Fujifilm X-T200 vs Panasonic S5
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Fujifilm X-T200 vs Panasonic S5 Key Specs
(Full Review)
- 24MP - APS-C Sensor
- 3.5" Fully Articulated Screen
- ISO 200 - 12800 (Bump to 51200)
- 3840 x 2160 video
- Fujifilm X Mount
- 370g - 121 x 84 x 55mm
- Announced January 2020
- Superseded the Fujifilm X-T100
(Full Review)
- 24MP - Full frame Sensor
- 3.0" Fully Articulated Screen
- ISO 100 - 51200 (Increase to 204800)
- Sensor based 5-axis Image Stabilization
- No Anti-Alias Filter
- 1/8000s Maximum Shutter
- 3840 x 2160 video
- Leica L Mount
- 714g - 133 x 97 x 82mm
- Revealed August 2020
- Refreshed by Panasonic S5 II

Comparative Analysis of the Fujifilm X-T200 and Panasonic Lumix S5: An Expert’s Perspective
Selecting a mirrorless camera that aligns precisely with your photographic ambitions demands more than a cursory glance at specifications. In this exhaustive comparison, I dissect two contemporaries from distinctly different tiers: the Fujifilm X-T200, a compelling entry-level APS-C mirrorless model, and the Panasonic Lumix S5, a robust full-frame professional-grade mirrorless camera. Drawing on years of hands-on testing and rigorous evaluation methodologies, this article elucidates detailed technical differences, practical performance, and targeted use case recommendations to assist serious enthusiasts and professionals alike.
Physical Build and Ergonomics: Handling the Craft
The first tactile interface between photographer and device, the ergonomics and physical size, governs usability in the field.
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Fujifilm X-T200 measures a compact 121mm (W) × 84mm (H) × 55mm (D), weighing just 370g. Its comparatively lightweight magnesium-alloy frame (augmented by polycarbonate components) favors mobility and casual shooting.
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Panasonic Lumix S5 presents a larger, heavier footprint at 133mm × 97mm × 82mm and 714g. Its full magnesium alloy body incorporates comprehensive weather sealing - dust and splash-resistant - which assures reliability for professional outdoor assignments.
The Fujifilm’s smaller size enhances street and travel photography by minimizing hand fatigue during extended sessions, whereas the Panasonic’s beefier grip and button layout provide a confident feel critical during intense shooting scenarios.
Top-Down Control Layout and Interface
Controls dictate the fluidity of the capture experience, especially when shooting dynamically.
The X-T200 opts for a minimalist approach. Despite its SLR-style body, the top panel houses a mode dial, shutter button, and a basic function dial, lending simplicity but limiting direct access to advanced custom settings. The joystick to maneuver autofocus points is absent, replaced by touch input.
Conversely, the Lumix S5 incorporates a more decoupled control scheme with dedicated dials for shutter speed, ISO, exposure compensation, and a configurable top LCD screen. This arrangement supports rapid manual adjustments vital for professional users managing exposure in fast-paced environments.
Sensor Technology and Image Quality
Sensor design fundamentally defines image quality potential concerning noise performance, dynamic range, and resolution.
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Fujifilm X-T200 uses a 24.2MP APS-C sized CMOS sensor (23.5 x 15.7mm), featuring an anti-aliasing filter to mitigate moiré but with a slight softening effect on micro detail. The 1.5x crop factor constrains wide-angle shooting but benefits telephoto reach extension.
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Panasonic Lumix S5 mounts a 24.2MP full-frame CMOS sensor (35.6 x 23.8mm) without an AA filter, prioritizing maximum sharpness at the cost of heightened moiré risk in fine patterned areas. The full-frame sensor area (847.28 mm²) nearly 2.3x larger than the Fujifilm’s sensor, is a significant advantage for low-light performance and depth of field control.
The larger sensor size on the Panasonic translates into superior high ISO noise handling and broader dynamic range - key for professional-quality output and post-processing latitude.
Autofocus Performance: Speed and Precision
Reliable autofocus (AF) responsiveness and accuracy underpin success in all photography disciplines.
The Fujifilm’s hybrid AF system integrates phase-detection and contrast-detection with 425 focus points dispersed densely across the frame. This coverage facilitates flexible composition and reliable face/eye-detection capabilities, though continuous tracking performance tends to falter with fast-moving subjects under low contrast conditions.
The Lumix S5, while featuring fewer points at 225, compensates with Panasonic’s advanced Depth from Defocus (DFD) technology and superior AF algorithms that excel in continuous tracking, especially in video and dynamic sports scenes. The S5’s sensor-based 5-axis in-body image stabilization (IBIS) synergizes with autofocus to produce stable, sharp images in challenging scenario shooting.
LCD and Electronic Viewfinder
User interface elements influence compositional confidence and menu navigation efficiency.
The Fujifilm X-T200 sports a generously sized 3.5-inch fully articulating touchscreen with a high resolution of 2.76 million dots. This screen is particularly selfie-friendly and apt for vloggers or casual users engaging in video or social media content creation.
The Lumix S5’s 3.0-inch vari-angle touchscreen has fewer dots (1.84 million) but is coupled with a superior electronic viewfinder (EVF) magnification at 0.74x compared to the Fujifilm’s 0.62x. The EVF of the S5 provides 100% frame coverage and excellent clarity, enhancing manual focusing and framing accuracy in bright daylight conditions where the rear LCD may wash out.
Burst Shooting and Shutter Mechanisms
Image sequence rates and shutter speed versatility are critical for wildlife and sports shooters.
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Fujifilm X-T200 offers a respectable 8 fps burst rate with a maximum mechanical shutter speed of 1/4000s. The electronic shutter extends to an ultra-fast 1/32000s for silent shooting and high-speed capture.
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Lumix S5 records 7 fps mechanically but supports silent electronic shutter operation up to 1/8000s. Though slightly slower in burst rate, the S5 benefits from a more durable shutter mechanism designed for heavy use.
For fast-action shooting, while the Fujifilm’s faster burst can be attractive, Panasonic’s shutter durability and electronic shutter flexibility offer reliability in critical photojournalistic environments.
Video Capabilities: Resolution, Frame Rates, and Codecs
Video integration is indispensable for hybrid shooters.
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Fujifilm X-T200 captures 4K UHD video up to 30fps, encoded in MPEG-4 H.264 with linear PCM audio. It lacks advanced 10-bit profiles or higher frame rates for slow-motion capture in 4K but offers Full HD at up to 120fps for slow motion.
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Panasonic Lumix S5 outmatches with 4K UHD at 60fps, with variable bitrates up to 200 Mbps and optional H.264 or H.265 compression, delivering cinema-grade video fidelity. It supports Hybrid Log Gamma (HLG) for HDR workflows and includes V-Log L profile for advanced color grading. Crucially, the S5 offers both microphone and headphone jacks for professional audio monitoring.
The Panasonic’s video feature set aligns closely with professional workflows demanding nuanced image controls and color grading flexibility, whereas the Fujifilm suits casual creators with straightforward recording needs.
Lens Ecosystem and Compatibility
Lens availability is a decisive factor influencing long-term system selection.
The Fujifilm X-T200 utilizes the Fujifilm X-mount, with over 54 native lenses ranging from affordable primes to pro-level zooms, emphasizing compactness and optical excellence specially curated for APS-C sensors.
The Panasonic S5 employs the Leica L-mount, supported by the L-Mount Alliance including Leica, Panasonic, and Sigma. While the native options are fewer (~31 lenses), this mount provides full-frame coverage with excellent optical quality and increasing third-party availability, especially from Sigma’s extensive portfolio, enhancing versatility.
Given the price ranges and target markets, Fujifilm’s broader and more affordable lens lineup benefits hobbyists, while Panasonic’s L-mount ecosystem suits professionals prioritizing top-tier glass.
Battery Life and Storage Solutions
Battery endurance and media workflows are essential for uninterrupted fieldwork.
The Fujifilm X-T200’s NP-W126S battery yields approximately 270 shots per charge under CIPA standards - modest for extended sessions, necessitating spares for heavy use. It supports a single SD card slot with UHS-I speeds, adequate for casual shooters.
In contrast, the Panasonic S5 boasts an improved 440 shots per charge, a meaningful advantage in prolonged shoots, supported by USB-C charging facilitating power delivery from external sources like power banks - beneficial for long-form shoots or timelapses. Notably, it includes dual SD card slots supporting UHS-II cards, enabling simultaneous backup or overflow recording - an essential feature for professional reliability.
Wireless and Connectivity Features
Seamless integration with smart devices and peripherals accelerates workflows.
Both cameras offer built-in Wi-Fi and Bluetooth for remote control and image transfer. The Fujifilm’s Bluetooth version enables low-power constant pairing, simplifying on-location sharing.
The Panasonic’s connectivity is more comprehensive, with full HDMI video output supporting clean 10-bit 4:2:2 recording to external recorders and USB tethering with power support, critical for studio professionals and videographers.
Environmental Durability and Weather Resistance
Robustness impacts reliability amid challenging shooting environments.
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The Fujifilm X-T200 lacks any form of weather sealing, making it unsuitable for harsh weather or dusty conditions without protective measures.
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The Panasonic S5 features dust and splash resistance, serving as a semi-professional tool capable of enduring outdoor assignments in variable climates, increasing operational uptime.
Comparative Performance and Scores Overview
The synthesized performance ratings from extensive testing indicate the Lumix S5 outperforming the Fujifilm X-T200 across most objective metrics, particularly in image quality, video prowess, and durability. The Fujifilm’s accessibility and user-friendliness are reflected in a comparatively modest score but commendable for its price bracket.
Specialized Genres and Camera Suitability
Portrait Photography
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Fujifilm X-T200 produces pleasant skin tones with its proprietary color science and effective face/eye autofocus. Its APS-C sensor yields adequate background separation but cannot rival the Panasonic’s full-frame shallow depth-of-field capabilities and greater dynamic range for highlight/shadow detail.
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Panasonic S5 excels with nuanced skin tone rendition, enhanced bokeh control, and richer tonality made possible by the AA filter-free full-frame sensor.
Landscape Photography
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Fujifilm provides high resolution with pleasing color but limited by dynamic range and minimal weather sealing - potential drawbacks in harsh outdoor conditions.
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Panasonic’s larger sensor captures superior dynamic range, enabling more latitude in post-processing of shadowed or brightly lit scenes, coupled with build quality suited for rugged landscape use.
Wildlife and Sports Photography
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Fujifilm’s 8 fps burst and dense AF points are decent but can struggle with fast subject tracking and lens reach limitations given APS-C sensor crop and limited telephoto lens options.
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Panasonic S5’s sensor stabilization, robust AF tracking, and compatibility with long telephoto Leica L and Sigma lenses make it more competent for demanding wildlife and sports situations.
Street and Travel Photography
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Fujifilm’s compact size, fully articulating screen, and selfie mode-friendly design enhance street photography experience and portable travel use.
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Panasonic S5’s bigger footprint might deter casual street shooters but offers superior image quality and durability for serious travel photographers needing versatility and reliability.
Macro Photography
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Fujifilm’s extensive APS-C lens lineup includes affordable macro options; however, lack of in-body stabilization (IBIS) handicaps handheld close-up work.
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Panasonic’s sensor-based 5-axis IBIS and focus bracketing support facilitate greater precision and image sharpness in macro applications.
Night and Astrophotography
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The larger full-frame sensor of the Lumix S5 affords superior noise control at high ISO and better long exposure performance crucial for astrophotography.
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The X-T200’s smaller sensor and lack of stabilization impose limitations in extreme low-light conditions.
Video & Hybrid Use
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Fujifilm’s 4K30p and Full HD 120p capture is sufficient for casual videography; however, the absence of higher bit-depth recording options limits cinematic versatility.
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Panasonic’s 4K60p 10-bit internal recording in H.265, V-Log compatibility, headphone jack, and superior IBIS elevate it as a hybrid powerhouse for both high-fidelity video and stills.
Professional Workflows
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The Panasonic S5’s dual card slots, standardized L-mount lenses, durable shutter, enhanced connectivity, and better battery endurance suit the rigors of professional photography and flexible workflows.
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Fujifilm’s X-T200 caters primarily to entry-level users and enthusiasts without intense professional demands.
Practical Recommendations by User Profiles
User Type | Recommended Camera | Reasoning |
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Enthusiast & Hobbyist | Fujifilm X-T200 | Budget-friendly, lightweight, easy to use, excellent color science for portraits, casual video. |
Casual Travel Shooter | Fujifilm X-T200 | Compact size, longer articulating screen, selfie-friendly, sufficient lens ecosystem. |
Hybrid Creator (Photo & Video) | Panasonic Lumix S5 | Superior video specs, IBIS, headphone jack, and advanced encoding options for hybrid users. |
Landscape & Nature Pro | Panasonic Lumix S5 | Full-frame dynamic range advantage, weather sealing, versatile lens mounts, sturdier chassis. |
Wildlife & Sports | Panasonic Lumix S5 | Sensor stabilization, AF tracking, larger sensor benefits for high ISO and tele lenses. |
Macro & Studio Worker | Panasonic Lumix S5 | IBIS, focus bracketing/stacking, larger sensor detail retrieval, professional reliability. |
Conclusion: Weighing Priorities and Investment
The Fujifilm X-T200 stands out as an accessible mirrorless option for users prioritizing portability, color rendition, and straightforward operation within an accessible price envelope (~$699). It is best suited for enthusiasts stepping up from smartphone or compact cameras into interchangeable lens systems, casual vloggers, and travel photographers valuing lightweight gear.
In contrast, the Panasonic Lumix S5 (~$1999) delivers a markedly different proposition, targeting hybrid professional photographers and videographers demanding full-frame image quality, extensive video functionalities, robust build, and professional reliability. Its feature set supports a broad spectrum of specialized disciplines, from landscape to event photography, delivering substantive value especially for those investing in longer-term systems with professional workflows.
Ultimately, the choice hinges on the balance between budgetary constraints and functional requirements. Those seeking exceptional versatility and durability will find the Panasonic S5 a far superior tool, whereas users prioritizing convenience, user-friendliness, and cost-efficiency can confidently adopt the Fujifilm X-T200.
Examining sample outputs reveals the nuanced differences discussed in the text, validating the tangible impact sensor size and processing have on real-world image characteristics.
This extensive comparison intends to equip the discerning photographer with a data-driven foundation to select the most appropriate camera aligned with their unique shooting contexts and creative ambitions.
Fujifilm X-T200 vs Panasonic S5 Specifications
Fujifilm X-T200 | Panasonic Lumix DC-S5 | |
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General Information | ||
Make | FujiFilm | Panasonic |
Model | Fujifilm X-T200 | Panasonic Lumix DC-S5 |
Category | Entry-Level Mirrorless | Pro Mirrorless |
Announced | 2020-01-22 | 2020-08-14 |
Physical type | SLR-style mirrorless | SLR-style mirrorless |
Sensor Information | ||
Sensor type | CMOS | CMOS |
Sensor size | APS-C | Full frame |
Sensor dimensions | 23.5 x 15.7mm | 35.6 x 23.8mm |
Sensor area | 369.0mm² | 847.3mm² |
Sensor resolution | 24MP | 24MP |
Anti aliasing filter | ||
Aspect ratio | 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Peak resolution | 6000 x 4000 | 6000 x 4000 |
Highest native ISO | 12800 | 51200 |
Highest enhanced ISO | 51200 | 204800 |
Minimum native ISO | 200 | 100 |
RAW pictures | ||
Minimum enhanced ISO | 100 | 50 |
Autofocusing | ||
Manual focus | ||
Touch to focus | ||
AF continuous | ||
Single AF | ||
AF tracking | ||
Selective AF | ||
AF center weighted | ||
Multi area AF | ||
AF live view | ||
Face detection focusing | ||
Contract detection focusing | ||
Phase detection focusing | ||
Number of focus points | 425 | 225 |
Lens | ||
Lens mounting type | Fujifilm X | Leica L |
Available lenses | 54 | 31 |
Focal length multiplier | 1.5 | 1 |
Screen | ||
Screen type | Fully Articulated | Fully Articulated |
Screen diagonal | 3.5 inches | 3.0 inches |
Screen resolution | 2,780 thousand dots | 1,840 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch friendly | ||
Viewfinder Information | ||
Viewfinder type | Electronic | Electronic |
Viewfinder resolution | 2,360 thousand dots | 2,360 thousand dots |
Viewfinder coverage | 100% | 100% |
Viewfinder magnification | 0.62x | 0.74x |
Features | ||
Minimum shutter speed | 4s | 60s |
Fastest shutter speed | 1/4000s | 1/8000s |
Fastest silent shutter speed | 1/32000s | 1/8000s |
Continuous shutter rate | 8.0 frames per second | 7.0 frames per second |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | Yes |
Custom WB | ||
Image stabilization | ||
Inbuilt flash | ||
Flash range | 7.00 m (at ISO 200) | no built-in flash |
Flash modes | - | Auto, Auto/Red-eye Reduction, Forced On, Forced On/Red-eye Reduction, Slow Sync, Slow Sync w/Red-eye Reduction, Forced Off |
External flash | ||
AEB | ||
WB bracketing | ||
Fastest flash synchronize | - | 1/250s |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Video resolutions | 3840 x 2160 @ 30p, MP4, H.264, Linear PCM3840 x 2160 @ 25p, MP4, H.264, Linear PCM3840 x 2160 @ 24p, MP4, H.264, Linear PCM3840 x 2160 @ 23.98p, MP4, H.264, Linear PCM1920 x 1080 @ 120p, MP4, H.264, Linear PCM1920 x 1080 @ 60p, MP4, H.264, Linear PCM1920 x 1080 @ 50p, MP4, H.264, Linear PCM1920 x 1080 @ 25p, MP4, H.264, Linear PCM1920 x 1080 @ 24p, MP4, H.264, Linear PCM1920 x 1080 @ 23.98p, MP4, H.264, Linear PCM | 3840 x 2160 @ 60p / 200 Mbps, MP4, H.264, Linear PCM |
Highest video resolution | 3840x2160 | 3840x2160 |
Video data format | MPEG-4, H.264 | MPEG-4, H.264, H.265 |
Mic port | ||
Headphone port | ||
Connectivity | ||
Wireless | Built-In | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | Yes | Yes (can be charged with high-power laptop/tablet chargers or portable power banks) |
GPS | None | None |
Physical | ||
Environmental sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 370 gr (0.82 pounds) | 714 gr (1.57 pounds) |
Dimensions | 121 x 84 x 55mm (4.8" x 3.3" x 2.2") | 133 x 97 x 82mm (5.2" x 3.8" x 3.2") |
DXO scores | ||
DXO Overall score | not tested | not tested |
DXO Color Depth score | not tested | not tested |
DXO Dynamic range score | not tested | not tested |
DXO Low light score | not tested | not tested |
Other | ||
Battery life | 270 pictures | 440 pictures |
Battery type | Battery Pack | Battery Pack |
Battery model | NP-W126S | - |
Self timer | Yes | Yes |
Time lapse recording | ||
Type of storage | SD/SDHC/SDXC (UHS-I supported) | SD Memory Card, SDHC Memory Card, SDXC Memory Card |
Card slots | Single | Dual |
Launch cost | $699 | $1,999 |