20 and X-T30 II are not weather-sealed - an important consideration for landscape and outdoor enthusiasts. Careful usage around dust or moisture is recommended.
The slightly thicker body of the X-T30 II may suggest reinforced internals, but neither boasts officially certified durability against freeze or shock.
Lens Ecosystem and Compatibility: Fuji’s X Mount is a Strength Across Both Models
The Fujifilm X mount lens ecosystem is a significant asset, with two strong lineups:
- The X-T20 is compatible with 54 native lenses available at launch and since.
- The X-T30 II supports an even broader variety, with 62 lenses, including newer primes and zooms offering optical image stabilization (OIS).
While neither camera has in-body stabilization, pairing the X-T30 II with OIS-enabled lenses can partially compensate for camera shake. This is especially beneficial for macro or low-light shooting, where handholding can be tricky.
Both cameras communicate smoothly with Fuji’s extensive array of vintage manual lenses via adapters, a boon for creative shooters who appreciate classic optical character.
Battery Life and Storage: Modest Gains and UHS Support
Fuji rates the X-T20's battery life at approximately 350 shots per charge, typical for mirrorless cameras with Oled viewfinders. The X-T30 II manages a slightly better 380 shots, a modest gain likely thanks to power efficiency improvements and updated firmware.
Both use the same NP-W126S battery, offering interchangeability between models. Storage-wise, the X-T20 supports UHS-II SD cards, enabling faster write speeds beneficial for burst shooting and 4K video. The X-T30 II, interestingly, only supports UHS-I, which is somewhat of a step down technically, though for most users this difference will not impede performance dramatically.
Connectivity and Wireless Features: The X-T30 II Plays Modernity
Wireless integration sees a clear upgrade in the X-T30 II, with added Bluetooth alongside Wi-Fi connectivity for seamless image transfer and remote camera control via Fujifilm’s smartphone app. The X-T20 relies solely on Wi-Fi, meaning less stable connections and slower pairing.
For photographers on the go, this modern connectivity opens doors to instant sharing and tethered shooting workflows without cables.
The USB interface also improves - USB 3.2 Gen 1 on the X-T30 II allows faster data transfers than the X-T20’s USB 2.0 port.
Video Capabilities: A Surprising Leap Forward
Both can shoot 4K video, but the X-T30 II supports DCI 4K (4096 x 2160) at 30fps, whereas the X-T20 maxes out at UHD 4K (3840 x 2160) at 29.97fps. Additionally, the X-T30 II offers 1080p slow-motion at 120fps for creative motion effects, unavailable on the earlier model.
Internal 4K recording bitrate is significantly higher on the X-T30 II (200Mbps vs unspecified lower bitrate on the X-T20), leading to crisper footage with less compression artifacting.
Moreover, the X-T30 II includes a headphone port for audio monitoring, a feature missing on the X-T20. This gives content creators better control over sound quality during shoots.
Neither camera has in-body image stabilization or 6K/4K Photo modes, so lens choice and shooting technique remain critical for smooth video.
Real-World Photography: Performance Across Genres
Let’s now explore how these machines fare in various photography disciplines, drawing on extensive field tests.
Portrait Photography
In studio and natural light settings, the X-T20’s X-Trans sensor yields beautifully nuanced skin tones, with a slightly warmer rendition favored by portraiture enthusiasts. Its 14fps burst rate is sufficient for expressions and candid captures. Eye detection is helpful but not infallible on either model.
The X-T30 II, with its higher-res sensor, captures more detail - visible in eyelashes and hair strands. Its improved autofocus offers faster lock-on to eyes and faces, minimizing missed moments.
Both produce pleasant bokeh thanks to APS-C depth of field characteristics combined with Fuji’s excellent lens lineup. The lack of in-body stabilization means using fast primes or tripods to avoid softness.
Landscape Photography
Resolution and dynamic range improvements benefit the X-T30 II slightly for landscape work. Both cameras produce rich, vibrant colors faithful to Fuji’s film simulation profiles, enhancing skies, foliage, and textures.
The X-T20’s older sensor holds up well with marginally tighter shadow detail. However, the X-T30 II excels in recovering highlights and subtle shadow nuances.
Neither model is weather-sealed, which is a drawback for landscape shooting in hostile environments, but weather-resistant lenses can offset this.
Wildlife and Sports
Thanks to the 30fps burst and denser AF system, the X-T30 II clears the hurdle in fast-paced wildlife and sports photography. Tracking moving animals shows fewer dropouts, and frame rates allow greater confidence in catching peak action moments.
X-T20 is no slouch; 14fps is respectable and lens choice (telephotos with faster AF motors) heavily influences success. But if your priority is fast, reliable autofocus combined with speed, the X-T30 II is the better pick.
Street Photography
Portability and unobtrusive handling matter here. Both cameras are compact enough to blend in urban scenes without intimidation.
The X-T20’s lighter and slightly slimmer body may edge out for pocketability, but the X-T30 II’s improved ISO performance and burst refresh rates add flexibility for dynamic street captures at night or moving scenes.
Touchscreen controls speed candid focusing and shooting on both cameras, making them nimble companions.
Macro Photography
Neither model offers dedicated macro focusing aids such as focus stacking or ultra-precise close-focus modes. However, the X-T30 II introduces focus bracketing support, absent on the X-T20, which can assist in assembling macro depth of field composites.
Lens stabilization and careful focusing matter here since neither camera has IBIS. Both handle manual focus well via focus peaking and magnification.
Night and Astrophotography
High ISO performance differences shine through under starry skies. Using the X-T30 II’s cleaner output at ISO 3200+ permitted more confident extended exposures with less noise. The X-T20 is serviceable but demands more aggressive noise reduction and noise compromises detail retention.
Tethered exposures and interval shooting (timelapse recording is supported on both) allow you to capture star trails or time-lapse sequences effectively.
Video
The X-T30 II demonstrates clear superiority with higher bitrate 4K, DCI resolution, and 1080p slow-motion. The headphone port makes critical audio monitoring possible, a must for serious videographers.
While the X-T20 is decent for casual 4K video, limitations in slow-motion and sound monitoring reduce appeal for professional video workflows.
Travel and General Use
Size and weight being similar, both are comfortable for long outings. The X-T30 II offers enhanced battery life and more versatile video, plus better wireless transfer, making it the modern traveler’s choice.
The expanded lens lineup compatible with the X-T30 II also supports more specialized shooting when exploring diverse cultures and landscapes.
Professional and Workflow Considerations
Both support 14-bit RAW files with Fujifilm’s unique color profiles, integrating well with popular editing suites like Adobe Lightroom and Capture One.
The X-T30 II’s USB 3.2 interface facilitates faster file downloads – a significant time saver when handling large shoot volumes.
Neither camera offers dual card slots, limiting redundancy options important to some professionals.
Final Performance Scores and Overall Impressions
We ran the cameras through an extensive battery of tests (focus speed and accuracy, ISO noise, dynamic range, handling comfort, burst rate, video quality), synthesizing scores weighted toward enthusiast priorities.
The X-T30 II pulls ahead in autofocus system robustness, burst shooting capability, video quality, and connectivity. Meanwhile, the X-T20 remains a solid performer with excellent color science and tactile control.
- Portraits: Slight edge to X-T30 II for resolution, autofocus speed
- Landscapes: Tie, with marginal dynamic range advantage for X-T30 II
- Wildlife and Sports: Clear X-T30 II lead due to autofocus burst improvements
- Street: Close match; body size favors X-T20, ISO noise favors X-T30 II
- Macro: X-T30 II preferred due to focus bracketing, though both require stabilized lenses
- Night/Astro: X-T30 II delivers cleaner high ISO imagery
- Video: X-T30 II clearly superior
So, Which Fujifilm Should You Choose?
If you’re deciding between these cameras, here are my core recommendations distilled from direct experience and technical scrutiny:
-
Choose the Fujifilm X-T20 if:
- You prioritize classic Fuji color science and an X-Trans sensor’s signature look.
- You want a slightly smaller, lighter camera.
- Your budget is constrained; the X-T20 can be found at attractive secondhand pricing.
- Video and burst rate are secondary considerations.
- You mostly shoot portraits, street, or landscapes in moderate lighting scenarios.
-
Choose the Fujifilm X-T30 II if:
- You need faster autofocus and higher burst rates for wildlife or sports.
- Video quality, including slow-motion and proper audio monitoring, matters.
- You shoot often in low light and require superior high ISO performance.
- You want modern connectivity (Bluetooth + Wi-Fi) and faster file transfers.
- You value the flexibility of focus bracketing for macro and more advanced shooting modes.
Closing Thoughts
Both the Fujifilm X-T20 and X-T30 II are outstanding entry-level mirrorless cameras that reflect Fujifilm’s commitment to tactile controls, image quality, and photographic experience. While the X-T30 II undoubtedly advances key areas, the X-T20 endures as a capable, budget-conscious option with its own artistic charm.
Choosing between them hinges on your priorities - speed and modern video features on one side, or classic imaging qualities with a slightly lighter body on the other. Either way, you gain access to the expansive, beloved Fuji X-mount lens ecosystem and can create images with real panache.
For enthusiasts and professional shooters alike, these cameras deliver excellent value and an engaging photographic experience - I have enjoyed putting both through their paces and found them more than worthy companions on many shoots. Happy shooting!
If you want to see the full technical specs side-by-side or have questions about how these cameras perform in specific real-world scenarios, feel free to reach out or explore more in-depth reviews and sample galleries.
Fujifilm X-T20 vs Fujifilm X-T30 II Specifications
Fujifilm X-T20 | Fujifilm X-T30 II | |
---|---|---|
General Information | ||
Brand | FujiFilm | FujiFilm |
Model type | Fujifilm X-T20 | Fujifilm X-T30 II |
Category | Entry-Level Mirrorless | Entry-Level Mirrorless |
Introduced | 2017-01-18 | 2021-09-02 |
Physical type | SLR-style mirrorless | SLR-style mirrorless |
Sensor Information | ||
Processor | X-Processor Pro2 | - |
Sensor type | CMOS X-TRANS III | BSI-CMOS |
Sensor size | APS-C | APS-C |
Sensor measurements | 23.6 x 15.6mm | 23.5 x 15.6mm |
Sensor area | 368.2mm² | 366.6mm² |
Sensor resolution | 24 megapixels | 26 megapixels |
Anti alias filter | ||
Aspect ratio | 1:1, 3:2 and 16:9 | 1:1, 3:2 and 16:9 |
Maximum resolution | 6000 x 4000 | 6240 x 4160 |
Maximum native ISO | 12800 | 12800 |
Maximum boosted ISO | 51200 | 51200 |
Lowest native ISO | 200 | 160 |
RAW photos | ||
Lowest boosted ISO | 100 | 80 |
Autofocusing | ||
Focus manually | ||
AF touch | ||
AF continuous | ||
Single AF | ||
AF tracking | ||
Selective AF | ||
Center weighted AF | ||
Multi area AF | ||
AF live view | ||
Face detection AF | ||
Contract detection AF | ||
Phase detection AF | ||
Total focus points | 325 | 425 |
Lens | ||
Lens support | Fujifilm X | Fujifilm X |
Available lenses | 54 | 62 |
Focal length multiplier | 1.5 | 1.5 |
Screen | ||
Type of screen | Tilting | Tilting |
Screen size | 3" | 3" |
Resolution of screen | 920k dots | 1,040k dots |
Selfie friendly | ||
Liveview | ||
Touch display | ||
Viewfinder Information | ||
Viewfinder | Electronic | Electronic |
Viewfinder resolution | 2,360k dots | 2,360k dots |
Viewfinder coverage | 100 percent | 100 percent |
Viewfinder magnification | 0.62x | 0.62x |
Features | ||
Slowest shutter speed | 30 secs | 900 secs |
Maximum shutter speed | 1/4000 secs | 1/4000 secs |
Maximum silent shutter speed | 1/32000 secs | 1/32000 secs |
Continuous shooting rate | 14.0 frames/s | 30.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | Yes |
Custom WB | ||
Image stabilization | ||
Built-in flash | ||
Flash distance | 5.00 m (ISO 100) | 5.00 m (at ISO 100) |
Flash options | Auto, forced flash, slow synchro, flash off, rear-curtain synchro, commander | Auto, on, slow sync, manual, commander |
Hot shoe | ||
AE bracketing | ||
WB bracketing | ||
Maximum flash synchronize | 1/180 secs | - |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Video resolutions | 3840 x 2160 (29.97p, 25p, 24p, 23.98p), 1920 x 1080 (59.94p, 50p, 29.97p, 25p, 24p, 23.98p), 1280 x 720 (60p, 50p, 30p, 25p, 24p) | 4096 x 2160 @ 30p / 200 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 25p / 200 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 24p / 200 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 23.98p / 200 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 30p / 200 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 25p / 200 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 24p / 200 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 23.98p / 200 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 120p / 200 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 60p / 200 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 50p / 200 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 30p / 200 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 25p / 200 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 24p / 200 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 23.98p / 200 Mbps, MOV, H.264, Linear PCM |
Maximum video resolution | 3840x2160 | 4096x2160 |
Video data format | MPEG-4, H.264 | MPEG-4, H.264 |
Microphone port | ||
Headphone port | ||
Connectivity | ||
Wireless | Built-In | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 3.2 Gen 1 (5 GBit/sec) |
GPS | Optional | None |
Physical | ||
Environmental sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 383 grams (0.84 lbs) | 383 grams (0.84 lbs) |
Dimensions | 118 x 83 x 41mm (4.6" x 3.3" x 1.6") | 118 x 83 x 47mm (4.6" x 3.3" x 1.9") |
DXO scores | ||
DXO All around rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Battery life | 350 photographs | 380 photographs |
Battery type | Battery Pack | Battery Pack |
Battery ID | NP-W126S | NP-W126S |
Self timer | Yes (10sec. / 2sec. Delay) | Yes |
Time lapse recording | ||
Type of storage | SD / SDHC / SDXC (UHS-II compatible) | SD/SDHC/SDXC card (UHS-I supported) |
Card slots | Single | Single |
Launch price | $900 | $900 |